tag:bloodmakesnoise.net,2005:/blogs/reviews?p=35Reviews2024-04-15T05:00:00-04:00Blood Makes Noisefalsetag:bloodmakesnoise.net,2005:Post/73611042024-03-29T05:00:00-04:002024-03-29T05:00:02-04:00Atomic Life Emerges as a Hardcore Supergroup with Debut Single "Hit Me First"<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/942831fad91868e9344c0383ea75d843b6106ee6/original/atomic-life-punk-rock-theory.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="532" width="800" /><p>In the heart of New York's hardcore scene, Atomic Life emerges as a formidable force, comprised of luminaries whose roots run deep in the city's musical bedrock. The Long Island-based alternative rock outfit, boasting the unparalleled drumming prowess of Billy Rymer (The Dillinger Escape Plan, Ho9909, Thoughtcrimes), the incendiary guitar work of Cody Hosza (Glassjaw), and the pulsating basslines of Michael Sadis (NK, The Rivalry), welcomes the addition of Adea Frances, a versatile performance artist whose haunting vocals and poignant lyricism elevate the band's sonic landscape.</p><p>Their debut single, "Hit Me First," a sonic cyclone of fury and catharsis, marks their arrival on the indie rock scene with unapologetic force. A primal scream against the confines of convention, the track pulses with frantic energy, propelled by Francis's impassioned delivery and razor-sharp lyricism. Describing the song as a manifestation of "forbidden desires and sinister intentions," Francis leads the charge, her vocals intertwining seamlessly with the band's blistering instrumentation.</p><p>"Hit Me First" serves as a harbinger of Atomic Life's forthcoming onslaught, offering a tantalizing glimpse into the depths of their sonic arsenal. With each chord and beat, the band carves out a space uniquely their own, defying categorization and embracing the chaos of creative expression.</p><p>As anticipation mounts, Atomic Life prepares to take the stage for their inaugural performance alongside the Bang Gamblers in late March. Set against the backdrop of New York City's vibrant music scene, the event promises to be a celebration of sonic innovation and unbridled passion.</p><p>Join Atomic Life as they ignite the stage on Saturday, March 30th, at Heaven Can Wait for the Bang Gamblers' Pulverizer Album release show, featuring an electrifying lineup including Beat Radio and I Love You, I'm Sorry. Tickets are available now, offering fans a front-row seat to witness the birth of a new musical epoch.</p><p>In a landscape defined by conformity, Atomic Life dares to defy convention, forging a path illuminated by the raw intensity of their collective vision. With "Hit Me First," they beckon listeners into a realm where boundaries blur and sonic landscapes shift, inviting all who dare to join them on a journey into the unknown.</p><p>Experience the revolution firsthand and immerse yourself in the sonic tapestry of Atomic Life.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9bvePU-jee0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9bvePU-jee0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=22263139.58362.1.16fa140afe4d67a7b7beadbc7d65e275" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.atomic-life.com</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73611032024-03-28T04:00:00-04:002024-03-28T04:00:05-04:00 Caroline Romano Delves Deeper into Alt-Pop Terrain with "Used by You"<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/36f1bfb103544d58ffee9c652145967af2c6d2ab/original/avatars-kdlfasxu2xkbcfor-nm9hlw-t500x500.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="500" width="500" /><p>Caroline Romano, the rising star of alt-pop, unveils her latest anthem, "Used by You," available across all streaming platforms. With each release, Romano has been crafting a distinctive sound that merges her pop sensibilities with the dynamic instrumentation of alt-rock. Her latest offering explores the theme of unrequited love against a backdrop of melodic guitars and anthemic percussion.</p><p>In "Used by You," Romano delivers a relatable narrative, painting a picture of the pains of unreciprocated affection. The track emanates raw honesty and authenticity, showcasing Romano's unwavering commitment to storytelling. "It’s unabashedly honest, blunt, and real," Romano explains. "It’s about loving someone to the point that you’re willing to move mountains for them, even when they’re not willing to move an inch for you."</p><p>At just 22, Nashville-based Romano has already established herself as a versatile artist, seamlessly transitioning between misty-eyed ballads and fiery alt-rock anthems. Her debut album, <i>Oddities and Prodigies</i>, released in 2022, marked her arrival onto the scene. Following up with the 2023 EP, <i>A Brief Epic</i>, Romano delved deeper into themes of love and loss, captivating fans and tastemakers alike.</p><p>As Romano's sound continues to evolve, she embarks on a spring tour alongside Smallpools and Grayscale, promising a melodic journey through the realms of alt-pop and beyond. The West Coast dates promise to be a spectacle not to be missed, as Romano's emotive performances are set to captivate audiences across the region.</p><p>In a musical landscape saturated with fleeting trends, Caroline Romano stands out as a beacon of authenticity and sincerity. With "Used by You" serving as the latest testament to her artistry, Romano solidifies her position as one of the most promising talents in the alt-pop scene.</p><p>Experience the magic of Caroline Romano live this spring. Tickets for all tour dates are available now at <a class="no-pjax" href="https://carolineromano.com/tour" target="_new">Caroline Romano's official website</a>.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="BtgMi2OmOEg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/BtgMi2OmOEg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Caroline Romano Tour Dates:</strong><br><span style="color:rgb(0,0,0);">April 26 - Bend, OR @ Domino Room</span><br><span style="color:rgb(0,0,0);">April 27 - Portland, OR @ Polaris Hall</span><br><span style="color:rgb(0,0,0);">April 28 - Seattle, WA @ Neumos</span><br><span style="color:rgb(0,0,0);">April 30 - San Francisco, CA @ The Independent</span><br><span style="color:rgb(0,0,0);">May 2 - Los Angeles, CA @ El Rey Theatre</span><br><span style="color:rgb(0,0,0);">May 3 - Santa Ana, CA @ Constellation Room</span><br><span style="color:rgb(0,0,0);">May 4 - Phoenix, AZ @ Crescent Ballroom</span><br><span style="color:rgb(0,0,0);">May 7 - Dallas, TX @ House of Blues Cambridge Room</span><br><span style="color:rgb(0,0,0);">May 8 - Austin, TX @ Antone's Nightclub </span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73669542024-03-27T05:20:00-04:002024-03-27T05:20:04-04:00MEET CANADIAN INDIE POP DARKWAVE ARTISTS GELAX<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0faa6a722ed5afa875c133d4c9d3f4c24ddef56c/original/gelax-press-2-credit-gelareh.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="3376" width="6076" /><p><span style="color:#0D0D0D;">With their latest album, "Shhh...," darkwave/post-punk duo Gelax emerges from a period of creative incubation, offering their most compelling musical narrative yet. Comprising vocalist Gelareh and multi-instrumentalist Tareq, the Toronto-based pair brings forth a fusion of darkwave, post-punk, indie rock, and electronic pop, delivering an enigmatic sonic journey punctuated by bold visuals and intricate lyrical explorations. Following a string of well-received singles and the acclaimed EP "Dreamonic," Gelax's return signals a deeper dive into introspection and societal commentary, inspired by global movements and personal reflections. With haunting melodies and striking imagery, Gelax invites audiences into a world where music becomes a vessel for expression and introspective dialogue.<o:p></o:p></span></p><p><br><span style="color:#1D2228;"><strong>How did the band form and what does the band name mean?</strong></span><br><span style="color:#1D2228;">GelaX is sorta of a short nickname for singer Gelareh Keyvani. We liked the ring of it. It was either that or Purple pupils of Saturn LOL.</span><br><br><span style="color:#1D2228;"><strong>Previous musical projects? How'd you first get into music?</strong></span><br><span style="color:#1D2228;">I think we both came from a line of diverse projects. Gelareh had many electronic and experimental underground ones back in her Iran. Tareq’s was in and out of rock, metal , bluesy bands since he came Canada from Middle East. He started by learning to play some Nirvana back when he was in middle school. Made a few amateur bands during school just playing at homes and garages haha. Was probably dreadful noise.</span><br><br><span style="color:#1D2228;"><strong>First concert that you ever went to?</strong> </span><br><span style="color:#1D2228;">Gelareh’s was underground secret local Iranian artists ( as music is very controlled by the government to whats allowed )</span><br><span style="color:#1D2228;">Tareq’s first was Megadeth in Toronto. Few months after landing.</span><br><br><span style="color:#1D2228;"><strong>What's your writing process like?</strong></span><br><span style="color:#1D2228;">Very varied and so many different approaches. Sometimes it starts with a programmed beat that Gelareh puts down , then we’d start layering notes on it. Other times just a simple vocal loop. Guitar riff or progression sometimes. Even just a weird FX from a synth or something that has a rhythm n repetitive mood.</span><br><span style="color:#1D2228;">Gelareh does most of the lyrics with some contributions from Tareq. And other way around with the instruments. A lot of our songs come from conversations we have about current issues or struggles we’re having with what’s around us. Or just a question we have asked each other.</span><br><br><span style="color:#1D2228;"><strong>What other artists or songs inspire your music?</strong></span><br><span style="color:#1D2228;"> Other than the main long term influences of Radiohead, Depeche Mode, Pink Floyd, Massive Attack, our inspirations come from a lot of different things we’re listening to at the moment. Most recently would be De Staat , or our rediscovery of post punk new wave sounds of Sad lovers and Giants, The Cure, etc.</span><br><br><span style="color:#1D2228;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><br><span style="color:#1D2228;">We’re probably more on the side of replicating certain moods and atmospheres on the album to the live show. We make emotional connections to the various moods in an album. Of course we also like it when an artist explores certain sections with some live improvisation that suit the moment.</span><br><br><span style="color:#1D2228;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span><br><span style="color:#1D2228;">Only within Canada so far. Honestly the smallest cities with music bars that have tiny stages have been the most organic, and exciting shows. Crowds are usually more receptive and reciprocal than in bigger cities. Few that stuck in our minds were Peterbrough’s Garnet or Windsor’s Phog lounge.</span><br><br><span style="color:#1D2228;"><strong>What's up next for the band?</strong></span><br><span style="color:#1D2228;">That’s a bit of a secret now. Haha. But let’s just say, we’re remerging.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gnfMM9NMMZg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gnfMM9NMMZg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/gelaxband/">https://www.instagram.com/gelaxband/</a> <br><br><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73610982024-03-27T05:00:00-04:002024-03-27T05:00:04-04:00Max Blansjaar Announces Debut Album 'False Comforts' <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/08fd9fc2b8fe879c260703fb6cfed66fdc329b86/original/0017444748-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="800" width="1200" /><p>Max Blansjaar, the 21-year-old DIY prodigy hailing from Amsterdam and based in Oxford, is set to release his debut album 'False Comforts' on June 21st via Beanie Tapes. Teasing the album's eclectic charm is the lead single "Anna Madonna," slated for release on March 8th.</p><p>Blansjaar's journey into the music scene began in 2018 at the age of 15, making waves in the Oxford music scene with his playfully sincere lo-fi indie pop tunes and hosting shows in all-ages venues. His early EPs found a home with Beanie Tapes, a label known for nurturing emerging talents.</p><p>For 'False Comforts,' Blansjaar ventured to Brooklyn, where he collaborated with acclaimed producer Katie Von Schleicher and Market's Nate Mendelsohn to refine his elaborate demos into a mesmerizing collection of tracks. The album, born from introspection and a quest for solace in an ever-changing world, features ten songs that bridge the artist's roots in Amsterdam and Oxford with the creative energy of Brooklyn.</p><p>"'Anna Madonna' serves as a manifesto," says Blansjaar. "It's a reminder to hold onto what we have, even in the face of uncertainty." The track, characterized by its infectious indie pop sound, reflects Blansjaar's introspective lyricism and catchy melodies.</p><p>Blansjaar's musical prowess has garnered praise from many publications, drawing comparisons to icons like Beck and Daniel Johnston. His music, unpolished yet undeniably charming, captures the essence of indie pop with refreshing sincerity.</p><p>To celebrate the release of "Anna Madonna," Blansjaar will perform at Common Ground in Oxford, UK on March 3rd alongside Tongue, offering fans a taste of what's to come from 'False Comforts.'</p><p>'False Comforts' will be available for pre-order on Bandcamp, coinciding with the release of "Anna Madonna." Blansjaar invites listeners to embark on a sonic journey that transcends borders and genres, offering solace in the midst of life's chaos.</p><p>Stay tuned for upcoming releases from Audio Antihero, including Magana's "Break Free" Single and bedbug's 'pack your bags the sun is growing' LP.</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=2206317464/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://maxblansjaar.bandcamp.com/album/fantasy-living-the-remaxes">Fantasy Living – The Remaxes by Max Blansjaar</a></iframe><br><a class="no-pjax" href="https://maxblansjaar.bandcamp.com/">https://maxblansjaar.bandcamp.com/</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73610972024-03-26T05:00:00-04:002024-03-26T05:00:03-04:00MEET SEATTLE INDIE ROCK BAND LINDA FROM WORK<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3e8d1e483e36cc6202a402bd1c1471bed9752540/original/0032730152-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="800" width="1200" /><div style="margin:0px;padding:0px;">
<span style="color:rgb(13,13,13);">Linda From Work, a fierce Seattle-based rock band led by Hillary Tusick (vocals/guitar) and comprising Elliott Gregory (guitar), Shayla Riday (bass), and Sam Nowak (drums), offers a high-energy sound marked by driving melodies and powerful vocals. Their sophomore album, "The Night Is Short," embodies a defiant spirit, showcasing emotional garage rock with bold vocal melodies, intense guitars, and an energetic rhythm. Reflecting themes of anger, anxiety, and longing, the album presents a cathartic journey through the night. Praised by Martin Douglas of KEXP, the band's track "Jealous" stands out as one of Seattle's best rock offerings, solidifying Tusick's status as a formidable rock vocalist.</span><br> </div>
<p><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span></p>
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<span style="color:#000000;">The band was initially formed by myself (Hillary) and Sam in 2018 and later on, Elliott and most recently Shayla joined on guitar and bass respectively. It's been amazing to not only be in a band with our best friends, but to be in a band that just clicks musically and creatively! The name was inspired by a terrible coworker - everyone's got that coworker that's not the most awful person in the world, but they might be the world's most irritating! Linda's totally the person who'd spend hours telling you about her niece's dance recital or overshare about her cat's health issues in the office. The kind of person who just makes you wanna scream, you know?</span><br><br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span>
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<span style="color:#000000;">From a very young age, I knew I wanted to be a musician so I've been writing songs and playing for years. Most of the time I was making music on my own, but once I moved to the PNW I played with a couple projects. Sam and I both were in Biblioteka playing drums and keys/guitar for a couple years. Linda From Work is actually Elliott and Shayla's first band! Elliott's been playing guitar for years, waiting for the right project to come along and Shayla started playing bass more seriously during Covid lockdowns. We're very lucky that we got to snap them up for this project!</span><br><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">Hillary - The first concert I ever attended was No Doubt and Blink 182 at Blossom Amphitheatre in my hometown Cleveland - I was 13 and was absolutely mesmerized. I wanted to be on that stage myself!</span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">Shayla - The Presidents of the USA at the Showbox in Seattle - I got to mosh and crowd surf and got thrown onstage and high fived Chris Ballew!</span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">Sam - My dad took me to Rush in Austin when I was kid - obviously wanted to be a drummer after that show.</span></div>
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<span style="color:#000000;">Elliott - Joe Satriani </span><br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span>
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<span style="color:#000000;">Usually, I start with a general feeling or vibe that I want to write about and create what I can the skeleton of the song - basic chord structure and melodies. Then I'll take it to the rest of the band to flesh it out and develop the rest of the song as I finalize the lyrics! When a song comes together quickly and naturally, you know you're onto something great.</span><br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span>
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<span style="color:#000000;">Linda From Work's sound has always been heavily influenced by the garage rock scene of the early 00's, specifically the Yeah Yeah Yeahs, Interpol, The White Stripes, and Metric. Fiona Apple has been a lifelong inspiration to me as a vocalist and lyricist - I certainly have her tendency to be a bit wordy when writing! Veruca Salt and The Donnas were early influences as well, you can definitely hear them in our music. A more recent influence to our sound is A Giant Dog, based in Austin, TX. The fact that they can be both highly melodic while having such driving, hard rock instrumentals is definitely something we strive for as well with our sound! Lastly, we always try to challenge ourselves while writing, to push ourselves to think bigger and more creatively, whether that's melodically or rhymically. Bands like The New Pornographers and Queen really inspire us to try out the unexpected when writing!</span><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0YOwf54eZpMdhHpVG7p4B0?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></div>
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<span style="color:#000000;">The feeling of playing live is hard to really describe for me. It's exhilarating and adrenaline-inducing, but at the same time feels as natural as breathing. Playing music together is just seriously so much fun for all of us, and when we get to play together in front of an audience, the energy of it all makes it even more of a rush! That being said though, we do try to make sure our live sets sound close to our recordings. I think personally that the songs would be lacking if we couldn't recreate at a live show what we recorded in a studio. Live music just might have more energy behind it!</span><br><br><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">Linda From Work has done shorter runs around the PNW and West Coast, but this current spring tour is our biggest undertaking thus far! We've had a blast touring so far - we travel well together, which is essential for those long hours on the road. I think Sam wins for the worst show: when touring with another project, we were playing a house show in Oakland. They had assured us ahead of time that there would be a drum kit for him to use. Well, we arrived, that wasn't quite true - there were some drums, but some things were missing. The worst was there was no snare stand. He had to use a flower pot upside down and hold the snare between his knees for the whole set! </span></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>What's up next for the band?</strong></span></div>
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<span style="color:#000000;">After our spring tour, we'll be playing some summer festivals around Seattle including Belltown Bloom and Capitol Hill Block Party. We're planning on playing more shows out of town as well, with another west coast tour in the works for the fall. We're also hard at work writing our next album and will be headed into the studio later this year! Linda will be busy this year, that's for sure.</span><br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="MNt9O1lOggc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/MNt9O1lOggc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.lindafromwork.com/">https://www.lindafromwork.com/</a></p>
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</div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73610962024-03-25T05:00:00-04:002024-03-26T08:59:29-04:00MEET BRANDON REESE OF BROOKLYN SHOEGAZE PROJECT HESITANT<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/38946dccaec062f384a069567187c390c20b8baa/original/dsc09677.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="4000" width="4524" /><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-66fcf781-7fff-584d-35d6-18e35360b613">Hesitant is the solo band of Brooklyn based musician Brandon Reese. Initially formed in 2020 as a recording project during the pandemic lockdown, Hesitant has gone on to release 3 EPs, most recently 2023’s ‘Seasons of Grief’. The album was inspired by the passing of Brandon’s close friend and long-time musical partner in 2021 and is a cathartic expression of the messy emotions that come from the loss of a once vibrant presence in one’s life.</span></span><br><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-66fcf781-7fff-584d-35d6-18e35360b613">Following the release of ‘Seasons of Grief’, Brandon assembled a live band of close friends to bring Hesitant’s music to the stage. The band has brought their grunge-laden take on shoegaze to notable venues around New York City, such as Bowery Electric, Gold Sounds, and Trans-Pecos with even more to follow throughout 2024.</span></span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;"> </div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>How did the band form and what does the band name mean?</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">The band started as just a solo recording project for me to kill time with during the pandemic lockdown. I hadn’t been in a real ‘band’ in about a decade, but I’d accumulated a bunch of riffs and ideas with nowhere to put them. I envisioned them as full-band songs, but I don’t play drums or have a drum set, so I was limited in how I could turn them into something worth sharing.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">One day during lockdown, I randomly found an old MIDI keyboard someone put out on the curb near my apartment in Brooklyn and decided to take it. I figured out how to use it with my recording software to make MIDI drums and that was a total game changer. I eventually bought one that wasn’t literal trash and the ideas started flowing out of me. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I came up with 4 songs that I thought were good enough to call an EP, threw it up on Bandcamp under the throwaway name m</span><span style="color:rgb(4,12,40);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ö</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">tley j</span><span style="color:rgb(77,81,86);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ë</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">w, and that was really the start of this project. I made a second EP as well and eventually decided to recruit some old friends to help play these songs live. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I thought m</span><span style="color:rgb(4,12,40);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ö</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">tley j</span><span style="color:rgb(77,81,86);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ë</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">w was a funny name, but once we were ready to start playing shows, I felt like the project deserved a moniker that was more than a throwaway joke. I kept telling people “I’m hesitant to keep the name m</span><span style="color:rgb(4,12,40);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ö</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">tley j</span><span style="color:rgb(77,81,86);"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">ë</span></span><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">w” and eventually realized that a great name was right there in that sentence, so I went with it. I like the name ‘hesitant’ because it’s a little self-deprecating, but doesn’t really take a stand in terms of sounding like it belongs to any particular genre, and everybody loves a one-word band name, right?</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"> <strong>Previous musical projects? How'd you first get into music?</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I was deeply obsessed with The Beatles as a little kid thanks to a cassette my parents used to play in the car all the time. I took my first guitar lesson when I was about 6, but didn’t stick with it until I was about 10 and heard Nirvana for the first time. They blew my mind and inspired me to really pick it up again in earnest.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">When I was in middle school, a classmate saw me wearing a Kurt Cobain shirt and remarked about how he loved Nirvana too. His name was Johnny and it turned out he was a drummer. We started jamming together that summer and ended up playing in bands together for most of the next decade. We went through more names than I could count, but the most successful projects we had were one called Wasteland and another called Scattered Earth. We weren’t known at all outside of our small local scene on Long Island, but playing music became a core part of my identity thanks to the time spent in those bands.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">The live band I have playing with me for Hesitant actually includes two members of those bands – our drummer Scott was in Wasteland, and our bass player Steve was in Scattered Earth. So it’s been really cool to come full circle and be playing again with some of the same people all these years later.</span><br><br><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong> First concert that you ever went to? (Locally and National acts)</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">The first local show I went to was probably when I was maybe 11 or 12 and some friends had a ska band called Malibu Boyscouts that would play around Long Island. Ska was never my thing really, but I thought it was so cool to see people I knew on stage and that was definitely an early inspiration for me.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">As far as national acts, my first real concert was Billy Joel and Elton John on their Face2Face tour in October 2002. Elton was kind of boring to me as a 12 year old, but Billy was still running around and standing on his piano and stuff, and that ruled. I still love both of those guys today, though.</span><br><br><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>What's your writing process like?</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Unlike my previous bands, which were very collaborative, Hesitant is very much a solo project - I write and perform all the instruments on our recordings by myself.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">For ‘seasons of grief’, the writing process was a heavy one. Everything about this album stemmed from the death of my friend and longtime musical partner Johnny, who I mentioned above, in December 2021.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I was completely devastated and found myself spending a lot of long nights sitting on my terrace, just zoning out in the haze of grief while listening to music. I eventually started noticing melodies coming into my head that were inspired by what I’d be listening to. At some point, I decided that the best way I could work through my grief was to do what Johnny and I did best – write songs about it.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I repeated this process for months – getting lost in my thoughts while sitting on my terrace listening to music and letting ideas come to me naturally. I’d make little demos of whatever I came up with and listen to them over and over, figuring out how to refine and add to them along the way until they resembled a real song. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Oftentimes when a vocal melody pops into my head, a single phrase will come along with it and that will inform the next line and so on. For instance, the song “lost grace” started because that first lyric “I just can’t face your fall from grace” popped into my head along with the vocal melody – everything else was built off that. Lyrically, I tried to capture moments along the way of grieving my friend, and each song represents a different step as I learned to live with this new, sad reality.</span><br><br> </p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>5. What other artists or songs inspire your music? </strong></span><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1k2bYWLjCY103Zs5neCSmk?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">My taste in music is all over the place, as you'll see in this playlist, but I’ve lately found myself most inspired by a lot of heavier shoegaze-esque bands like Nothing, Cloakroom, Hum, and Smashing Pumpkins. Those were definitely some of my biggest influences when writing ‘Seasons of Grief’ and you can really hear it in songs like “Lost Grace” and “Melisma.” Something about those thick and fuzzy riffs combined with shimmering leads makes this dark, ethereal quality that really does it for me and totally fit with the morose mood of what I was writing. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">There’s no quicker way to get me to love a song than by having strong vocal harmonies, so bands like Alice in Chains and Low are giant influences as well. Both bands essentially have two lead vocalists and the way each pair’s voices weave in and out of each other gives me chills. There’s harmonies all over ‘Seasons of Grief’, but you can probably hear the biggest influence of a band like AIC in the bridge of “The Pit of Self,” where I’m essentially just doing my best Layne/Jerry impersonation.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Overall, I’m really drawn to music that has heavy, noisy instrumentation combined with catchy vocal melodies - it started with Nirvana and extends today with bands like Dinosaur Jr. and Ovlov. There’s a bit less of a direct influence of those bands on the new album, but you can definitely hear a lot of it on older Hesitant songs like “Promise & Run” and “Lag”. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Though the heavier end of the “gazey” spectrum tends to be a bigger influence, I also totally love the first wave of shoegaze bands like My Bloody Valentine - the song “Just Say No To Never” actually started as my attempt at capturing the vibe of MBV’s “Thorn”.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Finally, I’m not sure that it totally comes across when you listen to my songs, but my favorite singer in the world is the late, great Mark Lanegan. I adore his entire body of work from the garage-y Screaming Trees records through the more new-wave stuff he did with Mark Lanegan Band. I thought he had the coolest sounding voice in the world and I’ve definitely subconsciously absorbed some of his phrasing in my own vocal delivery. He died just 2 months after my friend Johnny and, though I didn’t know him personally, I spent so much time with his music over the years that I genuinely grieved for him as well and that definitely was imbued in the mood of these songs.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I think there are a lot of different and valid ways to look at this, but for Hesitant, there’s definitely a big distinction between the recordings and the live show. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">Since I’m the only person playing on the recordings, there’s just naturally going to be a difference in the sound when 3 of the 4 instruments are being played by different people, even if the parts are the same. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I want the live experience to resemble the recordings, but the guys I have playing with me are all incredibly talented, so I like to give them a chance to shine and add their own touches where it makes sense. So we are a little looser with the structure of the songs when we play live - we leave some room for improvisation, extend some parts, add some leads that aren’t on the recordings, etc. </span></p>
<p dir="ltr"><br><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>7. Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">No touring for us yet, but I’d be thrilled if we could find an opportunity to do so. We only started playing live this past November, so we’re still working on building up our live show and getting a solid audience in our homebase of NYC before we trek out anywhere else. </span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede">I feel lucky to say we haven’t really had a negative show experience yet, but the best one was definitely when we played at Gold Sounds here in Brooklyn at the end of December. It was our biggest crowd yet; the room was filled with friends from all walks of my life and I was blown away and totally overwhelmed by the love I felt in the room.</span><br><br><span id="gmail-docs-internal-guid-c8c2d24c-7fff-f62a-09c4-247f481f4ede"><strong>8. What's up next for the band?</strong></span></p>
<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(153, 153, 153);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:#000000;">We'll be playing at Arlene’s Grocery in NYC on Thursday, April 4th. We’re looking forward to adding some songs we’ve not tried out live yet on that show and might even toss in some new ones if all goes well. Working on getting some more shows around the city in the Spring/Summer and beyond too.</span></div>
<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(153, 153, 153);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div>
<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(153, 153, 153);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;">But the big news is that we're going to be partnering with the label Pleasure Tapes for a cassette release of Seasons of Grief that will be out in April! Super excited to be working with them and to be getting a physical release for this music I worked so hard on. Release date is TBD but keep an eye out on our socials @hesitantnyc for updates.</span><br> </div>
</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oZkxANhOhCg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oZkxANhOhCg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Bandcamp: <a class="no-pjax" href="https://hesitantnyc.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://hesitantnyc.bandcamp.com</a><br>TikTok: <a class="no-pjax" href="https://www.tiktok.com/@hesitantnyc" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.tiktok.com/@hesitantnyc</a></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73610942024-03-22T05:00:00-04:002024-03-22T05:00:05-04:00MEET DARK SYNTH INDIE POP BAND LOVECOLOR<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;" id="m_7084792100819307399m_161109362533114810m_2066329346222053637ydpb0b94a0yiv4862262147ydp4fdfcbb1yiv6819084826yqtfd70524" dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dff1b12c315d00d8911842694a033bbe2681bf72/original/lovecolor-press-photo-3-by-zachariah-schmitt.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="3000" width="2000" /><p><br><span style="color:rgb(13,13,13);">Vanessa Silberman, singer, songwriter, and record producer, along with musician and actor Ryan Carnes, form the musical duo LOVECOLOR, known for their sultry alt-pop, dark synth, dance, and rock sounds that explore various facets of love. Joining forces officially in 2019 and launching LOVECOLOR in November 2022, the duo has garnered comparisons to artists such as Sinead O’Connor, The 1975, Chvrches, Lana Del Rey, and St. Vincent. Ryan Carnes boasts an extensive list of credits, including roles in "Desperate Housewives" and Clint Eastwood’s "Letters from Iwo Jima," as well as lead roles in prominent films such as "The Phantom" and "La Boda de Valentina." Their third single, 'Crazy Love,' released on Nov. 15th, 2023, was supported by a Western U.S. and CA tour alongside Volores & Holdfast. Their fourth single, 'Hearts on Fire,' is set for release on Valentine's Day, February 14th, 2024. Produced by Vanessa Silberman and co-produced by Ryan Carnes, their singles were recorded and mastered by Silberman and mixed by Andrew Dawson, known for his work with Jay Z, Phantogram, and Sleigh Bells.</span> </p>
<p><span><strong>How did the band form and what does the band name mean?</strong></span></p>
<p><span>Vanessa: Ryan and I had been playing live for a couple years with him backing me and we had started collaborating more. I'd ask him what he thought of a mix or for creative input. I just adored playing with him and all his music ideas. We like so much of the same music that we thought we should just start a band. Originally, we were gonna put out some of these songs as my solo songs, or featuring Ryan, but my solo music is much more alternative rock than the newer music that we were so excited about creating. The demos I started to work on were much different, so at the last minute, we decided to just go for it and come up with a band name, which was a long process." </span></p>
<p><span>Ryan: “I would echo everything Vanessa said. We knew we had a common musical language and were really enjoying the process of creating together and playing together. What was so clear to me from the beginning of our musical journey together is that Vanessa has such a strong collaborative spirit and so little ego when it comes to the creative process. She's a dream to work with. She really has the attitude that "the best idea in the room wins." No matter whose idea it is. Naming the band was a several months-long process. Ironically, though, LOVECOLOR was something we discussed early on and ultimately ended up coming back to. I'm a huge Alt-J fan, and they have this lyric from their song 'Nara' that goes, "Love, love is the warmest color." I've always thought that was such a brilliant lyric because to me, love really </span><i><span>is</span></i><span> the warmest color. I proposed LOVECOLOR to her, and she seemed to really dig it. But, I kept thinking we'd come up with something we liked even more. But in the end, we kept coming back to that name, and it stuck.”</span></p>
<p><br><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p>
<p><br><span>Vanessa: “When I was in grade school I discovered bands from Seattle and MTV. When I heard Nirvana for the first time that's when I realized I wanted to play music and that was it, I just knew I wanted to do music for a living, I moved to LA in my late teens and started a band / moniker called Diamonds Under Fire for quite sometime and also toured solo under my name for 4-5 years straight - playing about a 100-200 shows a year.” </span></p>
<p><span>Ryan: “I grew up on a farm in the country at a time during which cable television wasn't available in those kinds of areas. It wasn't until the emergence of satellite TV that we could even get more than about 4 channels. However, my maternal grandparents lived in town and had cable TV back when MTV only played music. They were my babysitters, and I loved spending time with them, so I was there a lot. When I wasn't outside playing ball or riding bikes with my grandpa, I was camped out in front of MTV. I was obsessed with hearing new music and seeing music videos that blew my mind, like Metallica's "One, "Cherry Pie, "Welcome to the Jungle." It was around that same time that I took a genuine interest in drums. I couldn't get enough music. That's how it all started.</span></p>
<p><span>In school, I played in marching band, jazz band, concert band, pep band... all the bands... all the way through high school, as well as marching band in college. But, when I moved to LA, I took a long hiatus from music and didn't actually start playing professionally until about 10 years ago. That's another story for another time, but I share that in case there's anyone out there reading this who thinks they waited too long to start, or who thinks they missed their chance. I believe it's never too late to do what you love. Since that time, I've played in a handful of bands that suffered from what I call "curse of the demo." We'd be plodding along, writing cool music, cut a demo, and then the band would break up. Like clockwork. Fortunately for me, it worked out with Vanessa, and I couldn't ask for a better bandmate and project to take out into the world for the first time." </span></p>
<p><span><strong>First concert that you ever went to? </strong></span></p>
<p><span>Vanessa: Live 105 BFD 1996 (No Doubt, Joan Jett, Local H, Dishwalla) in San Francisco"</span></p>
<p><span>Ryan: “Locally, I don't really remember, but I imagine some high school band playing at our local fall festival. Nationally, Dishwalla, too! At the Illinois State Fair. Funny Vanessa and I share that first!.”</span></p>
<p><br><span><strong>What's your writing process like?</strong></span></p>
<p><span>Vanessa: “I typically start with samples and then add lyrics and melodies over that. I usually construct a demo of a song or some ideas like an intro, verse and chorus, and then send it to Ryan to see what he thinks and get his input and ideas. Then, we build the songs from there." </span></p>
<p><br><span>Ryan: “What she said. Vanessa is very patient and trusting with me. She trusts my instincts and loves to pull on a thread with me until we can determine whether it's working or not. If it is, great! If it isn't, that's okay, too. We toss the idea and move on." </span></p>
<p><br><span><strong>What other artists or songs inspire your music? </strong></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4BEKX4JMWNull5CSZNqPaG?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span>"We love so many types of music (rock, pop, alternative, indie, 80s and new wave bands). On our playlist, you'll find everything from Led Zeppelin to M82. Some of the examples of inspiration we have drawn from are things like in our song 'Pure Love.' In that track, there is a chain sample, and we were really thinking about Depeche Mode and all their unique sounds they use. 'Midnight City' by M83 inspired the brass section in our song 'Dangerous'. Also, there's kind of a ridiculous guitar solo in 'Crazy Love' that came from wanting to find a happy marriage of Nirvana meets Prince / Madonna and Muse." We wanted to include "Nara" by Alt-J since it lent itself to the inspiration for our band name and Cocteau Twins "Fifty-fifty clown. We love the dreamy, soundscape-type elements of their sound, and coincidentally, we've been surprised at how many people have actually mentioned that they hear some of their sounds in what we're doing. That's been an unexpected comparison for us.” </span></p>
<p><br><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p>
<p><span>Vanessa: “The Lovecolor live show is impactful and is so important to us. We care about the audience's experience and always give it our all, no matter what. We make it energetic, yet sultry and vibey, no matter the tone or tempo of the song. Even if it's a slower song, we want to wrap you up in it and capture moments. Both Ryan & I love entertaining live shows as fans, so we strive for that in our own show and love connecting with people and with each other on stage. In the studio, there's no limitations, and it's just about making the best songs possible, whatever that is, and then trying to replicate / recreate them live. It has definitely been a fun journey of growth on how to balance the energetic rock energy live instrumentation, with samples and backing tracks to capture our sound.” </span></p>
<p><span>Ryan: “Whenever we step out on stage, we strive to give whoever is in the room with us a real </span><i><span>experience</span></i><span>. Maybe not coincidentally, time and again, people say to us, 'Your songs are just such... an experience.' That's the most common word I would say people use to describe our music. I think that's a massive compliment because that's how we see the music, also. And that's what we want to transmit in our live shows. It's not easy for us to define or for us to say exactly what it is that we are doing, other than making music that we love and that feels good to us to make. The one thing we know with certainty that we're doing is striving to create music that gives people a visceral response, takes them on a journey, and leaves them feeling differently than before they listened to the song or showed up for our set. It's tough to say whether or not I think the live show should be identical to the recorded version. My opinion on that changes, depending on the type of music and the act. As a fan of music, I used to expect that and would be disappointed when the live song didn't precisely match the recorded version. Now, I don't always feel the same way. I think artists should have the prerogative to give an inspired performance, even if that differs slightly from what's on the track, so long as it maintains the integrity of the spirit of the song and doesn't deviate too wildly. </span></p>
<p><span><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span></p>
<p><span>Vanessa: “Yes, we have done 3 tours in the past year. Both Ryan and I love playing and touring. Some of our tours have been really packed and condensed with a lot of shows, in very short amounts of time. Sometimes that can be intense and hard to digest --but I absolutely love playing LA and NY hometown shows. We have had some really amazing ones. I really loved our WFNM showcase (it was a packed smaller LA show that was just so fun). The more challenging ones are when you just don't have enough time to get things right, especially with sound, so you just have to roll with it. We've had our backtracks go out on us and we just kind of rolled with it and kept playing. Never a dull moment.” </span></p>
<p><span>Ryan”: One time, we were headlining a show that we had curated and driven 8 or 9 hrs in one day to get to. Because the first band started late for some reason, front of house tried to give us the hook after 4 songs. We were like, "What? No." We defied them and played another song. After the fifth song, front of house started harassing us again in front of everyone. At that point, we just bailed because it was such a bizarre occurrence and had really killed the vibe of the set. Afterwards, when we told the manager about it (who, for some reason wasn't even inside and was spending the whole show outside), he was mortified and told us that never should have happened. It was the sound guy's first night, and apparently, no one had briefed him on protocol and decorum. That was a weird one!” </span></p>
<p><span><strong>What's up next for the band?</strong></span></p>
<p><span>Ryan: “We just released a new single 'Hearts on Fire' and have a new music video coming soon, as well as an EP and some touring that will be happening this summer. We'll be announcing the tour schedule at a later date.” </span></p>
</div></div><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=2104502712/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://lovecolorband.bandcamp.com/album/hearts-on-fire">Hearts on Fire by lovecolor</a></iframe><br><a class="no-pjax" href="https://lovecolorband.bandcamp.com/album/hearts-on-fire">https://lovecolorband.bandcamp.com/album/hearts-on-fire</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73610622024-03-21T05:00:00-04:002024-03-22T08:32:18-04:00WHAT'S IN OUR INBOX! VELCROS, THE NORTH COUNTRY, SCRAM SIGNAL, ATOMIC LIFE, TAYLOR BICKETT<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="587" width="1000" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Hope you enjoy these picks by our writing staff. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Velcros</p><p><strong>BMN Score: </strong>9.6/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">After witnessing a memorable performance by Texas punk band </span>Radioactivity <span style="color:rgb(0,0,0);">at one of Leipzig’s infamous DIY venues, fellow musicians Fabian Bremer (</span>AUA<span style="color:rgb(0,0,0);">, </span>RADARE<span style="color:rgb(0,0,0);">), Nicolai Hildebrandt (Ex-</span>OKTA LOGUE<span style="color:rgb(0,0,0);">) and Manuel Markstein (</span>WAYSTE<span style="color:rgb(0,0,0);">) felt the need to form a band to rediscover the raw and visceral energy they just had experienced. This evening laid the groundwork for what soon should become </span>VELCROS<span style="color:rgb(0,0,0);">. It was a pivotal moment, especially for Bremer and Hildebrandt, who once thrashed together in the short-lived hardcore outfit </span>SARG<span style="color:rgb(0,0,0);">, which disbanded in 2013. The formation of </span>VELCROS <span style="color:rgb(0,0,0);">brought everything full circle—a fitting return to their punk roots.</span></p><p><strong>What we say they sound like: </strong>Pulsing, grinding, driving post punk rock that is an anthemic lo-fi gem. What starts as a typical indie punk song grows with an ethereal lift into a huge ending chorus that brings this song to the next level. This style is somewhat of a hybird that I haven't really heard before, it's like Ramones speed, mellow indie rock vocals and a Muse-ish soccer anthem ending. </p><p><strong>Song to add to your playlist: </strong>Bitter Lake</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iV1Vm87KNuE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iV1Vm87KNuE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>The North Country</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">“This song is a reminder to be present. 'Be Here Be Now' is a song about trying to stay in the moment in spite of all distractions. Screens throwing bright bold flashing colors at you, images of half naked people photoshopped to oblivion, and all of it is for the benefit of some faceless corporation."</span><br><br><strong>What we say they sound like: </strong>This track harkens back to 70's AM Pop but with a modern indie aesthetic. The band each adds very stylized pieces to the track. It's hard at moments to get past the singers identical look to Andy Samberg and backing band who look like my junior high guidance counselors but it all gives the bands highly stylized persona a boost. Musically it's so ear pleasing and warm, a joyous wonderful Spring vibe to melt winter blues away. </p><p><strong>Song to add to your playlist: </strong>Be Here Now</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="56Yfpk0g3M0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/56Yfpk0g3M0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Scram Signal</p><p><strong>BMN Score: </strong>9.2/10</p><p><strong>What the band says: </strong><span style="color:rgb(255,255,255);">For those of us that have watched the career of Brett Netson closely, Scram Signal is a </span><span style="color:#000000;">logical destination. He’s always operated from the veil of the surreal and the contemplative. Listen to Netson’s guitar work on Built to Spill’s seminal album, Perfect from Now On and ponder if that album hits the same without him (spoiler alert: it doesn’t). That deep connection we feel to songs like <i>Randy Described Eternity</i>, <i>I Would Hurt a Fly</i>, and <i>Stop the Show</i>, are strengthened through the patient and hypnotic enticement of Netson’s adaptation of minimalism and drone.</span></p><p><strong>What we say they sound like: </strong>A track that starts off rhythmically akin to Van Halen's “Everybody Wants Some” or “The Sickness” by Disturbed but it's not that type of track. This track builds the tension of a good song intro but never explodes into that big rock chorus. Instead it dwells in that tense section that makes it feel urgent and now. It reminds me of the band The Do and their track “Coda, brief tracks that build and end before any relief if offered making you want to listen to it over and over. </p><p><strong>Song to add to your playlist: </strong>SCRAM5</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="TfmMHhMFIdw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/TfmMHhMFIdw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Atomic Life</p><p><strong>BMN Score</strong>: 8.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(85,85,85);">“Hit Me First,” blisters in fury at every twist and turn, kicking down doors and putting their stamp on the indie rock scene. Lead singer Adea Francis provides frantic vocals with memorable hooks and lyrics, describing the song as her “deepest wish that straddles the thin line between forbidden desires and sinister intentions.”</span></p><p><strong>What we say they sound like: </strong>All the hallmarks of the Yeah Yeah Yeah's from sludgy guitar riffs, indie rock dance rhythms and a Karen O type vocal. There are other bands that do this sound but this is slightly more grungey than other YYY sounding bands. It has an almost Deftones feel musically but with dancier drums. It's angular post punk and fun so the comparison shouldn't scare you off. </p><p><strong>Song to add to your playlist: </strong>Hit Me First</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9bvePU-jee0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9bvePU-jee0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Taylor Bickett</p><p><strong>BMN Score: </strong>8.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">Taylor Bickett's newest single is about not succumbing to the pressures to be perfect. She says, "It’s about the insane pressure that I have found myself putting on each new week, month, or year to be the one in which I no longer make mistakes and do everything perfectly. These feelings came to a head when I realized New Year's Day 2024 fell on a Monday. I wrote and posted a snippet of the song on social media just in the hopes of making a few people feel seen. I was shocked to see how much it resonated, leading me to finish and record the song in just a few weeks. The song is, at its core, an affirmation that we all deserve grace; that beautiful things can come our way if we just relinquish control if we loosen our grip, if we surrender to the universe.”</span></p><p><strong>What we say they sound like: </strong>Personal and heartfelt like Phoebe Bridgers, Olivia Rodrigo, Lucy Dacus, etc<strong>.</strong> I have to feel a little this is very Olivia Rodrigo inspired as the vocal cadence at times is identical.<strong> </strong> What sets it apart is it's Taylor's story, personal feelings and seems genuine. Isn't that all we can ask of any artist is to be genuine and the fans and critics will decide if they've ever felt that way too? I think the people who this song is written for will know who they are and will enjoy it. </p><p><strong>Song to add to your playlist: </strong>I Like Mondays</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="-_v46K547go" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/-_v46K547go?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73586272024-03-20T05:00:00-04:002024-03-20T05:00:03-04:00Best Friends Forever Festival: Embracing Nostalgia and Community in the Heart of Las Vegas<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/97ee2a2bf69e0ea140c64aee4efffe589f1338f3/original/9ac0b597a9e89e16e5144bfe-1074x1344.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1344" width="1074" /><p>Prepare for an unforgettable experience as the inaugural Best Friends Forever Festival descends upon the Downtown Las Vegas Events Center from Friday, October 11th to Sunday, October 13th. This three-day extravaganza promises to reunite fans with the iconic sounds of the 90s and early 2000s emo and indie rock scenes, while also spotlighting contemporary torchbearers of the genre. It's a celebration of music, friendship, and the enduring spirit of independence that defines the scene.</p><p>Presale tickets for the Best Friends Forever Festival kick off Wednesday, February 28th at 10 AM PST, offering early access to eager fans. General ticket sales follow on Thursday, February 29th at 10 AM PST, available via the festival's official website, BestFriendsForeverFest.com.</p><p>Curated with love and nostalgia, the festival lineup promises to transport attendees back to the golden age of emo and indie rock. From classic acts that shaped the genre to emerging talents carrying the torch forward, every moment at Best Friends Forever is poised to be a musical journey through time.</p><p>To ensure you don't miss out on the chance to secure your spot, sign up for the presale at the festival's official website. Stay connected and receive real-time updates by following Best Friends Forever on Instagram: <a class="no-pjax" href="https://chat.openai.com/c/instagram.com/bestfriendsforeverfest" target="_new">instagram.com/bestfriendsforeverfest</a>.</p><p>The Best Friends Forever Festival isn't just about the music—it's an immersive experience designed to create lasting memories and forge new friendships. Set against the vibrant backdrop of downtown Las Vegas, the Downtown Las Vegas Events Center provides the perfect setting for this musical rendezvous. With two stages hosting performances throughout the day and night, attendees will find themselves surrounded by the pulsating energy of live music.</p><p>Indulge in a variety of culinary delights from local food vendors and sip on refreshing beverages as you soak in the sounds of your favorite bands. Best Friends Forever isn't just a festival; it's a celebration of the camaraderie and connections that music fosters.</p><p>For ticket purchases and travel packages, visit the official Best Friends Forever Festival website: <a class="no-pjax" href="https://chat.openai.com/c/BestFriendsForeverFest.com" target="_new">BestFriendsForeverFest.com</a>.</p><p>Join us in commemorating the timeless essence of independent music and the friendships it inspires. Best Friends Forever Festival invites you to be a part of something truly special—an experience that transcends time and resonates with the heart and soul of every music lover.</p><p><strong>About the Downtown Las Vegas Events Center</strong></p><p>Located at the corner of Third Street and Carson Ave. in Downtown Las Vegas, the Downtown Las Vegas Events Center (DLVEC) stands as the ultimate entertainment destination. Boasting 120,000 square feet of multipurpose space, the DLVEC caters to a diverse array of events, from music festivals to corporate gatherings.</p><p>Equipped with state-of-the-art sound and lighting systems, the venue offers an unparalleled concert experience for up to 20,000 guests. Whether you're a tourist or a local, the DLVEC welcomes you to explore its dynamic offerings.</p><p>For more information about the Downtown Las Vegas Events Center, visit <a class="no-pjax" href="https://chat.openai.com/c/www.dlvec.com" target="_new">www.dlvec.com</a> or follow on social media platforms including Facebook, Instagram, Twitter, and LinkedIn at @DLVEC.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="xUBYzpCNQ1I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/xUBYzpCNQ1I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="41YqzHoCgk4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/41YqzHoCgk4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73571132024-03-19T05:00:00-04:002024-03-19T05:00:01-04:00How??? Unveils Debut Album: A Fusion of Americana, Electronica, and DIY Spirit<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d36f1333cbfce695964121404a38e23045b42b67/original/12fd35644a0645caeb2fde67-1260x840.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="840" width="1260" /><p>Los Angeles-based band How??? is set to captivate audiences with their self-titled debut album, slated for release digitally and on limited edition clear vinyl come April 26 via Misra (available for pre-order now). The group introduces their sonic universe with the lead single "How???" accompanied by a visually arresting music video directed by the band alongside Gwen Morier. "How???" is already making waves across digital platforms, inviting listeners into a realm where Americana roots intertwine with English glam art-rock energy, and a touch of indie and surf rock adds an extra layer of intrigue.</p><p>Alex Tebeleff, one half of How???, sheds light on the thematic core of "How???": "It’s a song about the meaning of home and change." Originating in his former D.C. residence but finding its completion in the band's new Los Angeles studio, the track catalyzed the creation of the entire album, serving as a sonic metamorphosis that blends influences ranging from Townes Van Zandt to Bjork and 90’s Warp Records.</p><p>The band's forthcoming west coast tour, commencing on April 17 at The Stork Club in Oakland, promises to bring their distinctive sound to life in venues across the region, culminating in a Los Angeles Record Release show on April 27 at On Joy.</p><p>Drawing inspiration from luminaries like David Bowie, REM, Townes Van Zandt, and Kraftwerk, How??? emerges as a testament to the transformative power of music and community. Stemming from the roots of the DIY ethos that fueled Tebeleff's previous project, Paperhaus, How??? embodies a seamless fusion of musical exploration and communal spirit, navigating the complex landscape of DIY culture with unwavering creativity and resilience.</p><p>As Tebeleff navigated the tumultuous waters of a rapidly changing music scene, the transition from "DIY band guy" to producer heralded a new chapter in his artistic journey. Collaborating with longtime ally Matthew Dowling, How??? channels a diverse array of influences, from Texas Americana to electronic soundscapes and 80’s pop, weaving together a tapestry of sound that defies categorization.</p><p>With tracks like the title song "How???" and the evocative "Long The Way," How??? invites listeners on a journey of introspection and transformation, seamlessly blending Americana traditions with avant-garde sensibilities. As the world emerges from the shadows of a tumultuous era, How??? shows the power of music to transcend boundaries and illuminate the human experience.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="2jF-bvReK0g" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/2jF-bvReK0g?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://ffm.to/how-single">https://ffm.to/how-single</a> <br><br><span style="color:rgb(51,51,51);"><strong>Tour Dates:</strong></span><br><span style="color:rgb(51,51,51);">04.17 - Oakland, CA @ The Stork Club</span><br><span style="color:rgb(51,51,51);">04.18 - Chico, CA @ Naked Lounge</span><br><span style="color:rgb(51,51,51);">04.19 - Reno, NV @ The Loving Cup</span><br><span style="color:rgb(51,51,51);">04.20 - Nevada City @ Gold Vibe</span><br><span style="color:rgb(51,51,51);">04.22 - Portland, OR @ Mano Ocular</span><br><span style="color:rgb(51,51,51);">04.24 - Eugene, OR @ Sam Bond’s Garage</span><br><span style="color:rgb(51,51,51);">04.25 - Redding, CA @ Fratelli’s</span><br><span style="color:rgb(51,51,51);">04.26 - Merced, CA @ The Partisan</span><br><span style="color:rgb(51,51,51);">04.27 - Los Angeles, CA @ On Joy</span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73567082024-03-18T05:00:00-04:002024-03-18T05:00:03-04:00MASSACHUSETTS SONGWRITER JON CHESBRO: Track By Track, His New Album!<p><br> </p><div style="outline:none !important;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6f7a6e8b87d3975315b4b6c7a3ff770d8593728b/original/jon-chesbro-2-credit-zach-haberern.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1667" width="2500" /><p>Whether on stage or behind the mixing desk, Jon Chesbro invites audiences into a world where every note is a brushstroke on the canvas of emotion. The Massachusetts multi-instrumentalist, songwriter, and producer releases his new album <i>Dryas</i> on February 23, and the experimental, electronic, and mostly instrumental record is a departure from his work as Cosmic Vultures guitarist, showcasing a new complexity and depth in his solo musical compositions. <i>Dryas</i> can be consumed as a whole or in chapters, and a pair of visualizers, ‘MarchToVictory’ (featuring Derek Smith) and ‘Into The Mirror’, precede the album.</p>
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<div style="outline:none !important;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>Written for Blood Makes Noise By Jon Chesbro </strong></span></span><br><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This album to me is me trying to break the shyness I’ve had for so long. I’ve always been nervous to share my music in fear of rejection. I finally came to a point and said ‘I don’t care what people think anymore’. I’m an artist I need to create and release otherwise I’m pent up with old art I should be moving on from. </span></span></p></div>
</div><p><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">One of my favorite producers Rick Ruben said “The goal of art isn’t to attain perfection. The goal is to share who we are. And how we see the world.” Ruben’s philosophy of art and music really inspires me. I don’t create for the viewer to find, I create for myself so the viewer can see the world a little differently. With that new thinking from Ruben I feel as though I can let go of that old feeling of being self conscious and set myself free. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">The title Dryas represents that to me. The Younger Dryas, the last cataclysmic event on Earth, from between roughly 12,900 and 11,600 years ago, represents chaos and destruction. But also Dryas being a flower and something beautiful even when the world is harsh around you. I guess that last line pulls it all together. </span></span></p><p><br> <span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“BlackHole” </strong></span></span></p><p><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">When I wrote this, I was starting to get into sound design more and more. I also started watching </span><i><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">Stranger Things</span></i><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">. I thought “I can make an ‘80s synth bop” and I ended up putting my own flair to it, but overall really enjoyed the process of turning knobs and moving faders. </span></span></p><div style="outline:none !important;"><div>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“MarchToVictory”</strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This song I had for so long, as well as “BlackHole” but for some reason I always would go back to this. I only had the beat and the strings. When I had a spout of creativity I took those elements and added guitar and other textures. Derek Smith really glued it together for me with the vocals. </span></span><br> </p>
</div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“ICantFuckingLogIn”</strong></span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This title makes me laugh. This was an older instrumental that I found and reformed. The title of the project always stayed the same. I can’t remember what I was trying to log into but hey I couldn’t fucking do it and now its a bop that reminds me of driving at night with all my windows down.Maybe I couldn’t log into the feeling then but now I can! </span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“CherryBlossom” </strong></span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This song is an emotional rollercoaster for me. People always say make it longer at the end or make the middle shorter but the intense emotional rise I get out of it is fleeting. It always comes but never stays – and I feel like I captured that well. When I was growing up there were these beautiful cherry blossom trees that my friends and I used to climb on and I remember one day going out to go climb on them and they were cut down. This was a punch to the gut as a kid because it was just something we did all the time. It makes you realize nothing is forever and that you really never know when the last time you’ll do or see someone again. You never know when it will be the last time you play outside. That’s the feeling I get from this song. To my producer followers using Spitfire Audio…. Those plug-ins are insane. That’s how I got those beautiful cello sounds. </span></span><br><br> <span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“SpeedOfLight” </strong></span></span></p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This song gives me James Bond vibes. I don’t know why but it does. I feel like I should be elegantly walking into a casino knowing I’m gonna make a bunch of money. That never happens but the feeling is there. That solo at the end is probably my favorite that I’ve done on this record. It's short, sweet, and to the point. </span></span><br> </p></div></div><div style="outline:none !important;"><div>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“ILikeThis”</strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">This is one of the first songs I wrote when I moved back to Massachusetts. It’s got a melancholy vibe but also sounds hopeful. I was kind of in a daze when I moved back as well. There’s a lot of colors in this and I feel like those sounds and movement and textures kind of represent that feeling of being in a haze and thinking about everything all at once. </span></span><br> </p>
</div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“HereItIs” </strong></span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">I don’t know if anyone else does this but I listen to literally anything from country to hip-hop to jazz. I have no filter or elitism towards music. When making this song I was listening to underground boom bap tracks. I put my own eerie spin on it with some intense bass and cool rising textures. I want someone to rap on this like so bad. Like please someone remix this and rap over it, haha. </span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd"><strong>“IntoTheMirror”</strong></span></span><br> </p></div></div><div style="outline:none !important;"><div><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="yiv8370572575m_-2794190871396496295gmail-docs-internal-guid-e01693b3-7fff-2f30-d73b-ae6f3b135afd">Man this song is really cool because it totally sounds like it's in a movie. The people talking, the sounds of a television in the background. There’s an element of Foley work here. There really is a sense of placement within these songs. This album almost has its own cinematic universe and I feel like this song is the epitome of it all. It wraps it up all so nicely.</span></span></p></div></div><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/0cPZ8yMQuHZRJ6fxY7pUe9?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br><strong>Homepage</strong>: <a class="no-pjax" href="https://ebbnflowrecording.com/" target="_blank" rel="nofollow noopener noreferrer"><u>https://ebbnflowrecording.com/</u></a><br><strong>Instagram</strong>: <a class="no-pjax" href="https://www.instagram.com/jon_chesbro" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.instagram.com/jon_chesbro</u></a><br><strong>Facebook</strong>: <a class="no-pjax" href="https://www.facebook.com/jonchezdude" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.facebook.com/jonchezdude</u></a><br><strong>Bandcamp</strong>: <a class="no-pjax" href="https://jonchesbro.bandcamp.com/" target="_blank" rel="nofollow noopener noreferrer"><u>https://jonchesbro.bandcamp.com/</u></a><br><br><strong>Photo Credit</strong>: Zach Haberern </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73526342024-03-15T05:00:00-04:002024-03-15T05:00:06-04:00SISTERS Unleash Sonic Fury with 'Leecheater': A Raw Journey Through Heavy Rock Realms<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6a78731b43ba87c4bae9548ca7247548b37c0d4d/original/screenshot-2023-06-14-at-12-34-39-pm.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>SISTERS, the brainchild of Jason Blackmore (Molly McGuire) and Mario Quintero (Spotlights), has been making waves with their latest release, "Leecheater," a visceral exploration of heavy, atmospheric rock that defies conventional boundaries. With tracks like "Black Stars" and "Leecheater," the duo plunges listeners into a sonic realm where raw power meets intricate melody.</p><p>"Black Stars," the latest single from SISTERS, is a sonic whirlwind that melds the stoner-rock swagger of Kyuss with the industrial grit of White Zombie. The accompanying video, premiered on REVOLVER, offers a psychedelic journey that perfectly mirrors the track's bleary intensity.</p><p>The heart of "Leecheater" lies in its uncompromising soundscapes. From the thunderous guitar riffs to the driving rhythms and haunting vocals, each track envelops the listener in a whirlwind of sound. Jason Blackmore's distinctive voice cuts through the dense atmosphere, while Mario Quintero's masterful drumming adds depth and urgency to every beat.</p><p>Drawing inspiration from their respective musical journeys, Blackmore and Quintero have crafted an album that pays homage to their roots while venturing into uncharted territory. With influences ranging from post-punk pioneers like Molly McGuire to the atmospheric landscapes of Spotlights, SISTERS brings together the best elements of both worlds to create something truly unique.</p><p>"Leecheater" is more than just an album—it's a testament to the enduring power of collaboration and creativity. Recorded live over two sessions at Quintero's home studio in Pittsburgh, the album captures the raw energy and spontaneity of SISTERS' live performances.</p><p>The result is a collection of songs that are as emotionally resonant as they are sonically adventurous. From the blistering intensity of "Born Again" to the introspective depths of "Feet on the Ground," each track offers a glimpse into the complex inner world of SISTERS.</p><p>As the band prepares to embark on a series of live dates starting on the West Coast in the Fall, anticipation is high for what promises to be an electrifying experience. With "Leecheater," SISTERS has firmly established themselves as one of the most exciting and innovative bands in the contemporary rock scene.</p><p>In a musical landscape dominated by formulaic trends and superficiality, SISTERS stands out as a beacon of authenticity and originality. With their fearless exploration of sound and emotion, they remind us of the transformative power of music—and the limitless possibilities that lie beyond the confines of genre and convention.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Eo7Laez3orw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Eo7Laez3orw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Upcoming Shows:</strong></p><p>3/19 - St. Louis, MO - Platypus</p><p>3/20 - Chicago, IL - Subterranean (Downstairs)</p><p>3/21 - Lexington, KY - The Green Lantern Bar</p><p>3/22 - Tolono, IL - Loose Cobra</p><p>3/23 - Kansas City, MO - miniBar</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73526292024-03-14T05:00:00-04:002024-03-14T05:00:03-04:00MEET BOISE IDAHO MIXED MEDIA ARTIST STREET FEVER<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<div style="margin:0px;padding:0px;" dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c019df2eee6f88940f456ac93d411be2a235f2aa/original/street-fever-absolution-6.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="margin:0px;padding:0px;">
<span style="color:rgb(13,13,13);">Street Fever, a versatile, anonymous mixed-media performance artist from Boise, Idaho, crafts gritty symphonies inspired by a diverse background spanning hardcore, heavy rap, industrial techno, EBM, noise, electro, techno, and classical music. Rooted in a spiritual awakening and tumultuous life experiences including institutionalization and imprisonment, Street Fever's project emerges as a platform for personal recovery and addiction advocacy. Balancing destructive possession with holy reclamation, they invite audiences into their world through art and sound, exploring themes of self-discovery and enlightenment. Their latest single "Sinner" reflects on inner strength and poetic freedom, capturing Street Fever's journey through disruptive performances and thought-provoking expressions, documented in a micro-documentary style video showcasing their energetic shows and ongoing quest for creative expression and self-discovery.</span><span style="color:#000000;"> </span>
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<p><span style="color:#000000;"><strong>How did Street Fever form and what does the name mean?</strong></span></p>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">I started Street Fever back in 2012, I worked on the music for a few years in private and deleted it all and spent another year re thinking everything and writing my first EP "Afflictions" in 2015. The name is more of a feeling to me, it's ever evolving and taking shape in many forms. For me, Street Fever means adversity, courage and strength. The Street means a lot to me.Growling up my father was homeless so, seeing him on the Street was always very grim. I like the textures of the Streets, all the </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">stories and history down a dark path. I have spent some time on the Streets myself, I've had very intense episodes of Psychosis. I have a deep love and fear all at the same time. It's always been an interesting relationship to me, seeing my dad like that and all. Now I like to look at it as a playground for my art. The Streets are ever changing and a very integral part of my story. </span></div>
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<br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span><br> </div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">I have many projects but I prefer to keep them to myself. I grew up listening to a lot of Rap music. I fell in love with Three Six Mafia at an early age and I used to make beats for some friends and a few gang members that I made money from. Early 50 Cent and all the G unit stuff. I remember the first time using FL Studio just trying to recreate the theme song for the "Get Rich Or Die Trying" dvd menu screen. In 2008 I got really into Justice and all the Edbanger stuff and started my Journey making electronic music. I also was in some hardcore bands growing up. I spent a lot of time in the DIY scene just trying stuff out and playing as many shows as I could. </span></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>First concert that you ever went to?</strong></span></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">Hmm I think it was a house show. I think it was this amazing metal band called "The Deep" I really liked those guys. </span></div>
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<br><span style="color:#000000;"><strong> What's your writing process like?</strong></span><br> </div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">It's always changning. I make music rather quickly so, sometimes my process doesn't really have anything to do with me being in the studio. I try </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">to live life and just come back and Journal in a way with sounds and textures and heavy experimentation. I try to let the muse in and get out of the way honestly. I truly believe all of our ideas are from a divine source and if we can find the right balance of surrendering to the process and not try to be so perfect, everything can just happen naturally. For me if I can produce quickly and sufficiently I can translate whatever is flowing through me and just let it happen. </span></div>
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<br><span style="color:#000000;"><strong> What other artists or songs inspire your music? </strong></span>
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<p><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3NTi2mZDFW4tX0OhOHIGMN?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">I really love M.E.S.H. , they have some amazing Industrial textures that are out of this world.</span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">William Basinski is another big inspo, his music has really helped me heal and one time I came up to him at a show and he just grabbed my hand as I was sobbing to him how much his music means to me. It was so special. </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">Louisahhh is one of my biggest inspo's in my life. Musically and just as a human being. She has become a dear friend of mine and has helped me in my recovery journey as well. She is truly one of my Heros. </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">Marina Abromovic is another artist that really inspires me. Her ability to use herself as the art is something I truly look up to and admire. </span></div>
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<br><span style="color:#000000;"> <strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">For me playing live is about bringing others into your world. For me, it's one of the few times I can really just be destructive and graceful all at the same time. I think for me, it's important to make people feel like they have no idea what to expect. I try to incorporate art into my shows. Whether it's ripping up canvas or pouring paint all over myself or even destroying a synthesizer. I just try to do whatever feels right. Sometimes I don't really even plan anything and crazy stuff just sort of happens naturally. I feel that's really where the magic is because you're also whitnesing it happening as well because you weren't expecting it either. </span></div>
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<br><span style="color:#000000;"><strong>Have you toured? What has the touring experience been, best shows? Worst shows?</strong></span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div>
<div style="margin:0px;padding:0px;"><span style="color:#000000;">I've toured the US around 5 times now and played in pretty much every state. My favorite show was probably the time where I painted 20 canvas and me and 10 of my friends played in the center of this 800 cap room and destroyed all of them live. By the end I poured paint all over myself on a 6X8' canvas. My shows are also the place where I like to make my art so by the end I have a bunch of materials for my art shows to come. It's an on going art project to me and the shows are just apart of my process. </span></div>
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<br><span style="color:#000000;"><strong>What's up next for Street Fever?</strong></span><br><span style="color:#000000;"> </span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">I plan on touring the US in support of my new debut Album "Absolution" coming out this spring. Europe is in the works as well, hoping to spend a lot of time out there in the fall. I have an awesome show with Health, Panther Modern and Pixel Grip coming up April 6th at Modern Wav in SD. </span></div>
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<div style="margin:0px;padding:0px;"><div style="margin:5px 0px;padding:0px;"><div style="background-color:rgb(232, 234, 237);border-radius:5.5px;border-style:none;clear:both;color:rgb(80, 0, 80);font-size:11px;line-height:6px;margin:0px;outline:none;padding:0px;width:24px;" id="m_-8090209491034935159m_-8630683259025110171gmail-q_225"><span style="color:#000000;"> </span></div></div></div>
</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gpV_Ncaln8s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gpV_Ncaln8s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:#000000;"> </span></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73526282024-03-13T05:00:00-04:002024-03-13T05:00:02-04:00WHAT'S IN OUR INBOX! PHANTOM WAVE, GOBLYNS, BRISTLER, ACID SNOT, LINDA FROM WORK<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. I've found some new bands this week I have not heard of and I loved all of them. Hope you enjoy these picks by our writing staff. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Phantom Wave</p><p><strong>BMN Score:</strong> 9.2/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Brooklyn shoegazers Phantom Wave just put out the incredible second single from their upcoming LP. The track is called "Chimera."</span></p><p><strong>What we say they sound like: </strong>Ok, anytime something starts off like a Cure song with washy Shoegaze vocal, I'm immediately in. These guys have elements of My Bloody Valentine as the chorus introduces a wall of fuzzy reverbed out sound. This has a classic feel to it like it's analog and recorded pre-2000. It's got a warmness to it that I'm feelin. The bridge gets a little more rock n' roll than most shoegaze but the following solo treads back over the shoegaze / dream pop trope well. The chorus gives this some great energy and is a nice accompaniment to the clean grooving verse. </p><p><strong>Song to add to your playlist: </strong>Chimera Phantom</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rKwLlhRLTcU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rKwLlhRLTcU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Goblyns</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong>"The idea for all of our songs comes from a feeling rather than a concept or story. Sakura came from a single chord played that made the three of us feel like we were having a break from our usual faster and heavier songs. We wanted to write a song that revolved around that feeling, and so Sakura came. We hope that we’ve managed to get that across with this first track of the album."</p><p><strong>What we say they sound like: </strong>I'm gonna lose most of you with this first sentence but this song has such a great groove to it, it reminds me a little of the Alice Coltrane/ Joe Henderson Elements record for a moment before it breaks into a big single note lead in the vein of Tony Iommi, while jumping in between a verse riff that reminds me of Norri & His Dorpa Band. To hit on three specific vibes so concisely and three vibes I really dig is a phenomenal thing and the genius of this track may be lost on a bunch of you morons. It even has a Dick Dale/ Ventures-ish riff that takes us to the outro. Even the chords that just ring out with the wah-wah pedal are a perfect touch. </p><p><strong>Song to add to your playlist: </strong>Sakura</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="fZkXPsE7go8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/fZkXPsE7go8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Bristler</p><p><strong>BMN Score: </strong>9.9/10</p><p><strong>What the band says: </strong><span style="color:black;">Bristler is an indie/alternative band from New Jersey, formed in 2023 by Rudy Meier (Guitar, Vocals), Biff Swenson (Drums, Harmonies), and Dana Yurcisin (Bass, Harmonies). The trio began working together as bandmates in Yawn Mower. Bristler’s first batch of songs were written for Rudy’s previous project, Wetbrain, but were never released.<o:p></o:p></span></p><p><strong>What we say they sound like: </strong>This song starts off like any minute Ben Gibbard is going to start singing and then the perfect vocal comes in like it's Ben Gibbards little brother. The cadence and the lyrics all just feel like what you always wanted new Death Cab to sound like. What helps is these guys are all in other bands like Scumming, Yawn Mower, Dana Why but combine to make something that is really great and completely different from their other projects. Superb song and one of the stronger debuts I can remember on here. </p><p><strong>Song to add to your playlist: </strong>Jaguar Shark</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Yuo9koFNmSQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Yuo9koFNmSQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Acid Snot</p><p><strong>BMN Score:</strong> 8.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(85,85,85);">"RISE" is a call to action in a world plagued by the echoes of neoliberalism and the alarming ascent of alt-right political ideologies. Drawing inspiration from the harrowing legacy of Franco's dictatorship, which cast a shadow over Spain for decades after the Spanish Civil War, Acid Snot thrusts the dangers of colonialism, imperialism, and fascism into the spotlight.</span></p><p><strong>What we say they sound like: </strong>I hear Rise Against sprinkled all over this and I'm fine with punk rock that bites on another bands style because in the end the whole genre is derivative. The metal bridge is a nice touch and the production is flawless. This has that great 90's blast beat feel. I don't know how many adjectives I can string together to describe punky hardcore stuff but if that's your thing, you might dig this. I did and it's not really my thing anymore. </p><p><strong>Song to add to your playlist: </strong>Rise</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9z3DK-Od3iA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9z3DK-Od3iA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Linda From Work</p><p><strong>BMN Score: </strong>9.5/10</p><p><span style="color:#000000;"><strong>What the band says: </strong>RIYL: Veruca Salt, The Donnas, Yeah Yeah Yeahs</span><br><span style="color:#000000;">FFO: garage, alt-rock, rock</span></p><p><strong>What we say they sound like: </strong>This is very fun. I can't really place what it reminds me of exactly but the name of the band is one of my favorites I've seen in a while. The band skews very indie rock but has a nice punkiness to it, almost like an indie punk version of The New Pornographers. This is great songwriting, I especially like the attack and of the verse and how it almost picks up steam into a jangly flowing chorus that feels huge. </p><p><strong>Song to add to your playlist: </strong>Jealous</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="MNt9O1lOggc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/MNt9O1lOggc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73525122024-03-12T05:00:00-04:002024-03-12T05:00:02-04:00MEET BOSTON ALT COUNTRY BAND OTHER BROTHER DARRYL<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9f6e7dfae3455f3cead5b0d000dc0dd95b42e63b/original/other-brother-darryl-credit-chris-valle.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<p><span>Other Brother Darryl are a Boston-based alt-country supergroup made up of singer-songwriters Dan Nicklin, Nate Leavitt, Dave Mirabella and Dan Cederholm. First coming together over a love of big folk harmonies, the cosmic canyon rock sound of The Jayhawks and Wilco, and the television series Newhart, the seeds of Other Brother Darryl were first conceptualized back in 2012 at the defunct Somerville rock club Radio, where each member would perform frequently with their respective projects. An endless string of conversations, local Boston rock shows, and beers would line the next several years, and in 2019, Other Brother Darryl would make good on a promise to each other to bring their collective creative vision to life and write and record the album they were always meant to. In November 2022, Other Brother Darryl released debut single, “Until I Do,” b/w “The Ballad of Joni & Graham,” the same night they would perform live at Underwater Sunshine Fest in New York City. New single “Drive” arrived a year later, followed by February 2024’s “Gypsy Girl”; debut record </span><i><span>Roll Shine Roll,</span></i><span> recorded at Nicklin’s Henley Row Studios, is set for release later this year. It is dedicated to fallen bandmate and close friend Dave Mirabella, who passed away suddenly in April 2022.</span></p>
<p dir="ltr"><span><strong>Photo Credit:</strong> Chris Valle </span><br><br><span style="color:rgb(0,0,0);"><span><strong>How did the band form and what does the band name mean?</strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>The idea for Other Brother Darryl was thought up over 10 years ago and has been evolving ever since. It wasn’t until 2019 when the actual songwriting started in earnest. After writing the album, Covid happened. During that time we started recording the songs best we could. </span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Thankfully we began then, because our bandmate Dave Mirabella passed away while we were in that process. Since then we’ve continued to shape the band in Dave’s spirit.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>The name is taken from a </span><i><span>Newhart</span></i><span> reference. We thought it was a fun idea which speaks to the lighthearted vibe we keep in the band. It’s also a peculiar name for those who don’t get the reference. Especially when they’re like, “Who’s Darryl?”</span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Previous musical projects? How’d you first get into music?</strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Part of the reason it took Other Brother Darryl so long to become a band was because of our involvement with other projects. All of us have musical interests outside of this band to this day. Some of the past and present bands are The Rationales, Oldjack, Nate Leavitt and the Elevation and Walter Gold. We all got into music the same way; found something we were good at and could be passionate about.</span></span></p>
<p><br> <span style="color:rgb(0,0,0);"><span><strong>First concert that you ever went to? </strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>We’re all Gen Xers. So it’s safe to say it was probably some big names from the ‘80s like the Monsters of Rock tour, Prince or Huey Lewis and the News.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span><strong>What’s your writing process like?</strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Writing “Gypsy Girl” continued the perspective we had of writing for someone else and not us. As a songwriter, especially when collaborating, feeling like you’re writing for someone or something outside of yourself is liberating. Other Brother Darryl is a concept much bigger than any of us as individuals.</span></span></p>
<p><br> <span style="color:rgb(0,0,0);"><span><strong>What other artists or songs inspire your music? </strong></span></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/7lSM9fpZ6SWnDubkWWzOtT?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span style="color:rgb(0,0,0);"><span>When you call yourself Cosmic Canyon Rock and lean towards a late ‘60s early ‘70s aesthetic, Crosby, Stills & Nash must show up at least once (maybe twice). “Just A Song Before I Go” captures almost all our sensibilities and was the first tune that got multiple votes from the band when we sent out your question. So best it be first.</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>The Jayhawks' “Blue” is one of the songs that started this band. A deep love for The Jayhawks and Wilco who will show up later. The harmonies, the acoustic guitars and the rolling groovy drums that appear so much in our tunes all live here as well.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Golden Smog’s “Please Tell my Brother”… We like to think Brother Dave is singing this one to us somewhere out there. This one’s for Selene.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Orleans’ “Dance with Me.” Every band has to have goals. These harmonies; now there’s a goal. Plus the acoustics and groove are back and just the way we like ‘em. </span></span></p>
<p><span style="color:rgb(0,0,0);"><span>“I Need You.” Here we have the George Martin version of America’s classic. We are all fans of The Beatles and of course they are an influence, but here we get our love of the rock ballad and … there’s that drum sound again!</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Speaking of drummers, “I’d Really Love to See You Tonight” by England Dan & John Ford Coley was on our drummer, Brother Danny’s list. He’s not looking for you to move in or change your life, but he hopes you like the playlist.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Wilco’s “Impossible Germany.” Just perfection.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Crosby, Stills, Nash & Young’s “Our House.” This song is name checked in our song “The Ballad of Joni and Graham.” Which is fitting since both are about their love – on the way up and after a crash.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Jenny Lewis & The Watson Twins’ “Rise Up with Fists”! Jenny had to make it somewhere and TBH it was a toss up of basically her whole catalog. But the harmonies of the Jenny and The Watson Twins is too much to ignore.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Chicago’s “Wishing You Were Here.” Brother Dan’s personal love of this tune meant it had to be here but the influence is undeniable. The longing on this tune affects all the senses.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Little River Band’s “Lady.” This one gets tossed around as a cover idea a lot. Though we have only covered other Boston artists so far. But these Aussie boys are a true gem.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>The Rolling Stones’ “Torn and Frayed.” </span><i><span>Exile</span></i><span> is an influence on everyone, right… right? Everyone.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Beck’s “Guess I’m Doing Fine.” Another true disciple of the Canyon, Beck serves up gold on this one. Gold because it sounds like music from before there were platinum records.</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>Joni Mitchell’s “California.” Joni’s song would’ve been “Help Me” on this list but her catalog is pulled and the only thing out there is this wonderful version of “California” that the BBC clearly owns. </span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>And lastly, The Rationales’ “Ruby Colored Halo.” While we have all been other bands, Brother Dave was in The Rationales before he passed and so we add this one as a tribute to his greatness and his influence on the rest of us. From the ashes we rise!</span></span></p>
<p><span style="color:rgb(0,0,0);"><span>We hope you enjoy – The Brothers Darryl</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span><strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>We spend time orchestrating the instruments in the studio to fit the song. So we like to stay true to those ideas live. However we do like to keep room for some interpretation. It is a live performance after all and you can’t help but be in that moment. We also have a tradition of asking the audience to say, “Hi Dave” as a tribute to our Brother Dave, who is no longer with us.</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span><strong> Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></span></p>
<p><span style="color:rgb(0,0,0);"><span>We play around the Boston area often. We haven’t toured yet because we’ve been focused on recording these tracks for the album. Once we have them finished we’ll get out on the road.</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span><strong>What’s up next for the band?</strong></span></span><br><span style="color:rgb(0,0,0);"><span>We’re planning on releasing some more singles after our latest, “Gypsy Girl.” And to continue working in the studio and finishing up the tracks and playing around town.</span></span></p>
</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nmeU9h2L-NQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nmeU9h2L-NQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="wsOkI7YSG5E" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/wsOkI7YSG5E?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span><strong>Homepage</strong>: </span><a class="no-pjax" href="https://otherbrotherdarryl.com/" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://otherbrotherdarryl.com/</u></span></a><br><span><strong>Facebook</strong>: </span><a class="no-pjax" href="https://www.facebook.com/otherbrotherdarrylmusic" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.facebook.com/otherbrotherdarrylmusic</u></span></a><br><span><strong>Instagram</strong>: </span><a class="no-pjax" href="https://www.instagram.com/otherbrotherdarrylband/" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.instagram.com/otherbrotherdarrylband/</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73506672024-03-11T05:00:00-04:002024-03-11T10:31:53-04:00Owen's 'The Falls of Sioux': A Sonic Journey of Resilience and Growth By Francis Madden<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2244dff6a28b6c9602e6b21dc92f908c750bebb7/original/39c0914435ded9b75d45ca2a-972x644.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>In a revelation that's sure to set hearts aflutter in the indie music world, Owen has just unveiled plans for their upcoming album, "The Falls of Sioux." Set for release on April 26th via Polyvinyl Record Co., this latest offering emerges as a collaboration between Owen's mastermind, Mike Kinsella, and co-producers Sean Carey (of Bon Iver fame) and Zach Hanson (known for his work with Bon Iver, Low, and Waxahatchee).</p><p>For fans eagerly awaiting a taste of what's to come, today brings a double delight: the announcement of the album and the unveiling of its lead single and accompanying video, "Beaucoup." In this track, Kinsella's sonic exploration takes a captivating turn, drawing from his recent sonic odyssey with cousin Nate in their avant-garde project LIES. It's a departure from the expected, weaving acoustic guitar with layers of shoegaze textures and pulsating electronic beats.</p><p>The accompanying music video, shot in a clandestine Chicago speakeasy concealed behind the facade of a janitor's closet, adds another layer of intrigue to the song's ambiguous allure. Kinsella himself muses on its nature, questioning whether "Beaucoup" is a fervent declaration of love or an ode to desire, beautifully captured by the lens of Weird Life Productions.</p><p>In "The Falls of Sioux," Kinsella's songwriting prowess reaches new heights, building upon the intricate emotional landscapes laid bare in previous albums like "The Avalanche." While his journey has been marked by trials and tribulations, this latest offering signals a turning point—a testament to resilience and growth. Themes of loss and upheaval are met with a newfound sense of acceptance and even levity, reflecting Kinsella's evolution both as an artist and as a person.</p><p>Collaborators old and new lend their talents to the album, including Now, Now's KC Dalager and Russell Durham, who crafts stunning string arrangements. The result is a sonic tapestry that feels simultaneously familiar and fresh, a testament to Kinsella's willingness to embrace the unexpected.</p><p>"The Falls of Sioux" isn't just another album; it's a reflection of an artist coming into his own, unafraid to embrace vulnerability and authenticity. As the music unfurls, it's clear that Kinsella has rounded a corner in his creative journey—one that invites listeners to join him in celebrating the complexities of life and the beauty found within them.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="z8RKUS5z9RU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/z8RKUS5z9RU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span><strong>Upcoming Tour Dates:</strong></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span><strong>APRIL</strong></span>
</div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>25 - Chicago, IL @ Empty Bottle</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>29 - Providence, RI @ Alchemy</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>30 - Hamden, CT @ Space Ballroom</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span style="color:rgb(34,34,34);"><span><strong>MAY</strong></span></span>
</div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>01 - Boston, MA @ Sonia</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>02 - New York, NY @ Sultan Room</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>03 - Philadelphia, PA @ Philadelphia Ethical Society</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>04 - Washington, DC @ Songbyrd</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span style="color:rgb(34,34,34);"><span><strong>JUNE</strong></span></span>
</div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>03 - Barcelona, ES @ Heliogàbal</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>08 - London, UK @ Oslo</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>09 - Leeds, UK@ Brudenell</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span style="color:rgb(34,34,34);"><span><strong>JULY</strong></span></span>
</div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>24 - San Diego, CA @ Voodoo Room</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>25 - Los Angeles, CA @ The Echo</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>26 - San Francisco, CA @ Bottom Of The Hill</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span style="color:rgb(34,34,34);"><span><strong>AUGUST</strong></span></span>
</div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>05 - Portland, OR @ Mississippi Studios</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>06 - Seattle, WA @ Madame Lous</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>22 - Cleveland, OH @ Beachland Tavern</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>23 - Buffalo, NY @ Ninth Ward</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>24 - Pittsburgh, PA @ Club Cafe</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>25 - Columbus, OH @ Ace of Cups</span></span></div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="e2ma-p-div" style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);display:block;font-family:Arial, Helvetica, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:normal;letter-spacing:normal;line-height:1.38;margin:0pt 0px;orphans:2;padding:0px;text-align:justify;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(34,34,34);"><span>-Francis Madden</span></span></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73440332024-03-08T05:30:00-05:002024-03-08T05:40:06-05:00MEET ASBURY PARK INDIE ROCK BAND BRISTLER (MEMBERS OF YAWN MOWER, WETBRAIN, DANA WHY) <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/75463ac63ce16f03738cf211cdbdd7e865407416/original/mg-8267-edit.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:black;">Bristler is an indie/alternative band from New Jersey. Its members are Rudy Meier (Guitar, Vocals), Dana Yurcisin (Bass, Harmonies), and Biff Swenson (Drums, Harmonies). The trio began working together as bandmates in Yawn Mower. <o:p></o:p></span></p><p><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong><o:p></o:p></span></p><p> <span style="color:black;">Bristler is a new project that more or less formed from the ashes of my previous band, Wetbrain. When Wetbrain broke up, I decided to try playing in other bands so as to avoid going stagnant and keep things fresh while I (Rudy - Guitar, Vocals) decided what my next move was regarding songs I had already stockpiled and those I was working on at the time. One of these bands was Yawn Mower, who I’d been a fan and friend of since their inception. Through working more closely with Biff (Drums, Vocals) and Dana (Bass, Vocals), it became clear that they’d be a perfect fit in terms of musicianship, personality, and work ethic. So we’ve started chipping away at what I can only describe as an “endless pile” of songs. As far as the name, Birstler, that came a bit later - we needed a name and had a large list of possible contenders that we just widdled away at until one came out on top. Bristler was one of Biff’s ideas, and Dana and I both gravitated toward it. “Bristler” is an old-timey word for a conman, but can also be thought of as one who is “bristling” with anger, or really any other emotion. For me, it paints an interesting (f perhaps a bit abstract) picture of self-reflection when I think about the headspace involved in writing music or lyrics. Hard to explain, really. It is an old-timey word for “conman”.<o:p></o:p></span></p><p><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong><o:p></o:p></span></p><p> <span style="color:black;">I’ve been pursuing music my entire life, since I was very small - nearly every waking moment of my life has been dedicated to learning, improving, and executing as many skills as I can that pertain to it - be it instruments, performance, production, etc. Throughout my life I have been involved in numerous projects wearing several different hats. It would take too much time to list them all, but I guess the most notable previous projects would be Breathing Blue, Dentist, and Wetbrain. <o:p></o:p></span></p><p> <span style="color:black;"><strong>First concert that you ever went to? </strong><o:p></o:p></span></p><p> <span style="color:black;">The very first concert for a national act I ever attended was Radiohead at what was the Tweeter Center in Camden, NJ. August of 2003 for the Hail to the Thief tour. Mind-blowing experience. The first local show I attended was in 2004 - a matinee at the Saint in Asbury that my friend’s band was playing. I remember expecting it to be much a much bigger venue and much more well-attended, but this was also my first exposure to the idea of a local music scene. Prior to that it was just…kids that got together in someone’s garage to make noise much to the dismay of parents who didn’t appreciate black t shirts.<o:p></o:p></span></p><p><span style="color:black;"><strong>What's your writing process like?</strong><o:p></o:p></span></p><p> <span style="color:black;">It varies. Most of the time, I like to keep it a bit hands off and let things happen naturally. I’ve heard so many artists say that the best material isn’t written, it’s “transmitted” to you - and I try to keep that in mind at all times. Most often it starts with a riff on whatever instrument, a melody, or a particular set of words that stick in my brain relentlessly. I sit down with it to the point of exhaustion, tinkering with it, then stop entirely and don’t think about it actively at all. It mills around in my subconscious while I’m just living day to day life, where I will inevitably have experiences that lend themselves to the idea by osmosis. When I go back to sit with the idea again, it’s usually fully fleshed out and I bring it to the band for enhancements.<o:p></o:p></span></p><p> <span style="color:black;"><strong>What other artists or songs inspire your music? </strong><o:p></o:p></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3K7BS5dXSdfMhXW27gBZXu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:black;">I’m a big fan of experimentation and bands or artists that think outside the box. I’m also a big lyric guy - so bands that encompass these traits are right up my alley - think Radiohead, Modest Mouse, Pixies, Beck. There’s truly too many to name, and I’m drawing a blank because I want to include bands that aren’t just white guys. I find inspiration in many places and from many artists, as long as they’re genuine. I feel like I have a keen sense of what’s genuine. Huge sucker for “pretty” sounding songs across the board as well. Jazz…Hip hop, trip hop…lots.<o:p></o:p></span></p><p><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><o:p></o:p></span></p><p> <span style="color:black;">This is something I think about on the daily as someone who’s typically playing somewhere with one band or another each week, and I flip flop. On one hand, I think it should stay true to the recording, but live music is live music - the energy is there and can easily replace anything otherwise “missing” if presented properly. It can also be enhanced with extra members or samples etc…That being said, the band still has to be tight. If people come to see your band - local, regional, national, whatever - you owe them an S tier show. I can’t begin to tell you the amount of bands, with or without notoriety, that I’ve seen on tour who can’t even be bothered to tune their guitars. It’s infuriating. I digress…Long story short, I once read an interview with Omar Rodriguez-Lopez saying the record is the preview for the movie, which is the live show. I quite like that analogy. Let’s go with that.<o:p></o:p></span></p><p><span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong><o:p></o:p></span></p><p> <span style="color:black;">Bristler has not yet toured, although that is the plan - But I have toured with every other band I’ve been a part of since I was 16, and there’s nothing better. I love touring - always have, always will. It’s hard to pick a “best” or “worst” show, as they both happen very frequently on the road, but they need to, because it’s all a part of something bigger. The best shows are when you make friends with people/bands/fans who show you the ropes of a place where you’d be otherwise culture shocked. The worst shows are usually on a Monday, which speaks for itself. <o:p></o:p></span></p><p> <span style="color:black;"><strong>What's up next for the band?</strong><o:p></o:p></span></p><p><span style="color:black;">Our EP will be released in March, followed by shows. We also have a second EP ready for release and are currently recording our debut LP, which I hope will see the light of day in 2025. <o:p></o:p></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Yuo9koFNmSQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Yuo9koFNmSQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73506392024-03-07T05:00:00-05:002024-03-07T05:00:02-05:00Experience The Dandy Warhols' Gritty Evolution with ROCKMAKER<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5588641aee0e1930be4564a1672b3d4fc45dee95/original/1f484341-b1ef-724e-b127-a29944151983.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>In the wake of last fall's gritty anthem, "The Summer of Hate," which garnered attention from Q Magazine and Post-Punk.com for its raw energy and punk sensibilities, The Dandy Warhols are gearing up for the release of their twelfth studio album, ROCKMAKER. Known for their eclectic experimentation and boundary-pushing soundscapes, the band continues to evolve, exploring darker territories within the realms of post-punk and goth while maintaining their signature psych-rock roots.</p><p>Courtney Taylor-Taylor, the band's enigmatic frontman, draws inspiration from iconic acts like The Damned, MC5, and The Stooges, infusing ROCKMAKER with a gritty edge and relentless guitar riffs. Reflecting on the album's inception, Taylor-Taylor notes a desire for heavy guitar-driven records in a musical landscape that often falls short of their expectations. With ROCKMAKER, The Dandy Warhols set out to fill that void, crafting a record that embodies their distinct vision and sonic preferences.</p><p>To bring their vision to life, the band enlisted the expertise of celebrated British DJ and producer Keith Tenniswood, known for his work with David Holmes and Primal Scream, for mastering duties. Additionally, acclaimed British producer Jagz Kooner, whose credits include Massive Attack and Kasabian, handled mixing, adding layers of depth and texture to the album's dynamic soundscapes.</p><p>ROCKMAKER promises to be a sonic journey unlike any other, blending elements of punk, metal, and psych-rock into a cohesive and compelling listening experience. With tracks like "Danzig With Myself," featuring Frank Black of Pixies fame on fuzzy surf guitar, the album showcases The Dandy Warhols' ability to push musical boundaries while staying true to their roots.</p><p>As the release date for ROCKMAKER approaches, anticipation builds among fans and critics alike. With its release slated for March 15, 2024, via Sunset Blvd. Records, the album promises to make a significant impact on the contemporary music scene.</p><p>In support of the album release and the band's upcoming Spring tour, opportunities for interviews and promotional events abound. For fans eager to experience The Dandy Warhols' latest sonic exploration, ROCKMAKER offers a captivating glimpse into the band's evolving musical landscape.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9nrcLyy23gs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9nrcLyy23gs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong><u>Spring 2024 U.S. Tour:</u></strong><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 4 – Washington, DC @ 9:30 </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 5 – Boston, MA @ Royale </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 6 – Philadelphia, PA @ Ardmore </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 7 – Hamden, CT @ Space Ballroom </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 9 – New York, NY @ Webster Hall </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 11 – Montreal, Qbc @ Le Studio TD </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 12 – Toronto, Ontario @ Danforth Music Hall </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 14 – Columbus, OH @ Newport Music Hall </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 15 – Indianapolis, IN @ Vogue </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 16 – St. Louis, MO @ Delmar Hall </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 18 – Denver, CO @ Gothic Theatre </font></span><br><span style="color:rgb(34,34,34);"><font face="arial, sans-serif">March 19 – Los Angeles, CA @ The Fonda </font></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73506282024-03-06T05:00:00-05:002024-03-06T05:00:06-05:00Honor Roll of Hits: Lövely Records Unveils a Vinyl Triumph<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a95d719e7925868e59e58809b726fba410f8a9ab/original/477192.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><br>Lövely Records, the Swedish independent label known for its commitment to raw, authentic music, is set to release a musical treasure trove titled 'Honor Roll of Hits' on March 8, 2024. This vinyl split features four EPs by extraordinary bands under their label: Sweet Teeth, First in Line, Statues, and GASP. Crafted with care and passion, this collection encapsulates the label's eclectic taste and cultural essence.</p><p>Patrik, Co-Founder of Lövely Records, reflects on the significance of 'Honor Roll of Hits' and its resonance with the label's ethos. Growing up surrounded by the diverse sounds of the '90s, Patrik found himself drawn to the DIY culture and politically charged music scene. The four bands featured in the split resonate deeply with Patrik, each embodying a unique blend of energy and melody that speaks to his soul.</p><p>Statues, with their hardcore/punk heart and '90s alternative rock vibe, caught Patrik's attention with their second album. Their sound, a fusion of raw energy and infectious melodies, strikes a chord reminiscent of the underground scenes that shaped his musical journey.</p><p>GASP, a testament to pure punk fury, ignited Patrik's enthusiasm with their electrifying track "Lose It." Their unapologetic approach channels the spirit of classic punk, evoking a visceral response reminiscent of iconic acts like Spitboy and Detestation.</p><p>Sweet Teeth, a powerpop revelation, resonated with Patrik's love for bands like Hüsker Dü and Dinosaur Jr. Their debut album "Acid Rain" garnered critical acclaim, blending Scandinavian power-pop aggression with poignant lyricism.</p><p>First in Line, a stalwart of LKPG's hardcore scene, continues to inspire with their relentless energy and socially conscious lyrics. Their journey from Prehistoric to First in Line underscores a commitment to raw, unfiltered expression that remains as potent as ever.</p><p>Each band brings a unique perspective to 'Honor Roll of Hits,' reflecting the label's dedication to authentic, boundary-pushing music. From Sweet Teeth's infectious melodies to Statues' unbridled intensity, this collection is a testament to the enduring power of independent music.</p><p>As 'Honor Roll of Hits' prepares to grace turntables worldwide, Lövely Records invites music lovers to embark on a sonic journey through the vibrant landscape of underground music. With each track, listeners are invited to explore the rich tapestry of sounds and stories woven by these remarkable artists.</p><p>In a world inundated with mass-produced tunes, 'Honor Roll of Hits' stands as a testament to the enduring spirit of independent music—a beacon of authenticity in an ever-changing musical landscape. So, dust off your turntable and prepare to immerse yourself in the raw, unfiltered magic of 'Honor Roll of Hits.'<br><br><strong>Connect with Sweet Teeth:</strong><br><a class="no-pjax" href="https://www.facebook.com/sweetteethpowerpop" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.facebook.com/sweetteethpowerpop</strong></a><br><a class="no-pjax" href="https://www.instagram.com/sweetteethpowerpop/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.instagram.com/sweetteethpowerpop/</strong></a><br><a class="no-pjax" href="https://sweetteeth1.bandcamp.com/releases" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://sweetteeth1.bandcamp.com/releases</strong></a></p><div class="em_dm_txt_white" style="color:rgb(51, 51, 51);font-size:15px;line-height:20px;margin:0px;overflow-wrap:break-word;padding:0px;"><strong>Connect with First in line:</strong></div><div class="em_dm_txt_white" style="color:rgb(51, 51, 51);font-size:15px;line-height:20px;margin:0px;overflow-wrap:break-word;padding:0px;"><a class="no-pjax" href="https://www.facebook.com/fillkpg/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong><u>https://www.facebook.com/fillkpg/</u></strong></a></div><div class="em_dm_txt_white" style="color:rgb(51, 51, 51);font-size:15px;line-height:20px;margin:0px;overflow-wrap:break-word;padding:0px;"><a class="no-pjax" href="https://www.instagram.com/fil_lkpg/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong><u>https://www.instagram.com/fil_lkpg/</u></strong></a></div><div class="em_dm_txt_white" style="color:rgb(51, 51, 51);font-size:15px;line-height:20px;margin:0px;overflow-wrap:break-word;padding:0px;"><a class="no-pjax" href="https://firstinline-fil.bandcamp.com/music" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong><u>https://firstinline-fil.bandcamp.com/music</u></strong></a></div><p><strong>Connect with GASP:</strong><br><a class="no-pjax" href="https://www.facebook.com/GASP.sweden" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.facebook.com/GASP.sweden</strong></a><br><a class="no-pjax" href="https://www.instagram.com/gasp.band/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.instagram.com/gasp.band/</strong></a><br><a class="no-pjax" href="https://gaspband0.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://gaspband0.bandcamp.com/</strong></a></p><p><strong>Connect with Statues:</strong><br><a class="no-pjax" href="https://www.facebook.com/statuesumea" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.facebook.com/statuesumea</strong></a><br><a class="no-pjax" href="https://www.instagram.com/statuesband/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://www.instagram.com/statuesband/</strong></a><br><a class="no-pjax" href="https://statues.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>https://statues.bandcamp.com/</strong></a></p><p><br> </p><div class="em_dm_txt_white" style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(51, 51, 51);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:15px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;line-height:20px;margin:0px;orphans:2;overflow-wrap:break-word;padding:0px;text-align:center;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>\</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73506252024-03-05T05:00:00-05:002024-03-05T05:00:03-05:00A Burial At Sea Unveils 'Masterfred': A Haunting Prelude to 'Close To Home'<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6cdd3f79ce08e4cd23b0017cfeec76f9716debc7/original/1706616483-4791829586.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>A Burial At Sea, the inimitable post-rock outsiders, have unfurled their latest sonic offering, "Masterfred," marking the third single from their eagerly anticipated sophomore album, "Close To Home." Which released on February 23, 2024, via Berlin's esteemed Pelagic Records, the track emerges as a haunting yet empowering testament to the band's evolving musical depth.</p><p>Initially conceived as a playful nod to co-founding member Dara Tohill's father, Fred, "Masterfred" has metamorphosed into a pivotal piece within the album's thematic framework. While the band's signature post-hardcore ferocity reverberates throughout "Close To Home," "Masterfred" showcases a willingness to explore quieter, more introspective realms, revealing a nuanced sonic landscape that embraces every subtle nuance and reverberation.</p><p>Accompanied by a visually arresting video collage, juxtaposing familial footage with vibrant time-lapses, "Masterfred" transports listeners through a kaleidoscope of nostalgic recollections and poignant reflections. The haunting refrain, "I think I fell on hard times, but that's alright," resonates with paternal wisdom and self-forgiveness, encapsulating the track's emotional depth.</p><p>Hailing from Ireland but now rooted in Liverpool, A Burial At Sea first made waves in 2018 with their explosive EP, "...And The Sum Of Its Parts," defying conventions with their boundless creativity. Subsequently, their kinetic live performances alongside genre luminaries such as And So I Watch You From Afar, This Will Destroy You, Caspian, and Some Become Hollow Tubes propelled them into the international spotlight, cultivating a devoted following across Europe.</p><p>"Close To Home" represents a poignant exploration of the band's Irish heritage, distilled through the crucible of lockdown-induced introspection. Culled from years of creative ferment, the album emerges as a testament to the places and people, like Fred, who have left an indelible mark on the band's collective psyche. As bittersweet melodies and nostalgic motifs intertwine, "Close To Home" emerges as a sonic tapestry, weaving together disparate influences into a singular, brass-led opus.</p><p>With "Masterfred," A Burial At Sea reaffirms their status as purveyors of sonic innovation, transcending generic labels to carve out a singular niche within the pantheon of post-rock. As Patrick Blaney aptly remarks, "'Masterfred' may be one of the darkest tracks on the album, but its title imbues it with a familiar light-heartedness—a testament to the complexities of human experience."</p><p>"Masterfred" is available now, with "Close To Home" just recently dropped on February 23, 2024.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oraX5qYOb5I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oraX5qYOb5I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73506892024-03-04T05:00:00-05:002024-03-04T21:15:11-05:00WHAT'S IN OUR INBOX! STATES OF NATURE, NEWMOON, FOX MEDICINE, THE DISASSOCIATES, OWEN<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week is a good mix of Indie to Punk and some old favorites like Owen. Hope you enjoy these picks by our writing staff. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>States Of Nature</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(43,43,43);">’Papered News’ is a song about finding your people and making life changes. Everyone needs someone in your life who can validate where you are and encourage you to continue or take that risk that you hope will make things better. Just knowing someone’s in your corner can help you get out of a bad place. The song was one of the first written for the record and helped center the vibe of the whole album. We wanted to make the video bright, fun, and silly to go along with the playful nature of the song.</span></p><p><strong>What we say they sound like: </strong>I like the clean angular guitars on this which makes it more post-punk. It has elements of new bands like Dead Tooth & Two-Man Giant Squid but it then has a rock n' roll vibe too which is almost grungy sometimes. It's almost a little Arctic Monkeys, Strokes, etc. I often find UK stuff relies heavily on 90's influence and here I think that's a good thing because it seems to do it without feeling dated. </p><p><strong>Song to add to your playlist: </strong>Papered News</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Fsr83HVILdE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Fsr83HVILdE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Newmoon</p><p><strong>BMN Score: </strong>9.1/10</p><p><strong>What the band says:</strong><span style="color:#000000;"> Of the new single "Crazing," vocalist Bert Cannaerts says, I really like this track because it’s so chaotic and melodic at the same time. The heavy, fuzzed out tremolo guitars in the background fit so well with the melodic character of the song. When we finished “Crazing” we were all kind of stunned because it didn’t feel like a song that we wrote.</span></p><p><strong>What we say they sound like: </strong>Classic Shoegaze tones from the start make this sound like it could be any mixture of Cocteau Twins to Bailter Space. The vocal is quite nice and ethereal. Overall it's not reinventing the wheel but it is exactly all of the elements that make Shoegaze good. The drone and atmosphere created is why people love this style of music and it's been around for 40 years. For me I judge my Shoegaze more by the live set and how many times I can listen to the track. What's nice about this genre is I feel like you get more listens because there's nothing syrupy sweet to get sick of. </p><p><strong>Song to add to your playlist: </strong>Crazing</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Trfgm3xaZJQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Trfgm3xaZJQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>FOX MEDICINE</p><p><strong>BMN Score:</strong> 9.5/10</p><p><strong>What the band says:</strong><span style="color:#000000;"><strong> </strong> "Rattlesnake Valentine Tour" comes perfectly timed to add excitement to your February, with a new single "Rattlesnake Valentine" (out 2/2) that is apparently so infectious, the band named their tour after it! The "Rattlesnake Valentine Tour" is centered around the band's love for west coast skateparks and rock'n'roll playgrounds, with dates in Oregon and California.</span></p><p><strong>What we say they sound like: </strong>This reminds me at points of Karen O. but also of modern stuff like BK act Tetchy. It's got bite and balls but a sweet voice that turns to vicious bark. The juxtaposition of sweet next to brutal is what makes this great. At moments it's like Sonic Youth's Kim Gordon and other times it's heavy metal churning like a buzzsaw. It's got so much genre melding that I think most heavy music enthusiasts can find something to like about it. </p><p><strong>Song to add to your playlist: </strong>Rattlesnake Valentine</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UzjgM7fd--I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UzjgM7fd--I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>The Disassociates</p><p><strong>BMN Score: </strong>8.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(85,85,85);">Vocalist Brie Marie says, </span>“No Reason This Can’t Be Fun is a fun, wild, and completely open & honest look into coping with life and all the struggles that come with it. Whether you want to laugh, cry, or rage, No Reason This Can’t Be Fun has a song for you.”</p><p><strong>What we say they sound like: </strong>At first I was thinking this is going to be very pop and not my thing, but then some chugging guitars kicked in. I would call this Bubble Grunge in the vein of Beach Bunny or Charly Bliss. It's not quite as cute as either of those but it's good and the hook is quite catchy. This is something that might catch the ear of the poppunk crowd as well with it's grim subject matter. </p><p><strong>Song to add to your playlist: </strong>I Don't Wanna</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5aC4gKQpjbY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5aC4gKQpjbY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Owen</p><p><strong>BMN Score: </strong>9.4/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">Kinsella’s ability to seamlessly stitch jagged emotional currents into crushingly beautiful songs has remained at the forefront of his art. This contrast has become more distinct as Owen expanded from unassuming acoustic beginnings into more ornate production, reaching new levels of complexity and clarity by the release of 2020’s The Avalanche. The Falls of Sioux, Kinsella’s newest Owen full-length, levels up even further. As much as these nine songs represent a type of reinvention, they also feel like the natural next step in Kinsella’s growth, both artistic and personal. The album perforates an established sound to explore unlikely musical ideas, while the songs document a time of moving through life-altering turmoil into brighter days. Heavy themes are turned over with a gentle hand, and Kinsella inhabits the deeper perspectives that come with hard-earned life experience. </span></p><p><strong>What we say they sound like: </strong>Owen has been an indie staple for like 20 years and songs like this is why. Owen is known for soft vocal delivery and genuine heartfelt emotion. The track has a a tinge of emo feel but is far beyond his roots. The dark rhythmic pattern of the bass and acoustic guitar actually has this very 90's feel, like take away the vocal and it could almost be something from a grunge era band's acoustic performance. The lift at the end gives a more Smiths-ish feel as the vocal nonchalantly floats on top of it. It will be a treat for fans of the early 2000's mellow indie emo scene. </p><p><strong>Song to add to your playlist: </strong>Beaucoup</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="z8RKUS5z9RU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/z8RKUS5z9RU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73485362024-03-01T05:00:00-05:002024-03-01T05:00:01-05:00Dea Nammu releases its 4th single, "Anunnaki Gods" with AI Music Video That is Crazy!<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ab1eee587cf981ae50acd44f654bb4ff7febee03/original/screenshot-2024-02-09-at-8-40-12-am.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span class="text-big"><strong>Dea Nammu releases its 4th single, "Anunnaki Gods" accompanied by a music video entirely created with artificial intelligence.</strong></span><br><br>Dea Nammu is a Spanish band composed of Diego Sánchez (keyboards), Gustavo Infantes (bass), Sergio Marơnez (vocals), and Eduardo Marơnez (vocals). Their musical style spans genres from darkwave and post-punk to EBM. Their songs are powerful, dark, and atmospheric, influenced by groups such as Sisters of Mercy, Skinny Puppy, Depeche Mode, Megabeat, or Nitzer Ebb. The group is known for addressing enigmaƟc themes in their lyrics, including the existence of extraterrestrial life, conspiracy theories, and secret socieƟes. The songs on their first LP also criƟque contemporary society from a conspiratorial perspecƟve, delving into various topics such as the origin of humanity, geneƟc engineering, or elite control over the media. </p><p>For this fourth release, Dea Nammu has traveled back thousands of years to tell the origin of humanity through the lens of an interventionist theory. In a modern interpretation of the Bible, the band explains that humans were actually arƟficially created by extraterrestrial beings called Anunnaki. These aliens visited Earth thousands of years ago in search of resources, blending their DNA with that of a primate through genetic engineering to create a slave race. This hypothesis would explain Darwin's famous missing link in human evolutionary history. To bring this idea to life, the group found the perfect tool in AI, using artificial intelligence applications such as Leonardo AI and Runway Gen-2 to develop the music video. Currently, the band is puƫng the finishing touches on their first album with their producer Juan Carlos Moreno at Starman Studios.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="irhBa4BJuMg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/irhBa4BJuMg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73485342024-02-29T05:00:00-05:002024-02-29T05:00:04-05:00Fire Sale Ignites with New 2-Song Single "The Albatross<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/94b54205769db98cc37369d8dd55ffffd5a79624/original/firesale-pressphoto1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>In the combustible world of punk rock, Fire Sale emerges as a blazing supergroup, comprised of luminaries from the genre's storied past. Matt Riddle (Face to Face and No Use For A Name), Chris Swinney (The Ataris), Pedro Aida (Ann Beretta), Matt Morris, and Brad Edwards combine their talents to create a potent sonic force. Their latest offering, the 2-song single "The Albatross," promises to set the scene alight upon its release.</p><p>Recorded and mixed at The Blasting Room, the hallowed ground owned by punk icons The Descendents, "The Albatross" roars with the raw energy and authenticity emblematic of the genre. The single's artwork, hand-painted by the esteemed Mark DeSalvo (known for his work with NOFX and Lagwagon), adds a visceral layer to Fire Sale's sonic manifesto.</p><p>"The Albatross" opens with a pulsating bass line before exploding into a frenzy of pop-punk drums and anthemic gang vocals. At its core, the track grapples with the pervasive issue of gun violence, serving as a rallying cry for societal change. Pedro Aida's impassioned vocals channel the collective frustration and despair felt in an age overshadowed by fear and uncertainty.</p><p>Reflecting on the track, Aida shares, "The Albatross encapsulates the palpable fear we experience each time we send our children to school, overshadowed by the looming specter of violence." Guitarist Chris Swinney adds, "It's a nostalgic nod to the Fat and Epitaph days, a sonic testament to the roots that shaped us."</p><p>The B-side, "I Remember Damage," offers a melodic counterpoint to the urgency of its counterpart. Driven by infectious hooks and searing guitar work, the track underscores Fire Sale's versatility and songwriting prowess.</p><p>Fire Sale's rise has been meteoric, marked by a string of critically acclaimed releases. Their 2022 single "A Fool’s Errand," released on Negative Progression Records, garnered widespread acclaim and earned rotation on SiriusXM Faction Punk. Similarly, "Dark Hearts," their 2021 offering on SBAM Records (Europe), cemented their status as torchbearers of the punk ethos.</p><p>With videos amassing hundreds of thousands of views on platforms like BlankTV and Spotify playlists featuring their tracks, Fire Sale's impact reverberates far beyond the confines of the punk scene. As they continue to push boundaries and challenge conventions, "The Albatross" stands as a testament to their unwavering commitment to the spirit of rebellion and authenticity.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IsfH8VxKh-c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IsfH8VxKh-c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Follow Fire Sale:</strong><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21571519.55979.1.c2776b503f892c64beb7da15a2374bad" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.facebook.com/firesaleisaband</a><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21571519.55980.1.3504ecc414e9dd3b743eb4b433cada4b" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.instagram.com/firesaleisaband</a><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21571519.55981.1.bedcd53ecd180804292f7addfffea5b9" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.tiktok.com/@firesaleisaband</a><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21571519.55982.1.3443013d7e99a32b4402b06e04adae6f" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.youtube.com/@firesale</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456662024-02-28T05:15:00-05:002024-02-28T05:20:03-05:00MEET SAN DIEGO INDIE ROCK BAND COURTSIDE BETTY<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">
<div style="margin:0px;padding:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/540a8dd98ab2293edcb3c2c7bb1a463eb0bae51b/original/courtside-betty-high-res.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><font face="arial, sans-serif">Formed in early 2023, this group of San Diego transplants have been honing their sound and crafting a diverse set of indie rock tunes heavily influenced by 90s alt rock and 2000s indie. Electric harpist Catherine Skinner adds an engaging twist to the standard rock band configuration, weaving beautiful melodic lines over the choppy rhythm guitar and a pulsing rhythm section. Courtside Betty released their debut single, “Poison,” on 12/13/23. Interested in hearing more? Give us a listen and stream “Worry” here.</font><br><br><strong> How did the band form and what does the band name mean?</strong><br><font face="arial, sans-serif">We have Craigslist to thank for getting the band together. We were all looking for a new project and outlet to play music in early 2023 - Clay put up an ad that enticed Catherine and Felipe to reach out. After meeting up in person we knew it was going to be a good fit! The bassist and drummer on our initial singles were with us for the recording process, after which Catherine helped us to rope in Conner as our current bassist.</font><br><br><font face="arial, sans-serif">The band name holds special meaning for us as it was born out of many (many, many) sessions of disagreement after which we thought we would never be able to agree on a name. We probably went through more than a hundred iterations and ideas before coming to an agreement! The name itself was a mishmash of other name ideas that some of us liked but didn’t make the cut. We know what it means to us and who Courtside Betty is, but we think it’s more fun to leave it open to interpretation…</font><br><br><strong>Previous musical projects? How'd you first get into music?</strong><br><font face="arial, sans-serif">We all have really varied backgrounds in music. Clay has been in a variety of bands on the East Coast ranging from 90s-influenced alternative rock to metal. Most recently he was active in a DC sludge outfit called Blunt Horse and a post-metal trio called Lapsarian. He’s always been a big fan of indie music but this is his first venture into actually writing it!</font><br><br><font face="arial, sans-serif">Felipe was in a post-hardcore band years ago and eventually left to experiment in electronic and indie/pop music. He took a break from music for a few years before joining Courtside Betty.</font><br><br><font face="arial, sans-serif">This is Catherine’s first band, however, she’s been classically taught and trained since she was a kid. After trying out a variety of instruments in childhood, she transitioned to harp in college and played regularly in classical ensembles throughout her college years.</font><br><br><font face="arial, sans-serif">This is also Conner’s first band, although he also has classical training in piano and upright bass.</font><br><br><strong>First concert that you ever went to? </strong><br><font face="arial, sans-serif">Clay: Oof, I didn’t go to a whole lot of concerts growing up. I think my first ever concert was Metallica in 2009 followed by Foo Fighters in 2011. I think both of those influences shine through pretty heavily in this track.</font><br><br><font face="arial, sans-serif">Catherine:I went to a Five for Fighting concert with my mom when I was like 8. And then a Hannah Montana concert when I was 10 haha. My music taste has definitely evolved since then.</font><br><br><font face="arial, sans-serif">Felipe: The first concert I went to was an As Cities Burn show. I can’t recall what other bands were on the lineup, but I do remember that they were my inspiration for picking up a guitar. To this day, I still listen to their 2007 album, Come Now Sleep, on repeat.</font><br><br><font face="arial, sans-serif">Conner: Oh man. I think the first ever concert I went to was Coldplay in 2007 when I was 10 with my family. My dad listened to a lot of their early albums growing up and so we all knew most of their songs from riding in the car on road trips. It was a fun introduction to live music for me and my brothers.</font><br><br><strong>What's your writing process like?</strong><br><font face="arial, sans-serif">Our song writing process varies song-to-song. “Worry” began with the chord progression and “Poison” with an arpeggio and vocal melody - but the music almost always comes before the words. Lyrically, I usually start brainstorming until I write a line or verse that feels like it elevates the music beneath it and then I’ll start to develop the story I want to tell. With “Worry,” the first line I wrote was “worry takes up all of my time,” and once I couldn’t get that phrase out of my head, I started to write the rest of the chorus and around that idea. Once I had a rough draft of the chorus, I worked the vocal melody to fit the chords but also the emotions I wanted to convey with the lyrics I’d chosen.</font><br><br><font face="arial, sans-serif">For both singles, I wanted to capture similar snapshots of what I was feeling. Both narrators sing about similar complex emotions around break-ups, but view them through vastly different lenses. I’m also a big fan of unorthodox song structures. I find that I feel uninspired when I get into a rut of writing standard verse-chorus-verse-chorus-bridge-chorus structures. Instead, I like to match the structure to the emotional journey. Does it ebb and flow at the right times? Break-ups (and grief in general) are an emotional roller-coaster but they’re certainly not linear or predictable. But at the end of the day, so much of our writing process is trial and error. I wrote a LOT of songs about these experiences that will never reach anyone’s ears but mine - but I also took something away from each of those ideas.</font><br><br><strong>What other artists or songs inspire your music? </strong><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4TW6g0955lfnRLldfksvAH?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </div>
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<font face="arial, sans-serif">In terms of inspiration for “Worry,” the chord progression and harp motif were definitely influenced by bands like Slow Pulp and Soccer Mommy. I love their use of interesting chord shapes and unique melodies. Lyrically, I drew inspiration from the brutal honesty and tender vulnerability of some of my favorite songwriters including Ada Lea, Indigo De Souza and Lomelda (and Soccer Mommy again). I find it so much easier to connect with a song and an artist when I can tell the lyrics are coming from a genuine place. Even if I can’t relate with the exact narrative or experience being described, I can connect to the feelings. So when I sat down to flesh out the lyrics for “Worry,” I challenged myself to capture what I was feeling during that time in my life as sincerely as possible, not worrying so much about the facts or narrative as much as the internal dialogue and swirl of emotions they generated.</font><br><br><font face="arial, sans-serif">For our first set of singles, we opted for a darker, more intimate production style inspired by artists, like Flock of dimes, and Margaret Glaspy. We wanted it to feel like the listener is in the room with us and I think we got pretty close to that. We’re still a young band finding our voice, but I think we walked away from this studio experience feeling pretty confident in our sound, and where we want to take it in the future!</font><br><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong><br><font face="arial, sans-serif">We absolutely believe that the live versions of our music should be their own thing and for our shows to capture a different experience of the music. You can listen to the recorded versions on streaming services whenever you want. We want to make sure everybody who comes to see us perform walks away with a unique experience. When we practice our live set it’s about more than just playing the songs. If you put in the effort to come see us, we’re going to make sure we put in the effort to make it memorable.</font><br><br><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong><br><font face="arial, sans-serif">We’re putting the finishing touches on our first live set and are planning to play our first shows around the SoCal area later this year!</font><br> </div>
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<strong>What's up next for the band?</strong><br><font face="arial, sans-serif">Courtside Betty has a big year planned! We’ve got one more song coming out in early March, studio time scheduled in May, and we’ll be playing our first shows around SoCal later this year. Last year we wrote a ton of music and we can’t wait to start releasing and playing it for you all!</font><br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="AL0eEiJA8jc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/AL0eEiJA8jc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="margin:0px;padding:0px;">
<br><font face="arial, sans-serif"><strong>Connect with Courtside Betty:</strong></font>
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<div style="margin:0px;padding:0px;"><p><a class="no-pjax" href="http://courtsidebetty.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>Website</span></a><br><a class="no-pjax" href="http://instagram.com/courtsidebetty" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>Instagram</span></a><br><a class="no-pjax" href="http://facebook.com/courtsidebetty" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>Facebook</span></a><br><a class="no-pjax" href="https://www.tiktok.com/@courtsidebetty" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>TikTok</span></a></p></div>
</div><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456602024-02-27T05:00:00-05:002024-02-27T05:00:01-05:00MEET BROOKLYN PSYCHEDELIC GROOVE BAND FREE WHENEVER<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fc5f5e5c9041417328e0e67949261d558ea7705c/original/screenshot-2024-02-04-at-12-25-09-pm.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Free Whenever's music navigates the space between form (saguna) and formlessness (nirguna), rooted in the ancient practice of long-form improvisation, resulting in a synesthetic blend of vintage psychedelia, dub reggae, eastern modality, and African rhythmic tradition. Founders Neil Guleria and Trevor LaVecchia, starting in 2020 from their Brooklyn apartment, initially explored trip-hop electronica to desert psych rock, evolving their sound with LaVecchia's chordal movement on bass and Guleria's melodic layers. With a self-proclaimed "psychedelic groove music" identity, they intertwine conversational bass and guitar melodies over Afro-Latin percussion and hip hop-inspired drums. From humble beginnings, their five releases, including Open Air and Jam Junkies, Vol I & II, have drawn attention, leading to performances in venues like the Sultan Room, bolstered by live contributor Brendan Steuart on drums, elevating their music from Manhattan streets to worldwide stages alongside artists like Karina Rykman.</span><br><br><strong>How did the band form and what does the band name mean?</strong><br><br>Neil: Trevor and I met for the first time actually a couple years before Free Whenever really started. A mutual friend had basically put us together in a one time band to play a wedding gig in Vermont. We basically met a few hours before our set, barely said a word to each other, played the gig, and went our separate ways in the morning. </p><p>Trevor: Then about a year or two later, that same mutual friend sent me a song he had recorded with Neil. Between the unique sonic quality of the recording and that transcendent feeling he had captured, I felt moved to reach out and reconnect. Long story short I contacted Neil, spent the day jamming and making tunes in his Brooklyn apartment, and we’ve pretty much kept that going ever since. Neil: The name was a really natural result of the lifestyle that developed alongside our creation process and the environment we were in. New York City had a bit of a cultural renaissance in 2020 with the pandemic giving rise to a DIY music scene, blossoming NYC park jams and drum circles, etc. Trevor was living with his girlfriend in Brooklyn and we both had a fair amount of time on our hands, so the “free whenever…” text became pretty much a daily reality for us, and eventually grew into a symbol for our philosophical approach to making music. </p><p><strong>Previous musical projects? How'd you first get into music?</strong></p><p>Trevor: I started as most musical kids do with some cover groups, and eventually I had a group in high school called Birdwalk with my friend John Bemis, who now masterminds a death tech band called Murder Pact. He was an insane drummer and we would just improvise all day and night. We spoke through music. That’s where I learned to play music with emotions and feelings rather than notes and chords. I am forever indebted to John Bemis opening my mind early on to that. I first got into music because it transported me to another world. It gave me purpose throughout my life and to this day it is how I prefer to connect to people. It’s a powerful thing and it’s hard to see people use it as a means to an end. Our goal is to keep it raw, fresh, and direct from the source, to fight for the freedom that music allows us to have in our minds and lives. </p><p>Neil: Trevor and I really bonded over that point and it became our shared philosophy and objective when making music. We both approach music mindfully but also know that how and what you play matters only because of the feelings you communicate much more so than the underlying theory that is being applied. My journey playing music was similar in many ways to Trevor’s. I spent a lot of time jamming with my brother and friends throughout my childhood, played in a few bands throughout high school and college. I grew up playing drums and guitar pretty much every day, every chance I could get. As early as 10, I got my introduction to self-recording and multi-tracking my own music with a $30 Behringer mixer and GarageBand. By the time I graduated school and moved to New York I rekindled that interest and became pretty inspired to pursue music through the vehicle of DIY recording and producing. </p><p><strong>First concert that you ever went to?</strong></p><p>Trevor: My first concert was technically the Wiggles in a small local store… but as far as big rock shows — AC/DC on their Black Ice Tour. After seeing Angus Young spinning on stage doing a ten minute solo.. I was hooked. I committed myself to learn pretty much every AC/DC song. </p><p>Neil: Funny enough the first real band I saw was 38 Special.. I didn’t necessarily spend a ton of time listening to Southern Rock then or now, but was glad my parents introduced me to live music early in life. Technically prior to that (my version of Trevor’s Wiggles) was an ABBA cover band at Wolftrap. </p><p><strong>What's your writing process like?</strong> </p><p>Trevor: Lots of improvisation and keeping the tape on. Neil turned me onto the idea of just opening up the DAW and hitting record every time we play and just leaving it running. Our process often involves just listening back to long takes of freeform jams and honing in on ideas. The most cosmic material comes after an hour of just playing, not thinking. It’s always come naturally to us. In the early days, we struggled to even write a song shorter than fifteen minutes. </p><p>Neil: We’re really not purists when it comes to this stuff. Whatever works works. In our recording process we try and combine the best of both worlds: written and rehearsed song structures with completely improvised endings, first take live-tracked sessions spliced together with the middle of a 45 minute jam, writing with loops or writing with an acoustic guitar, etc. </p><p><strong>What other artists or songs inspire your music?</strong></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0M7QVj2cdHLMh0tJ1xrt6W?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br><br>Trevor: Our closest contemporary influences include Khruangbin, Surprise Chef, Skinshape, and the like. All of them take such vastly different approaches to writing and recording but arrive at a similarly modern psychedelic result. </p><p>Neil: Then of course you have the classic psych rock: Pink Floyd, Hendrix, Santana, Red Hot Chili Peppers. The whole band also incorporates a lot of global influences and inspiration from dub reggae to Turkish psychedelia to Afro-Cuban rumba. </p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong> <br><br>Neil: Our early shows as a band (before we had much written material at all) were absolute jams. Switching instruments, cycling in and out drummers, having random guest musicians join us on stage during those DIY events.. things were very fluid. Eventually as we got more serious about writing concrete material and developing well-written songs, we got better at live recreations that captured the structures and core moments in our recordings. </p><p>Trevor: Today our live performances are pretty true to our form and formlessness philosophy. Most songs include a combination of precise note-for-note structures with consistently improvised moments. It keeps things fresh and allows us to keep our songs living and breathing long after the master gets cut. Live music is never going to be identical to the recording unless you are using tracks. Even if you are playing the song as is, it will sound different live. We embrace that. The ubiquity of playing with tracks live has taken away an important aspect of music from the listeners and fans. We want to challenge our fans and have them join us on a new journey every show. </p><p><strong>Has the band toured? What has the touring experience been, best shows?worst shows? </strong></p><p>Neil: We are embarking on our first tour this month! Super pumped and more ready than ever to do it. We’ve loved incubating in NYC the past couple years but feel like it’s our time to push out into new territories and discover new scenes. </p><p><strong>What's up next for the band? </strong></p><p>Trevor: Plenty more music, more touring, some really awesome collaborations in the works. We want to keep growing and sharing the message. We love meeting artists with the same spirit as us and want to play with them all. Good music has been pushed underground and there is a movement to bring it back to the masses.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="kcf4llWpSHA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/kcf4llWpSHA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.tiktok.com/@freewheneverband" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.tiktok.com/@freewheneverband</a><br><a class="no-pjax" href="https://www.instagram.com/freewheneverband/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/freewheneverband</a><br><a class="no-pjax" href="http://twitter.com/allmanbettsband" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">http://twitter.com/allmanbettsband</a><br><a class="no-pjax" href="https://open.spotify.com/artist/3bSsyMPujHM45QOvf6M6he" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://open.spotify.com/artist/3bSsyMPujHM45QOvf6M6he</a><br><a class="no-pjax" href="https://www.youtube.com/channel/UCPS0fOYpUJ3qbjsDSwHp3bw" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.youtube.com/channel/UCPS0fOYpUJ3qbjsDSwHp3bw</a><https: www.tiktok.com="">// Instagram <https: www.instagram.com="" freewheneverband="">// <http: twitter.com="" allmanbettsband="">Spotify <https: open.spotify.com="" artist="">// YouTube<https: www.youtube.com="" channel="" ucps0foypuj3qbjsdswhp3bw=""></https:></https:></http:></https:></https:></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456572024-02-26T05:00:00-05:002024-02-26T05:00:02-05:00MEET MARCOS MENA OF INSTRUMENTAL MATH ROCK BAND STANDARDS<blockquote type="cite"><div style="margin:0px;padding:0px;" dir="ltr"><div class="WordSection1" style="margin:0px;padding:0px;page:WordSection1;">
<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/662b5c614efcbadabd91a8fb8166fa0f7fc46eb9/original/image001.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p>
<p><span style="color:#000000;">Marcos Mena leads standards, a distinctive math rock duo, alongside drummer Moises Popa, known for their intricate instrumental compositions and infectious guitar-driven melodies. Based in Los Angeles, California, the duo has garnered a global following over nearly five years, praised by fans for their danceable yet complex brand of instrumental rock. Recognized as "an interesting, new talent" by Guitar World magazine, standards defy expectations for instrumental duos. They are endorsed by Ibanez, Fishman, Ernie Ball, and Meinl Cymbals.</span></p>
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<div style="background-color:rgba(0, 0, 0, 0);border:1pt none rgb(117, 117, 117);font-variant-caps:normal;margin:0px;padding:0in;text-align:start;word-spacing:1px;"><p><span class="text-big" style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span></p></div>
<p><span class="text-big" style="color:#000000;">standards is my (Marcos) college project, it was a play on the term “jazz standard” which is a basic jazz song that most jazz musicians would know. I guess it was a very pathetic joke. It’s also a Tortoise album, which is a good album.</span></p>
<div style="background-color:rgba(0, 0, 0, 0);border:1pt none rgb(117, 117, 117);font-variant-caps:normal;margin:0px;padding:0in;text-align:start;word-spacing:1px;"><p><span class="text-big" style="color:#000000;"><strong> Previous musical projects? How’d you first get into music?</strong></span></p></div>
<p><span class="text-big" style="color:#000000;">I started playing piano at the age of 5 and it’s been all downhill from there. I play in a math rock band now.</span></p>
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<p><span class="text-big" style="color:#000000;"> </span></p>
<p><span class="text-big" style="color:#000000;"><strong>First concert that you ever went to?</strong> </span></p>
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<p><span class="text-big" style="color:#000000;">Slipknot. Again, all downhill after that.</span></p>
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<p><span class="text-big" style="color:#000000;"><strong> </strong></span></p>
<p><span class="text-big" style="color:#000000;"><strong>What’s your writing process like?</strong></span></p>
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<p><span class="text-big" style="color:#000000;">I try to think of the hardest thing I can play and then I make it harder. Then Moises (drums) plays 2x speed over that and the result is pleasing to a minority of people.</span></p>
<div style="background-color:rgba(0, 0, 0, 0);border:1pt none rgb(117, 117, 117);font-variant-caps:normal;margin:0px;padding:0in;text-align:start;word-spacing:1px;"><p><span class="text-big" style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span></p></div>
<p><span class="text-big" style="color:#000000;">We love instrumental guitar acts as well as the new hyperpop and glitchcore scene. Also just fans of musicianship, jazz and session musicians who work hard to hone their craft. It’s a very beautiful thing.</span><br><span class="text-big" style="color:#000000;"><strong> </strong></span></p>
<div style="background-color:rgba(0, 0, 0, 0);border:1pt none rgb(117, 117, 117);font-variant-caps:normal;margin:0px;padding:0in;text-align:start;word-spacing:1px;"><p><span class="text-big" style="color:#000000;"><strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it’s own thing?</strong></span></p></div>
<p><span class="text-big" style="color:#000000;">We like to be energetic. Most instrumental guitar bands just stand in place the entire set but we try to bring as much energy to the stage as possible.</span></p>
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<p><span class="text-big" style="color:#000000;"> </span></p>
<p><span class="text-big" style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span></p>
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<p><span class="text-big" style="color:#000000;">We’ve toured a few times. Like maybe 20 times. Clearly not very successfully otherwise you would have heard about it. We opened up for Plini in November and that was amazing. He is very cool. Opening up for him in New York was amazing. The worst show we played was at a boomer hippy festival in the desert many years ago. They didn’t like our vibe. But now we’ll be opening up for Elephant Gym this upcoming March and we’re very excited. Hopefully they like our vibe more than the hippies.</span></p>
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<p><span class="text-big" style="color:#000000;"><strong> </strong></span></p>
<p><span class="text-big" style="color:#000000;"><strong>What’s up next for the band?</strong></span></p>
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<p><span class="text-big" style="color:#000000;">Our new record Fruit Galaxy comes out March 22nd Hopefully much more touring (that will be notable) and staying away from the hippy festivals.</span></p>
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<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Bm9MGmhaDBg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Bm9MGmhaDBg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:#000000;"><span> </span></span><a class="no-pjax" href="http://www.standards-band.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>www.standards-band.com</u></span></a><br><a class="no-pjax" href="http://www.facebook.com/wearestandards" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>www.facebook.com/wearestandards</u></span></a><br><a class="no-pjax" href="http://www.instagram.com/wearestandards" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>www.instagram.com/wearestandards</u></span></a><br><a class="no-pjax" href="http://www.tiktok.com/@standardsband" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>www.tiktok.com/@standardsband</u></span></a><br><a class="no-pjax" href="https://twitter.com/wearestandards" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>https://twitter.com/wearestandards</u></span></a></p>
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</div></div></blockquote>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456532024-02-23T05:00:00-05:002024-02-23T05:00:01-05:00Marc Valentine's 'Basement Sparks': Power-Pop's Transatlantic Triumph<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/66a66a46b44bc3297823e2a1b755e7746d26f5bb/original/marc-valentine-basement-sparks-digital.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>Looking for great modern power-pop, look no further than British singer-songwriter Marc Valentine emerges as a formidable force, poised to ignite transatlantic flames with his forthcoming LP, 'Basement Sparks', slated for release on March 22, 2024, via Wicked Cool Records.</p><p>Following his acclaimed debut 'Future Obscure', which garnered fervent praise in 2022, Valentine returns with a sonic palette that melds Springsteen's anthemic fervor, Weezer's pop sensibilities, and the raw energy of Buzzcocks and T-Rex. Produced once more by Dave Draper, known for his work with The Wildhearts and Ryan Hamilton, 'Basement Sparks' promises an 11-track odyssey into Valentine's sonic universe.</p><p>Valentine's lyrical canvas traverses realms both terrestrial and celestial, exploring themes ranging from the cacophony of information overload to the surreal solitude of the American desert. With tracks oscillating between science fiction and political commentary, Valentine's signature lyrical diction shines, offering listeners his most comprehensive musical narrative yet.</p><p>Enlisting a stellar ensemble of musicians including Richard Davies, Steve Fielding, Denley Slade, Carol Hodge, and Emily Ewing, Valentine nurtures his cosmic crop of melodies, ensuring 'Basement Sparks' resonates as a testament to collaborative brilliance.</p><p>Transitioning from his tenure with Last Great Dreamers, Valentine's solo trajectory catapults him into an exciting new chapter under the auspices of Wicked Cool Records, helmed by Steven Van Zandt. Reflecting on this pivotal moment, Valentine muses on the serendipitous nature of artistic evolution, hinting at more surprises on the horizon.</p><p>'Strange Weather', the LP's latest single, encapsulates Valentine's penchant for theatricality and pop prowess. Evoking imagery reminiscent of retro sci-fi landscapes, the track delves into the mystique of extraterrestrial encounters, inviting listeners on a journey through surreal Americana.</p><p>As Valentine prepares to embark on his inaugural US tour, the anticipation simmers palpably. From the vibrant streets of New York City to stages beyond, his energetic live performances promise to electrify audiences, marking a milestone in his musical odyssey.</p><p>In retrospection, 'Future Obscure' stands as a testament to Valentine's melodic prowess, earning accolades from Vive Le Rock, MOJO, Classic Rock, and Louder Than War. With 'Basement Sparks' poised to illuminate the musical stratosphere, Marc Valentine emerges as power-pop's preeminent ambassador, bridging continents with his electrifying soundscapes.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Y2BKfDG1sTA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Y2BKfDG1sTA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>03/21 – Yarmouth MA, The Music Room<br>03/22 – Boston MA, The Burren<br>03/23 – New York NY, Berlin Under A<br>03/24 – Ringwood NJ, Live At Drew’s<br>03/29 – New Haven CT, Cafe Nine</p><p><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21526216.55875.1.b3305724d77ce1c6c37fa9a8623fd83c" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://marcvalentine.co.uk/</a></p><p><br> -Francis Madden</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73376962024-02-22T05:00:00-05:002024-02-22T08:40:27-05:00MEET TRENTON NJ'S PUNKY INDIE ROCK BAND ALPHA RABBIT<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/76c50217e43e35d7d59315f85edce71e04d99b83/original/ar.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" height="1667" width="2500" /><p><span style="color:rgb(55,65,81);">Alpha Rabbit is set to release their latest album, "Let it Grow," on February 23, 2024, marking their sophomore LP under Mint 400 Records. The album continues seamlessly from their previous record, featuring beautiful arrangements, harmonies, and an eclectic selection of instruments. "Let it Grow" explores themes of love and conflict, emphasizing overcoming obstacles. The band's music, influenced by genres ranging from 60s psychedelic to 90s alternative, creates a modernized spin on the concept album, delivering a rocking yet intimate collection. Comprising Joseph Wolstenholme, Jaime Parker, and Jake Foy, Alpha Rabbit's multi-instrumental talents shine as they regularly perform live in Central Jersey and the Jersey Shore.</span><br><br><strong>How did the band form and what does the band name mean?</strong></p><p> </p><p><i>Alpha Rabbit formed in April 2016 as a songwriting project with three multi instrumentalists. The name was originally a nom de guerre for Jaime Parker’s solo material however when we formed and needed a band name, Alpha Rabbit was the perfect moniker for us. There were no other considerations.</i></p><p><strong>Previous musical projects? How'd you first get into music?</strong></p><p><i>Dim was in Honah Lee, Jake was a multi instrumentalist and producer, Jaime was in The Timid Roosevelts. We all got together through the Trenton punk and art scene.</i></p><p><strong>First concert that you ever went to? </strong></p><p><i>Dim’s first concert was KISS, Jaime’s was Horde Festival 1997 featuring Neil Young & Crazy Horse, and Jake’s was the Rolling Stones.</i></p><p><strong>What's your writing process like?</strong></p><p><i>Separately we come up with the bare bones of something and bring it to the other two Rabbits to arrange, rewrite and cowrite. Occasionally, the three of us will write a song out of thin air whilst in a room together. At times we will write each other’s parts or lyrics which adds to the melding effect. It’s gradually become more difficult to discern who wrote or played what. We dig seeing our styles merge in that way.</i></p><p><strong>What other artists or songs inspire your music? </strong></p><p><i>We have our collective influences like Animal Collective, The Front Bottoms, The Tough Sh*ts, Pink Floyd, The Thermals, Pixies, Springsteen, and the Ronettes. Some local influences have come from our Mint 400 label mates like Those Looks, The Extensions, Reese Van Riper and Renee Maskin. Some other local sounds we digging are Joy on Fire, Pissed!, the Amorphous Blob Orchestra, and The Cryptkeeper Five.</i></p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></p><p><i>When we started out in 2016 it wasn’t supposed to be live. It was a songwriting thing aside from our bands and lives during collective downtime. We wanted to record something and maybe play a live show locally. When that local show did occur, we had to figure out who would play what instrument for each of our songs. We had all rotated being the drummer, guitarist, or bass player in our rehearsals up to that point. With that first show approaching, we decided to simply switch instruments in between songs as part of the live act. That’s where us switching instruments came from. Now it’s an iconic thing for Alpha Rabbit and part of what we’re known for but it started out as a necessary way to play what we wrote live. For our live shows, we try to stay true to the recorded version. However, as we have added more sounds and layers to our recorded arrangements, we have to adjust for our live set. If it’s a good song it’ll translate and if you’re a good band y’all can handle it.</i></p><p><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></p><p><i>Alpha Rabbit has toured multiple times and are grateful to have played multiple shows along the east coast, Nashville, and much of the midwest. We love it and love playing live. We also dig meeting new friends, new fans and new bands.</i></p><p><strong>What's up next for the band?</strong></p><p><i>We are continuing writing and wood shedding the newest batch of songs, playing a ton in our area, and releasing our newest LP Let it Grow on Mint 400 Records February 2024.</i></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="i0qfbtmePIc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/i0qfbtmePIc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="zgqpzxbyL1c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/zgqpzxbyL1c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/alpharabbitmusic/">https://www.facebook.com/alpharabbitmusic/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456512024-02-21T05:00:00-05:002024-02-21T05:00:03-05:00C.L.S.M. Ignites Punk Revival with "Infinity Shit": A Reckoning in Sound<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c88ef4c42eca8929e2c0d74b47baffc01e2f589f/original/005898ffba48351dfe3f1dec-1220x1220.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>In a blistering furnace of punk resurgence, where the fires of passion rage against the mundane, there emerges C.L.S.M. – an infernal trio comprising the enigmatic Ryan Patterson, the thunderous Kayhan Vaziri, and the relentless Carter Wilson. Formerly known as the celebrated post-hardcore outfit Coliseum, these titans of the underground scene have ignited the airwaves with their latest incendiary release, "Infinity Shit."</p><p>At the helm of this musical maelstrom stands Ryan Patterson, the visionary guitarist and lyricist whose words cut through the fabric of societal decay like a sharpened blade. With "Infinity Shit," C.L.S.M. propels listeners into a whirlwind of sonic chaos, confronting the turmoil of a world gripped by greed, self-indulgence, and rampant class division.</p><p>Metal Injection raves, dubbing the album "a furious reunion record," while Treble praises its return to the band's crustier, blistering roots. Others have echoed the sentiment, hailing the album as a return to the raw, breakneck intensity of Coliseum's early days.</p><p>But make no mistake – "Infinity Shit" is not merely a nostalgic echo of past glories. It's a searing testament to the enduring spirit of rebellion, a sonic manifesto that confronts the harsh realities of our time with unrelenting fury and unbridled passion.</p><p>As the first pressing of "Infinity Shit" vanishes into the ether, a new LP colorway emerges – clear black smoke, a haunting reflection of the chaos that permeates every note and lyric of this electrifying release.</p><p>The journey doesn't end with the album's release. C.L.S.M. embarks on a series of electrifying reunion shows in April, a triumphant return to the stage where their legend was born. Dates and venues pulsate with anticipation, promising an experience that transcends mere performance and ventures into the realm of transcendence.</p><p>In the crucible of creation, C.L.S.M. rises like a phoenix from the ashes, forging a new path amidst the chaos of our times. As the world trembles under the weight of its own contradictions, the music of "Infinity Shit" serves as a beacon of defiance – a rallying cry for those who refuse to be silenced, who refuse to surrender to the darkness.</p><p>So heed the call, dear listeners, and immerse yourself in the sonic onslaught that is "Infinity Shit." For in the heart of the storm lies the promise of transformation, the promise of a world reborn in the fires of its own destruction.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ROa-rcNYaac" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ROa-rcNYaac?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><font face="Georgia"><span><strong>APRIL</strong> </span></font><br><font face="Georgia"><span>20 — Louisville, KY — Planet of the Tapes (Sold Out)</span></font><br><span style="color:rgb(51,51,51);"><span>21 — Louisville, KY — Planet of the Tapes (</span></span><a class="no-pjax" href="https://t.e2ma.net/click/f4ay8j/n2antomb/fsxfkq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(51,51,51);"><span><u>tickets</u></span></span></a><span style="color:rgb(51,51,51);"><span>)</span></span><br><br><a class="no-pjax" href="https://t.e2ma.net/click/f4ay8j/n2antomb/vkyfkq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(44,92,255);"><strong><u>Bandcamp</u></strong></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/f4ay8j/n2antomb/bdzfkq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(44,92,255);"><span><strong><u>Facebook</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/f4ay8j/n2antomb/r5zfkq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(44,92,255);"><span><strong><u>Instagram</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/f4ay8j/n2antomb/7x0fkq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(44,92,255);"><span><strong><u>YouTube</u></strong></span></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456482024-02-20T05:00:00-05:002024-02-20T05:00:04-05:0040 Years Of KMFDM, Celebrate With Their New Single "LET GO" <p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/02d63683d18c19247ee24854e0ce76b4b1b76da7/original/855742.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>In the tumultuous seas of contemporary music, KMFDM emerges as a towering force with their latest sonic salvo, "LET GO." Following the incendiary success of their first single, the band unleashes "AIRHEAD," a poignant reflection on American nostalgia tinged with the signature grit and groove that define KMFDM's soundscapes.</p><p>In the pantheon of genre-defying artists, KMFDM reigns supreme, challenging conventional boundaries and reshaping the sonic landscape with each successive release. With "AIRHEAD," the band invites listeners on a nostalgic journey through the hazy memories of 70s and 80s Americana, capturing the essence of a bygone era with infectious charm and irreverent wit.</p><p>Directed and produced by 210 Media, the accompanying video for "AIRHEAD" serves as a sentimental ode to the innocence of childhood—a joyride down memory lane that resonates with viewers on a visceral level. Through the eyes of a child, we bear witness to the evocative tapestry of American life, immortalized in vivid technicolor and sepia-toned nostalgia.</p><p>At the helm of KMFDM's sonic onslaught stand luminaries Sascha “Käpt’n K” Konietzko, Lucia Cifarelli, Andy Selway, and Andee Blacksugar, each contributing their unique talents to craft a musical experience unlike any other. From the pulsating rhythms of "LET GO" to the haunting melodies of "AIRHEAD," KMFDM's latest offering is a testament to their enduring legacy and unyielding creativity.</p><p>As the band celebrates 40 years of revolutionary sound, "LET GO" stands as a defiant declaration of defiance—a sonic manifesto that refuses to be confined by the constraints of convention. With Aidan “BRUTE” Hughes’ striking cover artwork mirroring the album's breakneck power, KMFDM's message resonates loud and clear: in a world gripped by chaos, music remains the ultimate form of resistance.</p><p>As "AIRHEAD" takes flight on digital platforms worldwide, KMFDM embarks on a month-long US tour, igniting stages with their electrifying presence and infectious energy. In an era defined by uncertainty and upheaval, KMFDM stands as a beacon of hope—a reminder that in the face of adversity, music has the power to unite, inspire, and transcend.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9nmsWhl577w" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9nmsWhl577w?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>TOUR DATES</strong><br><span style="color:rgb(51,51,51);">03/06 Atlanta, GA – The Masquerade</span><br><span style="color:rgb(51,51,51);">03/07 Carrboro, NC – Cat’s Cradle</span><br><span style="color:rgb(51,51,51);">03/08 Baltimore, MD – Baltimore Soundstage</span><br><span style="color:rgb(51,51,51);">03/09 New York, NY – Irving Plaza</span><br><span style="color:rgb(51,51,51);">03/10 Philadelphia, PA – Brooklyn Bowl</span><br><span style="color:rgb(51,51,51);">03/11 Harrisburg, PA – Harrisburg Midtown Arts CEnter</span><br><span style="color:rgb(51,51,51);">03/12 Boston, MA – Royale</span><br><span style="color:rgb(51,51,51);">03/14 Cleveland, OH – Agora Theater & Ballroom</span><br><span style="color:rgb(51,51,51);">03/15 Chicago, IL – Metro Chicago</span><br><span style="color:rgb(51,51,51);">03/16 Milwaukee, WI – The Rave/Eagles Club</span><br><span style="color:rgb(51,51,51);">03/17 Minneapolis, MN – First Avenue</span><br><span style="color:rgb(51,51,51);">03/18 Omaha, NE – Waiting Room</span><br><span style="color:rgb(51,51,51);">03/20 Denver, CO – The Oriental Theater</span><br><span style="color:rgb(51,51,51);">03/21 Albuquerque, NM – Sunshine Theater</span><br><span style="color:rgb(51,51,51);">03/22 Phoenix, AZ – Crescent Ballroom</span><br><span style="color:rgb(51,51,51);">03/23 San Diego, CA – The Observatory</span><br><span style="color:rgb(51,51,51);">03/24 Los Angeles, CA – The Belasco Theater</span><br><span style="color:rgb(51,51,51);">03/25 San Francisco, CA – The Fillmore</span><br><span style="color:rgb(51,51,51);">03/27 Portland, OR – Wonder Ballroom</span><br><span style="color:rgb(51,51,51);">03/28 Seattle, WA – The Crocodile</span></p><p><a class="no-pjax" href="https://kmfdm.bandcamp.com/album/let-go" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://kmfdm.bandcamp.com/album/let-go</a></p><p> </p><p><a rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;">-Francis Madden</span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73456462024-02-19T05:00:00-05:002024-02-19T05:00:15-05:00Frank Turner's 'Undefeated': A Sonic Triumph of Resilience and Defiance<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c15cdb237bdb6fd4e40f236ca793e885863bf369/original/0cde06db769e09c54db2fe6c-1220x814.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the bustling realm of British rock and punk, few figures command the stage like Frank Turner. The maestro of anthemic ballads and blistering punk poetry, Turner's announcement of his latest opus, "Undefeated," signals a seismic event in the sonic landscape. Following the meteoric success of his #1 UK album, "FTHC," Turner's forthcoming endeavor promises to be a tour de force in musical introspection and unbridled defiance.</p><p>Set to grace the airwaves on Friday, May 3, "Undefeated" stands as Turner's magnum opus, a testament to resilience and unyielding spirit. Through introspective melodies and impassioned verses, the album delves into the labyrinthine corridors of human experience: the tumultuous journey from youthful idealism to the crucible of adulthood, the reverberations of love and loss, and the lingering shadows cast by the pandemic era's socio-political upheaval.</p><p>At the vanguard of "Undefeated" stands the spirited anthem, "Do One," a defiant manifesto echoing Turner's unwavering resolve in the face of adversity. A melodic fusion of power-pop and pop-punk, the track encapsulates the album's ethos of survival and self-discovery, resonating with audiences as a rallying cry for the indomitable human spirit.</p><p>Reflecting on his artistic evolution, Turner offers poignant insights into the thematic tapestry of "Undefeated." As he navigates the labyrinth of midlife introspection, Turner's lyrics echo with raw authenticity, eschewing clichés in favor of unfiltered expression. Through sonic explorations ranging from Black Flag to Counting Crows, Turner deftly weaves a kaleidoscopic soundscape that pays homage to his eclectic influences while forging new frontiers of musical innovation.</p><p>Yet, perhaps the most compelling aspect of "Undefeated" lies in its DIY ethos—a testament to Turner's unwavering commitment to artistic integrity. Recorded in the intimate confines of his home studio on Mersea Island, Essex, the album represents a triumphant return to Turner's punk roots, liberated from the constraints of major label bureaucracy.</p><p>As Turner prepares to embark on yet another epic tour, the release of "Undefeated" heralds a new chapter in his storied career—one defined by unapologetic authenticity and unwavering defiance. With each chord and lyric, Turner reaffirms his status as a musical iconoclast, undeterred by the passage of time or the specter of age.</p><p>In an era fraught with uncertainty and upheaval, "Undefeated" stands as a beacon of hope—a testament to the enduring power of music to transcend boundaries and ignite the fires of revolution. As Frank Turner takes center stage once more, the world braces itself for the sonic onslaught of a true musical maverick—a troubadour for the ages, undefeated in spirit and unbound by convention.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="zI-o1S9FJl8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/zI-o1S9FJl8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73511072024-02-19T04:20:00-05:002024-02-19T04:20:04-05:00(BMN EXCLUSIVE SONG PREMIERE) NY STATE DUO A CAROUSEL MOON "THE CHASE"<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6eeed69574ead74f460983e17ed2025c8218919f/original/acmpressphoto.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>In the quiet corners of Orange County, New York, Michael Esserman and Eric Sosler, collectively known as A Carousel Moon, are on the brink of unveiling a new chapter in their musical odyssey. The duo, whose roots trace back to the storied trails of The Racer, now venture forth under a new banner, embracing a kaleidoscope of genres from IndieDance to Blues/Jazz with an unwavering commitment to creative freedom.</p><p>Their latest offering, "The Chase," serves as a testament to their musical ethos, a vibrant tapestry woven from the threads of acoustic strums and pulsating rhythms. Esserman, the bard behind the lyrics, reflects on the genesis of their latest track, where melody precedes meaning, and gibberish births profundity. "The Chase" unfolds like scenes from an eighties flick, a timeless pursuit where the allure of the chase eclipses the object of desire, a sentiment as old as storytelling itself.<br><br>Michael Esserman, from the band had this to say of their newest track: <span style="color:rgb(0,0,0);">“Musically, The Chase started with the simple drum and acoustic guitar you hear now in the track. The original idea was to keep it simple but like many of our songs we tend to build upon it as time goes on, adding multiple layers for depth and intrigue. I am glad we did because the offbeat keys really added a certain amount of bounciness that would be otherwise missing with the straight forward approach. The melody was created before the lyrics were born, which is usually the way we work. Usually I’ll sing a gibberish type melody over the music early on in the process, in this case when it was just drums and guitar, and as the song develops I’ll see if any of the gibberish translates words, in essence pulling from my subconscious. In this instance, my subconscious drew inspiration from a “chase”, specifically a guy chasing after a girl. Maybe the upbeat drum and guitar lended itself to the image of running after someone, I don’t know, but that’s what makes the process so fun! The story is along the lines of that eighties movie “Some Kind of Wonderful”, in which the guy is chasing after a girl who is out of his league, only to realize that what he thought he wanted was not so much the girl but the excitement of trying to get the girl, but in reality what he really wanted or needed was something totally different, maybe even someone super familiar that has been there his whole life. The subject matter is obviously nothing super original but we think you’ll really enjoy the way it is presented lyrically and musically. It is a song you can just vibe out to and bop your head to, and hopefully relate to. It’s a common trope, the grass is always greener, but that doesn’t mean it isn’t true.”</span></p><p>But A Carousel Moon isn't bound by a singular narrative thread. Their discography, a patchwork of EPs and collaborative ventures, defies easy categorization. From the intimate strains of "Random People" to the eclectic fusion of "Keep My Head," each release unfurls a new facet of their musical persona, a testament to their restless spirit and unyielding exploration.</p><p>With each composition, Esserman and Sosler invite listeners on a sonic journey where the only constant is change. Their mission transcends the confines of genre, anchored instead in the pursuit of honest expression and sonic discovery. In their world, the grass is always greener, and the next melody holds the promise of revelation.</p><p>As the release date of their forthcoming album looms on the horizon, one thing remains certain: A Carousel Moon is a beacon of creative liberation, a testament to the enduring power of music to transcend boundaries and illuminate the human experience. So, stay tuned, dear listeners, for the carousel never ceases its eternal dance, and with each revolution, a new moon rises in the night sky.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="yKKEARXOQxo" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/yKKEARXOQxo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><a class="no-pjax" href="http://www.mint400records.com/" target="new">http://www.mint400records.com/</a><br><a class="no-pjax" href="https://www.instagram.com/acarouselmoon/" target="new">https://www.instagram.com/acarouselmoon/</a><br><a class="no-pjax" href="https://www.facebook.com/aCarouselMoon/" target="new">https://www.facebook.com/aCarouselMoon/</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73423152024-02-16T05:00:00-05:002024-02-16T07:33:54-05:00MEET LOS ANGELES INDIE ROCK BAND PIGEON CLUB<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr"><div style="margin:0px;padding:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/03ca877297beb4fdb1f990479befda752846c7cd/original/image-e56275fd-02dd-4b08-8b55-3989a0ed97f5-1600x.webp/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:#000000;">Los Angeles-based indie rock artist Pigeon Club presents their upcoming single and music video, "Liar," a wistful track delving into the aftermath of a defense mechanism malfunction with both humor and heart. The song, off the artist's forthcoming album in collaboration with Grammy-winning co-producers John Would and Amy Wood, captures a transitional period in the songwriter's life. Pigeon Club, led by multi-instrumentalist Wayne Whittaker, skillfully blends indie singer-songwriter tones with Beatle-esque power-pop elements and nods to "dad rock." With themes of self-reflection and everyday minutiae, "Liar" offers a poignant examination of human vulnerability. The accompanying music video portrays a traveling entertainer and his puppet sidekick navigating deception and the toll it takes. Pigeon Club's album, "Another Year In The Minors," set for release in spring 2024, promises a compelling exploration of life's complexities.</span></p>
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<span style="color:#000000;"><strong>How did the musical project form and what does the band name mean?</strong></span><br><br><span style="color:#000000;">Well, I’ve always been in bands and have collaborated with a few different songwriters over the years, but hadn’t sung songs that I’d written since like high school. Pigeon Club happened after I moved to LA in 2018 and suddenly found myself with new songs and no one to give them to, which kind of forced my hand.</span><br><br><span style="color:#000000;">As for the name, there is a real pigeon club - a lot of them actually. My dad raised and trained racing pigeons for over 50 years, and most of his weekends were spent at the Rhode Island Racing Pigeon Club. It was a smoky VFW type of place filled with lots of memorable characters. Both of my grandfathers also raised pigeons, so it’s definitely in my blood. This is probably the closest I’ll come to carrying on that tradition.</span><br><br><span style="color:#000000;"><strong> Previous musical projects? How'd you first get into music?</strong></span><br><br><span style="color:#000000;">I mainly consider myself to be a sideman. Pigeon Club is something I return to when I’m not playing bass with other bands and artists, and it’s a nice project to call home. I toured with Diane Coffee and The Grand Southern last summer. I’ve worked with Haerts for a number of years, and filled in for a few shows with Dawes this past year.</span><br><br><span style="color:#000000;">I was exposed to a lot of music growing up, from 60s & 70s folk rock, to pure 90s pop, and Disney soundtracks. I was in choir as a kid but didn’t touch an instrument until the summer before high school. I spent the next 6 months trying to wrangle an acoustic guitar, until my dad noticed I was gravitating towards bass parts of songs. My folks surprised me with an electric bass for Christmas that year, and it really was an immediate realization of “oh! This is what I’m supposed to do with my life!”</span><br><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span><br><br><span style="color:#000000;">Ha! My first concert was the Backstreet Boys at the Providence Performing Art Center in 1998. We were in the very last row, but I was just a kid and so excited to be in the same building as BSB.</span><br><br><span style="color:#000000;"><strong>4. What's your writing process like?</strong></span><br><br><span style="color:#000000;">I don’t have a very strict creative process. Oftentimes I’ll come up with a title first. I have a note in my phone where I toss phrases that pop into my head, and sometimes I’ll dig through that for inspiration or if I need to finish a lyric.</span><br><br><span style="color:#000000;">I usually write a verse and a chorus and then record a simple voice memo. Then I let it marinate for a little while. I know it’s a keeper if it gets stuck in my head over the next few days. Sometimes it takes years for me to come around to finish a particular song. </span><br><br><span style="color:#000000;">It’s very piecemeal. I’ll grab a bridge from an otherwise long abandoned song and plug it into a new idea and suddenly it’s a finished thought. I feel like I’m good at writing bridges. I wish I could write an entire album of just bridges.</span><br><br><span style="color:#000000;"><strong>5. What other artists or songs inspire your music? </strong></span><br><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/60hsHntd9bQ8tiSb9PBpwb?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <strong> </strong></span><br><br><span style="color:#000000;">I’m a big Beatles guy, which I know is incredibly unique. “Liar” was sort of my take on their “I’m a Loser.” I’ve been trying to re-write Elvis Costello’s “Blue Chair” for about half my life at this point. Since I’ve mentioned them both already, I guess it's a fine time to confess that the opening melody for my song “Is Will Soon Be Was” is lifted from a song Costello and Paul McCartney wrote in the late 80s called “My Brave Face,” thanks for that one, fellas.</span><br><br><span style="color:#000000;">Okay I’m realizing I haven’t mentioned any Americans yet. From a songwriting perspective I owe a lot to Aimee Mann. Jeff Tweedy and Wilco have been huge influences. I saw Olivia Kaplan play the first week I moved to LA and have been hooked ever since. Jon Brion’s album “Meaningless” was out of print for years but recently resurfaced, which is a true gift because I love that record, and Pigeon Club definitely wouldn’t exist without it.</span><br><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><br><br><span style="color:#000000;">As long as the essence of the song is there, I don’t think it has to be played note-for-note. With Pigeon Club, I play with some fantastic musicians and I would be shocked if we ever played the same parts twice. That doesn’t mean it’s a jam up there, I like being well rehearsed. But the ideal situation for me is to play a song live and to have it feel like an alternate take of the cut that made it onto the record. </span><br><br><span style="color:#000000;"><strong>Have you toured? What has the touring experience been, best shows?worst shows?</strong></span><br><br><span style="color:#000000;">While I’ve yet to tour as Pigeon Club, I’ve spent a lot of time on the road as a sideman with other artists. A lot of my most memorable touring experiences were all DIY tours, loaded into a van with three or four other dudes. I’m not saying they were my favorite touring experiences, but they’re the most memorable.</span><br><br><span style="color:#000000;">I once played at a place in Baltimore called Club K, which was like this former karaoke bar turned DIY venue. The guy running the place (who introduced himself as Thor) was emphatic that our band had to be paid at the end of the night. The problem was that there were more people on stage than there were in the audience, and he ended up giving us like $3 to split between two bands, which somehow felt worse than not being paid at all. But, it’s the thought that counts. So thanks, Thor.</span><br><br><span style="color:#000000;"><strong> What's up next for Pigeon Club?</strong></span><br><span style="color:#000000;">Putting the finishing touches on the next record, ‘Another Year In The Minors,’ which will be out later this year. </span><br> </div>
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</div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73423122024-02-15T05:00:00-05:002024-02-15T05:00:03-05:00MEET BERLIN GARAGE ROCK BAND KARA DELIK<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f9523eac061156ce8aa4fa8ab216911b66f8e598/original/0138dad616cd8509a06f536676dea1c96281c28f34727dedebc6a4513a1cae48.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Berlin's KARA DELIK, inspired by Altin Gün and King Gizzard & the Lizard Wizard, announces their European tour from January to April 2024 alongside a new live video release. With their dynamic blend of Anatolian influences and post-punk, the band reflects on their recent hometown show, marking the end of a successful 2023 tour. Having dropped four EPs, including one in December 2023, KARA DELIK's poly-rhythmic psych-grooves continue to captivate audiences. Their upcoming tour promises an unforgettable experience, showcasing their unique energy and eclectic influences, from Anatolian rock to dub. Led by Barış Öner, Andi Sommer, and Eilis Frawley, the band's live performances have earned them a diverse following, appearing at festivals across Europe and supporting acts like Tropical Fuck Storm and Derya Yildirim & Grup Şimşek. Established in 2020, KARA DELIK's music vortex shows no signs of slowing down as they prepare for their European tour and work on their forthcoming album.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><strong>How did the band form and what does the band name mean?</strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>We started jamming together during covid while a lot of our other projects were on hold because of lockdown/s. Eilis and Andi knew each other from being involved in a DIY venue in Berlin and also worked together on many other projects, but never really managed to actually play together. Simultaneously Eilis met Barış, who was the best friend of her housemate at the time, the beginning was uncharted waters, and we played with almost no idea of what we were trying to do, at the end of 2021 we recorded our first demo and then we started playing live, we haven't stopped since!</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Kara Delik is Turkish for “Black Hole” - but apart from inspiring many of our naming schemes for the records and the general spacey reference, it doesn’t hold too much meaning.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><br><strong>Previous musical projects? How'd you first get into music?</strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Andi: Going way back, I think I grew up with a Radio playing somewhere all the time. From there It somehow went from borrowing my Dad’s records (being quite literal Dad Rock) to hanging out at youth centres which was the gateway into getting into the DIY hardcore/punk scene and playing in Bands like Henry Fonda, Afterlife Kids or Yacht Communism over the years.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Eilis: I’m a classical music geek, spent more time that i’d like to admit going to the Orchestra and practising obscure excerpts from various symphonies on triangle/ tambourine/ Glockenspiel (you name it)</span><br><br><span>Baris: Starting with guitar, I was only singing in my past life in Turkey in a non-traditional way. Then I moved to Berlin, got homesick and started exploring traditional music styles and instruments, which crossed my way.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><strong>First concert that you ever went to? </strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Andi: I think I can hardly remember the very first one to be honest. But I guess some of the most memorable and impressionable ones would be the first local shows in these youth centres previously mentioned of local bands that probably now all don’t exist anymore, haha.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Eilis: My first band concert I think was Ben Harper, I was 11 (?) and my parents let me go with my older sister, who was a big fan. The crowd was very excited, I could hardly see the stage, and the floor of the concert hall broke. </span><br><br><span>Baris: I went to Marlyn Manson concert with my dad when I was 10. It was literally next to the beach. It was surreal for that age. </span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><strong>What's your writing process like?</strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>It really depends. Sometimes one of us comes up with an idea, whether it’s a pre-recorded demo or just a little melody or reference of something that we would like to incorporate. But we also play together and then see whether there’s things that stick and have the potential to be developed further.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><strong>What other artists or songs inspire your music? </strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Andi: We all draw our influences from a lot of different things - not only between us but also within the things we listen to ourselves. For me the energy of Post-Punk Bands like Priests or the Eternals for example is something that definitely is something that I also want to somehow bring into our music, while both of these examples somehow still manage to bring other elements into it that push the boundaries of the genre. But also being introduced to a lot of traditional Turkish music like Neset Ertas through this band was very inspiring in regards to learning about how to play in different time signatures and scales that I didn’t encounter before because of a very narrow western eye on music. On the other hand the groove and atmosphere of modern takes on R&B like Sault are something that I listen to a lot as well.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Eilis: I have such a soft spot for TFS, all these weird double/triple vocals, live they are a machine and is there anything more endearing as the Australian accent? (no)</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Amyl and the Sniffers are also simply a powerhouse. I love the delivery of the lyrics and the whitty writing, the energy is great and I never want the songs to end. </span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>I love spoken word, Ghostpoet was introduced to me in the pandemic and I've been hooked ever since, these groovy arrangements and lyrics that make you feel as if you're living in his head. So many weird and wonderful sounds, it never gets old. </span><br><br><span>Baris: The great clarinet master Mustafa Kandirali. You close your eyes as the notes from his clarinet dance around you. You keep your body still and centre your waist weight. The waves from the waist and hips shape your dance. </span><br><br><span>When we started Kara Delik, I took a workshop called freestyle ottoman singing from the master Nikos Andrikos on the island of Samos. Since the band and my interest in this style of singing tried to coincide in time, when I write vocals, I always remember the lessons on the island of Samos.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Andi: I personally think it’s nice to take the best of both worlds. To take as much as you can of a recorded song to also present live, but It’s always fun to see how a song develops further and further the more you play it and how little twists and turns that we all bring to it after a certain amount of time somehow elevate it into something new. It also keeps the songs interesting for us and also always produces new ideas.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Eilis: I live for live music, I just love it. I love when things vary live from the recording, when the artist takes you on a journey you weren't expecting. I hope that we never play two identical concerts, imperfections, and different turns make it all the more exciting to play, and hopefully, to watch. </span><br><br><span>Baris: When you first write or record the song in the studio, you don't imagine the eyes of the audience, but when you're playing on stage, it's really exciting to see the relationship you have with people, the feelings that the song evokes in them. Because that spontaneous interaction that happens in that moment can be reflected in the excitement of your next note. Maybe that's why some of the songs we recorded started to have a different energy, the audience helped shape the energy of the songs over time. I think that's why live music is live music.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>Andi: Yes, we tried to be on the road as much as possible the last two years. It’s been very fun to come to a lot of new places for this band and play a lot of exciting venues and festivals! Some of my highlights would probably be our first time in Vienna, a full on dancing crowd on a Sunday in Weimar and playing support for two amazing acts at the beautiful UT Connewitz in Leipzig. Don’t know if there’s a true worst show, the only thing coming to mind would be our Show at Garbicz Festival in Poland when it started absolutely pouring the minute we started our set.</span><br><br><span>Baris: The most memorable show for me was definitely the show in Germany/Regen. This concert, which took place in a village in the Bavarian mountains, was attended by a maximum of 10 older listeners. Since the owner was from India, the visual aesthetic inside was half Bavarian and half Bombay. Germany can sometimes present itself in an interesting way when you least expect it. Greetings again to our fans in the youthful village, don't neglect to do sport.</span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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<p dir="ltr"><strong>What's up next for the band?</strong></p>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span>For the next couple of months we have two big tours coming up with around 30 shows in 6 countries to celebrate the closing of our “Singularities” Series that we released last year. In Summer we will then hit the studio to record our first full length album, so a lot of exciting things in the making!</span></p></div><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="e3Ay2sZylXc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/e3Ay2sZylXc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;"><blockquote type="cite"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;">
<br><br> </div></div></blockquote></div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73423142024-02-14T05:00:00-05:002024-02-14T05:00:02-05:00MEET INDIE POP ARTIST JOSHUA CRUMBLY<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/10a8499eacb9a194385deefb22aa4f2a8bff4141/original/joshua-crumbly-press-photo-by-lauren-morgan.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(55,65,81);">Joshua Crumbly's latest single, "Steps," features acclaimed artist and activist Samora Pinderhughes, marking a long-awaited collaboration between the musical soulmates. Reflecting on their bond since meeting at Juilliard, Crumbly praises Pinderhughes' intuitive connection to the track's instrumental, highlighting the depth of their artistic synergy. Following his previous single, "Morning," Crumbly's synth-forward EP, P.S., embraces a youthful perspective, symbolizing a return to innocence amidst life's journey. Serendipitously conceived during a kickball game, P.S. showcases collaborations with Michael Rocketship, Little Dragon, and Pinderhughes, capturing a magical essence that transcends mere musicality. Crumbly's encounter with Little Dragon during a tour with Leon Bridges further enriches the EP, infusing it with an unexpected familial warmth. With each track, including "Steps," Crumbly and his collaborators craft a musical narrative steeped in intuition and shared camaraderie, ushering listeners into a captivating fountain of youth. (Pre-Save the new album) </span><a class="no-pjax" href="https://orcd.co/psps" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://orcd.co/psps</a></p><p> <span><strong>How did the band form and what does the band name mean?</strong></span></p><p><span>I began my solo project because there were a few things that I started to think about that I felt hadn’t quite been explored yet in all of my travels as a sideman / session bassist. These things I was pondering at the time were mostly in regards to the form of songs and how songs were presented. I thought that if the song structure was something new and unique for the band - the hope is that it’d invite the audience on a very different journey than normally accustomed to within the ‘jazz’ realm of things in which I was mostly touring in at the time . Couple that with me beginning to play rock music at an early age and getting into very ambient moments whilst playing bass as a kid in church . All of these musical moments leading to a point in life in which I was searching for a path and for clarity - came a desire to write and record because it helped soothe the wonder and the soul. </span></p><p><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span>I’m an only child - so my Dad was my Dad and a big brother at the same time lol. He is a great saxophonist that led bands in the Los Angeles area. Since the age of 3 years old, I had followed him to pretty much all of his gigs. I had my coloring book and would watch the band pretty intently the whole night. Usually on the breaks I would go ask the bassist if I could play a couple notes on the bass. Usually they’d be pretty cool and let me. I knew I wanted to play bass from the get go but my Dad encouraged me to start on piano first. He told me that every great bassist he knew knew how to play piano. So I started classical piano lessons at 5 years old and eventually started electric bass at 9. My first gigs were with my Dad’s band at 10 and we recorded an album a couple years after that called ‘Like Father, Like Son.’</span></p><p><span><strong> First concert that you ever went to? </strong></span></p><p><span>First Concert that I ever attended was definitely one of my Dad’s shows. And the first international act show was either this artist named Banig that my Dad toured with back in the day or a Marcus Miller Concert at Catalina Jazz Club ( the original location) in Hollywood. </span></p><p><br><span><strong>What's your writing process like?</strong></span></p><p><span>My writing process is very meditative. I play the ideas over and over again and I often arrive in a more hopeful place. I hope to always pass this sentiment along - hopefulness, optimism, search for clarity.. with my music. It also is very visual too. I often see things as if the song is accompanying a film. </span></p><p><span><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3QSKuew67qZdOfP19K9Blv?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><br><span>It’s always a tough thing to answer which artists are most influential to me. There are definitely many who were inspiring to hear on record & or live. My Dad had a huge tower of CDs from everything from Erykah Badu to Weather Report and I checked everything out. The playlist is a combination of some things that was just mind blowing upon the first time hearing it / songs that I always heard on a daily basis on the local radio station growing up. Influences are a funny conundrum for me. As my Dad just said to me a second ago — he said ‘You can listen to a folk song, get inspired and then write an electronic house type of song.’’</span></p><p><br><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p><span>I love sharing the music live. The more I do it I realize that the recorded music can really just be a starting point. It gets deeper and deeper to sort of let go. It’s also powerful to just play a song and the song only. But the song is always different every night too. I feel very fortunate to have 3 amazing configurations of the band - 1 in LA, NY & Sweden. I’m always blessed with so many beautiful surprises that my friends bring in the moments that we share the songs live. And as far as the live sentiments I have.. I hope to pass along some of the feelings I experienced whilst writing the music of optimism for a better tomorrow, the light that is to come etc.. It’s been interesting also to hear people's thoughts after the show. A lot of times the audience understands it more than I even do and that’s been really cool because that means that it’s not just mine it’s ours and I think that’s been really beautiful and really keeps me inspired to keep sharing. </span></p><p><span><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></span></p><p><span>I’ve mostly presented my music in LA & NYC where I spend most of my time- but just did a few of my first shows overseas under my own name last October. I did two shows in Gothenburg, Sweden. I’m so grateful to my friend Erik Bodin (member of Little Dragon) for helping me set the gigs up. I felt a very deep level of appreciation and felt very encouraged after these shows.</span></p><p><span><strong>What's up next for the band?</strong></span></p><p><span>The next thing up for me is releasing a new EP entitled P.S. It features friends from different chapters of my life. I’m really excited to share this project. It’s a lot more upbeat in many ways than my previous albums so I’m also very excited to mix this in with the more meditative things live. 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<a class="no-pjax" href="https://www.joshuacrumbly.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.joshuacrumbly.com</a><br> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73422922024-02-13T05:00:00-05:002024-02-13T05:00:03-05:00WHAT'S IN OUR INBOX! AMERICAN THRILLS, STREET FEVER, NIGHT WINDOWS, STANDARDS, GRAZIA<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. It's been a while but this weeks singles run the gamut from post punk to jangly indie rock. Hope you enjoy these picks by our writing staff. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>American Thrills</p><p><strong>BMN Score: </strong>8.2/10</p><p><strong>What the band says: </strong>Connecticut's American Thrills have released their new single "Impossible". The track features guest vocals from Matt of Northcote and is the first song released from their sophomore LP dropping later this year. Catch them on the road later this month with Hot Rod Circuit and Punchline for the 24th Anniversary Shows of "If It's Cool With You, It's Cool With Me".</p><p><strong>What we say they sound like: </strong>This has a late 90's early 2000's era Get Up Kids vibe to it. The recording really feels like that time frame, it's warm like the end of the analog era. Musically it's driving and the vocals are big like a Taking Back Sunday song as the two singers ping pong off of each other. Not totally what I'm into these days but I was into this sound 20 years ago. For some this will feel nostalgic and bring you back to that time period and it's really as well done as you could ask for with this genre. A good song is a good song even if it's not reinventing the wheel. </p><p><strong>Song to add to your playlist: </strong>Impossible</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="yXei7hXvBMs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/yXei7hXvBMs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Street Fever</p><p><strong>BMN Score: </strong>7.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Street Fever is a versatile, mixed-media performance-artist residing in Boise, Idaho. Whom, remains anonymous. Their music is a gritty symphony born from profound life experiences and sonic experimentation. From the shrines of Three 6 Mafia in their bedroom as a kid, to being raised by the DIY hardcore scene- they have an eclectic background that sources inspo from hardcore / heavy rap / industrial techno / EBM / noise / electro / techno and classical music. </span><br><br><strong>What we say they sound like: </strong>In a way this feels new and old at the same time, like at moments it's 90's Prodigy and Aphex Twin but with a modern production. A modern equivalent I woudl say is maybe a touch of Death Grips with less memorable vocals. I'm not sure my thoughts on this, I'm not at a dance club at the moment, nor high, but if it I was this would be just as fine as anything else the DJ was spinning. The bands strong suit is it's visuals in the video, covered head to toe in black paint writhing on the floor with blasphemous use of the catholic cross. I mean even if the song is just ok, I can get behind blasphemy any day of the week. </p><p><strong>Song to add to your playlist: </strong>Sinner</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gpV_Ncaln8s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gpV_Ncaln8s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Night Windows</p><p><strong>BMN Score: </strong>9.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(32,32,32);">Where do I go from here? Everyone is getting older. I’m losing people both to death and life. I’ve written about the sadness that comes with the gift of life, but never like this. This time, I leaned as hard into the sadness as necessary in order to feel better.</span></p><p><strong>What we say they sound like: </strong>This has a charm to it from the start with vocals that feel genuine and heartfelt. It's got a vibe like Jeff Tweedy if he had a younger emo indie folk phase. The song reminds a little bit sonically. of The Weakerthans. The production is stellar and it's the kind of song that I think will speak deeply to the audience it's meant for. I feel like the album art sets the tone from the start, so visually if you find the below picture appealing, the music fits the sentiment and feel of the image well. And yes I mean actually, metaphorically and all of that jazz… </p><p><strong>Song to add to your playlist: </strong>Broken Glass</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OX3HWyJc9ko" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OX3HWyJc9ko?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> standards</p><p><strong>BMN Score: </strong>9.2/10</p><p><strong>What the band says: </strong><span style="color:#000000;">Of the new single standards' Marcos Mena says: "We couldn’t be more excited to unveil "Cosmos", as we feel it is our most ambitious song to date. We pushed the limits of our abilities to produce a song that we hope resonates with fans of catchy, guitar-driven music.”</span></p><p><strong>What we say they sound like: </strong>If you have ever heard bands like Hella or Battles, this is like their nice polished younger brother. It's definitely more listener friendly with broader appeal. It's math rock-ish and removes some of the more abstract parts that similar bands have. It's interesting because at moments it's got moments that are similar to Incubus. Overall it's definitely interesting and pulls off what many other 2 piece bands don't, this is interesting and engages the listener all the way through. </p><p><strong>Song to add to your playlist: </strong>Cosmos</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Bm9MGmhaDBg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Bm9MGmhaDBg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Grazia</p><p><strong>BMN Score: </strong>9.6/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);"><i>In Poor Taste</i> is the debut EP from Grazia - written and recorded by Heather Dunlop and Lindsay Corstorphine. Often referential - <i>In Poor Taste</i> pulls inspiration from the high and low brow, but mostly the low. Grazia pays homage to everything from The Fall to cheap lingerie brands in a campy pastiche of 80’s new wave and pop.<i> In Poor Taste</i> is all about having a lot of fun while delving into your worst, core self.</span></p><p><strong>What we say they sound like: </strong>Visually this is bizarre with it's McDonalds theme mixed with lo-fi basic cable look. It really sounds vintage like early 80's post punk something Poly Styrene would sing over something The Stranglers wrote with help from Pavement. The Pavement vibe comes through in the playing as it's loose and jangly, but melodic. It has a beautiful simplicity to it as two very clean, un-effected guitars have interplay with simple drums and bass and a sing songy chorus sang singing like a female impersonation of Stephen Malkmus (But way more in key). I feel like fans of Gustaf or even Two-Man Giant Squid might really dig this and that is the closest modern equivalents I could give. </p><p><strong>Song to add to your playlist: </strong>Stupid Paradise</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="xEi-RMLCUQ0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/xEi-RMLCUQ0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73343322024-02-12T05:00:00-05:002024-02-12T05:00:02-05:00DOWNTEMPO TRIP HOP LUMINARY ERIC HILTON<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fb9d88f3012499404857a04f054c0ee1969a5e00/original/cfe54a033ce0d7f9fe57fafa-908x908.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Eric Hilton, the legendary figure in downtempo and trip-hop, is set to release his latest masterpiece, "Sound Vagabond," on February 23 through his label, Montserrat House Music. A pioneer in the genre, Hilton's influence is palpable in the 14-track album, each a sonic postcard capturing the essence of real and imagined places.</p><p>The album's dynamic contrasts shine through in singles like "Midnight Milan," "Closer," and "Poppy Fields," available for pre-order as limited edition 7” colored vinyl releases, each featuring an exclusive unreleased B-side. Hilton's approach to sound design, characterized by ingenious sampling, moody synths, and psychedelic lo-fi, has earned him praise from EDM.com, American Songwriter, Magnetic Magazine, and Relix.</p><p>Hilton's analog approach creates a lush sonic environment that defies trends, as showcased in his previous chart-topping LP, "Corazón Kintsugi." With "Sound Vagabond," he takes listeners on a journey through diverse landscapes, drawing inspiration from global experiences. The title track, "Sound Vagabond," weaves a vintage trip-hop groove with flutes and Northern African flavors, showcasing Hilton's unique musical fingerprint.</p><p>The destinations explored on this sonic travelogue are as varied as the inspirations behind them. From the Latin vibes of "Cerro Allegre" inspired by Valparaíso, Chile, to the breathy, space-age bachelor pad jaunt of "The Violet Hour" reminiscent of a Chicago cocktail bar, Hilton's musical storytelling is unparalleled.</p><p>Two standout tracks, "The Mirror Inside" and "The Grand Intro," delve into self-reflection. Hilton describes them as more self-focused, exploring the experience of turning things back on oneself and exuding swagger and élan with a laid-back vibe. Sampling plays a crucial role in Hilton's music, and for "Sound Vagabond," he delves into public domain sample libraries, creating a sound collage with a perfect blend of 60% samples and 40% live instruments.</p><p>The album's closer, "Lumi," feels like the beginning of a long journey home, encapsulating the essence of "Sound Vagabond" and leaving a lasting impression. Eric Hilton's musical passport is stamped, and fans are eagerly awaiting this transcendent voyage into the world of downtempo and trip-hop.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="CoG1igr3uYQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/CoG1igr3uYQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73300552024-02-09T05:00:00-05:002024-02-09T05:00:06-05:00MEET ASBURY PARK INDIE ROCK ARTIST MIKE CHICK<p><strong><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fcf01ab3fee16938af654a4cc2b67fb300b35967/original/mg-7127.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></strong></p><p><span style="color:#374151;">Mike Chick (Yawn Mower) is thrilled to announce the completion of his upcoming third solo LP, More Thrills, Less Hills, a collection of eight songs that originated from unfinished demos from other musical projects. Collaborating with Bill Bourke during the pandemic, they transformed these demos into a diverse mixtape of indie rock and country, featuring contributions from various talented artists. The album, set to release on 02/09/24 via Mint 400 Records, showcases the culmination of years of effort, with Mike handling songwriting and demos, Bill recording drums and guitar, and a team of skilled individuals adding their magic. Engineered by a team including Mike, Bill, and Rudy Meier, the LP was recorded at Bill’s Basement, Waving Cat, and other locations. The first single, "Deep Moat," accompanied by a video shot and edited by Biff Swenson, will be available on streaming services from 01/05/24. Mike expresses satisfaction in bringing the songs together and hints at exciting releases to come in 2024 from other Mint 400 Records artists.</span><span style="color:#1D2228;"><strong><o:p></o:p></strong></span></p><p> </p><p><span style="color:#1D2228;"><strong>1. How did the band form and what does the band name mean?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">Mike Chick is a name I have used over the years for my solo material that is a shortened version of my legal name. More Thrills, Less Hills (MTLH) is my third LP of songs, following 2022's I Don't Write Love Songs and 2012's Hello, Mountain. <o:p></o:p></span></p><p> </p><p><span style="color:#1D2228;"><strong>2. Previous musical projects? How'd you first get into music?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">I've been into music my entire life. My parents were into music, but didn't play, so I was exposed to all of their music growing up. Groups like The Who, The Beatles, Sly and the Family Stone. I developed my own musical tastes from there. I currently sing and play baritone for Yawn Mower, who also release music on Mint 400 Records. <o:p></o:p></span><br><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>3. First concert that you ever went to? </strong><o:p></o:p></span></p><p><span style="color:#1D2228;">The first concerts that really blew my mind were at Maxwell's in Hoboken, NJ. That was the first place where I was like "holy sh*t, the band is going to play RIGHT THERE in front of me?" Then the band has to walk through the crowd to get to the stage. Unreal. I was eating dinner there once and three tables down from me was Mike Watt and Thurston Moore eating dinner. Another time I watched Yo La Tengo and Mudhoney converse by the bar. It was a magical place. <o:p></o:p></span><br><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>4. What's your writing process like?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">I'm always compiling riffs and vocal lines. I write everything down. I might not use the idea for a while, but at least it is document. I don’t want to lose anything. <o:p></o:p></span></p><p><span style="color:#1D2228;">For MTLH, I had some unfinished demos from a previous band that every few years I would revisit. Finally, during the pandemic, I finished those songs and passed them on to Bill Bourke, who was in that band, and he recorded drums and my main guitars. Then I took the tracks and learned how to use a DAW to record more of the record. <o:p></o:p></span></p><p><span style="color:#1D2228;">More Thrills, Less Hills has a bunch of guest spots on it. I enjoy working with other people on my records. They are like the seasoning to the meal we cooked. MTLH includes contributions from Emily Bornemann, Richie Brown, Chris Colon, Michael Depko, Pamela Flores, Ryan Gregg, Rachel Hock, Mike Noordsy, Lou Panico, Nicole Scorsone, El Valerie and Gary Zampini. Thanks all for being on the record.<o:p></o:p></span></p><p><span style="color:#1D2228;">The recording process was fun with these folks, they'd either come to Waving Cat and we'd run through the songs or they would record it on their own and send it to me. With Sticks and Stones, I had a pedal steel solo running through my head and knew Chris Colon had a lap steel, so he came by and I would sing the ideas in my head and he would replicate it on the lap steel. When I hear that solo, I feel like I wrote it in a past life, like it's been around for a long time. Same thing with Ryan Gregg, he played keys on Dang Cold and Kicking Out. I don't play the keys well enough to execute what I wanted for those songs, and Ryan did just that. "I am a musical interpreter", he said. Damn straight you are. <o:p></o:p></span></p><p><span style="color:#1D2228;">Big shout out to Rudy Meier, who mixed the record and engineered some sessions. We have worked together on a bunch of recordings at this point and I always enjoy bouncing ideas back and forth with him. The guy is super talented at what he does and is easy to work with. Also shout out to Bill Bourke, who stayed involved with the process of making this album and heard me say “it’s 80% done” several times over three years. <o:p></o:p></span></p><p><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>5. What other artists or songs inspire your music? </strong><o:p></o:p></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2ZNBsdn7nD1Bm0Xt7AOQLE?utm_source=generator" width="100%" height="380" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#1D2228;">I think the bands and artists on this playlist speak for themselves. Their music in general was influential in the making of MTLH. <o:p></o:p></span><br><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">I haven't played these songs yet with a band, but I think if a song needs to morph from what it is on record to a different thing live, then do it. See what happens. Sometimes a song takes a long time to fully flesh out. If it doesn't work, go back to the original. Always be open to try different things with your music. <o:p></o:p></span></p><p><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>7. Has the band toured? What has the touring experience been, best shows? Worst shows?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">I haven't toured with a band that plays Mike Chick songs, but Yawn Mower has been doing the most touring since we started the band these past two years and it has been mostly great. We've been to California, New England, the Midwest. The best shows are when the bands are good, people are cool, merch gets sold and the venue gives you comped food/drink and some money. There are "worst" shows for sure, but you have to see the humor or silver lining in those things or else you'll just give up. Use those experiences for future song writing material. And always use your tuner pedal. <o:p></o:p></span><br><br><span><o:p></o:p></span></p><p><span style="color:#1D2228;"><strong>8. What's up next for the band?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;">I might assemble a band to play these songs. I have a bunch of solo material at this point and think it would be fun to play these and other songs live. We'll see how it goes. Until then, enjoy More Thrills, Less Hills. I'm glad it exists. <o:p></o:p></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="KYwGhnPoyWc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/KYwGhnPoyWc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/mikechick">https://www.instagram.com/mikechick</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73377192024-02-08T05:00:00-05:002024-02-16T12:42:05-05:00Laura Jane Grace Marks a Transformative Journey with New Single "Birds Talk Too" and Announces U.S. and Canadian Tour Dates<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/daf64b49a5a8de30647e819d5ce55aa86c469ca1/original/ljg-credit-bella-peterson-3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Polyvinyl Record Co. and rock icon Laura Jane Grace are gearing up for the release of her highly anticipated album, "Hole In My Head," on Friday, February 16. Grace recently unveiled the latest single, "Birds Talk Too," a song that commemorates a profound experience during her travels. The track, available for streaming on YouTube, is a musical ode to Amsterdam, featuring lyrical references to iconic locations like Schipol airport, Rookies cannabis cafe, and the favorite strain, Champagne Haze.</p><p>The inspiration behind "Birds Talk Too" traces back a decade when Japanese tattoo artist Gakkin gifted Grace a hand-painted Gretsch guitar after completing an extensive tattooing journey around the world. The intricate design on the guitar served as the catalyst for the creation of this soulful and reflective single.</p><p>Recorded at Native Sound in St. Louis, MO, with David Beeman and mixed by Matt Allison, "Hole In My Head" promises a sonic journey filled with warm '50s rock-influenced guitar riffs, poignant lyrics, love letters to new surroundings, and reflections on a punk life well-lived. Drive-By Truckers bassist Matt Patton contributes to a full-band sound on over half of the album, enhancing the musical experience.</p><p>Laura Jane Grace, recognized by Billboard as one of the "50 Greatest Rock Lead Singers Of All Time," has consistently used her music to address political commentary, environmentalism, social critique, and personal exploration. "Hole In My Head" continues this tradition, presenting 11 tracks that capture the nuances of humanity in an oddly optimistic manner.</p><p>From the scrappy acoustic anthem "Dysphoria Hoodie" to the Jonathan Richman-inspired "I’m Not A Cop" and the nostalgic "Punk Rock in Basements," the album delves into Grace's travels and adopted homes. "Birds Talk Too," written in Amsterdam, stands out as a testament to her recent experience of having her head shaved and tattooed by Gakkin.</p><p>The album also reflects on Grace's connection with St. Louis, where she now owns Jajouka, a warehouse studio with a rich musical history. "Tacos and Toast," a laid-back track, expresses the ease of living in her part-time home.</p><p>As Laura Jane Grace gears up for the album release, she's set to embark on a U.S. and Canadian tour in 2024. The tour, featuring support from Worriers, Sam Russo, Thelma and the Sleaze, and Dikembe on select dates, promises to be a vibrant celebration of Grace's colorful and ever-changing journey in the world of music. Stay tuned for additional tour dates to be announced soon.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Cw9yxL_cbgI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Cw9yxL_cbgI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><font face="Georgia"><span><strong>FEBRUARY</strong> </span></font><br><font face="Georgia"><span>16 — Chicago, IL — Sleeping Village (</span><i><span>Hole In My Head </span></i><span>album release show) &</span></font><br><br><font face="Georgia"><span><strong>MARCH</strong></span></font><br><font face="Georgia"><span>02 — Indianapolis, IN — The Vogue ^</span></font><br><font face="Georgia"><span>03 — Columbus, OH — A&R Music Bar ^</span></font><br><font face="Georgia"><span>05 — Pittsburgh, PA — Spirit Hall ^</span></font><br><font face="Georgia"><span>06 — Philadelphia, PA — Underground Arts ^ </span></font><br><font face="Georgia"><span>08 — Hamden, CT — Space Ballroom ^</span></font><br><font face="Georgia"><span>09 — New York, NY — Racket ^</span></font><br><font face="Georgia"><span>10 — Somerville, MA — Crystal Ballroom at Somerville Theatre ^</span></font><br><font face="Georgia"><span>12 — Washington, DC — Howard Theatre ^</span></font><br><font face="Georgia"><span>13 — Virginia Beach, VA —Elevation 27 ^</span></font><br><font face="Georgia"><span>15 — Durham, NC — Motorco Music Hall ^</span></font><br><font face="Georgia"><span>16 — Knoxville, TN — Bijou Theatre ^</span></font><br><font face="Georgia"><span>17 — Nashville, TN — City Winery ^</span></font><br><font face="Georgia"><span>19 — New Orleans, LA — Tipitina’s ^</span></font><br><font face="Georgia"><span>20 — Birmingham, AL — Saturn ^</span></font><br><font face="Georgia"><span>22 — San Antonio, TX — Paper Tiger ^</span></font><br><font face="Georgia"><span>23 — Houston, TX — Warehouse Live Midtown ^</span></font><br><font face="Georgia"><span>24 — Fort Worth, TX — Tulips ^</span></font><br><br><font face="Georgia"><span><strong>MAY</strong></span></font><br><font face="Georgia"><span>10 — Milwaukee, WI — Vivarium + </span></font><br><font face="Georgia"><span>11 — Grand Rapids, MI — The Pyramid Scheme + </span></font><br><font face="Georgia"><span>12 — Kitchener, ON — The Hub + </span></font><br><font face="Georgia"><span>14 — Kingston, ON — The Broom Factory + </span></font><br><font face="Georgia"><span>15 — Toronto, ON — The Axis Club + </span></font><br><font face="Georgia"><span>17 — Hamilton, ON — Bridgeworks #</span></font><br><font face="Georgia"><span>18 — Ottawa, ON — Brass Monkey + </span></font><br><font face="Georgia"><span>19 — Montreal, QC — Pouzza Fest </span></font><br><font face="Georgia"><span>21 — Sudbury, ON — The Grand + </span></font><br><font face="Georgia"><span>22 — Oshawa, ON — Biltmore Theatre + </span></font><br><font face="Georgia"><span>24 — Detroit, MI — El Club + </span></font><br><font face="Georgia"><span>25 — Cleveland Heights, OH — Grog Shop + </span></font><br><font face="Georgia"><span>26 — Covington, KY — Madison Theater + </span></font><br><br><font face="Georgia"><span><strong>JULY</strong></span></font><br><font face="Georgia"><span>5—7 — Gilbert, PA — Camp Punkslyvania </span></font><br><br><font face="Georgia"><span>^ — with Thelma and the Sleaze, Dikembe</span></font><br><span style="color:rgb(0,0,0);"><font face="Georgia">& — with </font></span><span style="color:rgb(26,26,26);"><font face="Georgia"><span>Sincere Engineer (solo), CalicoLoco</span></font></span><br><font face="Georgia"><span>+ — with Worriers and Sam Russo</span></font><br><span style="color:rgb(51,51,51);"><span># — with Sam Russo</span></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73377162024-02-07T05:00:00-05:002024-02-17T15:47:31-05:00Fears Unveils Enchanting Affinity: A Journey into Emotional Landscapes<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d8c92ec3dcaaf1d9338fdf9b899d03bdf2951be4/original/323e425c0496ea2447cde674-1060x1318.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>Dublin-born and London-based interdisciplinary artist Fears, also known as Constance Keane, is set to cast a spell on listeners once again with her upcoming album, "affinity," scheduled for release on March 22 via TULLE. The highly anticipated second full-length release is now available for digital pre-order, along with black vinyl and limited edition marbled pink vinyl.</p><p>Fears, a force to be reckoned with, made waves in 2020 by establishing the record label TULLE. Following her debut album, "Oíche," in 2021, she has continued to leave an indelible mark on the music scene, weaving ethereal gowns and contributing to post-punk band M(h)aol's EP "Gender Studies" and LP "Attachment Styles."</p><p>The lead single from "affinity," titled "4th of the 1st," is accompanied by a mesmerizing music video that explores the trust and solidarity found in sisterhood. Directed and edited by Fears herself, with cinematography by Colleen Lee, the video poignantly conveys the importance of women signaling vital information for each other's safety.</p><p>"4th of the 1st" offers a hauntingly beautiful experience where Fears' vocals gracefully intertwine with her sparse production style. The song serves as a balm for wounds inflicted during a pivotal phone call in 2022. Fears reflects on the experience, sharing, "It's about checking in with yourself and reassuring yourself after an experience with someone who denies what you know to be true of your time together."</p><p>The song resonates with the complexities of modern-day dating, exploring themes of attachment theories and the identification of red flags. Fears remarks, "I think it's unfortunately a pretty common thing to have someone tell you how much they're into you and then decide that they actually never said that when they've changed their mind."</p><p>"affinity" comprises 10 self-produced tracks, written and recorded between London, New York, and Dublin. Fears' minimalist yet striking approach blurs the boundaries between music and visual art, exploring human connection, intimacy, and moments of peace in a bustling city.</p><p>Having garnered acclaim worldwide, Fears' debut album "Oíche" secured a spot on The Guardian Readers' Top Albums of 2021, CLASH Magazine's Top Albums of 2021, and the Irish Independent's Top Irish Albums of 2021. Known for immersive live performances, Fears has graced stages at Eurosonic, SXSW, Other Voices, Body & Soul, Quarter Block Party, Ireland Music Week, and more.</p><p>Beyond her solo endeavors, Fears is a founding member of the feminist punk band M(h)aol, while her fashion designs have been featured in prestigious publications such as Vogue Italia, The Sunday Independent, Irish Country Magazine, STELLAR Magazine, and more.</p><p>As "affinity" prepares to captivate audiences worldwide, Fears solidifies her status as one of Ireland's most influential creatives, seamlessly navigating the intersection of music, fashion, and art.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WJkHr8yGirk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WJkHr8yGirk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://lnk.to/fears-4thofthe1st">https://lnk.to/fears-4thofthe1st</a> </p><p> </p><p>-Francis Madden</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73377142024-02-06T05:00:00-05:002024-02-09T08:29:40-05:00MEET CANADIAN INDIE ARTIST MADDY LITTLE<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/01a63286a211be66d34c0f7c79d4afdc1942cd0a/original/maddylittle-carlyboomer-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Maddy Little, the talented indie artist hailing from Toronto, Ontario, is making waves in the Canadian music scene. Having initially delved into the indie-folk realm with the band We Wander, Maddy has become a fixture in the Toronto Indie Scene, gracing iconic venues like The Opera House, El Mocambo, Adelaide Hall, Lee’s Palace, and more.</p>
<p>Immersed in the rich musical landscape of the city, Maddy draws inspiration from notable artists like City and Colour, Dizzy, and Phoebe Bridgers, infusing her songwriting with captivating storytelling. As she embarks on her solo journey, Maddy is currently crafting her inaugural EP. Her latest single, "Attention," serves as a poignant exploration of vulnerability and emotion, showcasing her evolution as a formidable solo artist. Stay tuned for more from this promising Canadian indie sensation.</p>
<p><strong>How did the project start?</strong><span><strong> </strong></span></p>
<p>When I released my first singe “Six Feet Under” I originally planned it to be a song for my band, We Wander but I think that song had a special meaning for me and I wanted it just be mine which my band was fully supportive of. As I continued working on the song<span> </span>I was excited be branching out with different musicians who had different ideas and from there I decided I wanna keep making with different people and learn from them and grow with them.<span> </span></p>
<p><strong>Previous musical projects? How'd you first get into music?</strong><span><strong> </strong></span></p>
<p>For a long time I started out as a solo artist just playing local gigs around town. It wasn’t until I was in college and playing with other musicians that I realized how much fun it was to play with other people, and that’s where my formative band We Wander came about and still occasionally playing show with them! They’re some of my favourite humans and I’m so glad they all support trying out my solo stuff.<span> </span></p>
<p><strong>First concert that you ever went to?</strong></p>
<p>I feel like I was late to the party in some way and didn’t attend my first concert till I was 14. It was a free concert at Dundas Square in Toronto,<span> </span>with City and Colour. I remember it being the middle of winter and being so cold, but it was so worth it and really inspired me to work on my goals as musician.</p>
<p><strong>What's your writing process like?</strong><span><strong> </strong></span></p>
<p>For me when I write I’m usually focused on one word and that can inspire me to write a whole song lyrically, with chords I usually sit there and play the same chord progressions over and over again until I come up with a melody, honestly it usually all happens pretty simultaneously.<span> </span></p>
<p> <strong>What other artists or songs inspire your music? </strong></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/7lrXzcKYroaNGrNmi2P0yd?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p>When I started writing attention, I knew exactly the vibe of how I wanted the song to go. My all time favourite band “Dizzy” has really inspired my music as of late and I always look to them for reference.<span> </span></p>
<p> <strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><span><strong> </strong></span></p>
<p>I love playing shows it’s one of my favourite things, and the idea of a bunch of people coming together to support artists is a great thing. I think these It’s hard to have things sound exactly like the recording unless you’re playing to tracks just because so many things are layered constantly, but I do thinks it’s imported to have constancy from the recording to live, and making sure your on the same level as you record in the studio or as you’re playing live.</p>
<p><br><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong><span><strong> </strong></span></p>
<p>I have not toured as a solo artist but I did have a mini tour with We Wander over the spam of a couple weekends and it was great, to play a bunch of shows in city’s I don’t get to go to too often.<span> </span></p>
<p>One of the best shows I got play was a sold out show at Lee’s Palace opening for Foxxing with my friend Matthew Fuentes, under his band FXRRVST. It was a super last minute thing their original singer and friend Holly got Covid. So I ended up filling in! Very cool experience and had a lot of fun.<span> </span></p>
<p>Worst show was a shitty bar in Toronto that I can’t fully remember the name of, but I do remember it being super late, we were on at like 1 am and the sound guy was so drunk he couldn’t work the sound system to my bassist had to basically to do sound for us while playing also.</p>
<p><strong>What's up next for the band?</strong><span><strong> </strong></span></p>
<p>I’ve been very fortunate to be working with wonderful producers and musicians including Matt Snell, Christian Turner and Konrad Commisso, over the past year and have a handful of songs ready to release over the next year that I am so excited for.<span> </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NGan68tsOS8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NGan68tsOS8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <a class="no-pjax" href="https://linktr.ee/maddyclittle" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://linktr.ee/maddyclittle</a></p>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73376982024-02-05T05:00:00-05:002024-02-05T08:24:30-05:00(BMN EXCLUSIVE SONG PREMIERE) TRENTON NJ'S ALPHA RABBIT<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dcef6f59baccaad81ace9f0431dcbf35389979f6/original/alpha-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Alpha Rabbit, the eclectic trio from Central Jersey, is poised to unleash their latest sonic adventure with the release of their new single, "Plant the Seed," slated for February 7, 2024. With an amalgamation of 80s funk vibes intertwined with the whimsy of a nursery rhyme performed under a circus tent, "Plant the Seed" offers a tantalizing glimpse into the band's forthcoming album. A cacophony of influences ranging from Talking Heads to Animal Collective reverberates through the track, daring listeners to embrace both catchiness and chaos while delving into realms of vulnerability.<br><br>Drawing inspiration from genres spanning 60s psychedelic to 90s alternative, Alpha Rabbit crafts a modernized spin on the concept album, delivering a poignant yet rocking collection of tracks that resonate with intimacy and introspection. Comprising Joseph Wolstenholme, Jaime Parker, and Jake Foy, Alpha Rabbit showcases their multi-instrumental prowess, a testament to their vibrant presence in the Central Jersey and Jersey Shore music scenes.</p><p>Incorporating an array of instruments including accordion, banjo, and vibraphone, Alpha Rabbit ventures into uncharted territories with "Plant the Seed," expanding their sonic palette and forging a path into weird and wonderful new territory. The single serves as a prelude to their latest full-length album, "Let it Grow," set to debut on Mint 400 Records come February 23, 2024.</p><p>"Let it Grow" marks Alpha Rabbit's sophomore LP under the banner of Mint 400 Records, seamlessly continuing the journey laid out by their previous record. Featuring lush arrangements, intricate harmonies, and an eclectic selection of instruments, the album delves deep into themes of love and conflict, embodying the spirit of overcoming obstacles with resilience and grace. <br><br>As Alpha Rabbit gears up for the release of "Let it Grow" and embarks on a journey of musical discovery, the band remains steadfast in their commitment to artistic exploration and sonic experimentation. As the echoes of "Plant the Seed" reverberate through the airwaves, one thing remains abundantly clear: the enigmatic allure of Alpha Rabbit shows no signs of waning, promising a future brimming with sonic delight and auditory adventure.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="zgqpzxbyL1c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/zgqpzxbyL1c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span>YouTube: </span><a class="no-pjax" href="https://www.youtube.com/@alpharabbitmusic" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span><u>https://www.youtube.com/@alpharabbitmusic</u></span></a><br><span>Facebook: </span><a class="no-pjax" href="https://www.facebook.com/alpharabbitmusic/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span><u>https://www.facebook.com/alpharabbitmusic/</u></span></a><br><span>Instagram: </span><a class="no-pjax" href="https://www.instagram.com/alpha_rabbit_band/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span><u>https://www.instagram.com/alpha_rabbit_band/</u></span></a><br><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73366862024-02-02T05:00:00-05:002024-02-17T15:45:40-05:00GRAMMY-NOMINATED WILL HOGE UNVEILS ANTICIPATED ALBUM: "TENDERHEARTED BOYS"<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ffd7b11692af3a9523b2b0dc7e0f68cb37c67590/original/ab6761610000e5eb3b23c633282dd256e4cd5f83.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>Nashville-based singer-songwriter and Grammy-nominated artist, Will Hoge, is set to captivate audiences with his upcoming 14th studio album, "Tenderhearted Boys," slated for release on April 12 via EDLO Records. Breaking new ground, Hoge takes full control, producing, writing, and performing every instrument on the album, offering listeners an intimate journey into the depths of his unfiltered soul.</p><p>The lead single, "End of the World," already streaming on YouTube, serves as a poignant reflection on the transition from the innocence of adolescence to the challenges of adulthood. Hoge shares, "I’m watching my sons go through their teenage years in the throes of all that the world has thrown at them. This song is about the innocence of those years in the face of the challenges society puts on them." The track is available for pre-save/pre-add on all platforms.</p><p>"Tenderhearted Boys" is not just an album; it's a sonic autobiography, with each track unraveling a chapter that explores the beauty found in the nuanced corners of modern life. The album promises a blend of vulnerability and rebellion, showcasing Hoge's authenticity as an artist.</p><p>Accompanying the album release, Hoge will embark on a series of headline and support appearances across the U.S., UK, and Europe from January to March 2024. This journey will bring his music to diverse audiences, solidifying his reputation as an artist committed to the scenic route of musical expression.</p><p>Will Hoge's illustrious career spans Number One hits, Grammy nominations, and major-label record deals. A pioneer in the Americana music scene, Hoge played a crucial role in popularizing the genre's blend of American roots music. In an era dominated by digital shortcuts, Hoge remains dedicated to the authentic journey, immersing himself in the art rather than fixating on the destination.</p><p>Don't miss the chance to witness Will Hoge's live performances in 2024, with additional dates soon to be announced. Stay tuned for a musical experience that transcends boundaries and resonates with the soul.</p><p>For more information on tour dates and tickets, visit <a class="no-pjax" href="https://chat.openai.com/c/f16cd07c-c94b-460c-b999-590665920705#" target="_new">Will Hoge's official website</a>. "Tenderhearted Boys" will be available on all platforms starting April 12, marking another milestone in the remarkable career of this gifted singer-songwriter and producer.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="W3TMXlDyihw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/W3TMXlDyihw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><font face="Georgia"><span><strong>JANUARY</strong></span></font><br><font face="Georgia"><span>18 — Houston, TX — Mucky Duck</span></font><br><font face="Georgia"><span>19 — Ft. Worth, TX — The Post at River East</span></font><br><font face="Georgia"><span>20 — McAlester, OK — Spaceship Earth</span></font><br><font face="Georgia"><span>24 — Wiesbaden, DE — Ringkirche *</span></font><br><font face="Georgia"><span>25 — Leipzig, DE — UT Connewitz *</span></font><br><font face="Georgia"><span>26 — Berlin, DE — Passionkirche *</span></font><br><font face="Georgia"><span>27 — Hamburg, DE — Christiankirche (Klopstockkirche) *</span></font><br><font face="Georgia"><span>28 — Gent, BE — Minard *</span></font><br><font face="Georgia"><span>30 — Koln, DE — Kulturkirche *</span></font><br><font face="Georgia"><span>31 — Rotterdam, NL — Rotown *</span></font><br><br><font face="Georgia"><span><strong>FEBRUARY</strong></span></font><br><font face="Georgia"><span>02 — London, UK — Union Chapel *</span></font><br><font face="Georgia"><span>03 — Leeds, UK — St. George’s Church *</span></font><br><font face="Georgia"><span>04 — Manchester, UK — Band on the Wall *</span></font><br><font face="Georgia"><span>05 — Glasgow, UK — St. Luke’s *</span></font><br><font face="Georgia"><span>06 — Bristol, UK — St. George’s *</span></font><br><font face="Georgia"><span>08 — Paris, FR — Supersonic *</span></font><br><font face="Georgia"><span>09 — Oberhausen, DE — Ebertbad *</span></font><br><font face="Georgia"><span>10 — Munchen, DE — St. Matthaus *</span></font><br><font face="Georgia"><span>11 — Wien, AU — Arena Vienna *</span></font><br><font face="Georgia"><span>13 — Schaffhausen, SZ — Kammgarn *</span></font><br><font face="Georgia"><span>15 — Barcelona, SP — Heliogabal *</span></font><br><font face="Georgia"><span>16 — Madrid, SP — Wurlitzer Ballroom *</span></font><br><br><font face="Georgia"><span><strong>MARCH</strong></span></font><br><font face="Georgia"><span>06 — Greensboro, NC — Flat Iron</span></font><br><font face="Georgia"><span>07 — Vienna, VA — Jammin’ Java</span></font><br><font face="Georgia"><span>08 — Elkton, MD — Elkton Music Hall</span></font><br><font face="Georgia"><span>09 — Freehold, NJ — Concerts in the Studio</span></font><br><font face="Georgia"><span>10 — Montgomery, NY — City Winery Hudson Valley</span></font><br><font face="Georgia"><span>12 — Providence, RI — Alchemy</span></font><br><font face="Georgia"><span>14 — Amherst, MA — The Drake</span></font><br><font face="Georgia"><span>15 — Syracuse, NY — Abilene</span></font><br><font face="Georgia"><span>17 — Pittsburgh, PA — City Winery</span></font><br><font face="Georgia"><span>19 — Louisville, KY — Monarch</span></font><br><font face="Georgia"><span>20 — Cleveland, OH — Music Box Supper Club</span></font><br><font face="Georgia"><span>21 — Lake Orion, MI — 20 Front Street</span></font><br><font face="Georgia"><span>22 — Lake Orion, MI — 20 Front Street</span></font><br><font face="Georgia"><span>23 — Carmel, IN — Feinstein’s</span></font><br><font face="Georgia"><span>24 — Arlington Heights, IL — Hey Nonny</span></font><br><br><span style="color:rgb(51,51,51);"><span>* — supporting Dave Hause</span></span></p><p> </p><p><span style="color:rgb(51,51,51);"><span>-Francis Madden</span></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73366852024-02-01T05:00:00-05:002024-02-01T05:00:02-05:00MEET OSLO POST HARDCORE BAND HAMMOK<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/59b92439b064fbd32d11e8e261f200875253da9a/original/9b0a0483.webp/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Hammok has released "Seance," a preview of their upcoming debut album, "look how long lasting everything is moving for one." The song, accompanied by a dynamic one-take music video shot in vocalist Tobias Maxwell Osland's childhood home, showcases the band's direct and intense side. Clocking in at just over two and a half minutes, "Seance" features a hardcore chorus and a soundscape driven by a relentless drum machine and metallic synth bass. The lyrics evoke a dark and disturbing reality, drawing inspiration from horror films and occult traditions, depicting a protagonist trapped in their worst nightmare – haunted, persecuted, and terrorized – all within the context of a seance.</span></p><p><strong>How did the band form and what does the band name mean?</strong></p><p><span>The band was formed during the pandemic in 2020. We all, Ferdinand, Tobias and Ole Benjamin, played in another band at the time when we decided to start up Hammok. </span></p><p><span>The band name does not necessarily mean anything special. The name originates from the word “Hammock” and is a short and precise name that is easy to remember. </span></p><p><strong>Previous musical projects? How'd you first get into music?</strong></p><p><span>Vocalist Tobias and drummer Ferdinand actually started playing together in 2011 after getting to know each other through their school band. That year, we started the first version of Hammok. At this time we were four members and played punk and metal music. This project were shelved in 2017 when Tobias and Ferdinand moved from the small city of Horten to Oslo. During our first years in Oslo we got to know Ole Benjamin through another musical project that never really got anywhere, that’s when we decided to start up Hammok in the start of the pandemic.</span></p><p><br><strong>First concert you ever went to?</strong><span style="color:rgb(0,0,0);"> </span></p><p><span>First concert for Tobias and Ferdinand were in the summer of 2011. We saw the Norwegian band “Honningbarna” at a local punk festival called “Kanalrock” and we immediately knew what we wanted to do and achieve in our musical career.</span></p><p><span>Ole Benjamin’s first concert was a Green Day show in Oslo in 2010 which led him to dye his hair blue and start playing in a local punk band.</span></p><p><br><strong>What's your writing process like?</strong></p><p><span>Tobias is the main songwriter and usually comes up with the first ideas/demoes and brings them to rehearsal where we form the song together. Throughout the making of long lasting we ended up crafting a lot of the songs in the production, meaning not necessarily being in the room together but layering different parts together and using demo-takes. It felt exciting to keep the process and production open and free. Making a very band focused record without ever going to a proper studio was also very fun for us.</span></p><p><strong>What other artists or songs inspire your music?</strong><span style="color:rgb(0,0,0);"> </span></p><p><span>For long lasting it was important to us that the sound and energy felt angular and at times digital, we wanted to put our brand of energetic hardcore in context with more aggressive styles of hyperpop and experimental music. The songs we chose goes from some of our favorite hardocre/metacore bands like The Chariot and Every Time I Die to the more digital pop side like Sophie (R.I.P) and Skrillex. The most important thing for these songs and artists is a sense of energy and originality, that's what we gravitate towards the most. </span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2ofrx5dgDxRJMydLgFgJ8C?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></p><p><span> First of all, studio and live are two very different settings and shouldn’t necessarily sound identical. If a track works the same way in a live setting we would keep it almost identical, but anything can happen at a Hammok show. For us, the shows are about creating a shared energy with an audience, where the band and crowd are completely in the moment and completely free in expression. It's both spontaneous and straight to the point.</span></p><p><br> <span><strong>What have tours and shows been like?</strong></span><br><br><span>We started playing some shows in Norway around the release of our JUMPING/DANCING/FIGHTING EP. After playing a great spot at Eurosonic (ESNS) in January of 2023, a lot of opportunities opened up. Friendly Fire helped us big time with putting us in the lineup at Best Kept Secret and other great smaller festivals around the Netherlands. Bandwerk also helped out with playing Lokerse Feesten in Belgium. We also played ArcTanGent and Core fest in UK to mention a few. </span></p><p><span>Our best show yet was definitely playing the Casbah at Best Kept Secret. Insane response from the audience. We had never experienced anything like it before. </span></p><p><br><span><strong>Worst show? </strong></span><br><br><span>We never have a bad show. Believe us. </span></p><p><br><strong>What's up next for the band?</strong></p><p><span>We are doing our first EU headline tour in March with the release of our debut album “look how long lasting everything is moving forward for once” releasing </span><span dir="ltr">March 1st.</span><span> We are going to keep on touring throughout 2024 as much as possible. </span></p><p><br> <span>J/D/F forever. look how long lasting everything is moving forward for once</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1GbqLMBgwPs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1GbqLMBgwPs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/hammokband/">https://www.facebook.com/hammokband/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73378922024-01-31T05:00:00-05:002024-01-31T19:03:58-05:00Tabitha Booth "In A Glade" Video Release from Wolf Moon Live Album <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1dc219ff3065a5e611f26b8e79c24be81c35b73a/original/ab676161000051742f27f5cd35f8142ed0262c21.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Nj-based singer-songwriter, Tabitha Booth, presents a new take on a cherished Ukrainian folk song, “In A Glade,” making its appearance on Wolf Moon. The live album was recorded at Cocoon Studios in Jersey City with audio engineer, Corey Zack. Sung in Ukrainian, it features members of her eclectic music ensemble of strings, harmony vocals and piano. </p><p>Proposed by Edwin Lopez Villada, music partner and piano educator, “In A Glade” is a traditional song, performed in the 90’s by Ukrainian actress Milla Jovovich from the acclaimed sci-fi film, “The Fifth Element.” Advocating for human rights and dealing with loss and grief, the performance of this song dovetails as an acknowledgment of Ukrainian’s ongoing suffering under Russian occupation. </p><p>Villada worked with colleagues Dmitry Belman & Olga Goksu on transcription. Booth received translation support from both Anoush Mardjanian, an ambassador of accredited Antinanco Earth Arts School and Raphael Ribot, who also contributed harmony vocals for the Wolf Moon project. Additional musical arrangements from award-winning violinist, Tory Anne Daines and bassist Naomi Smith, encapsulate the song. </p><p>Reflecting the feelings of loss and internal trauma, “In A Glade” video depicts an attempt to communicate feelings through a letter, but to no avail. The process of dealing with a love lost, Tabitha Booth, attests to this in her own life, a catalyst of producing Wolf Moon. In her poignant musical presentation of “In A Glade,” </p><p>Tabitha worked alongside Wolf Moon’s audio engineer, Corey Zack, inviting Naomi Smith and international singer and guitarist, Randy Vega, on editing three videos from the live performance of Wolf Moon. Tabitha Booth and her music team look forward to sharing the video, now available online, with two additional videos premiering in the near future, while recording her next LP at Cocoon Studios. </p><p>Wolf Moon is recipient of 2023 Best Live Album from Elephant Talk Indie Music Awards in Atlantic City, NJ. Songs from Wolf Moon can be found on Mint400 Records and streaming online.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="is8E2_0Y-b0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/is8E2_0Y-b0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://tabithaboothofficial.com/">https://tabithaboothofficial.com/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73343302024-01-30T05:00:00-05:002024-02-04T12:22:05-05:00WHAT'S IN OUR INBOX! SKATELAND, HOLLIS, JOSHUA CRUMBLY, LC FLOWERS, HAMMOK<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Today we go on a musical journey that feels like it's drifting into a mellow vibe and then at the end we smack you in the face with post hardcore electro. Today is an eclectic one, but hear me out, these were what our writers picked out of hundreds of submissions so keep an open mind and enjoy. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Skateland</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Drawing from a wide variety of musical influences, he combines melancholy lyricism and new wave instrumentation with pop production techniques to create a sound that is equal parts past, present, and future. With Skateland, he often writes about autobiographical experiences, confiding, "I take emotions or feelings that I've gathered from certain experiences and package them into a format that's accessible to anyone who listens. I think that's why I love writing and recording music in non-traditional places as opposed to a fancy studio, writing a guitar part on my porch, jotting down song lyrics at a bar or cafe, tracking vocals in my bedroom etc., it feels like returning to the scene of that major life event and there's an emotional power in that!" </span></p><p><strong>What we say they sound like: </strong>This band has their brand sorted out and this feels like the early release of one of those bands that is going to blow up and be huge. The imagery for the video is so great that it makes you give real focus to the song even if it's not typically what you'd listen to. It's electro indie pop that has a dreampop vibe minus the guitar. It's light and ethereal, this really feels ultra modern and fresh. It's schizophrenic in feel at times and matches the ADHD nature of the modern listener. </p><p><strong>Song to add to your playlist: </strong>Autobahn!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NObxcaYYDiw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NObxcaYYDiw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Hollis</p><p><strong>BMN Score: </strong>8.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(55,65,81);">I started my music journey at age 9, earning recognition in the NYC Broadway theater scene as a young child. I moved to LA as a teenager to pursue my acting and songwriting aspirations, and released three original albums by the age of 15. Despite facing recent challenges, including a diagnosis of four rare autoimmune disorders at age 18, and the COVID lockdown at age 21, I have continued to develop my sound and writing style. Now, at age 25, my music is a blend of big melodic sounds and soul-baring lyrics, drawing inspiration from pop artists like Lizzy McAlpine and Gracie Abrams.</span></p><p><strong>What we say they sound like: </strong>This has an interesting vibe somewhere between modern indie rock like Boygenius and contemporary indie pop and a vocal in the vein of 90's Lilith Fair pop. It's catchy, it has roots in 80's pop, almost like an updated Katrina and The Waves. The repeating simple chorus is enough to hook anyone in. I feel like there is more to be cultivated here but I like the foundation that this artist has. There are enough good things like songwriting, style and hooks to make us look forward to whats next. </p><p><strong>Song to add to your playlist: </strong>Undertow</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="aF4Ca_9f2hY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/aF4Ca_9f2hY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Joshua Crumbly</p><p><strong>BMN Score:</strong> 9.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">On the track Joshua Crumbly says, “</span>“I was thinking of the stages of life and the experiences within it, even the stages of a day itself,” he recalls. “Most beginnings tend to be so youthful and innocent, but we can become so easily weighed down by the journey. I’ve come to realize that each and every stage is a beautiful one in its own way, but I find that getting back to a youthful outlook, taking steps to get back to the beginning, may be the way to enjoy things the most.”<span style="color:rgb(0,0,0);">Featuring members of Little Dragon (Erik Bodin and Håkan Wirenstrand), the slow, dawning beauty of “Morning” blooms like the first light of a sunrise to open the EP. “This song is like an exhalation,” Crumbly describes. “It’s a chance to release all the negativity from within and find the light.”</span></p><p><strong>What we say they sound like: </strong>This may sound like music BMN typically wouldn't cover but this artist is very interesting for a few reasons. This has elements of Stereolab, The Orb, and other instrumental and ambient artists but it feels like where music is going. It's layered and percolating in a way that intertwines a wide variety of modern genres from jazz, electropop, and hip hop with something else that is completely futuristic. Like if you told me a time traveler brought this back from 2050 and this is what all music sounds like now, I'd believe you. What i thought was incredibly funny was on youtube a lone comment of “Give me my time back”, this is how you know something is ahead of it's time, the dummies take time to comment on something they can't even begin comprehending. I listen and hear elements of things like Brubeck to Motown to Trip Hop to ambient dance. This feels like the future to me. </p><p><strong>Song to add to your playlist: </strong>Morning</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="4v2MtuhxYNQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/4v2MtuhxYNQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>LC Flowers</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span>LC Flowers draws inspiration from a diverse range of music, including sunshine pop of the '60s, UK Bass, breakcore, jazz, and ambient. His live performances involve a minimalist approach with a five-track looper, allowing him to isolate instruments live and add effects on the fly.</span></p><p><strong>What we say they sound like: </strong>LC Flowers new album has a mix of everything from Beck's ‘Mutations’ LP to The Shins and classic Bossa Nova. At moments I hear bits of Radiohead and modern jazz but thrown in a blender with 60's Astrud Gilberto and more. This really is an amalgamation of so many things I love that it's criminal this artist isn't more well known. It feel classic and as contemporary as possible all at once. It's urgent and modern but also nostalgic with background folk textures. It's lounge at moments also. This really is a song where every 10 seconds I hear another influence that is flawlessly woven into this eclectic and rich musical tapestry. </p><p><strong>Song to add to your playlist: </strong>The Views Of The Years And You</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LaA5d2A5cE0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LaA5d2A5cE0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Hammok</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">"Seance" shows the band's most direct side yet. The song barely rounds out two and a half minutes and at that time gives you a masterclass in hardcore chorus flair. The soundscape is controlled by a constantly forward-propelling drum machine and a metallic synth bass where vocalist Tobias Osland is given plenty of room to dominate the listener's eardrum.</span></p><p><strong>What we say they sound like: </strong>This is like Death Grips meets post hardcore. I'm here for it. This is indie electro meets post punk and hardcore and the warm distorted vocals float on top of pulsing drums, guitar and synth to make something energetic and raucous. In a way this has moments of Refused but more garage rock and a more melodic vocal. I'm a goth at heart so I dig the Seance reference as communication with the dead makes for a cool song subject and the more metaphorical reference can imply many things. This is fun and punchy, I'm adding it to my playlist. </p><p><strong>Song to add to your playlist: </strong>Seance</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1GbqLMBgwPs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1GbqLMBgwPs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73338692024-01-29T05:00:00-05:002024-01-29T05:00:02-05:00THE RETURN OF THE PHILLY HILLBILLY BUG MARTIN<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/cd3e216b8ae10e8734e718e7190a2fd585d19134/original/28805.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />In the heart of the Pyrrhic Victory Recordings Label is the spirited Bug Martin, <span style="color:rgb(55,65,81);">a storyteller and singer-songwriter. Hailing from the basements of New Jersey, now crafting moody, twangy alt-music in Philadelphia that explores existential and confessional themes across genres like americana, blues, roots, and folk. Drawing listeners in with earnest twang and cinematic haunts, Bug's tales of hapless love and drunken wisdom create a narrative that resonates with the struggles of everyday life, offering solace in the midst of desolate surroundings.</span></p><p>The musical adventure kicks off with the enchanting two-chord rhythm of "Six Against One," where a soulful harmonica sets the stage for heartfelt reflection. Bug's delivery, oscillating between heart-wrenching and introspective. Contemporary and classic country all at once. For fans of Johnny Cash as much as for fans of Town Mountain. It s<span style="color:rgb(55,65,81);">eems like the song explores themes of inner conflict and tough decisions. The album has somber sentiments and tones, it sets the stage for one of those spaghetti westerns about the lone gunslinger. </span><br><br><span style="color:rgb(55,65,81);">Martin paints a bleak picture of an urban cowboy in the midst of existential crisis instead of the traditional gunslinger mentality of a song from the man in black. This EP is beautiful as each track is timeless alt country. This feels like modern production but of a song written and sung 50 or more years ago. It explores the themes of old timey country tunes and the downtrodden hero, the blues at it's roots. However at the same time it feels modern and more a modern thinking mans dilemmas. </span></p><p>Reflecting on the songs, Bug Martin shares that they were penned and recorded between 2021-2023, exploring the space between action and reaction. The collection delves into the void left by departure, offering a perspective that, although raw, speaks universally. Bug invites listeners to find moments of lightness within themselves while navigating the poignant narratives woven into the fabric of the album.</p><p>The collaborative harmony of Ray Drezner, Matt Zorzi, John Anthony DeMaio, and Dan Mulligan resonates in the immaculate production of the music. Bug Martin urges listeners to uncover the enchantment and authenticity inherent in these time-based art forms, providing a welcomed escape in a world burdened by its complexities.</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=2988620068/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://bugmartinband.bandcamp.com/album/what-remains">WHAT REMAINS by Bug Martin &Co.</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73307292024-01-26T05:00:00-05:002024-01-26T05:00:02-05:00ICYMI: ASBURY PARK'S THE HARD MAYBES DROPPED A NYE SINGLE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/07e3d912acb8f93b08e750bed254dc4d19ff39a1/original/screenshot-20240124-175628-gallery.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:black;">The Hard Maybes are an indie-rock band from Asbury Park, New Jersey. Formed in 2022, The band is made up of Harley on vocals, Brian Erickson on bass, Matt Magnifico on drums, Kyle Hahn and Andrew Ludewig on guitar. Inspired by surf-rock and girl groups of the 60’s and mixing that style with elements of the indie and pop-punk bands of the early-aughts, The Hard Maybes establish an energetic sound with a retro feel. The Hard Maybes just released their third single “Something (Kiss Me Quiet)” on New Year’s Eve. </span><span><o:p></o:p></span></p><p><span style="color:black;">“Something (Kiss Me Quiet)” is primarily a bass and drum driven song with lively guitar riffs. The Hard Maybes borrow a snappy and swinging beat and pair it with classic rock influences for their take on a jazz-lounge tune with a slight edge. The song plays with building and breaking tension in a way that reflects in both the melody and phrases. Lyrically, “Something (Kiss Me Quiet)” is a true rebound anthem. The Hard Maybes play with the sentiment that sometimes you just need something, or someone, after a break-up. </span><span><o:p></o:p></span></p><p><span style="color:black;">Harley, the singer and primary songwriter for The Hard Maybes, explains “There’s a moment when a relationship comes to an end, and you realize all the reasons why it wouldn’t have ever worked. Maybe it’s you, maybe it’s them, most of the time it’s a bit of both. When all the rational thinking and calm conversations are done, sometimes you need to just have a good time to feel like yourself again. In this instance, that involved a local pub, a fair amount of Jameson, and a very good friend.” </span><span><o:p></o:p></span></p><p><span style="color:black;">“Something (Kiss Me Quiet)” is the third single from The Hard Maybes and the first to be released through Mint400 Records and Telegraph Hill Records together. Their debut EP will be released Summer 2024 but you can catch them live at Pet Shop in Jersey City on February 22nd with Strange Neighbors, Above the Moon, and Kingbird. Stay up to date with The Hard Maybes’ upcoming releases and shows via </span><a class="no-pjax" href="https://www.instagram.com/thehardmaybes/"><span style="color:#1155CC;"><span>Instagram</span></span></a><span style="color:black;">, </span><a class="no-pjax" href="https://www.facebook.com/TheHardMaybes"><span style="color:#1155CC;"><span>Facebook</span></span></a><span style="color:black;">, and </span><a class="no-pjax" href="https://open.spotify.com/artist/2jwXfTBno4661iyoa4dwB2?si=d6z19lSuQvu4hEGw67JFKw"><span style="color:#1155CC;"><span>Spotify</span></span></a><span style="color:black;">.</span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/5G5rADYg30MBNNyO08a8kv?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73305122024-01-25T05:05:00-05:002024-01-25T05:20:02-05:00MEET SEATTLE JAZZY INDIE BAND MEGA CAT<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f17ad11bdb6de32c7f102f9c0b333f0c40214d37/original/dsc-3473-websize-by-rachel-bennett.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span class="text-big"> </span><span class="text-big" style="color:rgb(55,65,81);">Seattle-based instrumental collaboration mega cat, featuring Aaron Benson, Kim West, and Ryan Devlin, is set to release their self-titled debut album on February 16, 2024, via Share It Music. The band, also joined by Dave Dederer for live performances, introduces their punk-infused musical style with the lead single "Rat Fight." Inspired by a real-life encounter with battling rats, the track blends punk, hip-hop instrumentals, 70’s Afro Beat, and avant jazz, capturing the wild energy of a ferocious clash in a ritualistic dance set to a five/four time signature. Described as a disembodied multidimensional being experienced through sound waves, mega cat defies traditional communication but enchants listeners with instrumental narratives reminiscent of 20th-century science fiction, afro-beat, hip hop, and psychedelic music. Reports of altered perception and euphoria accompany encounters with mega cat, turning the album into a mesmerizing journey for fans of experimental sounds.</span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big"><strong> </strong></span><span class="text-big" style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>How did the band form and what does the band name mean?</strong></span></i></span>
</div><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">This band formed out of a weekly bonfire hang during the summer of 2020 at Aaron’s (drums/ percussion/guitar) house in the central district of Seattle. It was the first moment of lockdown and we were fighting to still have a social life. Aaron and his wife, Emily, would have these socially distanced bonfires with a handful of friends every Sunday in their beautiful backyard garden. We’d each bring a little cooler, sit six feet apart, and hang until the sun went down. It was the thing that really helped us hold on and still feel like we had a community. This is gloomy ass Seattle though, and once fall arrived it was just too wet and cold to carry on. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">That fall, the Sunday social hour turned from a bonfire to an indoor hang in Aaron’s home studio, Mad Val Studios. Kim (keys), Ryan (bass/guitar), and Aaron would get together in the afternoon and jam while Emily would study upstairs. There was zero intention of forming a band, or even making a record. We would simply listen to records, talk, laugh, and jam. We were just recording, running little sound experiments, and having fun. By dinner time, we’d often have a pretty cool sounding song. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">The pandemic stretched on much longer than anyone expected, so we kept meeting every Sunday. After a while, we had more than an album’s worth of material that we were pretty excited about.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Initially, the sessions were labeled “KRA” (Kim, Ryan, Aaron). We were considering putting the music out under that moniker, but it honestly wasn’t that exciting of a name to anyone. We’re all cat owning, cat obsessed people. The music also felt like something bigger than the three of us. The name <strong>mega cat</strong> was suggested by one of us and it felt absolutely perfect. </span></span><br><br><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>Previous musical projects? How'd you first get into music?</strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Kim and Ryan have fronted a rock and roll, singer-songwriter band called Smokey Brights for the last decade. Since 2019, Aaron has been the “fifth Smokey,” playing percussion and guitar both at live shows and on recordings. Smokeys are still going strong, and put out two records last year, </span><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Levitator</span></i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"> and </span><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Broken Too</span></i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">, which both wound up on KEXP’s Top Albums of 2023. So, the three of us were already playing lots of music together before we started jamming on what would become <strong>mega cat</strong>. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Aaron has played in a bazillion bands in the Northwest, most recently Cataldo, Ruler, Pickwick, Shelby Earl, and Tilson XOXO. He got into music by going with his dad to gigs when he was little. The drummer in his dad’s band would let him sit behind the kit and make noise in between sets. Aaron was in jazz band in high school, and, by the end of high school, he was already touring with his punk band, Virus Nine. He has been a working musician ever since.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Kim got into music through classical piano and voice lessons starting at an early age. She was in Northwest Girls Choir as a kid and by highschool was in the vocal jazz ensemble. Smokey Brights has been her main vehicle for her songwriting, singing, and playing for ten plus years now.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Ryan got into music by picking up the trombone in elementary school. He was in weekly private lessons for the instrument from age 13 through undergrad, where he received a scholarship from the University of Washington Jazz dept. Around 13 he started his first punk band playing bass and guitar as well, and by the end of undergrad was touring nationally on bass with punk bands. </span></span></p><p><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>First concert that you ever went to? </strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Aaron: In high school Aaron drove up from Southern Oregon with friends to The Gorge for Lollapalooza 1997 where he saw Tool, Snoop Dog, and Beck. Locally his first concerts were seeing friends punk bands at Hillah Temple in Ashland.</span></span><br><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Kim: Kim’s first national act concert was Beastie Boys and A Tribe Called Quest in the round at Key Arena in 1998. Some of her first local shows were seeing a young rapper she went to Garfield High with who called himself Macklemore.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Ryan: Ryan’s first national and local acts were seen at Seattle’s music festival, Bumbershoot. That festival is and was highly eclectic, so he would have been exposed to rock, jazz, hip hop, and world music all in one day at an early age. Locally his first shows were punk shows at DV8 and Graceland in Seattle.</span></span></p><p><br><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>What's your writing process like?</strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Our process is highly organic. We typically don’t write something, rehearse it, and then eventually record it; we record it as we write it, collectively. It is “in the moment” music. Through the process of getting sounds and simply being in the same room, a magical synthesis starts to happen. Sometimes someone has a figure, phrase, beat, or set of chords to start with, sometimes not. Kim will play piano, Aaron will play drum kit, and Ryan will play the bass, all live together in a small room. Once something sounds good, we’ll start to add guitar, percussion, and additional keys as overdubs. This process eliminates the burden (and luxury) of overthinking.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">On a few of the tracks on the record, we invited this incredible horn section of Jason Cressey (trombone), Bill Jones (trumpet), and Peter Daniel (sax and flute) to play. It was one of the most exciting sessions of our lives, hearing these real jazz musicians interpret our crazy ideas. The process was similarly improvisational. Our dear friend Nick Shadel added Melotron horns to “Celebrate With Port” which added a wild dimension to that song. Other than that, everything is recorded by Kim, Ryan, and Aaron in our home studios, Mad Val and The Tiger Room.</span></span></p><p><br><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>What other artists or songs inspire your music? </strong></span></i></span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5JNAYZPylZjzItwexYw9Ge?utm_source=generator" width="100%" height="380" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture"></iframe></p></div><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">When we first started jamming, all three of us were completely obsessed with the four Sault records: 5, 7, Untitled (Black Is) and Untitled (Rise.) The bouncy grooves, the sparseness, the experimentation, the hand percussion, and the energy on these recordings was really excited us. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">It’s important to note that none of us consider ourselves to be jazz musicians. We’ve all studied a little jazz, but our backgrounds are primarily in punk, songwriter, and indie bands. Kim and Ryan have been hyper focused on writing pop songs for years with Smokey Brights, so mega cat felt like an opportunity to have fun with our instruments as opposed to our voices. We’re really eclectic listeners. We love hip hop, punk, jazz, afrobeat, Ethiopian music, and cinematic music. All of it kind of swirls together in mega cat, but the songs are still three to four minutes, with structures borrowed from pop.</span></span></p><p><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">We only just started playing out, and our live sets have been extremely fun. We have Dave Dederer from the band Presidents of the United States of America on guitar. He’s an absolute hero, and brings the guitar work to a whole new level. Our buddy Jacob Whinnihan from one of our favorite Seattle bands La Fonda plays hand drums, and again brings what we do to a higher plane. We’ll typically have horn players join us as well. The sets are danceable and wild. You’ll see us truly having fun up there.</span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">We try to keep the live show as organic as our recording process. We play through the basic structures and parts we put down on recording, but then we typically open parts up for solos and let the endings morph into free jams. Anyone can start or change the jam, we just listen to each other and respond. It honestly gets pretty psychedelic.</span></span></p><p><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">This band is so new that we’ve only played three shows. We’re playing the incredible Treefort Music Fest in Boise in March, however, and have a record release show in Seattle at The Sunset on March 2nd. Our sincere hope is to play this music all over the world!</span></span></p><p><span style="color:rgb(0,0,0);"><i><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5"><strong>What's up next for the band?</strong></span></i></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">Our self-titled full length is out on February 16th of this year via Share It Music. We’re shooting a music video this week starring our dear friend and all around creative powerhouse Molly Sides. Molly is known for fronting this great rock band called Thunderpussy, but her background is in modern dance. She’s choreographing and performing a dance video for Rat Fight with director Cheryl Eidiss. </span></span></p><p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-6e788894-7fff-ecc5-7330-bbc2a52bfff5">We’re already working on new material, and are hoping to make a live recorded version of the record, simply so we can capture the energy Dave, Jacob, and the horns bring to the sound. We hope lots of folks connect with our music and that we can play it all over the world.</span></span> </p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="VzFk-S0uFZ0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/VzFk-S0uFZ0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div><p> <a>https://www.instagram.com/itsmegacat/</a><br> <a>https://www.facebook.com/itsmegacat</a><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73281392024-01-24T05:00:00-05:002024-01-24T09:08:13-05:00MEET BOSTON ROCKER LONELY LEESA AND THE LOST COWBOYS<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><br> </p>
<p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/01625714767d4ab761b16340aecd12a65607994b/original/lonely-leesa-stayed-press-photo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br> </p>
<p><span class="text-big">Lonely Leesa and The Lost Cowboys, formed in 2017, is reminiscent of iconic sounds from Fleetwood Mac's "Rumors" era, Lucinda Williams, Big Star, and the Rolling Stones during their "Exile on Main Street" phase. The band paints a vivid soundscape of love's melancholic demise but with a melodic and catchy twist. A new video for "Stayed" is out in January, ahead of a forthcoming new album in the spring. </span></p>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Blood Makes Noise: What is the basis for writing attention-grabbing music in this day and age? </strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Leesa Coyne: I have always used art/music as a way to move a conversation forward or to process my own feelings. Music really provided voices for me as a young person I connected with and it really helped me through. When I started to write songs I wanted to give that connection to others with the music I write.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Then, at one point, I was going to a lot of folk open mics with folks quite a bit older than me and that really introduced me to the power of the political song. I had said to myself it is incredibly hard to write a song that speaks to folks without pandering. I tried to take that into some of the songwriting on this album, tentatively called <i>Restorative Justice</i>, which will hopefully be out in or around the Spring of 2024. There is currently a lot going on in the world and this record speaks to the complexity of being a female living in America at this point in time where we are both moving forwards and backwards all at once.</span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);"><strong>What has it been like working with an indie record label as opposed to working on your own? </strong></span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">We are very excited to be working with Rum Bar Records on this release. They recently are working with a lot of really great Boston bands who I already love (Abbie Barrett, Stars Like Ours) and they have a ton of talented women on the label to boot! Uncle Lou who runs the label has great instincts and really brings a lot of energy on getting the tracks out into the world while giving us plenty of space to make whatever creative choices we want with the music. We are really excited about the partnership moving forward. </span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);"><strong>Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Back in the day, it was Nirvana and R.E.M. I would also have to say Whitney Houston, Mariah Carey, and Bonnie Raitt. I really wanted to have killer singing chops as a kid so I would just learn all those pop songs note for note. I would have been all in if my parents put me on <i>Star Search</i>, I have always loved to sing and sang non stop all the time. I can’t listen to music without at least mumbling along even if I don't know the lyrics… it can be totally annoying! But then Nirvana, R.E.M., and PJ Harvey really spoke to my soul with their raw and gut wrenchingly honest songwriting. </span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">Once I started playing and writing, Patty Griffin really opened my eyes to the genius of a capo and some cowboy chords! I always gravitated to the roots sounding nature of “Near wild heaven” on R.E.M.’s <i>Out Of Time</i>. And honestly when the first Whiskeytown record came out I really wanted to make an alt-country record. Growing up in New England the Nashville stuff was never my jam but once I found alt country / outlaw country / indie folk I found my pocket for writing the songs and sound I wanted to create. Also I would say I love all sorts of music so who knows where things could evolve, I try to take it song by song and serve the song the best I can. </span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);"><strong>Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring? </strong></span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">I am pretty old currently so most artists are younger than me. Music is always inspiring but is often a young person's game. For me it’s been my fountain of youth. I grew up working at a record store so I am constantly on the lookout for new music and artists to be excited about. I am completely obsessed with Sylvan Esso, they are my favorite band right now and I have seen them like five times. They are pure joy and their songs are just wonderfully written. Clairo out of Boston is great, she blew up and I am pretty sure I am old enough to be her mom! Also love love boygenius. Sometimes you just discover an artist you grow into who has been there all along but you never dialed in on it over the past year I have been on a giant Dionne Warwick kick, I think if I listened to her when I was younger I might not have appreciated her or how cool her songs and arrangements are but she is the boss, a total badass and I love her. </span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);"><strong>For your new album, what inspired the lyrical content, album title, and overall vibe? </strong></span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">This record will be tentatively called <i>Restorative Justice</i>. I had a lot of not great things that happened in my life at various points that I was holding onto. I wanted this record to be a way of processing those things and moving forward from it. A lot of it is from a woman of my age’s perspective and touches on things like domestic violence, abortion, love, loss, guilt, shame and feminism. Maybe the next record will be a dance record after this one which is a bit of a Debbie downer :) Some of the songs, like “19,” I wrote about my abortion at 19, are really heavy. It feels insane that 19-year-old me had more rights than many 19-year-olds living in the US today. Some of these songs I sing to keep the conversation alive. I will keep singing that song till all womxn have full rights over both their bodies and healthcare choices.</span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">The meaning for the song “Stayed,” and now its music video, has evolved for me over the years as I processed no longer being with an abusive partner. There are so many complicated feelings around it. The whole situation is so isolating. I think about how in the state I live in (Massachusetts) it is really hard to get a gun and how if we lived in another state that person would have most likely had guns at the house. There has been a lot of legislation around trying to get guns out of the hands of domestic abusers. I felt like I wanted this video to raise awareness about both the complex and isolated nature of domestic violence as well as how we have to do better to get guns out of the hands of perpetrators of violence. </span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">Here are two links for good information on the subject: </span><br><a class="no-pjax" href="https://www.npr.org/2023/11/07/1208501397/supreme-court-guns-domestic-abusers" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://www.npr.org/2023/11/07/1208501397/supreme-court-guns-domestic-abusers</span></a></p><p dir="ltr"><a class="no-pjax" href="https://publichealth.jhu.edu/2023/questions-and-answers-on-us-v-rahimi-the-major-gun-case-before-the-supreme-court-during-its-2023-2024-term" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://publichealth.jhu.edu/2023/questions-and-answers-on-us-v-rahimi-the-major-gun-case-before-the-supreme-court-during-its-2023-2024-term</span></a></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever revisit old material to do a rewrite or once it’s done it’s done? </strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">I am often not in the studio. So many times a song is road tested before we get into the studio with it. Most times I have a bunch of tunes that have been kicking around that we work into recording. I would have to say the studio is not my favorite place, I find it a bit draining and much prefer playing live shows. I have been in a bunch of bands over the years and have worked with many studios so at this point I feel like I know more of what I want to get out of a recording when I am going into the studio. It is like any other musical skill you have to keep learning and growing with each record and it’s part of the journey that keeps things interesting. On this record we have a ton of really fun instrumentation on it and a few of the players in my crew co-wrote some of the songs so that added to the fun. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project? </strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">This recording is a bit different than the past ones. We have had a ton of time and flexibility with the recording. The studio is a close knit crew so it’s a bit different from booking a few days and just trying to get everything done before you run out of money so we were able to be really intentional about things. We are going the Tom Petty <i>Wildflowers</i> route which took I think six years. We are on year five. So maybe next time blending the speed of the past sessions with the intentional approach from this one and aim for two years. </span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="uKa0prSlLVE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/uKa0prSlLVE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><br><strong>Homepage</strong>: <a class="no-pjax" href="https://www.lonelyleesa.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.lonelyleesa.com/</a><br><strong>Instagram</strong>: <a class="no-pjax" href="https://www.instagram.com/lonelyleesaandthelostcowboys/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/lonelyleesaandthelostcowboys/</a><br><strong>Facebook</strong>: <a class="no-pjax" href="https://www.facebook.com/LonelyLeesa" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.facebook.com/LonelyLeesa</a><br><strong>Bandcamp</strong>: <a class="no-pjax" href="https://lonelyleesaandthelostcowboys.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://lonelyleesaandthelostcowboys.bandcamp.com/</a></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73294802024-01-23T05:10:00-05:002024-02-17T15:45:18-05:00GHOST WORK SUPERGROUP, MEMBERS OF SEAWEED, SNAPCASE, MILEMARKER, & MINUS THE BEAR!<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4db0fec8c205773d1e9b2dded15a8f0af6c62904/original/ghost-work-group-photo-2024-crop.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><br>Ghost Work's latest offering, "Light a Candle for the Lonely," is a testament to the enduring power of creative collaboration and the resilience found in the face of personal struggles. Comprising members and ex-members of influential bands like Seaweed, Snapcase, Milemarker, and Minus The Bear, Ghost Work emerges as a post-punk supergroup with a gritty edge, crafting an 11-track LP set to release on March 8th via Spartan Records.</p><p> </p><p>Vocalist Aaron Stauffer's proclamation that this is his best singing performance and recording to date is not mere hyperbole. Stauffer, known for his work with Seaweed, channels a level of intensity and emotion reminiscent of his past favorites. In his words, it's like "The Cure doing an AC/DC cover," providing a glimpse into the sonic landscape Ghost Work traverses.</p><p>The album's thematic core revolves around escaping cycles, reconnecting, and reconciling the formative past with an unrevealed future. Sean Husick's journey of recovery, marked by sobriety and rediscovering creativity, echoes throughout the album. Erin Tate, reflecting on her post-Minus The Bear struggles, found solace in reconnecting with Husick, sparking the band's collaborative desire to pursue a common musical flame.</p><p>"Light a Candle For The Lonely" is a sonic journey, landing in a post-punk realm with a gritty demeanor, evoking elements of The Cure and REM, laced with a nearly AC/DC level of recklessness. Ghost Work confidently showcases growth on this record, with a sound that's a step forward for the band.</p><p>Aaron Stauffer's unmistakable vocals become the vessel for songs exploring the conflict between nature and the human mind, delving into the forces that drive our worst selves—addictions and desires. Stauffer, now balancing his life as an emergency room RN, brings a unique approach to his vocal process, often crafting his parts while paddling along the cold California coastline or during intense ER shifts.</p><p>The collaborative process of creating 'Light a Candle For The Lonely' unfolds virtually, with individual ideas evolving into nuanced Ghost Work compositions. The final drum tracking in Husick's Chicago studio, mixed by Al Jacobs at Warrior Sound in Chapel Hill, NC, brings the project to fruition, emphasizing the band's collective input.</p><p>The album, at its core, serves as a meditation on the dichotomy between the natural world's beauty and the uncertainty that hinders its celebration. "Light a Candle For The Lonely" becomes the sonic exploration of authenticity, gratitude, and dedication, resonating as a testament to unexpected reawakening and renewal in the face of life's unpredictability. Ghost Work, with its impressive lineage, delivers a record that not only honors its past but propels it boldly into a promising future.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IrxewOBv0qA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IrxewOBv0qA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21020771.54458.1.1a73ed38e9b73476164fb6ee969bd60a" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.instagram.com/realghostwork</a><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21020771.54459.1.8f8dcb91b24d2f85f01bc471360fcad0" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.facebook.com/ghostwork</a><br><a class="no-pjax" href="https://email.cloud.secureclick.net/c/6813?id=21020771.54460.1.9b41bcf411246e78ad5300431823107f" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://twitter.com/realghostwork</a><br><br><a rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;">-Francis Madden</span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73294942024-01-22T05:00:00-05:002024-01-22T05:00:01-05:00SHOW PREVIEW: DEAD TOOTH, TWO-MAN GIANT SQUID, LE BIG ZERO COME TO JERSEY CITY'S PET SHOP<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bfb54243b54a6096aab178cd2e410fd952a8fd59/original/flyer-jan-25th.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Thursdays at Pet Shop, Jersey City have been offering incredible scene shows at the right price, FREE, for years and this week is no different as local labels converge to bring raucous Brooklyn bands to the venue. Brooklyn Label Trash Casual provides Dead Tooth, exciting post punk and DJ Britt Jones, while NJ label Mint 400 Records brings BK Post Punk bands Two-Man Giant Squid and Le Big Zero. To add to the magic of the evening DJ Tom Gallo of Look At My Records! Podcast will also be spinning. Here's a preview of what you'll get:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nMzNZkn0qFA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nMzNZkn0qFA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:rgb(55,65,81);">Dead Tooth, led by Zach James, creates dystopian post-punk with a discordant edge, reminiscent of a posthumous dinner party attended by Ian Curtis and Herman Hesse. With Andrew Bailey from DIIV on lead guitar, the duo's onstage synergy is a highlight in NYC. James, formerly the Silver Spaceman, transitioned from folk-rock to a darker Dead Tooth persona, exploring murkier textures. The band's productivity surged during the pandemic, culminating in the upcoming EP "Pig Pile," featuring the single "Hollow Skin." The track, inspired by the Trump era, delves into post-punk's jagged corners and delirious melodies, offering a smoke-choked ode to finding a better path.</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="K-XRN8eS9W8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/K-XRN8eS9W8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:rgb(55,65,81);">Two-Man Giant Squid emerges as a prominent force in Brooklyn's burgeoning post-punk scene, originally a solo project by frontman Mitch Vinokur. Their debut EP, acclaimed as "EP of the Year" by WFUV's Sam Sumpter in 2022, propelled them from basement shows to headlining iconic NYC venues. Signing with Mint 400 Records, the band's upcoming album, "Intro to Basement," pays homage to their DIY roots, showcasing versatility with dance-punk frenzies and emotive slow-burns. Lead track "The Opposite" establishes them as a party band for a new generation, with singles "Progress" and "Cold Fingers" garnering early acclaim from various sources. Despite the darkness in their sound, Two-Man Giant Squid ensures a good time prevails.</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iWLIsnYU45M" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iWLIsnYU45M?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:rgb(55,65,81);">Brooklyn's Le Big Zero, anchored by Michael Pasuit and Ben Ross, fuses garage rock with intricate yet catchy song structures, cultivating a unique and accessible sound. Their latest EP, "At Arm's Length," features the collaborative efforts of Katie Cooney and Lukas Hirsch, marking a departure from their critically acclaimed 2022 release, "A Proper Mess." Inspired by indie acts like Parquet Courts, Les Savy Fav, and Speedy Ortiz, the EP, especially the lead single "Toy," delivers unconventional hooks and charming male-female harmonies. Beyond the immediate appeal, the album reveals intricacies, unexpected time changes, and syncopation, seamlessly shifting between deep chords, driving garage rock, and art rock. With moments of tension reflecting the collective experiences of the past few years, "At Arm's Length" encapsulates it all within one compelling EP.</span></p><p><a class="no-pjax" href="https://www.petshopjc.com/">https://www.petshopjc.com/</a> <br><a class="no-pjax" href="http://mint400records.com/" target="new">http://mint400records.com</a><br><a class="no-pjax" href="https://www.trashcasual.com/" target="new">https://www.trashcasual.com</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73294782024-01-19T05:00:00-05:002024-01-19T05:00:06-05:00BROOKLYN POST PUNK HEROES SAVAK RETURN<p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0e61e81c9dd7c31684a144d1c40f6c8881507dd2/original/7f1ce6b8d6e6c63bc5b246b3-1260x840.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Brooklyn's post-punk pioneers SAVAK are gearing up to unleash their latest auditory creation, "Flavors Of Paradise," upon the masses on March 1. The album, baptized in the sonic sanctum of Chicago's Electrical Audio studio, is a relentless exploration into the band's unapologetic post-punk prowess.</p><p>"Leash Biter," the album's inaugural offering, is a gripping introduction, showcasing SAVAK's ability to navigate the dark alleys of agitpop with jagged stabs reminiscent of The Fall, harmonies echoing Flamin' Groovies, and an underlying riff that would make Wilko Johnson nod in approval. The track's debut on Brooklyn Vegan heralds the imminent arrival of an album that effortlessly balances the dark and moody with the irresistibly catchy.</p><p>Recording 12 tracks in a swift three days might sound like a Herculean feat, but for SAVAK, it was a breeze across the Danube. The absence of guests, edits, and funk ensures that "Flavors Of Paradise" remains a lean, spacious, and lively testament to the band's creative tenacity. The record, produced by Matthew Barnhart of Superchunk and Bob Mould fame, refuses to shy away from tackling topics as diverse as marriage, espionage, vulnerability, and, yes, even dogs.</p><p>With five LPs, an EP, and a slew of singles under their belt, SAVAK continues to assert their musical relevance. Critics from Noisey/VICE to Mojo have lauded the band's ability to meld the dark and catchy, delivering a potent agitpop racket that's both astute and brimming with superior twin-guitar slash action.</p><p>As SAVAK embarks on a U.S. East Coast tour in February and March, culminating in a record release show at Brooklyn's Union Pool on March 7, their sonic pilgrimage will extend to France in April. So, press play, let the flavors unfold, and discover why SAVAK remains as comfortable in the dog park as they are in the local used bookstore.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="lqn3gz4ef1Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/lqn3gz4ef1Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong><u>US Tour Dates:</u></strong><br><span style="color:rgb(51,51,51);">02.20 - Brooklyn, NY @ Union Pool with J. Robbins - </span><strong>FREE</strong><br><span style="color:rgb(51,51,51);">03.07 - Brooklyn, NY @ Union Pool Record Release Show with Kilynn Lunsford and Blank Account - </span><a class="no-pjax" href="https://streaklinks.com/BzXZNJR6OhprAQktRACmbMRy/https%3A%2F%2Ft.e2ma.net%2Fclick%2Fnax54j%2Fbdr5em%2Fvopnfq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong><u>TICKETS</u></strong></a><br><span style="color:rgb(51,51,51);">03.08 - Philadelphia, PA @ Century Bar with Kilynn Lunsford and Ecology:Homestones</span><br><span style="color:rgb(51,51,51);">03.09 - Silver Spring, MD @ Quarry House with Cryptid Summer and Diamine - </span><a class="no-pjax" href="https://streaklinks.com/BzXZNJRvr1OGJTdLRAf3YROs/https%3A%2F%2Ft.e2ma.net%2Fclick%2Fnax54j%2Fbdr5em%2Fbhqnfq" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(36,82,215);"><strong><u>TICKETS</u></strong></span></a><span style="color:rgb(36,82,215);"> </span><br><br><strong><u>France Tour Dates:</u></strong><br><span style="color:rgb(51,51,51);">04.10 - Paris @ Mécanique Ondulatoire</span><br><span style="color:rgb(51,51,51);">04.11 - Angers @ Le Garage</span><br><span style="color:rgb(51,51,51);">04.12 - Laval @ La Fosse</span><br><span style="color:rgb(51,51,51);">04.13 - Nantes @ Duchesse</span><br><span style="color:rgb(51,51,51);">04.14 - La Rochelle @ TBD</span><br><span style="color:rgb(51,51,51);">04.15 - Limoges @ CCM Jean Gagnant</span><br><span style="color:rgb(51,51,51);">04.16 - Toulouse @ Gloria</span><br><span style="color:rgb(51,51,51);">04.17 - Perigueux @ Moulin Du Rousseau</span><br><span style="color:rgb(51,51,51);">04.18 - Lyon @ Trokson</span><br><span style="color:rgb(51,51,51);">04.19 - Troyes @ The Message</span><br><span style="color:rgb(51,51,51);">04.20 - Évreux @ Brasserie Spore</span></p><p><a class="no-pjax" href="https://www.savakband.com/"><span style="color:rgb(51,51,51);">https://www.savakband.com/</span></a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73291402024-01-18T05:00:00-05:002024-01-19T08:32:57-05:00(BMN VIDEO PREMIERE) INDIE ROCKER TOM MAROON AND HIS HOMAGE TO "MINNESOTA"<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9389e72c8f4199819730553bce3c605fe30e55a6/original/26465.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>n the vast landscape of indie music, Tom Maroon emerges from Pittsburgh, PA, with a sunny anthem paying homage to the Midwest. "Minnesota," the lead single from Maroon's latest album, "Lowflyers," takes us on a journey through youthful idealism, wanderlust, and a touch of 70s glam rock.</p><p>Maroon, a seasoned indie singer-songwriter and producer, draws inspiration from the likes of Johnny Marr, Mac DeMarco, and King Krule. Yet, "Minnesota" shows his ability to meld various influences into a uniquely cinematic and lyric-focused style.</p><p>The song unfolds as an exploration of Maroon's own character, a departure from his usual practice of weaving intricate personas into his lyrics. The narrative revolves around the excitement of losing oneself in a new state, Minnesota, a place that had become a paradise in Maroon's imagination, thanks to his hockey fandom.</p><p>The twist lies in the fact that Maroon wrote the song years before its release, and with time, it evolved into a reflection on the narrator's lack of plan for the future. The only goals? To be alone and stay young forever. It's an ode to adolescent optimism, a fuzzy memory, or an escapist daydream.</p><p>The music video for "Minnesota" takes this lack of foresight to absurd heights. Imagine an episode of Extreme Makeover: Home Edition, but with Maroon attempting to construct a cozy bedroom in the middle of a snowy, windy field. The furniture may collapse, but hey, trees make pretty good coatracks, right?</p><p>Maroon's vision for the video mirrors the dream-like quality of the song. Scenes with a burnt orange backdrop evoke 70s TV tropes, reminiscent of cheesy old sitcom title cards. The surreal nostalgia is heightened by a scene where falling leaves disappear upon hitting the ground, adding an extra layer to the whimsy.</p><p>Tom Maroon's artistic evolution is evident in "Lowflyers," his third album and first under Mint 400 Records. "Minnesota," with its propulsive rock instrumentation and carefree pop-rock vibes, is a standout single that encapsulates Maroon's ability to blend genres seamlessly. As Maroon continues to carve his path in the indie scene, "Minnesota" stands as a testament to his musical prowess and storytelling ability. It's a journey through nostalgia and absurdity, inviting listeners to get lost in the whimsical world of Tom Maroon.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="w8-yOnpUpjk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/w8-yOnpUpjk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/Tommaroonmusic/">https://www.facebook.com/Tommaroonmusic/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73281372024-01-17T05:00:00-05:002024-01-17T05:00:02-05:00MEET DUTCH LO-FI GARAGE PUNK BAND WE ARE JOINERS<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/beab4d46f556bed0099f980c6aa411e77ef7c7e3/original/waj2024.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;">WE ARE JOINERS is Joep, Ties, and Neils, a band of grown up punks from the Netherlands making lo-fi garage punk. WE ARE JOINERS are one of the core</span><br><span style="color:#000000;">bands on the NY-based label Totally Real Records' eclectic roster. What that means is that whatever random releases the band's mastermind Joep Van</span><br><span style="color:#000000;">Son comes up with, they'll support. Ever since the release of *Clients + Carriers*, a limited edition tape repackaging of the band's two EPs, Van Son has been promising a studio recorded full length. Instead, we've gotten several digital EPs, collaborations, and singles. He even launched his own</span><br><span style="color:#000000;">record label (Wilbur + Moore <</span><a class="no-pjax" href="https://wilburandmoore.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;">https://wilburandmoore.com/</span></a><span style="color:#000000;">>), but we're still waiting for the shiny debut full length album.</span><br><br><span style="color:#000000;">Luckily, all of this procrastination output has been incredible, and we think that the new *NORA EP* is a highlight in this growing catalog. This 5-track EP is dedicated to Arno, Joep's loquacious companion of 15 years. Originating from their punk-bond during time working in a homeless shelter, this musical odyssey combines his vivid tales with the band's interpretations. Arno, the perpetual storyteller, not only sparked the narrative but also contributed to the songwriting, despite facing the challenges of life. With standout tracks like 'Turtles,' ‘Nosfurratu,’ 'Glory Ugh!,' and the poignant 'Got Jelly?,' this EP stands as a sincere 'thank you' for the enduring camaraderie amidst his struggles."</span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span><br> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><span style="color:#000000;"><span>I decided to record some stuff with my longtime bud Niels, we used to play in a punk outfit in our teens. We mainly played in youth centers and left-wing anti-Nazi gatherings. Later I formed The Very Sexuals with Niels. With this we made a bit more 60s pop with shoegaze influences. We always had the idea of recapturing the vibe of our first punk band, partly because I pretty much killed punk at the time 😉 We started 3 years ago with a recording session with 6 acoustic tracks. We never actually released this one. We were then called “Starters Alternators” after an Albini album by legendary Dutch punks “The Ex”. We chose We are Joiners because it sounds a bit sectarian and also like a woodworking company haha.</span></span></p>
<p><span style="color:#000000;"><span> </span></span></p>
<p><span style="color:#000000;"><span><strong>Previous musical projects? How'd you first get into music?</strong></span></span></p>
<p><span style="color:#000000;"><span>Before this I made noisy punk with Nikoo, which was the heaviest band in the Netherlands. We also “emptied out” the room and did great support acts for Cloud Nothings, A Place to Bury Strangers and Ty Segall, among others. My very first band experience was when Luna Zegers, now a famous flamenco singer, asked me to join punk band THUSS. I felt very honored as THUSS had a cool cult status in the local youth centers.</span></span></p>
<p><span style="color:#000000;"><span> </span></span></p>
<p><span style="color:#000000;"><span><strong>First concert you ever went to?</strong> </span></span></p>
<p><span style="color:#000000;"><span>First ever concert was Urban Dance Squad. Saw them many times more after that. Each show was a huge party and it got me to love hiphop. Check out their album Mental Floss For The Globe, still a legendary good album.</span></span></p>
<p><span style="color:#000000;"><span> </span></span></p>
<p><span style="color:#000000;"><span><strong>What's your writing process like?</strong></span></span></p>
<p><span style="color:#000000;"><span>My writing happens simultaneously with recording. I start by recording a simple drum with a stripped down kit. Bass drum on the side because my foot sucks at playing music. After that i make up a quick tune and record the acoustic guitar together with vocals. I activate the effect “rock guitar” on my cheap 8 track and it sounds like We are Joiners. Besides that most of the songs come to mind when I'm on my bike, waiting for a traffic light or something like that. Also our labelboss Bryan from Totally Real Recs plays some electric guitars in NY. I really love his noisy additions.</span></span></p>
<p><span style="color:#000000;"><span> </span></span></p>
<p><span style="color:#000000;"><span><strong>What other artists or songs inspire your music?</strong> </span></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6LhCOAPZdzG8amv9LoE2BP?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span style="color:#000000;"><span>Most of these artists are on my top played albums of 2023. Besides Beyonce – Renaissance (that truly rocks) i mostly played lofi and punk. Also some additions from the scene around my label Totally Real Recs like Josaleight Pollet who came with a magical album this year i cant get enough of. And on </span></span><a class="no-pjax" href="https://wilburandmoore.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><span>my own little label</span></span></a><span style="color:#000000;"><span>: Parent teacher, an incredibly talented home recording artist.</span></span></p>
<p><span style="color:#000000;"><span> </span></span><a class="no-pjax" href="https://perennialtheband.bandcamp.com/" target="_blank" title="This external link will open in a new window">Perennial</a> – Fauves<o:p></o:p> <a class="no-pjax" href="https://perennialtheband.bandcamp.com/track/fauves" target="_blank" title="This external link will open in a new window">https://perennialtheband.bandcamp.com/track/fauves</a></p>
<p>Home is where – Assisted harakiri<o:p></o:p> <a class="no-pjax" href="https://homeiswhere.bandcamp.com/track/assisted-harakiri" target="_blank" title="This external link will open in a new window">https://homeiswhere.bandcamp.com/track/assisted-harakiri</a><o:p></o:p></p>
<p>Night Court – Out of control<o:p></o:p> <a class="no-pjax" href="https://nightcourtpunk.bandcamp.com/track/out-of-control" target="_blank" title="This external link will open in a new window">https://nightcourtpunk.bandcamp.com/track/out-of-control</a><o:p></o:p></p>
<p>Neighbours burning Neighbours – Neil Young<o:p></o:p> <a class="no-pjax" href="https://neighboursburningneighbours.bandcamp.com/track/neil-young" target="_blank" title="This external link will open in a new window">https://neighboursburningneighbours.bandcamp.com/track/neil-young</a><o:p></o:p></p>
<p><o:p></o:p><a class="no-pjax" href="https://illuminatihotties.bandcamp.com/" target="_blank" title="This external link will open in a new window">illuminati hotties</a> - <a class="no-pjax" href="https://illuminatihotties.bandcamp.com/track/mmmoooaaaaayaya-1" target="_blank" title="This external link will open in a new window">MMMOOOAAAAAYAYA</a><o:p></o:p> <a class="no-pjax" href="https://illuminatihotties.bandcamp.com/track/mmmoooaaaaayaya-1" target="_blank" title="This external link will open in a new window">https://illuminatihotties.bandcamp.com/track/mmmoooaaaaayaya-1</a><o:p></o:p></p>
<p><o:p></o:p><a class="no-pjax" href="https://josaleighpollett.bandcamp.com/" target="_blank" title="This external link will open in a new window">Josaleigh Pollett</a> - <a class="no-pjax" href="https://josaleighpollett.bandcamp.com/track/ykwim" target="_blank" title="This external link will open in a new window">YKWIM</a><o:p></o:p> <a class="no-pjax" href="https://josaleighpollett.bandcamp.com/track/ykwim" target="_blank" title="This external link will open in a new window">https://josaleighpollett.bandcamp.com/track/ykwim</a><o:p></o:p></p>
<p><o:p></o:p><a class="no-pjax" href="https://parentteacher.bandcamp.com/" target="_blank" title="This external link will open in a new window">Parent Teacher</a> - <a class="no-pjax" href="https://parentteacher.bandcamp.com/track/patches-the-pigeon" target="_blank" title="This external link will open in a new window">Patches the Pigeon</a><a title="This external link will open in a new window"> </a><a class="no-pjax" href="https://parentteacher.bandcamp.com/track/patches-the-pigeon" target="_blank" title="This external link will open in a new window">https://parentteacher.bandcamp.com/track/patches-the-pigeon</a><o:p></o:p></p>
<p><a class="no-pjax" href="https://talkingkind.bandcamp.com/" target="_blank" title="This external link will open in a new window">Talking Kind</a> - <a class="no-pjax" href="https://talkingkind.bandcamp.com/track/trouble-feat-radiator-hospital-and-the-goodbye-party" target="_blank" title="This external link will open in a new window">Trouble (feat. Radiator Hospital and The Goodbye Party)</a><o:p></o:p> <a class="no-pjax" href="https://talkingkind.bandcamp.com/track/trouble-feat-radiator-hospital-and-the-goodbye-party" target="_blank" title="This external link will open in a new window">https://talkingkind.bandcamp.com/track/trouble-feat-radiator-hospital-and-the-goodbye-party</a><o:p></o:p></p>
<p><o:p></o:p><a class="no-pjax" href="https://jeffrosenstock.bandcamp.com/" target="_blank" title="This external link will open in a new window">Jeff Rosenstock</a> - Doubt<o:p></o:p> <a class="no-pjax" href="https://jeffrosenstock.bandcamp.com/track/doubt" target="_blank" title="This external link will open in a new window">https://jeffrosenstock.bandcamp.com/track/doubt</a><o:p></o:p></p>
<p> Soul Glo - <a class="no-pjax" href="https://soulglophl.bandcamp.com/track/gold-chain-punk-whogonbeatmyass" target="_blank" title="This external link will open in a new window">Gold Chain Punk (whogonbeatmyass?)</a><o:p></o:p> <a class="no-pjax" href="https://soulglophl.bandcamp.com/track/gold-chain-punk-whogonbeatmyass" target="_blank" title="This external link will open in a new window">https://soulglophl.bandcamp.com/track/gold-chain-punk-whogonbeatmyass</a><o:p></o:p></p>
<p><span style="color:#000000;"><span><strong> </strong></span></span></p>
<p><span style="color:#000000;"><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></span></p>
<p><span style="color:#000000;"><span>Thus far we didn't play live, just some dads who met at the schoolyard doing a beer in the shed and record some punk. We recorded about 45 songs in 2.5 years and that when our real studio album is finished later this year we are certainly going to do stuff live. I have played live a lot with former bands. I always suffered from stage fright, but I'm over it now.</span></span></p>
<p><span style="color:#000000;"><span> </span></span><br><span style="color:#000000;"><span><strong>What's up next for the band?</strong></span></span></p>
<p><span style="color:#000000;"><span>As we speak we are working on our first studio album. At least, we're going to record with a DAW and the 8-track goes on the shelf. We want to make a viciously fast punk record, but keep the distorted acoustic vibe intact. We already have a lot of sketches that refer to old Misfits and Nomeansno, but always with a pure pop feeling.</span></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="TFrGKfrtPTw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/TFrGKfrtPTw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://twitter.com/Wearejoiners" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#3b69a8;">https://twitter.com/Wearejoiners</span></a><a rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#3b69a8;"> </span></a></p>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73267752024-01-16T05:00:00-05:002024-01-16T05:00:01-05:00RUSSIAN STONER DOOM METAL ASTROSAIL GETS SET TO UNVEIL NEW ALBUM BY BRYNN WHITMAN<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9722276c44782698893a98583ed0b588ec618400/original/screenshot-2024-01-01-at-1-18-08-pm.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Get ready to dive into the depths of Russian Stoner/Doom metal as Astrosail, the enigmatic musical force, prepares to unleash their latest sonic offering upon the world. The forthcoming album, titled "Целое" (pronounced Tseloye), is not just an assortment of tracks; it's a journey into the very essence of unity.</p><p>Hailing from the dark corners of Moscow's underground scene, Astrosail first caught our attention with their debut EP "Океан" in 2016. Now, after a brief hiatus, the band is back and more potent than ever with "Целое," a conceptual masterpiece that delves into the profound concept of unity in its myriad forms.</p><p>In the words of one of the album's songs, "the parts are not so important, only the indivisible matters." This theme reverberates through each track, weaving a tapestry of interconnectedness that transcends time, space, and the tangible world. Astrosail beckons listeners to ponder the unity of past and future, inner and outer, material and spiritual, guiding them through a sonic odyssey that challenges conventional boundaries.</p><p>Leading the charge is the mesmerizing track "Здесь" (Zdes'), a poignant exploration of the present moment and the significance of self-realization. Released as a single, this composition sets the stage for the album's overarching theme. Astrosail has even more in store for fans, teasing an upcoming music video for "Здесь" early next year, promising a visual experience that complements the auditory journey.</p><p>But what fueled the creative fire behind "Целое"? Astrosail embarked on a transformative expedition to the Altai Mountains in Russia, a two-year hiatus that provided the band with the clarity and inspiration needed to shape their musical destiny. Amidst the serene landscapes and away from the clamor of city life, the concept of the album organically emerged—Unity, in its broadest sense.</p><p>The album's sound is a paradoxical blend of aggression and enveloping warmth. The occult and church-like vocal lines serve as an additional instrument, creating an ethereal atmosphere that captivates the senses without overpowering the mix. Astrosail has discovered a sonic identity that resonates with their inner selves, a direction they enthusiastically plan to explore further in their musical journey.</p><p>As "Целое" approaches its release date, anticipation builds, fueled by the promise of a musical experience that transcends the ordinary. Astrosail invites you to join them on this sonic exploration, where the parts fade away, and only the indivisible remains. Buckle up for a ride into the heart of unity, guided by the relentless energy of Astrosail's stoner/doom metal prowess.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="yz5AamrHPpw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/yz5AamrHPpw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://band.link/astrosail_whole">https://band.link/astrosail_whole</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73011042024-01-15T05:00:00-05:002024-01-15T17:11:49-05:00MEET ARI VAIS OF CALIFORNIA POWER POP BAND THE CAMPBELL APARTMENT<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f30cbe85998958361c62d4ccc870c26a6f958ebe/original/lms9rgxcsbakyswidx-oaq.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Ari Vais, originally Arkadiy Tiberevich Vais, embarked on a fascinating journey from escaping the Soviet Union as a child to finding his artistic voice in Cambridge, Massachusetts. His love for music, particularly the Beatles, ignited his passion for writing, leading to a blossoming career. From fronting the ‘90s group Humbert in the vibrant Northampton music scene to forming the quartet the Pelicans and later The Campbell Apartment, Vais carved his niche in the alternative rock world. Despite declining an opportunity with Fountains of Wayne, he continued to evolve creatively, producing albums like "Insomniac’s Almanac" and "IN!". After a relocation to San Francisco, collaborations with Fountains of Wayne guitarist Jody Porter, and a transformative period marked by marriage, divorce, and a new record deal, Vais released "Curmudgeon" in 2020—an album that captures over two decades of his power pop virtuosity, earning recognition for his storytelling prowess and unique musical voice. Coming January 2024 the band is offering up another album of power pop gems titled “Under The Influence Of Love”, here’s what Ari had to say about it: </span><span style="color:#222222;"><span lang="EN"><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>1. How did the band form and what does the band name mean?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">It formed around 2003 in NYC, it was always a power trio even after I relocated to SF in ‘09. So the songs live sound quite a bit different than on the recordings, but what’s missing in terms of lush arrangements is made up for with intense energy. Think Nirvana but more pop. I was a drinker at the time and visited frequently, especially if I wanted to impress a date, at this hidden speakeasy of a bar in the basement of Grand Central Station. Ordinary door, no signage so you’d have to stumble upon it or be told of it, but once you step inside, the sexiest bar ever, like Eyes Wide Shut but without the perviness. It used to be Andrew Carnegie’s office, the safe is still there. Best cocktails ever, dim lighting, velvet, the works.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>2. Previous musical projects? How'd you first get into music?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">I’ve been making music, recording it, releasing it, and playing shows for 35 years. I was born with the gift of melody, have worked very hard at my craft, and feel that I am at my peak now. When I immigrated from Soviet Moscow to Hollywood, and then immediately Cambridge, MA, I discovered The Beatles, and my life would never be the same. I started writing songs soon after, around age 11.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>3. First concert that you ever went to? </strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">We were fresh off the boat immigrants with no English, but I used to call up radio stations to be “caller 10” and win stuff. So I won us tickets to see Little River Band, pleasant enough and on some hokey outdoor rotating round stage maybe on Cape Cod, and, much more sinisterly and hilariously, to see Aerosmith during their debauched heroin years at their annual New Year’s Eve show at the Orpheum Theater in Boston. We had no idea what to expect, we had amazing seats, the crowd was straight from hell, and we refused cotton for our ears from the security guys, because immigrants don’t like attention, we feel like targets and helpless with no English. The lights went dark, the crowd went apeshit, the opening band started their sleaze-hard-rock at a truly deafening volume. I was in 5th grade and had my mom take me, we were frozen in horror when the drummer threw his drumstick into the crowd, striking my mom in the head. People pounced upon her for the precious souvenir and she thought a grenade had been thrown and people were trying to save her. Then we got the fuck out of there, with the same security people pointing and laughing as we exited into the Boston night. Baptism by fire, innit.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>4. What's your writing process like?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">Every song is different and I’ve probably written and recorded about 120 of them now. But there are some common links. Often a trauma will happen, earlier in my life it had to do with losing a girl, and the song would write itself. Other times (you have to have an instrument in your hands to write songs, not just talk about it or think about it), my fingers would find something weird and interesting on the guitar or piano. Not knowing music theory nor how to read music, I’d build off that chord until I had a nucleus that I would simply have to complete. The words come last. To make non-crindge worthy lyrics - that’s a pretty low bar to set - so I try to make really good, smart lyrics. I am often playful with words, and having learned English after age 10, I have a different relationship with this beautiful language than I feel native speakers do. Not unlike Nabokov, who wrote in English and Russian, but his English prose is unique in a way where clearly he studied and practiced the language. It’s a lifelong practice and there is no ceiling as to how good one can get at writing prose or, in the case of lyrics, short-story-poems.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>5. What other artists or songs inspire your music? </strong><o:p></o:p></span></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0gKBKBYWDbSLyp0qjAlm3Y?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#222222;"><span lang="EN">Oh where to start. Other than The Beatles, I love Big Star, The Velvet Underground, Bowie, Schubert. Harry Nilsson, Ween, Weezer, Eels, Wilco, The Kinks, Liz Phair, Nirvana, Fountains of Wayne and Squeeze. I love XTC and Black Sabbath, My Bloody Valentine, Dinosaur Jr., The Pixies and The Breeders. Badly Drawn Boy, Elvis Costello, The Sex Pistols and The Clash. The Police, Joe Jackson, The Strokes, Grandaddy. I’ve been inspired by all those artists, and could continue naming influences for hours. Billie Holiday and Chopin. NWA, Wu Tang, and yacht rock. Dead Meadow. Guided By Voices, The Replacements, Husker Du, The Lemonheads. And of course, Pavement, probably first and foremost, Pavement.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">I’m not wild about bands that sound exactly the same live as their record sounds. Having said that, when the group is incredible, like The Pixies or The Strokes or Dinosaur Jr., it’s just fine to replicate on the stage what you’d hear on the album. For me, personally, because my songwriting is so multi-layered, with counter melodies, 3 part harmonies, melatrons and glockenspiels, acoustics and electrics, jangly and fuzzed out, it’s a pretty radically different experience from my life shows because The Campbell Apartment has always been a power trio. So we rely on the raucous energy and catharsis of Nirvana, Husker Du, Motorhead, ZZ Top, The Police. It’s quite a flattering thing, the power trio live. But really different from my almost orchestral pop punk recordings. I always want to add a second guitarist and have three part harmonies live, but bands are hard. I’ll take what I can get. Plus as a front man with only 2 other guys with you onstage, it’s a powerful, undiluted feeling of rock stardom.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>7. Has the band toured? What has the touring experience been, best shows? worst shows?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">We toured England and Ontario, as well as from Western Mass., through Boston, and all the way down to DC and Richmond. Having played probably thousands of shows, they’re all kind of a blur. Opening for Fountains of Wayne was a rush, When I first started playing music in college, and did my junior year abroad in the UK, I opened for big bands like Bronski Beat, Throwing Muses, Violent Femmes. I used to do a cathartic, solo acoustic version of “Heroin” by Lou Reed and all the bands I’d be opening for would come out of the green room to watch. That was cool. There have been many shit shows too, because I used to lead a wasted lifestyle and not respect my talent or life. Now that I am 3 years sober, the live show is what it should be, professional. The Replacements’ whole thing was self-sabotage, but they had amazing songs and energy. That doesn’t really work for everyone.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN"><strong>8. What's up next for the band?</strong><o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="EN">“Under The Influence Of Love” is such a good record, the best thing I’ve ever done, that I expect to make a living from music, probably from songs being placed in ads and shows and films. I’m certainly well known enough in the industry, influential and critically acclaimed. But I am absolutely not famous in any manner. That’s what’s next for TCA.</span></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="mxiBbCz0bg8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/mxiBbCz0bg8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/TheCampbellApartment/">https://www.facebook.com/TheCampbellApartment/</a></p><p><span style="color:#222222;"><span lang="EN"><o:p></o:p></span></span></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73267722024-01-12T05:00:00-05:002024-01-12T05:00:01-05:00MEET GERMAN INDIE POP SHOEGAZE BAND THE BV'S<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f1d36a1342fac39f20c0e70604d4b7db4bedb532/original/thebvs-brunotenschert46.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><p>The BV’s are a band from Augsburg, Germany. Their bittersweet, looping, disintegrating mix of indie pop, shoegaze, and krautrock came together by chance in the cascading granite greys of a wet English winter in 2016 when Fred moved from Augsburg, Germany, to Cornwall in the UK for a university exchange program and moved in with Josh. After living together for four months, they decided to record some demos for fun, which became their first album, "Speaking from a Distance," released in 2017 on the German label Kleine Untergrund Schallplatten. After Fred moved back to Augsburg, the BV’s continued to make music over the internet, releasing an EP ("Interpunktion") and a second album ("Cartography") with Kleine Untergrund Schallplatten and touring extensively in Europe and the UK, including appearances at Indietracks and Madrid Popfest.</p><p>In 2022, Josh moved from the UK to Augsburg. With the band now finally all living in the same place, the BV’s have spent the last year recording their third album, "Taking Pictures of Taking Pictures," which will be released on 16th February via Kleine Untergrund Schallplatten and Shelflife Records.</p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span class="text-big"><strong>1. How did the band form and what does the band name mean?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big">The band formed by total accident. When Fred was moving to Falmouth for university, he saw an advert for a spare room in Josh's house on Facebook and asked if he could move in. We became friends, realised we like all the same bands, and started making some music for fun. Fred sent our demos to Ronny, who runs KUS, and he wanted to make them into an album! Hannes joined after that, and we had a couple of bass players (including Ben Woods from the 4AD band The Golden Dregs) before Matthias joined us in 2018.</span><br><br><span class="text-big"><strong>2. Previous musical projects? How'd you first get into music?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big">We've all been making music and playing in bands since our teens. Fred and Hannes both played in Endlich Blüte, an indiepop band also signed to KUS. Hannes is also a sometime drummer for the English band Jetstream Pony. Matthias played in the cult Augsburg krautrock band AB Repeat, and both him and Fred play in San Antonio Kid, an Italo-Western psych band. Josh used to play in the powerpop band Planet Jazz.</span><br><br><span class="text-big"><strong>3. First concert that you ever went to? </strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big">We are officially too old to remember. But some recent shows we've been to as a band are Teenage Fanclub, Alvvays and soon Slowdive.</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span class="text-big"><strong>4. What's your writing process like?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big">Our writing process has changed a lot over the years. In the beginning, we were writing a song a day and recording them straight away, with no equipment except a guitar and a laptop. Now, as a full band, the songwriting process is much more communal, with all of us contributing ideas and shaping the songs as they are written, and the songs are written and developed over longer periods of time. We do still like to improvise and write songs quickly though - two or three songs on the new album were written entirely in the studio as we were recording them.</span><br><br><span class="text-big"><strong>5. What other artists or songs inspire your music?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big">We all listen to and are inspired by lots of different music. It's important as a musician to expose yourself to as many different genres as possible, otherwise you run the risk of writing the same songs over and over again. Obviously we are really inspired by New Order, The Cure, Molly Nilsson, DIIV, Sarah Records, Alvvays, and the bands in our scene that we've played with. But we also take a lot of inspiration from other genres like krautrock, noise, ambient, black metal, hip-hop, coldwave, punk and jazz. Our playlist is a mix of all of that.</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4VDZ2pPEA8NpEPx4Xw03wJ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><br><span class="text-big"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big">Most of our songs involve some improvisational aspect, and so they always sounds at least slightly differently each time we play them. Then there are songs which are almost completely improvised and never sound the same. But even when there is no improvisation involved, I think songs change and develop every time you play them, and unless you're playing with a click and backing track and programmed guitar sounds, they're never going to sound exactly like the record. </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big"> </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big"><strong>7. Has the band toured? What has the touring experience been? Best shows? Worst shows?</strong></span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big">We love going on tour! And we've done it a few times, once in 2017 and then twice in 2019, firstly in Europe and then in the UK, coinciding with our performance at Indietracks Festival. Our first post-pandemic tour was with Jetstream Pony in November 2022, and in 2023 we played loads of cool shows, including our first ever one in Scotland at Glas Goes Pop !</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big"> </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big">Some of our best shows have been at popfests (Indietracks, Madrid Popfest, Glas Goes Pop, Cologne Popfest), but we also loved touring the UK in 2019. Our show in Nottingham at the legendary DIY space JT Soar was a real highlight for us. Also, our first ever gig, supporting NZ Flying Nun legends The Bats in Augsburg in 2017, was a really special moment. And Antwerp, where we played a show about half an hour after crashing our tour van into a Porsche, was a surreal and wonderful experience.</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big"> </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big">Our worst ever show was probably in Kortrijk, Belgium in 2019. The bar we played in was almost completely empty, except for a few very drunk people who kept trying to get on stage and grab the microphones before they got kicked out. After we finished our first song the room was completely silent - no clapping, not even booing, just pure silence.</span><br><br><span class="text-big"><strong>8. What's up next for the band?</strong></span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span class="text-big">Our new album, <i>taking pictures of taking pictures</i>, is coming out on 16th February via Shelflife Records (in the US) and KUS (in Europe). Then we'll be touring to promote the album and playing some summer festivals too. And we're also really excited to start working on new songs for whatever we do next.</span><br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="g8jz7fbK_PU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/g8jz7fbK_PU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br>Instagram: <a class="no-pjax" href="https://www.instagram.com/thebvsband/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/thebvsband/</a><br>Facebook: <a class="no-pjax" href="https://www.facebook.com/thebvsband/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.facebook.com/thebvsband/</a><br>Bandcamp: <a class="no-pjax" href="https://thebvs.bandcamp.com/album/taking-pictures-of-taking-pictures" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://thebvs.bandcamp.com/album/taking-pictures-of-taking-pictures</a><br>Spotify: <a class="no-pjax" href="https://open.spotify.com/artist/2WBVj7vuBpEmuk8Xwsp2tc?si=LXvnbo4XRiWeJlnn4AB3hg" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://open.spotify.com/artist/2WBVj7vuBpEmuk8Xwsp2tc?si=LXvnbo4XRiWeJlnn4AB3hg</a><br> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73305042024-01-12T04:00:00-05:002024-01-12T04:00:04-05:00NY STATE INDIE ROCK BAND E.R.I.E. PREMIERE "DON'T WAIT FOR THE SUN" VIDEO!<p> </p><p><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/07a3829848309c7c7cada231e16ce9c3733c3b99/original/erie-promo-5-credit-elliott-ambrosio-1536x1024.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Beginning with the release of their sophomore full-length, </span><i><span>Suburban Mayhem, </span></i><span>back in April, E.R.I.E. had an action-packed 2023. The indie rock quartet released three proper music videos, performed a few dozen shows across the northeast, celebrated nearly 100,000 streams on Spotify and even garnered a Thomas Edison Music Award nomination in their native Albany, NY.</span></p><p><span> “It was a highlight year for all of us,” guitarist Matt Delgado notes. “To put out a full-length record that we poured so much into, and for it to receive the reception it did... there's just no better feeling." </span></p><p><span> To cap off the year, and turn the proverbial leaf over, E.R.I.E. has one last nugget of 2023 for us to enjoy - a music video for the introspective and overtly nostalgic “Don't Wait for the Sun,” the third track from </span><i><span>Suburban Mayhem</span></i><span>.</span></p><p><span> “’Don’t Wait for the Sun’ is a song about being young, carefree, and chasing your dreams,” vocalist/guitarist TJ Foster says. “This past year, more than any other year in recent memory, we spent a lot of time acting half our age, playing shows in new places and making so many friends along the way. We wanted to share, in video form, a little scrapbook of the year that was, if for no other reason than our own posterity!”</span></p><p><span> The video does just that. Constructed from tour footage of their exploits over the past year, the band shows us that perhaps it is okay to be young at heart, even while acknowledging one’s age. ‘</span><i><span>I still identify as a skate rat, good-for-nothin’ / But I’m like twice their age, so who the hell do I think I’m foolin’?’ </span></i><span>Foster sings over a rhythmic backbone before exploding into an anthemic, hopeful chorus.</span></p><p><span> January will see E.R.I.E. slowing down for the winter to begin writing a new record (and avoiding the cold). In the meantime, </span><i><span>Suburban Mayhem</span></i><span> can be found on your streaming platform of choice, or purchased directly on the group’s </span><a class="no-pjax" href="https://abandcallederie.bandcamp.com/album/suburban-mayhem" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span><u>Bandcamp</u></span></a><span> page.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Y-4Kjm9rf9U" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Y-4Kjm9rf9U?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span> To keep up with E.R.I.E. visit their website at </span><a class="no-pjax" href="http://abandcallederie.com/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span><u>abandcallederie.com</u></span></a><span> and most social profiles @abandcallederie. </span></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73267712024-01-11T05:15:00-05:002024-01-11T07:59:36-05:00MEET PITTSBURGH PA SINGER SONGWRITER, MULTI INSTRUMENTALIST GIOVANNI ORSINI<p dir="ltr"><span style="color:#000000;"><span><img src="https://lh7-us.googleusercontent.com/pVALkjeZJnJlnCaOPpG6JAnfT0Pf15rFL1hiCtjwnIySDdi3ZXIs_icQ_0lwy73YJlzD14_xMybrMrc7hRjieghrBtWJeropXVT0daeQIE4O-jeBceKqROwl-knAgwWpfyVWKVp-z-k5Gnc9YaOzRwo" class="size_orig justify_inline border_" height="401" width="602" /></span></span></p><p dir="ltr"><span style="color:#000000;">Giovanni Orsini is a singer/songwriter, multi instrumentalist, and recording engineer in Pittsburgh, PA where he was born and raised. Since 2012 he has been an active member of the Pittsburgh music scene through various bands and acts, including currently active projects: Fortune Teller, Natural Rat, and his own Giovanni Orsini and The Inebriators.</span></p><p dir="ltr"><span style="color:#000000;">The Inebriators are an assortment of artists who met through the multimedia DIY collective founded by Orsini, Steel City Death Club. Together they form a vicious backbone for Giovanni’s sweet-sounding vocals and brutal guitar riffs. Founded in 2020, The Inebriators consisted of Orsini, Ryan Hartman, Stu Lewis, and Jake Kelley, with the addition of Kelsie Cannon (tambourine) in 2021 and Brandon Kaltenbaugh (2nd drums) in 2022. In early 2023 Orsini founded Heartwave Connections, an events/management organization for music and arts in Pittsburgh. Orsini and The Inebriators have been fast at work playing shows and working on his next record “Inebriated”, which was released late 2023 on Brooklyn’s King Pizza Records.</span><br> </p><p><strong>How did the band form and what does the band name mean? Previous musical projects? How'd you first get into music?</strong><br><br><span style="color:#000000;">The Inebriators were originally formed to play with me on our “Live at Steel City Death Club” session in 2020. The name “Inebriators” stems from the concept of the album “Inebriated”, which I was writing in chunks between other projects at the time. We were solidified as a band over the coming years as the tracks were recorded, featuring some other good buds from Pittsburgh and Morgantown.</span></p><p> <span style="color:#000000;">When I was 12 I was gifted a bass guitar by my father. I started taking lessons on and off, practicing on my own for the next 2 years. I started jamming and playing live by joining The Incandescents in 2012. Being only 14, my mom had to drive me and my friends to performances at bars and venues all over Pittsburgh - She’s a legend for that. Since then It’s been Fortune Teller, Daisy Chain, Johnny Hate’s 45’s, Good Grief, Natural Rat, Tony From Bowling, The Inebriators.</span></p><p><strong>First concert that you ever went to? </strong><br><br><span style="color:#000000;">When I was 17 me and a bandmate took a Megabus to D.C. to see FUZZ. It was probably one of the most influential moments of my life in regards to playing music, and still might be the best show I’ve ever seen - definitely biased though!</span></p><p> <br><strong>What's your writing process like?</strong><br><br><span style="color:#000000;">My writing process is very chaotic and really depends on the project. It seems mostly random when I’m writing on my own. Sometimes I get inspired to write whole pieces, and sometimes I record myself noodling around and piece together a bunch of voice memos on my phone. Once I get a general idea for a song, I’ll pick an instrument to record with live, then record other instruments over it until I get a general structure. It can be time consuming, but I feel like I’m jamming with myself. Other ideas I’ll bring to the band to work on collaboratively. Changing it up definitely keeps it spicy.</span></p><p> <br><strong>What other artists or songs inspire your music? </strong><br><br><span style="color:#000000;">I try to seek different kinds of inspiration for every project. Rock n roll has been a massive influence on me, especially when I was younger. Led Zeppelin, Sabbath, Hendrix and all that stuff. I got really into Ty Segall and Thee Oh Sees when I was in high school, that really inspired me to get into more contemporary psych rock. I’ve taken a lot of inspiration from Elliott Smith’s writing, and originally learned to play guitar covering his stuff on my acoustic. I’ve gotten into a lot of old school/neo soul within the last couple of years, and I think that has rubbed off on me quite a bit.</span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6wO2xh9EhMciwauVUyWElu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><br><br><span style="color:#000000;">I love playing live! I think the record should be made to best represent the band/individual/concept. Some projects I’ve recorded completely live and others I’ve built in the studio. They’re just two different things. I used to be ride or die on the live philosophy, but as I’ve gotten into recording and production the more I think both have the potential to be very useful tools. I’ve had great results from both and personally like changing it up</span></p><p> <br><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong><br><br><span style="color:#000000;">We’ve been doing some shorter runs on the east coast, covering from NYC to the southern parts of West Virginia. As far as our worst show: I got the idea to record a live record in a house venue a couple years back. I basically disassembled our studio and set it up in the closet of this poor college kid’s basement - they sounded terrible and it kept cutting in and out so we couldn’t use it. My favorite show has been either the Rizzo’s Homecoming show at Our Wicked Lady in Brooklyn, or last year's Valentine’s Day show at 123 Pleasant St in Morgantown, WV. Everyone was dressed up, it sold out, and all our good buddies were on the bill. Some major shenanigans ensued.</span></p><p> <br><strong>What's up next for the band?</strong><br><br><span style="color:#000000;">We plan to keep hitting the road and start playing some festivals this year! We’re also taking some more time away from work to play and work on new songs, so keep your ear holes peeled!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="sWuBYVfdvsk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/sWuBYVfdvsk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><a class="no-pjax" href="https://www.instagram.com/giovanni_orsini_412/?hl=en"><span style="color:#1155cc;"><u>Instagram Profile</u></span></a></p><p dir="ltr"><a class="no-pjax" href="https://www.facebook.com/giovanniorsinimusic/"><span style="color:#1155cc;"><u>Facebook Profile</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73267652024-01-10T05:00:00-05:002024-01-10T05:00:05-05:00MEET BOSTON INDIE ROCK DUO CANYONS AND LOCUSTS<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5eb4a01fb72e3a5c34f88537d75df6075d66998c/original/canyons-and-locusts-2023-press-photo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p>
<p><span>Canyons and Locusts are a two-piece band featuring Boston’s Justin Keane on vocals and guitar and Phoenix’s Amy Young on drums and backing vocals. Fueled by the chaos of the world and an urgent need to be part of the conversation, the two took the indie rock foundation they built together in previous bands, adding new levels of noise via pervasive, edgy guitar sounds, low and thundery drum beats, and vocals that capture a mix of emotions and power dynamics. A new EP, The Red Angel, dedicated to Red on Red Records’ Justine Covault, is set for release in early 2024, led by a pair of singles in “Buck Dharma’s Eyes” and “To Art Bell.”</span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”? </strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>Justin: It may sound funny, but I think the first thing is a belief that one or two or three minutes of sound and words can change a person's life. I think a great songwriter wants and needs to make great songs, not just great music. The second is a commitment to the details. You have to believe that it really, truly, absolutely matters if the riff goes *there* or *there.* Maybe this goes back to commitment to the song as an ideal. The third, well, I'm biased towards melody but I do feel like great songwriters who write great songs find at least one or two hooks. It's gotta stick. (Or it's gotta scare you so much you have to hear it again, and again...)</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span><strong>Q: What is the basis for writing attention-grabbing music in this day and age? </strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>Amy: I believe that if you are going with your gut and doing what you want so that it's backed with sincerity and passion, that's what comes through in the music and gets attention. You should believe in it and it should sound like you believe in it. </span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: What has it been like working with an indie record label as opposed to working on your own? </strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>Amy: Our time with Red on Red Records, who released our first full-length, was nothing short of incredible. Though she passed away unexpectedly last year, Justine Covault, the woman behind the label, treated us wonderfully and brought us together with a lot of amazing bands who have created a very family-ish vibe because of her and we all continue to support one another and communicate even in her absence. </span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong></span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span>Justin: I'd say the Jesus and Mary Chain and Robert Pollard would be a good pair that I really dug into around the same time, where I started to look at the song as a way to get across a feeling or even a kind of a picture less than a way to tell a traditional story. </span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span>Amy: As the drummer, I don't write songs, really, so that one might be better for Justin. I can say that when I play with Justin, I am riding on the energy of what it means to us to do what we do and I let that vibe be a partner in what I play.</span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring? </strong></span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span>Amy: I'm motivated by artists new and old who are creating killer music. Newer bands I love include The Bobby Lees, and just things moving me in general lately – Metz, Tamar Aphek, Idles, Alvvays…</span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>Justin: That's a great question. I don't think so, but I will say I'm not looking for a band in their twenties or thirties for motivation on energy – I want to see bands in their forties, fifties, sixties and up still tearing it up and playing as loud as hell, and thankfully we are not lacking for inspiration there. </span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe? </strong></span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span>Justin: The vibe is urgent. It's shorter and louder than our first one. Writing the songs, I felt like someone had invited us to the big kids' table which confers its own sense of urgency, I suppose. But everything changed when Justine passed – we were in the studio the week immediately after and had a little less time than we'd planned, so what was meant to be a full length became an EP with the loudest and maybe catchiest ones of the bigger bunch.</span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever revisit old material to do a re-write or once it’s done it’s done? </strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span> Justin: I absolutely believe in honoring a moment or season by writing and releasing songs before they have a chance to stick around and become benchwarmers, but as the years have gone by… we just have to be more practical, and sometimes an old one is the perfect fit for what we're going for at a given moment.</span></span></p>
<p dir="ltr"><br><span style="color:rgb(0,0,0);"><span><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project? </strong></span></span></p>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span>Amy: Just to continue building on this foundation we created and remaining fearless about exploring and trying whatever we feel like doing to see how it shakes out.</span></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WSaoNXfn-XU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WSaoNXfn-XU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span><strong>YouTube</strong>: </span><a class="no-pjax" href="https://www.youtube.com/channel/UCX2E9tvspTdDg230Z-eZR1w" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.youtube.com/channel/UCX2E9tvspTdDg230Z-eZR1w</u></span></a><br><span><strong>Bandcamp</strong>: </span><a class="no-pjax" href="https://canyonsandlocusts.bandcamp.com/" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://canyonsandlocusts.bandcamp.com/</u></span></a><br><span><strong>Instagram</strong>: </span><a class="no-pjax" href="https://www.instagram.com/canyons_and_locusts" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.instagram.com/canyons_and_locusts</u></span></a><br><span><strong>Facebook</strong>: </span><a class="no-pjax" href="https://www.facebook.com/CanyonsandLocusts" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.facebook.com/CanyonsandLocusts</u></span></a><br> </p>
</div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73244802024-01-09T05:00:00-05:002024-02-17T15:47:04-05:00(BMN: A BAND TO KNOW) THE PACIFIC NORTH WEST'S INDIE ROCK GROUP MEGA CAT<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c2d2f3081980a4959efc052332ba91d7dfd8388b/original/0033716334-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>In the Pacific Northwest's musical underground, a sonic force has emerged, a spectral entity known as mega cat. Comprising Aaron Benson, the rhythm conjurer on drums, percussion, and guitar; Kim West, the keyboard sorceress and synthesizer enchantress; and Ryan Devlin, the bass alchemist with a touch of guitar magic, mega cat is a transcendental collaboration that defies conventional boundaries. With Dave Dederer from the Presidents of the United States of America joining on guitar for live performances, this ensemble takes instrumental exploration to uncharted territories.</p><p>Their self-titled debut album, slated for release on February 16, 2024, via Share It Music, is a sonic odyssey that beckons the listener into a realm where punk attitude meets hip-hop instrumentals, 70s Afro Beat, avant-garde jazz, and the raw individualism that defines the Pacific Northwest's musical ethos.</p><p>The album's lead single, "Rat Fight," serves as a gateway into the visceral and untamed sonic landscape crafted by mega cat. The genesis of the track lies in a chance encounter experienced by Kim West and Ryan Devlin as they stumbled upon two colossal brown rats locked in a ferocious battle on their neighbor's lawn. The intensity of the rodent skirmish inspired the band, giving birth to a musical spectacle that mirrors the drama, wild energy, and audible thuds of that fateful rat fight.</p><p>"Rat Fight" unfolds as a wild, ritualistic dance in a defiant five/four time signature. The driving bass, distorted synthesizers, weighty drums, decisive horns, flute embellishments, and Saharan guitars engage in a frenetic dance, akin to claws and fangs slashing in a primal battle. The collision of sonic elements mirrors the intense struggle witnessed that night, creating an immersive experience that transcends the boundaries of traditional genres.</p><p>Describing mega cat as a disembodied multidimensional being may sound like the stuff of science fiction, but the tangible impact of their music is undeniable. Discovered in a basement home studio in Seattle's Central District, the trio of audio chemists—Benson, West, and Devlin—unveiled a force that transcends the physical realm. Encounters with mega cat are reported to induce a surreal blend of time loss, body dissociation, euphoria, and ego death. Witnesses have even reported holographic thoughts, enhanced perception, and moments of levitation after a single encounter with mega cat's sonic transmissions.</p><p>Though mega cat communicates without traditional language, its instrumental narratives resonate with fans of 20th-century science fiction, afro-beat, hip hop, and psychedelic music. The debut album promises to be a conduit to the unknown, inviting listeners to surrender to the sonic journey crafted by these musical alchemists. As mega cat prepares to unleash its otherworldly vibrations upon the world, one can only anticipate the transcendental experiences that await those who dare to immerse themselves in the enigmatic realm of mega cat. The release date looms, and the countdown to the sonic invasion is underway. Brace yourselves for an encounter with the unknown, for mega cat is poised to redefine the very fabric of musical reality.</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=3837892820/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/track=1869502637/transparent=true/" seamless=""><a href="https://itsmegacat.bandcamp.com/album/mega-cat">mega cat by mega cat</a></iframe><br><br><a class="no-pjax" href="https://itsmegacat.bandcamp.com/track/rat-fight">https://itsmegacat.bandcamp.com/track/rat-fight</a></p><p> </p><p>-Francis Madden</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73244202024-01-08T05:00:00-05:002024-01-08T05:00:02-05:00MEET MINNEAPOLIS INDIE ROCK ARTISTS LC FLOWERS (BMN EXCLUSIVE SONG PREMIERE)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4b955c6bdced60cffe39cf9d81916a1bd9aa7b53/original/2023-12-17-16-32-44.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#000000;"><span><o:p></o:p></span></span></p><p><span style="color:rgb(15,15,15);">LC Flowers, the solo act born from the diverse musical landscapes of Ciudad Juarez (Mexico) and El Paso, TX, has evolved through years of exploration, collaboration, and a deep connection to the Minneapolis arts scene. With a background as a drummer in various bands, LC Flowers transitioned into abstract electronic music under the moniker Adeus Senhor F. His journey led to the release of his debut album, LUA, blending drum n' bass and experimental indie rock. LC Flowers' upcoming release, "May Kindness be the Lens Through Which You View the Contents of Life," marks his third collaboration with Mint 400 Records, showcasing a sound that lies between psychedelic and electronic rock. LC Flowers draws inspiration from a diverse range of music, including sunshine pop of the '60s, UK Bass, breakcore, jazz, and ambient. His live performances involve a minimalist approach with a five-track looper, allowing him to isolate instruments live and add effects on the fly.</span><br><br><strong>Do you want to introduce yourself?</strong><br><span style="color:#000000;">Been in Minneapolis for over a decade now. I like it here. I get to take in the local comedy/music/art/running/brewery/food scene while making some beer/songs of my own to pass the time. January 2023 started with three shows in NJ/PA, followed by a week in The Netherlands. I don’t play live or travel internationally every year but I enjoyed both very much. I remember back in September of ‘22 calling Neil Sabatino (Fairmont) requesting he book me on the east coast to escape the reality of the death of a marriage. I booked the trip shortly after. I needed to escape. But absconding in perpetuity is often a fool’s errand. <i>May Kindness be the Lens Through Which You View the Contents of Life (or MKbtLTWYVtCoL)</i> was a year’s long exercise in catharsis, recorded at home near the hound. </span></p><p><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">It’s a variation of my birth name. I’m a solo act.<span><o:p></o:p></span></span></p><p><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">I started playing drums at 13. First band was called “Pro-choice” - oof. After that I played in a metal pop band called FeelGoodPill, followed by a six to nine month stint with Cigarettes After Sex, and the last time I was part of a band was over a decade ago when I drummed for electro-funk Midnite Duel. I’ve also collaborated with friends throughout the years too - mostly IDM/electronic. <span><o:p></o:p></span></span></p><p><span style="color:#000000;">I got into music when I moved to the US as a kid. I loved Ace of Base and Boys II Men until I discovered rock. Music discovery is a never ending journey. <span><o:p></o:p></span></span></p><p><span style="color:#000000;"><strong>First concert that you ever went to? </strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">I saw Pearl Jam in Albuquerque for the <i>Yield</i> tour. Spacehog was the opener. I can’t recall the first local act I saw but The Maximus and Belknap are El Paso royalty as far as I’m concerned. <span><o:p></o:p></span></span></p><p><span style="color:#000000;"><strong>What's your writing process like?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">Recording order for this album was usually: guitar progression/structure, vocal melody, drums, bass, keys/synth, lyrics to fit vocal melody.<span><o:p></o:p></span></span></p><p><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span></p><p><i><strong>(YOUTUBE PLAYLIST By LC Flowers)</strong></i><br><a class="no-pjax" href="https://music.youtube.com/playlist?list=PLYU1xbya9saESdI5vWzZ4kpHvcmenMWBe&si=Wb-2S0MkmMJp3NwE"><span style="color:#000000;">https://music.youtube.com/playlist?list=PLYU1xbya9saESdI5vWzZ4kpHvcmenMWBe&si=Wb-2S0MkmMJp3NwE</span></a><span style="color:#000000;"><span><o:p></o:p></span></span></p><p><span style="color:#000000;">I think the sunshine pop of the 60s is some of the best music ever written, but I also seek out a lot of electronic music like UK Bass and breakcore. There’s an influence of both throughout the songs I’ve recorded over the years. I default to a lot of Jazz and ambient most of the time though.</span><br> </p><p><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">I’ve been a one-man band for a while now. With a five-track looper I’m able to isolate instruments live and add effects on the fly. Someday I’m sure I’ll be able to perform live with a band but for the time being, a minimalist approach works.<span><o:p></o:p></span></span></p><p><span style="color:#000000;">As far as whether a live act should sound like their record, I think it’s all subjective. You can’t compare a Phish show to a Wu-Tang Clan performance. </span></p><p><span style="color:#000000;"><strong>Has the band toured? </strong></span></p><p><span style="color:#000000;">Only once, for three shows. And it was glorious.<span><o:p></o:p></span></span></p><p><span style="color:#000000;"><strong>What's up next for the band?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">An abstract electronic album, likely.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LaA5d2A5cE0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LaA5d2A5cE0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://lcflowers.bandcamp.com"><span style="color:#000000;">https://lcflowers.bandcamp.com</span></a><span style="color:#000000;"><span><o:p></o:p></span></span></p><p><a class="no-pjax" href="https://www.instagram.com/lcflowersmusic/"><span style="color:#000000;">https://www.instagram.com/lcflowersmusic/</span></a><span style="color:#000000;"><span><o:p></o:p></span></span></p><p><a class="no-pjax" href="https://www.youtube.com/@lcflowers4310"><span style="color:#000000;">https://www.youtube.com/@lcflowers4310</span></a><span style="color:#000000;"><span><o:p></o:p></span></span></p><p><a class="no-pjax" href="https://www.facebook.com/lcflowersmusic"><span style="color:#000000;">https://www.facebook.com/lcflowersmusic</span></a><span style="color:#000000;"><span><o:p></o:p></span></span></p><p> </p><p><br><br><span style="color:#000000;"><span><o:p></o:p></span></span></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73244772024-01-05T05:00:00-05:002024-02-17T15:46:34-05:00Hot Water Music Unleashes 30th Anniversary Blitz Across North America<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9946c153e496b1754d5b7fb3672dbb4b1bf48184/original/d33ed0c8e21063d631c9eaa6-1220x1830.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p> </p><p>In the ever-evolving landscape of punk rock, where the lifespan of a band is often measured in the intensity of its sound and the resilience of its spirit, one name stands tall and unyielding: Hot Water Music. As they gear up to celebrate a remarkable 30 years of sonic rebellion, the punk veterans have announced a headline tour set to ignite North America in 2024.</p><p>This 30-date extravaganza, spanning the months of May and June, promises to be a relentless punk pilgrimage, with the tour kicking off on May 3 in Cincinnati, OH, and culminating in a grand finale at the Commodore Ballroom in Vancouver, BC, on June 29. If that's not enough to get your heart pounding, brace yourself for a lineup that reads like a punk rock dream—Quicksand, Off With Their Heads, Tim Barry, and more will be joining the sonic crusade on select dates.</p><p>The anticipation is palpable, and the faithful fans won't have to wait long to secure their spot in this raucous celebration. The artist presale kicks off today at Noon ET, December 5, while the general onsale commences at 10 a.m. ET this Friday, December 8. Details on ticketing can be found on Hot Water Music's official site, promising a frenzy of punk enthusiasts scrambling to be part of this historic tour.</p><p>The band, humbled and electrified by the milestone, shared their thoughts on the upcoming journey: "This tour is insane! There is no world where anyone would come to us and say 'You'll be a band for 30 years,' let alone 'To celebrate your 30th anniversary, you'll release your 10th album and tour with Quicksand, Tim Barry, and Off With Their Heads.’ We are super stoked to get back to so many spots we haven't been in years and dust off some oldies that haven't been in rotation for a while. Rest assured, these sets will have something for everyone. Thank you to everyone who has stuck by us and made this possible. We wouldn't be here without you. XOXO — HWM"</p><p>For those unfamiliar with the indomitable force that is Hot Water Music, this is a band that has weathered three decades, delivering ten albums that resonate as anthems of rebellion and resilience in the punk realm. Their latest offering, "Feel The Void" (Equal Vision Records), released in 2022, stands as a testament to their enduring prowess.</p><p>Recorded at Black Bear Studios, "Feel The Void" marked a reunion with legendary producer Brian McTernan, known for his work on the band's classic albums. With Chris Wollard and Chuck Ragan once again sharing vocal duties, the album received critical acclaim from the likes of People, SPIN, Guitar World, Stereogum, and more.</p><p>The upcoming tour is not just a celebration of the past; it's a declaration of Hot Water Music's unwavering spirit. In a world that has seen seismic shifts over the past 30 years, the band's raison d'être remains unaltered. The forthcoming album, shrouded in anticipation and soon to be announced, is poised to be another chapter in their legacy—a legacy built on perseverance, defiance, and hope.</p><p>As Hot Water Music embarks on this milestone tour, their music continues to be a potent antidote to the emptiness, pain, and suffering that life inevitably throws our way. Buckle up for a rollercoaster ride through punk history as Hot Water Music leaves an indelible mark on North America in 2024.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tSFleQtFbqg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tSFleQtFbqg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><font face="Georgia"><span><strong>MAY 2024</strong></span></font><br><font face="Georgia"><span>03 — Cincinnati, OH — Bogart’s *</span></font><br><font face="Georgia"><span>04 — Columbus, OH — Newport Music Hall *</span></font><br><font face="Georgia"><span>05 — Detroit, MI — St. Andrews Hall *</span></font><br><font face="Georgia"><span>07 — Toronto, ON — Danforth Music Hall *</span></font><br><font face="Georgia"><span>08 — Buffalo, NY — Town Ballroom *</span></font><br><font face="Georgia"><span>09 — Philadelphia, PA — Underground Arts *</span></font><br><font face="Georgia"><span>10 — Boston, MA — Royale *</span></font><br><font face="Georgia"><span>11 — Brooklyn, NY – Brooklyn Paramount #</span></font><br><font face="Georgia"><span>12 — Mechanicsburg, PA – Lovedraft’s Brewing Co. *</span></font><br><font face="Georgia"><span>13 — Washington, DC — The Howard *</span></font><br><font face="Georgia"><span>14 — Richmond, VA — The National *</span></font><br><font face="Georgia"><span>15 — Atlanta, GA — The Masquerade (Heaven) *</span></font><br><font face="Georgia"><span>17 — Dallas, TX — South Side Music Hall *</span></font><br><font face="Georgia"><span>18 — San Antonio, TX — Paper Tiger *</span></font><br><font face="Georgia"><span>19 – Austin, TX – Mohawk *</span></font><br><br><font face="Georgia"><span><strong>JUNE</strong> <strong>2024</strong></span></font><br><font face="Georgia"><span>13 — Louisville, KY – Mercury Ballroom ^</span></font><br><font face="Georgia"><span>14 — Cleveland, OH — House of Blues ^</span></font><br><font face="Georgia"><span>15 — Chicago, IL — Concord Music Hall ^</span></font><br><font face="Georgia"><span>16 — St. Louis, MO — Delmar Hall ^</span></font><br><font face="Georgia"><span>17 — Lawrence, KS — Liberty Hall ^</span></font><br><font face="Georgia"><span>18 — Denver, CO — Ogden Theatre ^</span></font><br><font face="Georgia"><span>20 — Mesa, AZ — Nile Theater ^</span></font><br><font face="Georgia"><span>21 — San Diego, CA — House of Blues ^</span></font><br><font face="Georgia"><span>22 — Santa Ana, CA — Observatory ^</span></font><br><font face="Georgia"><span>23 — Los Angeles, CA – The Belasco ^</span></font><br><font face="Georgia"><span>24 — San Francisco, CA — Great American Music Hall ^</span></font><br><font face="Georgia"><span>25 — Sacramento, CA — Ace of Spades ^</span></font><br><font face="Georgia"><span>27 — Portland, OR — Revolution Hall ^</span></font><br><font face="Georgia"><span>28 — Seattle, WA — The Showbox ^</span></font><br><font face="Georgia"><span>29 — Vancouver, BC — Commodore Ballroom ^</span></font><br><br><font face="Georgia"><span>* — with Quicksand, Off With Their Heads</span></font><br><font face="Georgia"><span># — with Quicksand, Modern Life Is War, The Ergs</span></font><br><span style="color:rgb(51,51,51);"><span>^ — with Quicksand, Tim Barry</span></span></p><p> </p><p><span style="color:rgb(51,51,51);"><span>-Francis Madden</span></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73244762024-01-04T05:00:00-05:002024-01-04T05:00:01-05:00MEET LONDON ONTARIO METALCORE BAND DEAD DAYS<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/906322f6497a62178e09e8f3eb6d77e5d143d924/original/368227861-790629583065900-6170049770206477695-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Hailing from London Ontario, Canadian band Dead Days is an explosive metalcore act formed in 2019. Recording their debut self-titled E.P. with producer Lee Albrecht (Hollow Front, Sleepwaker), they saw immediate success with the release of their first two singles in early 2020 getting press and Spotify playlisting on numerous platforms. COVID19 stalled any live show opportunities, so the band started writing and recording more songs in August 2020 with Justin “JD” DeBlieck (ex-Ice Nine Kills). This resulted in the band signing with Theoria Records in 2021 and eventually released their EP “Tyrants” in 2022 where singles “Suffering” and “Tombstone” garnered multiple playlists on streaming platforms and positive reviews from press outlets. Continuing to work with DeBlieck, the band’s highly anticipated single “Past Life” was released in August 2023 independently, and received overwhelmingly positive reviews. Their new single “Death Song” just released on November 30th, with a lot more music to come in 2024.</p>
<p> <br><strong> How did the band form and what does the band name mean? </strong></p>
<p>Donny here! Dead Days formed from a long-time friendship between Ty Coker (ex-guitar/vocals) and Don Tuer (vocals/ME!). After our past bands came and went (Horizons, Searching for Satellites, Gracefield, and Struggle&Sleep) I decided to fill out the line up with pals from old bands that I trusted and knew would be reliable and stable after many failed attempts at trying to build bands over the years.<span> </span></p>
<p> Dead Days name came about from the name of an old song I had written in my first band, Searching for Satellites. It was basically about our past lives, the old days, the days when we were young and had zero worries in life. Those days are all dead days now. Something you can look back on fondly or you can long for those days and never fully see the potential of the future.<span> </span></p>
<p> <strong>Previous musical projects? How'd you first get into music?</strong></p>
<p>I was in a few bands before starting Dead Days. My first band was Searching For Satellites. A post hardcore/screamo band that is still to this day some of the best music I have ever been a part of. After that I was picked up to replace the screamer for a band called Horizons out of Toronto. We gained some decent traction and landed on tours with bands like Ice Nine Kills, The Plot in You, Like Moths to Flames and Palisades. That is actually when and where I met our now producer/6th member of Dead Days, Justin JD DeBlieck, formerly of Ice Nine Kills. Sadly, Horizons imploded right as we were given label offers and even more lucrative tours. I took about 5 years off from music after that before realizing I just needed to have in it my life. For sanities sake and the simple fact that I'm not even remotely talented in any other facet of life.<span> </span></p>
<p> I'm a straight up country kid. I discovered pop punk bands like New Found Glory, Sum 41, and Blink-182 and quickly that branched out to local screamo music acts like Alexisonfire, Silverstein, and Protest the Hero. It all came from a local music video channel called MUCH MUSIC and that opened me up to the world of alternative music. Since those days it's been a continuous endeavour of trying to make music a huge part of my life.</p>
<p> <br><strong>First concert that you ever went to? </strong></p>
<p>Locally - London, Ontario. I was maybe 15. I was a diehard Silverstein fan and they came to town with Protest The Hero, Bombs Over Providence, The Soap Opera Coma, and Capeside. It solidified my want to be in a band and play in front of others.<span> </span></p>
<p>National - Toronto, Ontario. I was probably 13-14. My favorite band in the world was New Found Glory and they came to T.O. opening for Green Day on the American Idiot Tour. Sugarcult opened the show and also blew my mind.</p>
<p><br><strong>What's your writing process like?</strong></p>
<p> It's slowly changed but has been relatively the same for the past 20 years. I am always writing lyrics just because. I pull ideas from day to day life, movies, and books. I used to compile hundreds of ideas and cycle them through instrumentals I would be given from whatever band I was in at the time. These days, with most Dead Days music, I still take that old approach, but I let the instrumental steer me emotionally and I might take one line of lyrics I had and use that to build all new lyrics on the spot. It's more exciting that way, trying to make words fit where they might not actually make sense was very daunting.</p>
<p> </p>
<p><strong>What other artists or songs inspire your music? </strong></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2lo4ZqteNqDW2Qn5ioEAjl?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p> </p>
<p>On the playlist we put together, I went old school and pretty obscure unless you are from Ontario/London area. I tossed 2 bands on there that molded my vocal styling and lyrical style to be what they are today. The Soap Opera Coma is a local hometown hero act from many years ago, they captured me from the second I heard the first note ring out live. The lyrics and melodies are huge and captivating. I listen to their album "The Rising Cost of Living" at least 1-2 times a month. Seems all to relevant these days as well. I actually ended up in a band with a few of the members in what would become Searching For Satellites. Very akin to emo/post hardcore bands like Taking Back Sunday and Silverstein. The other band is Dead And Divine, by far my most influential band of all time. They shaped the literal way I scream and sing. I wanted nothing more than to look, sound, and be like front man, Matt Tobin. Not ashamed to admit that in the slightest. The heavy, driving, and melodic nature of their songs were literal perfection in my ears, still are. That band I listen to almost every single week. I want 'San Dimas' blaring every time I walk into a crowded room.</p>
<p> </p>
<p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></p>
<p> Dead Days as a band is still pretty new as a live band, actually. Pandemic hit just months after we released out first single and ultimately killed all our plans and scheduled shows we had. After things calmed down, we played our first show in the spring of 2022 and immediately after that our guitar player/vocalist parted ways with us. So, basically, we were behind the 8 ball for a while. But fortunately for us, we are old and have been playing live together in one band or another for over 15 years so once we started hitting the stage consistently in 2023, it all came together. My basic philosophy when it comes to playing live has always been to make every show worth spending your hard-earned money on. Like any other form of entertainment, you pay to see live, you want to be entertained and walk away feeling something. When you see us play, you know we are having just as much fun as we hope you're going to. Energy and consistency are key.<span> </span></p>
<p> As for live vs. recorded, that is a pretty tough one, playing and listening to music pitted against only consuming it are 2 very different spectrums to me. Doing your best to convey what you have captured in the studio and then deconstructing that for the live experience is what matters most in my eyes. Transferring your songs from record to live will never truly be perfect but at the same time, you also don't get the raw unharnessed energy that comes with a live performance, when you toss a song on Spotify at home. Music should be ingested both ways to truly understand and love an artist or band.</p>
<p> </p>
<p><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></p>
<p> Because of said issues stated above, see question 6, folks, Dead Days has yet to legitimately tour. We have dabbled in weekend warrior runs with pals. Played many one offs around southwestern Ontario and built up our live show and just pushing our name as hard as we can. Best show though, would have to be our first hometown headliner in London, ON. Great turn out, many new fans, and just a sold vibe from a now thriving local scene that wasn't visible prior to the pesky pandemic. Worst show? Well, I would say, that should go to our first show. Simple because it brough on a big pressure for the band at the time. My close pal and bandmate decided it was time to walk away from Dead Days to focus on other endeavours. That really forced me to look inward and confront if I truly wanted to continue Dead Days and take on the full brunt of being the solo vocalist. A decision that ultimately saw me learning to sing and opening myself up in a vastly different way. Best choice I have ever made.<span> </span></p>
<p> </p>
<p><strong>What's up next for the band?</strong></p>
<p>Next is new music. Lots of it. We have new releases, music videos, merch, and live shows all planned and sitting ready to go for next year. We have some curveballs for everyone in 2024 and I can't wait to see all our hard work finally let out into the world. We are working as a team and have come so far as a band in just 3.5 years. I'm proud to be in a band with these knuckle heads.<br> </p>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73244742024-01-03T05:00:00-05:002024-01-03T05:00:02-05:00WHAT'S IN OUR INBOX! HOUSE OF HARM, WE ARE JOINERS, BIPOLAR ARCHITECTURE, THE BV'S, CHERRY FEZ<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Wow, we're back in a whole new year and this week we have everything from grindy metal to angelic folk to lofi indie rock. Hope you enjoy these picks by our writing staff. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>House Of Harm</p><p><strong>BMN Score: </strong>7.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">“Something must have gone wrong in the developmental stages of our youth” cracks Rocheford of their chosen obsession. The band members have been drawn to music for as long as any of them can remember, and the drive to be around like minded artists and make their own noise drew them all to Boston after high school. There they all quickly enmeshed themselves, playing in other bands before meeting each other. Ever since, House of Harm have been quietly making a name for themselves among music fans with darker pop persuasions via a steady stream of releases in single, ep and album form. “We try to keep our heads down and focus on the art and what’s directly in front of us,” shares Rocheford. That attention to detail and workmanlike approach at the expense of chasing instant gratification seems to be paying dividends after years of steady effort. “It’s amazing when we head to a city like LA, where we’re thousands of miles from home, and there are hundreds of people singing along to every word. It’s a wonderful feeling to say the least.”</span></p><p><strong>What we say they sound like: </strong>Emo tinged indie pop, I'd really enjoy it more if some of that typical voice inflection melancholy emo has was not part of this. Just sing stuff normal, don't pronounce shit in a weird way, the voice is good and the music is good but this is what I'm obsessing over instead, a few whiny syllables. Seems to not be as noticeable as the song kicks in. The melody is infectious and the shoegaze dreampop instrumentation is enough to grab a broad audience. </p><p><strong>Song to add to your playlist: </strong>Two Kinds</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Hj3lNg-HQko" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Hj3lNg-HQko?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><br><strong>Band Name: </strong>WE ARE JOINERS</p><p><strong>BMN Score:</strong> 9.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(34,36,39);">WE ARE JOINERS<strong> </strong>are one of the core bands on the NY-based label Totally Real Records' eclectic roster. What that means is that whatever random releases the band's mastermind Joep Van Son comes up with, they'll support. Ever since the release of </span><i>Clients + Carriers</i><span style="color:rgb(34,36,39);">, a limited edition tape repackaging of the band's two EPs, Van Son has been promising a studio recorded full length. Instead, we've gotten several digital EPs, collaborations, and singles. He even launched his own record label (</span><a class="no-pjax" href="https://wilburandmoore.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Wilbur + Moore</a><span style="color:rgb(34,36,39);">), but we're still waiting for the shiny debut full length album. </span></p><p><strong>What we say they sound like: </strong>If you dig Mike Krol, Jay Reatard and stuff like that you might really enjoy this. It has that lo-fi recorded in a basement warmth to it and a shouty catchy chorus. Musically it's in line with that perfect mix of 60's garage rock and 90's indie rock. The back beat makes it hard to not want to sing and dance along. </p><p><strong>Song to add to your playlist: </strong>Got Jelly?</p><p><iframe style="border-width:0;height:120px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=2389641097/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://wearejoinersband.bandcamp.com/album/nora">NORA by WE ARE JOINERS</a></iframe></p><p> <strong>Band Name: </strong>Bipolar Architecture</p><p><strong>BMN Score: </strong>9.5/10</p><p><strong>What the band says: </strong>The four-piece have also released an introspective video to accompany the single, echoing the track’s exploration of internalised isolation and the loneliness that can be felt even when surrounded by the hustle and bustle of modern life. Simultaneously abrasive and intimate, ‘Alienated’ is an uncompromising rush of existential angst from the international outfit who, currently based across Istanbul and Berlin, are consistently pushing at the boundaries of contemporary metal.</p><p><strong>What we say they sound like: </strong>The video really helps to make this all the more metal insanity, kind of gave me an Aphex Twin “Come To Daddy” vibe with the visuals but with no special effects just a creepy sped up high frame rate. Musically it goes from grindy screaming metal to a mellow Incubus-ish jam, which is a nice transition and sonic juxtaposition. Mid-way it kicks back in to speedy metal and I'm not particularly a new school metal head but good stuff is good stuff. It accomplishes it's mission of not being predictable and being kick ass the whole time. </p><p><strong>Song to add to your playlist: </strong>Alienated<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="g4haV7gtfU0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/g4haV7gtfU0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>The BV's</p><p><strong>BMN Score: </strong>9.6/10</p><p><strong>What the band says: </strong>their bittersweet, looping, disintegrating mix of indie pop, shoegaze and krautrock came together by chance in the cascading granite greys of a wet english winter in 2016, when fred moved from augsburg in germany to cornwall in the UK for a university exchange programme and moved in with josh. after living together for four months, they decided to record some demos for fun, which later became their first album, <i>speaking from a distance</i>, released in 2017 on german label kleine untergrund schallplatten.</p><p><strong>What we say they sound like: </strong> This has a vibe to me of Clap Your Hands Say Yeah meets The Cure with vocals more on par with the non-chalant delivery of Stephen Malkmus but with a British accent. Maybe even a little bit Lucksmiths or something of that ilk, early 2000's twee pop. Really enjoyable, the kind of thing that innocuously infects your brain with a catchy Cure riff and circling vocal melody you'll find yourself humming along to later. Really a nice sound all encompassing of everything most indie rockers will love. </p><p><strong>Song to add to your playlist: </strong>Clipping</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="g8jz7fbK_PU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/g8jz7fbK_PU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>Cherry Fez</p><p><strong>BMN Score: </strong>9.4/10</p><p><strong>What the band says: </strong><span style="color:#000000;">Cherry Fez<span> is a celebration of melodic songwriting, harmony and orchestrated music from former Impossible Years singer/guitarist, </span>Todd Shuster.<span> The Impossible Years were at the forefront of the Philadelphia 1980’s music scene. Honored to be included on </span>Bomp Records’<span> Battle of the Garages V.II, the band embarked on a subsequent east coast tour, which led to being the first signing of TV Personalities’ </span>Dan Treacy’s<span> U.K. </span>Dreamworld label: Scenes We’d Like To See (Dreamworld 001). <span>After a 30 year break to pursue a highly successful career as a first grade teacher, Todd retired from education and un-retired from creating music. From the energized pop of his former band to eloquent ballads with vibrant jangle in between, </span>Cherry Fez <span>offers a hook in every bite and a colorful variety of sounds for your listening treasure.</span></span></p><p><strong>What we say they sound like: </strong>This starts out as something I normally wouldn't be very interested in but then the melody and harmony kick in and it takes a turn from bluesey country tinged folk to being almost Belle & Sebastin -ish. The songwriting here takes something you've heard probably a million times genre wise and makes it something special. The harmonies really are nice, it's also so angelic that this is one that you can listen to on repeat for hours. Stick it out for the first few seconds where you think you can guess where it's going, because you won't guess, it's really nice and just continues to twist and turn with melodic hook after hook. </p><p><strong>Song to add to your playlist: </strong>The Prisoner of Gamala Stan</p><p><iframe style="border-width:0;height:120px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=2926045129/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=2295317960/transparent=true/" seamless=""><a href="https://cherryfez.bandcamp.com/album/the-prisoner-of-gamla-stan-honeycomb-tearoom-double-album-cd">The Prisoner of Gamla Stan / Honeycomb Tearoom (Double album/CD) by Cherry Fez</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73217742024-01-02T05:00:00-05:002024-01-02T05:00:01-05:00LAURA JANE GRACE RETURNS WITH PUNK MASTERPIECE 'HOLE IN MY HEAD'<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2bb0481241333934b0bb267451aff9577efb941f/original/b1e1e9e592670041d405ec49-1220x814.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>In the twisted carnival of life, where the neon lights of punk rock blaze against the darkened sky, Laura Jane Grace emerges as a fearless ringmaster, leading us through the labyrinth of her latest sonic creation—“Hole In My Head.” With a smirk, Grace beckons us to join the madness, promising a ride on the psychedelic rollercoaster of her soul.</p><p>The latest offering from this punk icon is the single “Cuffing Season,” a stripped-down, acoustic ballad that delves deep into the wrinkles of age, the scars of hardship, and the relentless march forward despite the looming specter of despair. Directed by the visionary Margherita Ballarin, the music video is a visual feast, a kaleidoscopic journey into the mind of a punk prophetess.</p><p>Grace, recently anointed as one of Billboard Magazine’s “50 Greatest Rock Lead Singers of All Time,” unveils the canvas of her upcoming masterpiece, “Hole In My Head.” Recorded at Native Sound in the heart of St. Louis, MO, with the sonic maestro David Beeman and mixed by Matt Allison (the wizard behind The Lawrence Arms and Rise Against), this album is a raw exposé of Grace’s poetic prowess.</p><p>In an era where vulnerability is a rare gem buried beneath the rubble of stoicism, Grace reflects, “I think as you get older and go through life’s hurts and heartbreaks, it gets harder and harder to let yourself be open and vulnerable.” Yet, in true punk fashion, she charges forward, embracing the risks and rewards of emotional exposure. The result is an album that captures the essence of a punk life lived, a testament to resilience, rebellion, and the unapologetic pursuit of truth.</p><p>From the gritty anthem “Dysphoria Hoodie” to the Jonathan Richman-inspired rebel yell of “I’m Not A Cop,” and the Dion-inspired reminiscence of underground glory in “Punk Rock in Basements,” Grace weaves a sonic tapestry that spans continents and transcends time. The hauntingly beautiful “Birds Talk Too” chronicles her encounter with the famed Japanese artist Gakkin, where her head becomes a canvas for artistic expression.</p><p>“Hole In My Head” is not just an album; it's a visceral experience, a sonic pilgrimage through the landscapes of Grace’s life. From the easeful embrace of “Tacos and Toast” to the reclaiming of Jajouka, a warehouse studio once owned by Jay Farrar of Son Volt and Uncle Tupelo, St. Louis becomes a character in itself—a city that cradles her creative rebirth.</p><p>As Grace embarks on a Midwest headline tour on New Year's Eve, with the talented Mya Byrne providing support, and ventures into the heart of Greece in January, the anticipation for her March dates across the U.S. reaches a fever pitch. The journey of Laura Jane Grace is not just a musical odyssey; it’s a fearless exploration of self, a rebellion against the mundane, and a celebration of the chaos that makes life truly extraordinary.</p><p>So, fasten your seatbelts, dear readers, as we prepare to plunge headfirst into the enigmatic abyss of “Hole In My Head.” Laura Jane Grace invites us to embrace the uncertainties, dance with the shadows, and find solace in the cacophony of her punk symphony—a symphony that echoes the rebellious spirit of a generation and the undying pulse of rock 'n' roll.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="qFnMZT5q0X4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/qFnMZT5q0X4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><font face="Georgia"><span><strong>JANUARY 2024</strong></span></font><br><font face="Georgia"><span>02 — Omaha, NE — Slowdown *</span></font><br><font face="Georgia"><span>03 — Minneapolis, MN — Cloudland * [SOLD OUT]</span></font><br><font face="Georgia"><span>06 — Madison, WI — Joey’s Song Benefit</span></font><br><font face="Georgia"><span>13 — Athens, Greece — Onassis Stegi Exhibition Hall -1</span></font><br><font face="Georgia"><span>15 — Thessaloniki, Greece — Mylos Club</span></font><br><br><font face="Georgia"><span><strong>MARCH 2024</strong></span></font><br><font face="Georgia"><span>02 — Indianapolis, IN — The Vogue ^</span></font><br><font face="Georgia"><span>03 — Columbus, OH — A&R Music Bar ^</span></font><br><font face="Georgia"><span>05 — Pittsburgh, PA — Spirit Hall ^</span></font><br><font face="Georgia"><span>06 — Philadelphia, PA — Underground Arts ^ </span></font><br><font face="Georgia"><span>08 — Hamden, CT — Space Ballroom ^</span></font><br><font face="Georgia"><span>09 — New York, NY — Racket ^</span></font><br><font face="Georgia"><span>10 — Somerville, MA — Crystal Ballroom at Somerville Theatre ^</span></font><br><font face="Georgia"><span>12 — Washington, DC — Howard Theatre ^</span></font><br><font face="Georgia"><span>13 — Virginia Beach, VA —Elevation 27 ^</span></font><br><font face="Georgia"><span>15 — Durham, NC — Motorco Music Hall ^</span></font><br><font face="Georgia"><span>16 — Knoxville, TN — Bijou Theatre ^</span></font><br><font face="Georgia"><span>17 — Nashville, TN — City Winery ^</span></font><br><font face="Georgia"><span>19 — New Orleans, LA — Tipitina’s ^</span></font><br><font face="Georgia"><span>20 — Birmingham, AL — Saturn ^</span></font><br><font face="Georgia"><span>22 — San Antonio, TX — Paper Tiger ^</span></font><br><font face="Georgia"><span>23 — Houston, TX — Warehouse Live Midtown ^</span></font><br><font face="Georgia"><span>24 — Fort Worth, TX — Tulips + </span></font><br><br><font face="Georgia"><span># — supporting Lucero</span></font><br><font face="Georgia"><span>* — Mya Byrne supporting</span></font><br><font face="Georgia"><span>^ — Thelma and the Sleaze & Dikembe supporting </span></font><br><span style="color:rgb(51,51,51);"><span>+ — Dikembe supporting</span></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73173662023-12-24T05:00:00-05:002023-12-24T05:00:03-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#16)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8eb3ccba2e1cf31424e079aca132f3911110e93e/original/comic003.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE LAMLIGHTER (Page 3) by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/7f0377510ff652f3c75134c21f3e41b820f6c7da/original/bh016.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 16 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eyCEexG9xjw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eyCEexG9xjw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73191172023-12-22T05:00:00-05:002023-12-22T05:00:02-05:00CHAT GPT GIVES US AN ATHEIST XMAS STORY<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ef430dd2237f2085623353ad95e88724d41fe1b5/original/gruss-vom-krampus.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Once upon a time in the quaint town of Rationalville, there lived a man named Sam Secular. Sam was known far and wide for being the most enthusiastic atheist in the town. He embraced reason, logic, and evidence-based beliefs with a passion that rivaled the zeal of any festive holiday celebration.</p><p>However, there was one annual event that stirred a unique blend of excitement and skepticism in Sam's heart—Christmas. While everyone around him decked the halls with boughs of holly and eagerly awaited the arrival of Santa Claus, Sam couldn't help but roll his eyes at the religious undertones of the holiday.</p><p>Despite his lack of belief in the nativity story, Sam couldn't deny the allure of Christmas lights and the intoxicating scent of pine trees. So, every year, he went all out in decorating his house with dazzling lights and a towering Christmas tree adorned with scientific-themed ornaments—microscopes, test tubes, and miniature replicas of famous scientists.</p><p>Sam's love for Christmas music was also unparalleled. He would blast his favorite secular carols, like "Newton Got Run Over by a Reindeer" and "Frosty the Snowman, a Result of Thermodynamics." His neighbors, although initially perplexed, couldn't help but chuckle at the creativity.</p><p>One chilly December evening, Sam hosted a Christmas party for his friends, complete with a "Festivus Pole" (a nod to Seinfeld) as the centerpiece. As they exchanged gifts, Sam handed out beautifully wrapped packages containing copies of his favorite science books. "Knowledge is the greatest gift of all!" he declared with a twinkle in his eye.</p><p>The highlight of the evening was Sam's rendition of "The 12 Days of Logic," where he humorously debunked various myths and superstitions while his friends joined in with laughter.</p><p>Despite his non-believer status, Sam Secular had become the unlikely heart and soul of Rationalville's Christmas celebrations. His unique take on the holiday brought joy and laughter to the town, proving that you don't need to believe in miracles to appreciate the magic of the season. And so, in the spirit of reason and goodwill, Rationalville continued to celebrate a very merry, logic-infused Christmas each year.<br><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="YvI_FNrczzQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/YvI_FNrczzQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73191202023-12-21T05:00:00-05:002023-12-21T05:00:02-05:00Mint 400 Records Presents A Holiday Playlist!<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e6f43a2b5932f256016c16b703d3cfcc0af55cc8/original/istockphoto-183997503-612x612.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Dear Friends, <br><br>Over the years Mint 400 Records has put out some interesting Xmas music that ranges from traditional jazz and songs like “Greensleaves” to original compositions like “Did Ya Hear? (Santa Was Arrested For Burglary)”. Whether you are ultra religious or anti-religious you might find something you really enjoy on this playlist that ranges from 'Yawn Mower Ruins Christmas' to the more traditional Tiegan or Greg Chako's “Christmastime" and “Christmas Time” albums. Mint 400 over a decade ago released a concept album of partially original Xmas tunes that still pops up every year, so dig in and hopefully find a new classic that you never heard before!</p><p>No matter what you celebrate, Xmas, Hanukkah, Kwanza, Ramadan, Winter Solstice, Festivus, my one hope is that you have off from work and have time to listen to this music while trying to ignore your relatives. <br> </p><p>Merry Whatever… <br>-Neil Sabatino (Owner, Mint 400 Records)<br><br>PS. Thanks to BloodMakesNoise for talking about a bunch of our bands this year and letting us do cool stuff like this! <br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4pQkwiNmj8DOaS03NPZ5W7?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br><br><strong> BMN Will be on a short Holiday break, see you in the new year! We Return January 2nd - BMN Staff)</strong></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73173742023-12-20T05:00:00-05:002023-12-26T09:42:32-05:00MEET ASBURY PARK NJ INDIE ROCK BAND THE HARD MAYBES<p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/81ff14a91eeb4dc52708f7bfbecc68f986911794/original/7876450709872976121.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"><span style="color:#000000;">The Hard Maybes are an indie-rock band from Asbury Park, New Jersey. Formed in 2022, The band is made up of Harley Cunha on vocals, Brian Erickson on bass, Matt Magnifico on drums, Kyle Hahn and Andrew Ludewig on guitar. (Photo credit: Carina Duffy) </span> </p><p dir="ltr"><span style="color:#000000;"><strong>1. How did the band form and what does the band name mean?</strong></span></p><p dir="ltr"><span style="color:#000000;">The Hard Maybes formed out of sheer luck. Brian and I had been haphazardly working on some songs I had previously written with Matt “Fern” Fernicola. We started to piece together the band more as a concept and just something we did when we all hung out on my porch. The name came from my inclination to not solidify plans until the day of. Out of a friendly frustration, Brian dubbed me “Harley Hard Maybe”, after my response to any invite. The real driving force to start the band happened at a local bar, when Brian and I ran into someone and they asked if we played music together. Our drunk selves wrote checks that we fully intended to cash. We started reaching out to other people we knew and eventually the band included Matt Magnifico, Kyle Hahn, and Andrew Ludewig. I think luck is where preparation meets good timing, and I feel incredibly lucky to get to play and create music with these guys every week. </span></p><p dir="ltr"><span style="color:#000000;"><strong>2. Previous musical projects? How'd you first get into music?</strong></span></p><p dir="ltr"> <span style="color:#000000;">I always had an interest in singing when I was young but I was never aware of how broad the spectrum of “being a musician” was. When I was old enough to go to bars, I started hanging out at open mics and talking with the performers afterwards. After lockdown, it seemed as good of time as any to focus on what I liked about music and songwriting. I started developing some songs I had written, with the help of Fern. Once the open mics started up again, I was performing at them with the people who had gotten me on the path in the first place. I started singing back-up in The Foes of Fern and I’m very grateful for the opportunity that experience gave me to see what that element of performing felt like. It’s also how I met Andrew, one of our guitarists, and he still plays trombone and sings in the Foes of Fern. </span><br> </p><p dir="ltr"><span style="color:#000000;"><strong>3. First concert that you ever went to? (Locally and National acts)</strong></span></p><p dir="ltr"> <span style="color:#000000;">The first concert I went to was BonJovi at Giants Stadium and truthfully I don’t remember much of it. I was 4 years old, and the cost of a ticket was cheaper than a babysitter. The only thing I remember clearly, was the entire stadium clapping and chanting for the encore. It was the first time I had ever been around that many people and I remember asking my parents why everyone was clapping together. It was the first time I had felt that kind of collective energy and started to understand what music can do to bring people together. </span></p><p dir="ltr"> <br><span style="color:#000000;"><strong>4. What's your writing process like?</strong></span></p><p> <span style="color:#000000;">My process when songwriting usually starts with me singing a melody into my phone, and once that runs out, I'll write it all down and try to add some method to the madness. My lyrics and melodies develop unexpectedly most of the time, but I think there is value in the habit of just sitting down and writing. The Hard Maybes work very collaboratively when it comes to writing our songs. I'll send some ideas to the boys and we’ll keep playing with them and bouncing them back and forth and adding elements of our own tastes until we find something that we feel works. I think this process has really developed our sound to be a different blend of all of our styles. </span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><strong>5. What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3OXNhYd3BZ0Fx9EAW6mM9R?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p dir="ltr"><span style="color:#000000;">There’s a running joke in the band that my singing and writing sounds like what would happen if you gave a princess a pop-rock band, and I think it fits. I grew up listening to showtunes, country, and 80’s hair metal. I found a lot of the elements I liked about those genres listening to pop-punk and indie-rock. I was immediately drawn to bands like Paramore and Jimmy Eat World for their power and the fun edge their music had. As a band, we pull a lot of our influence from surf rock bands and girl groups of the 60’s, like the Ronettes. I think it’s cool that we have all different genres that we pull elements from and see how we can integrate and incorporate them into how The Hard Maybes sound. </span></p><p dir="ltr"><span style="color:#000000;"><strong> </strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p dir="ltr"><span style="color:#000000;">Personally, I think there’s a different goal between playing a song for a live show and how it’s recorded. For us, shows are about having fun and making it so other people can have fun with us. Playing shows allows us to deviate from what we play on the recordings, and try out new things. On the recordings, we’re able to layer things differently like extra vocals or guitar in a way we wouldn’t be able to live without doubling our band. We obviously want both the recorded songs and the songs we play live to sound as good as they possibly can, but we play our songs in the way it will best serve the energy we want them to have at that time. </span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><strong>7. Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p><p dir="ltr"><span style="color:#000000;">Our first show was an experience- A live-32 hour interactive Survivor experience, named Survifern, to be exact. It was a few weeks after we released our debut single “Independence Day”. We camped out for two days and watched a DIY Survivor game play out in front of us with other local acts playing between the challenges and tribal councils. We were surrounded by friends, most of whom were other musicians and people who work live shows, and it felt like a real community. About five seconds into starting our set, we lost all power to the mics and some of the speakers while the Survifern crew raced to get us enough power to keep going and we kept playing through the song. By the second song in the set, we had full power and everything went according to plan. I think about that first show a lot, and how much fun it was amidst the chaos, how integral it was to establishing us as a band, and how lucky we are to get to have that experience all together. </span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><strong>8. What's up next for the band?</strong></span></p><p dir="ltr"><span style="color:#000000;">The Hard Maybes started a tradition of releasing our singles on holidays, and in that tradition we are releasing our third single “Something (Kiss Me Quiet)” on New Year’s Eve 2023. You can catch us live at the Wonder Bar in Asbury Park, NJ on December 22nd, for an Ugly Sweater Party along with The Extensions and American Stereo. We’re currently recording our debut EP with Mint400 Records and Telegraph Hill Records which will be released Summer of 2024. We’re really excited to keep releasing and playing shows and see what 2024 has in store for us! </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="VRzaLUWGf0c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/VRzaLUWGf0c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span style="color:#000000;">Instagram: </span><a class="no-pjax" href="https://www.instagram.com/thehardmaybes/"><span style="color:#1155cc;"><u>@TheHardMaybes</u></span></a><br><span style="color:#000000;">Facebook: </span><a class="no-pjax" href="https://www.facebook.com/TheHardMaybes"><span style="color:#1155cc;"><u>The Hard Maybes</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73173072023-12-19T05:00:00-05:002023-12-19T05:00:01-05:00MEET BLUES ROCK GROUP THE ROBINSON JAMES BAND<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
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<p dir="ltr"><span style="color:black;">Few things ignite an audience’s imagination and draw their attention more than a <span>powerful music duo rocking out on stage together. Even better is when true talent and mutual love of music are the basis for coming together. With the <strong>The</strong> <strong>Robinson James Band</strong>, we get a perfect combination of both. It's two musical kindred spirits experiencing the joy of sonic creation, and sharing it with the world.</span></span></p>
<p dir="ltr"><span style="color:black;">Frontwoman Alexa Robinson met lead guitarist George Castrinos (aka Elrey James) while renting out his recording studio on one fateful day. Now they’re not only making music and playing countless shows together, but they’ve also built a life together outside of music. The chemistry injected into each song creates a unique listening experience as Robinson’s powerhouse soul vocals converse with Castrinos’s expressive lead guitar runs. Whether reimagining classics or surprising us with delightful originals, The Robinson James Band is sure to stoke your musical curiosity and tug at your heartstrings.</span></p>
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<p><strong>Q: How did the band form and what does the band’s name mean?</strong></p>
<p>A: We have both done music previously, and decided to work together and make our own band. The band’s name is a combination who we are.</p>
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<p><strong>Q: Previous musical projects, how did you first get into music?</strong><br>A: <strong>Alexa</strong>: My previous musical projects have been playing in different cover bands for many years. I’ve always loved music, and as a kid, I took piano and singing lessons. I've always been a huge Elvis fan while other kids liked New Kids On The Block I was listening to Elvis! </p>
<p><strong>Elrey</strong>: I’ve been at it a long time, played with the likes of Canned Heat, Robert Lucas, Chris Robinson, and Johnny Copeland just to name a few. When I was a kid, I heard “Whole Lotta Love” by Led Zeppelin for the first time, and it was life changing. </p>
<p><br><strong>Q: First concert that you ever went to, locally, and national acts?</strong></p>
<div style="color:rgb(33, 33, 33);font-size:13px;line-height:normal;margin:0px;outline:none !important;">A: <strong>Alexa</strong>: When Weezer first came out, they played at Blockbuster Music in the local town center. I was probably in the 9th grade when I saw that!</div>
<p><strong>Elrey</strong>: The first concert that I really went to was Eric Clapton and Carlos Santana at Tampa Stadium. I remember watching him play the Bob Marley song, “I Shot the Sheriff,” and he did it in a reggae feel. I was 14 years old.</p>
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<p><strong>Q: What’s your writing process like?</strong><br>A: <strong>Elrey</strong>: I start with a riff, and that point I need to get in to a rehearsal room with bass and drums, test it out and see if it works, then lyrics and melody come last.</p>
<p><strong>Alexa</strong>: Usually if somebody has a riff, melody or a track, I can come up with my own lyrics and melodies after that. That’s my process.</p>
<p><br><strong>Q: What other artists or songs inspire your music? (Please talk about the artist you’ve chosen)</strong></p>
<p>A: <strong>Alexa</strong>: My choices are singers that I’ve been influenced by, their style, specifically Aretha Franklin’s song “Rock Steady.” It’s funky and soulful, which is a huge inspiration for me.</p>
<p><strong>Elrey</strong>: Artists like Johnny Winter, Jeff Beck, Rory Gallagher, and Jimmy Page to name a few, had a major impact on my guitar playing. </p>
<p>This playlist we put together is a reflection of both our styles. Alexa and Elrey have similar music tastes, Elrey more blues-rock, and Alexa has blues-rock, with soul and funk, which makes a great mix for our sound.</p>
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<p><strong>Q: What’s the live experience like, and your philosophy on playing live? Do you think the live music should be identical to the recorded version or should it be its own thing?</strong></p>
<p>A: The live experience is fun and you get to see people enjoying your music, and you’re making connections with them. </p>
<p><strong>Elrey</strong>: Depends on the tune, there’s some songs that I try to play note-for-note and the guitar solos have been scripted out. On other tunes, it’s impossible for me to play them the exact same way, because it was a moment in time captured on tape. Sometimes, I have to slow the track down to learn my own material.</p>
<p><strong>Alexa</strong>: I personally like to keep a similar structure to the recorded versions, and I think people like to hear what they’ve heard on the record, but sometimes there can be some magic moments when you make it its own thing.</p>
<p><br><strong>Q: Has the band toured? What’s the touring experience been? Best shows, worst shows?</strong></p>
<p>A: For now, The Robinson James Band has just played locally, but we have a tour booked for the summer. </p>
<p><strong>Elrey</strong>: I’ve previously toured all over the country, from LA to Florida. Best show was when I was sitting in with my daughter’s band, Edward Sharpe and the Magnetic Zeroes at Coachella. My worst show was some Casino in Alabama.<br><strong>Alexa</strong>: I’ve played all over Southern California for 10+ years. There’s never been a worst show for me, because there’s always somebody who enjoys the music and has a good time.</p>
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<p><strong>Q: What’s up next for the band?</strong></p>
<p>A: More shows, a summer tour, two new originals, a music video, and much more. We are in the process of finishing our album, can’t wait to see you at a show!<br> </p>
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</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="HaZohW3HXhk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/HaZohW3HXhk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<div style="outline:none !important;" dir="ltr"><a class="no-pjax" href="http://www.therobinsonjamesband.com/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>www.therobinsonjamesband.com</u></a></div>
<div style="outline:none !important;" dir="ltr"><a class="no-pjax" href="http://www.miraclemilemusic.com/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>www.miraclemilemusic.com</u></a></div>
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<a class="no-pjax" href="https://www.instagram.com/therobinsonjamesband/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>https://www.instagram.com/therobinsonjamesband/</u></a><br><a class="no-pjax" href="https://open.spotify.com/artist/4m38i7qJ2yVQdtHJ3SVbZX" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>https://open.spotify.com/artist/4m38i7qJ2yVQdtHJ3SVbZX</u></a>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73152462023-12-18T05:00:00-05:002023-12-18T05:00:01-05:00BMN INDIE ROCK PICKS 2023<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5ee10823e05010e0f0f9634ffb0898731fe6e41c/original/download.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Well it's that time of year again where every site posts their best of and regurgitate the same 10 records that some asshole in Brooklyn or on Pitchfork thought was the best thing ever. So we got our resident indie asshole to make their list: </p><p>Hi, Brynn Whitman here. Not your typical best of, end of the year Indie Rock / Pop list. We tried to choose small albums from bands who actually make good music. Like we judged Fever Ray on their music not their halloween makeup and I'm sorry Olivia Rodrigo and Ice Spice aren't “Indie Artists”. This is in no particular order, it's mostly stuff we you could have discovered right here and a few of the records like Boygenius, Slowdive and Yo La Tengo that deserve their due credit as well. Enjoy our list. Leave a comment with your top records of 2023!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="bIX_ouNJsTs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/bIX_ouNJsTs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gchOwCR-g5M" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gchOwCR-g5M?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="esBKvL90Nl0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/esBKvL90Nl0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UNZ-jvYqqPs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UNZ-jvYqqPs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="G9RpHfPyEx8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/G9RpHfPyEx8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="XmKUak37jLU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/XmKUak37jLU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rl5zAvWvLCA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rl5zAvWvLCA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="_6-M2sN18Jc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/_6-M2sN18Jc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nBZ2UrJNr8k" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nBZ2UrJNr8k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="w3D7Q983tss" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/w3D7Q983tss?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8wPNhEl9rwc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8wPNhEl9rwc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8waVC_wWtLU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8waVC_wWtLU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oOTk_Ogv8dc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oOTk_Ogv8dc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="PfoJDO2Fo_c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/PfoJDO2Fo_c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73173642023-12-17T05:00:00-05:002023-12-17T05:00:02-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#16)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/aa8425b9949f99ac0b493e5cee5fa785b33bca21/original/comic002.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />THE LAMLIGHTER (Page 2) by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5f53ff3e15b02b0cc02f638324f7b940a8ef5f09/original/bh15.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 15 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="HyMm4rJemtI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/HyMm4rJemtI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73137932023-12-15T05:00:00-05:002023-12-15T05:00:02-05:00The Problem With Kids Today Unleashes Indie Punk Anthem 'What Else Could I Say' By Brynn Whitman<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0e310cd8ada364e3da320ceccb0f62d73d9da403/original/645851.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>New Haven, CT's rebellious rock trio, The Problem With Kids Today (TPWKT), is causing a stir with their infectious blend of indie punk and power pop. Frontman "The Great" Tate Brooks, bassist Silas "The Slayer" Lourenco Lang, and drummer "Rock N Roll" Reena Yu are gearing up for the release of their debut album, "Born To Rock," set to hit the airwaves on February 9, 2024.</p><p>The band recently dropped their lead single, "What Else Could I Say," accompanied by a visually captivating music video directed by Connor Rog of Kicker Pictures. The track serves as a punk anthem born out of frustration, breaking the band free from a creative slump and setting the tone for their upcoming album.</p><p>Tate Brooks reflects on the song, stating, "'What Else Can I Say' is an indie punk anthem, written out of frustration both metaphorically and literally. It broke us out of a writer’s block and set the bar for the rest of the album."</p><p>TPWKT draws inspiration from the rebellious spirit of the '70s, melding punk, power pop, and eclectic rock into their own original sound. The band is known for their high-energy live performances, earning them a reputation as one of New Haven's top live acts. With sold-out shows at venues like Space Ballroom and Cafe 9, TPWKT has become a force to be reckoned with in the local scene and beyond.</p><p>Earlier this year, the band caught the attention of Chris Frantz (Talking Heads, Tom Tom Club) through Verso Studios, earning them a spot as one of his favorite local bands. TPWKT's journey led them to legendary Q Division Studios in Cambridge, MA, where they worked with indie producer Adam Lasus (Clap Your Hands Say Yeah, Yo La Tengo) to craft their debut album.</p><p>Recorded in a mere eight days, "Born To Rock" features eleven tracks that explore a wide sonic palette. From harmonicas and toy pianos to 12-string guitars and synthesizers, TPWKT embraced a diverse range of instruments to create a timeless rock and roll record. Drawing inspiration from the likes of KISS, New York Dolls, Ramones, Iggy and The Stooges, and infusing pop elements reminiscent of The Byrds, The Beatles, and The Kinks, the album promises to leave listeners declaring, "That's The Problem With Kids Today…"</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="7AEIPTxOqZk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/7AEIPTxOqZk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:rgb(51,51,51);">12.15 - Northampton, MA @ JJ’s Tavern</span><br><span style="color:rgb(51,51,51);">02.09 - New Haven, CT @ Cafe 9 (Record Release Show)</span><br><span style="color:rgb(51,51,51);">02.17 - New Haven, CT @ Three Sheets</span><br><span style="color:rgb(51,51,51);">03.20 - New York, NY @ Arlene’s Grocery</span><br><span style="color:rgb(51,51,51);">03.21 - Kearny, NJ @ Jimmy’s Lounge</span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73137892023-12-14T05:00:00-05:002023-12-14T05:00:02-05:00Holy Nowhere Emerges With “Save You” & 'Soft Return' Debut LP<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/55603bebcf615c2edaffacafff9f3d784fb48053/original/holy-nowhere-002.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the shadow of a quiet Seattle neighborhood, Steve Sachs, the prodigious songwriter who once fronted New Jersey's YJY, found himself standing at the crossroads of existential crisis and creative rebirth. The catalyst? A panic attack that rattled his core and shook loose a dormant wellspring of inspiration.</p><p>Out of the wreckage of anxiety emerged Holy Nowhere, Sachs' new solo venture, a sonic odyssey that transcends the boundaries of conventional genres. Teaming up with the illustrious Dana Yurcisin (Yawn Mower, Grasser, Dana Why), a creative powerhouse in his own right, the duo embarked on a transcontinental collaboration reminiscent of The Postal Service's heyday.</p><p>The result? The album, <i>Soft Return</i>, offers a mind-bending concoction of electronic pop and indie rock, drenched in razor-sharp lyricism and polished production. It's a departure from Sachs' previous endeavors, an evolution marked by wonder and irreverence, faith and folly.</p><p>The lead single, "Save You," serves as the harbinger of this musical metamorphosis. A mesmerizing blend of electronic beats, plucked bass strings, and lilting guitar licks, the track introduces listeners to a world where nihilistic lyrics dance on a melody so infectious it borders on hypnotic.</p><p>Directed by Tommy Butler, the music video complements the sonic experience, featuring footage from the Cooper's Hill Cheese-Rolling and Wake—an annual spectacle where participants chase a wheel of cheese down a hill. In black and white, with slow-motion and reverse effects, the visuals mirror the inherent absurdity of seeking comfort in tradition.</p><p>Sachs and Dana's collaboration, a year-and-a-half-long dance of ideas spanning the coasts, birthed an album that defies physical distance. Sachs describes the process as akin to receiving his own songs as beautiful, incredible instrumental versions, a testament to Dana's transformative touch.</p><p>“I can’t overstate Dana’s contribution to this record. I wrote these songs, but he gave them life. He’s a generous collaborator and, for some reason, was willing to tolerate my neurotic tendencies. I think he’s kind of a weird genius and that everyone should work with him,” remarks Sachs.</p><p>As the chorus of "Save You" declares, “Everything just happens / and no one’s in charge. / Everything just happens / for no reason at all,” Sachs invites listeners to confront the chaos with open arms. Is it reassuring or nihilistic? The answer, Sachs suggests, lies in the ears of the beholder.</p><p>Holy Nowhere's sonic exploration beckons the world to abandon crutches and face reality with open hearts. In the grand tradition of musical alchemists, Sachs has conjured a spellbinding soundtrack that defies easy categorization.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OTkKvw9svgw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OTkKvw9svgw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73137882023-12-13T05:00:00-05:002023-12-13T05:00:01-05:00CODESEVEN FIRST NEW ALBUM IN 20 YEARS By Sam Lowry<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/51cd5c69b1dc7964e1c6b4096d914d40f08e6de9/original/cbbfe33fa0fb15ce2c38f1ef-1240x1240.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the autumn of 1995, a musical journey took root in the heart of Winston-Salem, NC, as three brothers and a tight-knit group of friends joined forces to form Codeseven. Their inaugural EP, "Paper Or Plastic," emerged in 1996 on Huel Records, setting the stage for a trajectory that would leave an indelible mark on the alternative music scene.</p><p>Fast forward to 1998, and Codeseven thrust themselves into the spotlight with the release of "A Sense of Coalition," a full-length masterpiece that skyrocketed thanks to their audacious interpretation of Don Henley's classic, "Boys of Summer." This daring move not only propelled them to a coveted spot on college radio's Top 10 but also etched their name on the map of musical exploration.</p><p>Shortly after the triumph of "Coalition," the band ventured into the studio to craft their Division of Labor EP, a sonic experiment that embraced heavier tones while retaining their signature melodic charm. Critics praised the release in esteemed publications like Hit Parader, Metal Maniacs, Terrorizer, and Kerrang. CMJ hailed the record as a fusion of "chiming guitar tones, quirky time changes, and a delicate balance between loudness and melody," likening Codeseven to a dance between Hot Water Music and Cave In. Division of Labor soared to the top of CMJ's metal charts and even found a home on WWE's Heat.</p><p>The culmination of their journey with The Music Cartel birthed "The Rescue" in May 2002, produced and engineered by the esteemed Alex Newport. The album's experimental spirit drew inspiration from Pink Floyd and Bjork, intertwining with the raw energy of punk. Critical acclaim followed, as did tours with notable acts like Coheed and Cambria, Dredg, Poison the Well, and Hopesfall.</p><p>Fast forward to 2004, and Codeseven embarked on a new chapter with their Equal Vision Records debut, "Dancing Echoes / Dead Sounds." Delving into darker, more electronic realms, the album showcased the band's evolution, laying the foundation for their eventual comeback LP, "Go Let It In."</p><p>Now, two decades since their inception, Codeseven returns with "Go Let It In," a testament to their enduring DIY spirit. Jeff Jenkins (vocals), James Tuttle (Guitar, Keys), Eric Weyer (Guitar), Jon Tuttle (Bass), and Matt Tuttle (Drums) orchestrated a musical odyssey, tracking all instruments in the comfort of their homes. Teaming up with Jeremy Griffith for co-production and mixing, the result is a monumental collection of songs, a sonic triumph over time and nostalgia.</p><p>"With this new record, we tackled what we considered the ultimate challenge: to write and record a full length that sounds as good, if not better, than the last record," the band reflects. "Following a 20-year hiatus, this felt like it could be impossible. It’s hard to beat time and nostalgia but we certainly wanted to try. And yes, we think we did."</p><p>Codeseven invites you to join them in celebrating this musical resurrection at their album release show in December—an event that promises to be a testament to their enduring spirit and the timeless power of their sound.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="k8LUT7DthCU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/k8LUT7DthCU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73135032023-12-12T05:00:00-05:002023-12-12T05:00:04-05:00MEET LITHUANIAN POST PUNK ALT BAND LOCAL BLOOD<p style="text-align:justify;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0fbee996c365c24beee8f8c721d98e05b1328985/original/local-blood-z-jakimovas.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span lang="lt"><strong><o:p></o:p></strong></span></p><p style="text-align:justify;"><span style="color:rgb(55,65,81);">Local Blood, an alternative post-punk band hailing from Vilnius, Lithuania, emerged onto the music scene with their debut EP "A Lure Of Sights" in 2017. Over the years, they supported renowned bands like "Son Lux," "The Underground Youth," and "Girls Names," while actively participating in local festivals and shows. In 2022, after an extensive creative process, the band marked their return with the full-length album "Dystopian Disco," featuring singles "My Blood" and "Control." The release catapulted them to prominence in the Lithuanian music scene, earning them a nomination for Rock Band of the Year at the Annual Lithuanian Music Awards. Undeterred, in 2023, Local Blood continued their musical journey, participating in significant projects and events, including "Loftas Fest," "8 Festival," and the "Europavox" showcase festival. The year culminated in the release of their latest full-length album "Loverman" and a limited LP, celebrated with a solo concert at the Art Factory "Loftas" venue in Vilnius on November 13th.</span><span lang="lt"><o:p></o:p></span><br><span style="color:#222222;"><span lang="lt"><o:p></o:p></span></span></p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>1. How did the band form and what does the band name mean? Previous musical projects? How'd you first get into music?<o:p></o:p></strong></span></span></p><p style="text-align:justify;"><br><span lang="lt">Well… These two questions are closely related, so we'll answer both at once.</span><br><br><span lang="lt"><o:p></o:p></span></p><p style="text-align:justify;"><span lang="lt">We delved into music more seriously just before finishing high school. Around 2006-2007. It was the time when indie rock dominated the scene. We vividly remember listening to The Killers on Winamp and watching Arctic Monkeys on Youtube, who were already headlining Glastonbury at such a young age. It was truly inspiring. Growing up in a small industrial town with not much to do, music seemed like an escape to us. Fueled by youthful maximalism, we decided to start playing ourselves.</span><br><br><span lang="lt"><o:p></o:p></span></p><p style="text-align:justify;"><span lang="lt">We distributed roles among us - who would handle the drums, who would play the guitars, who would take on vocals and so on. We bought cheap, used, and somewhat battered instruments and began learning to play with it together. It was a fascinating time with countless evenings spent in the studio, listening to loads of music, sitting on our favorite green couch and talking. Every bit of free time was dedicated to and revolved around music.</span><br><br><span lang="lt"><o:p></o:p></span></p><p style="text-align:justify;"><span lang="lt">Later on, we went our separate ways, moving away for studies. But our love for music didn't wane, and a few years later we came back together. It was somewhere around 2014. Slowly, we discovered post-punk, a genre that drew us in. We felt that this was our music, and we wanted to create in that direction. It was around that time that we began working on our first EP, "A Lure of Sights." And that's how the band came to be.</span><br><br><span lang="lt"><o:p></o:p></span></p><p style="text-align:justify;"><span lang="lt">As you've gathered, we're first and foremost great friends, and some of us are even family. We grew up on the same street. That's how the name Local Blood came about.<o:p></o:p></span></p><p style="text-align:justify;"> </p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>2. First concert that you ever went to? <o:p></o:p></strong></span></span></p><p style="text-align:justify;"><br><span lang="lt">We grew up in a small town where concerts were a rarity. So, we started attending larger concerts relatively late when we could travel to bigger cities. Perhaps the first significant concert experience was the Linkin Park concert in Vilnius. At that time, they were highly popular, making this concert a memorable one. Later on, we began traveling to festivals, such as Opener, where we had the chance to see many of our idols from that time. <o:p></o:p></span></p><p style="text-align:justify;"><br><span style="color:#222222;"><span lang="lt"><strong>3. What's your writing process like?<o:p></o:p></strong></span></span></p><p style="text-align:justify;"> </p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt">Our writing process is very fluid. We do not have one way to create music. Sometimes we jam together and discover something that sounds amazing and come up with a basic structure and complete the song this way. There are times that we do everything with a computer, record parts separately and glue a song that way. In a way we always learn how to create something. But in the end we just do it the way that best suits the song. <o:p></o:p></span></span></p><p style="text-align:justify;"> </p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>4. What other artists or songs inspire your music? </strong></span></span><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2Az1zkAXwX21gkflE4WMtb?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt">We like quirky music. We enjoy minimalistic music. High-energy bands like The Amazing Snakeheads (unfortunately, they no longer exist), Snapped Ankles and Viagra Boys serve as an example of how you can experiment with music and how crazy live shows can go. On the other hand we have a lyrical, softer side and artists such as Van Morrison or Nick Cave inspire us. Also we listen to a lot of stuff in between and it’s really hard to pick only ten songs.</span></span><br><br><span style="color:#222222;"><span lang="lt"><o:p></o:p></span></span></p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>5. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></span><br><br><span style="color:#0F0F0F;"><span lang="lt">When you go to a concert, you want more than just to hear the music you could otherwise listen to on Spotify. You seek an experience. So, we strive to make each of our concerts memorable. Whenever we have the opportunity, we try to do something extra – incorporate additional instruments, artists, create a unique atmosphere, and do something special with staging. </span></span><br><br><span lang="lt"><o:p></o:p></span></p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>6. Has the band toured? What has the touring experience been, best shows?worst shows?</strong><o:p></o:p></span></span></p><p style="text-align:justify;"> </p><p style="text-align:justify;"><span lang="lt">We’ve never toured. We had, however, many gigs and participated in many Lithuanian festivals and showcases. But we’ll fix that next year - as we are planning a tour abroad now. Talking about the worst shows, we had one last year. It was a show, a week before our release show of “Dystopian Disco”. It was a mess. And knowing that we will have our biggest live show yet in a week, didn’t help. But we took our time and had one of our best shows ever. And the best show that we’ve ever had was the “Loverman” release party. It was an amazing experience for us and for people who came there. The most professional show we’ve ever had. </span><span style="color:#222222;"><span lang="lt"><o:p></o:p></span></span></p><p style="text-align:justify;"> </p><p style="text-align:justify;"><span style="color:#222222;"><span lang="lt"><strong>7. What's up next for the band?<o:p></o:p></strong></span></span></p><p style="text-align:justify;"> </p><div style="border:1.0pt none #D9D9E3;mso-border-alt:none #D9D9E3 0in;mso-element:para-border-div;padding:0in;">
<p style="text-align:justify;"><span lang="lt">From 2017 to 2022, we took a break and stopped. But we came back with our first full album "Dystopian Disco". And now, after a year and a half, we've released our second album "Loverman". So, the past couple of years have been very intense.<o:p></o:p></span></p>
<p style="text-align:justify;"><span lang="lt">Looking ahead, we plan to slow down a bit with creating new music and take pleasure in what we've already accomplished. Maybe we will release an EP, but not an album. Maybe. We also want to shoot a music video and go on tour finally, to spread our new music in Lithuania and abroad.</span></p>
<p style="text-align:justify;"><span lang="lt"><o:p></o:p></span></p>
</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="08CnEx-ZkOs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/08CnEx-ZkOs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><ul>
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<a class="no-pjax" href="https://linktr.ee/localbloodband?fbclid=IwAR2EqLeCZljV_BK8MyN76zG7aZhUf8kIbgFY7qm5t4YpqYMk1mtphz9902A"><span style="color:#2e5a96;"><span lang="lt">https://linktr.ee/localbloodband</span></span></a><span style="color:#2e5a96;"><span lang="lt"><o:p></o:p></span></span>
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<a class="no-pjax" href="https://www.facebook.com/localblood"><span style="color:#2e5a96;"><span lang="lt">https://www.facebook.com/localblood</span></span></a><span style="color:#2e5a96;"><span lang="lt"> <o:p></o:p></span></span>
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<li style="text-align:justify;"><a class="no-pjax" href="https://www.instagram.com/local.blood?fbclid=IwAR1gFi_61qY1yZvxrMXSuDdrg5qq12HnKkz4HvK5Urkh3o1ujeovTzzNzaA"><span style="color:#2e5a96;"><span lang="lt">https://www.instagram.com/local.blood</span></span></a></li>
</ul>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73134982023-12-11T05:00:00-05:002023-12-11T08:49:54-05:00WHAT'S IN OUR INBOX! GRACKLES, THE PROBLEM WITH KIDS TODAY, C.L.S.M., THE SLEEPING SOULS, DEAD DAYS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week a return to some brutal hardcore and rock mixed in with some old timey country and good old punk rock. Kind of a mish mosh this week and a little less indie rock than normal. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Grackles</p><p><strong>BMN Score: </strong>8.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">The first single "San Antone" tells an alternate history of the town Noah and Jason Mozersky grew up in. Noah Lit on the song: “I wanted to tell a mystical noir story about a San Antonio that only existed in my high school imagination. San Antonio is about the nicest city one could ever hope to visit, but perhaps there’s a dark witchy undertone, Robert Johnson sold his soul to record in the Gunter Hotel downtown off the Riverwalk, what else could be hiding in its candle lit cobblestone alleys? Having Charlie Musselwhite play harmonica on the track is also a dream come true. Charlie has played harmonica on most of my favorite records, and he is truly an unbelievable player.”</span></p><p><strong>What we say they sound like: </strong>It's a little bit Johnny Cash, a little bit Tom Waits, country swagger but with a little jazz swing to it. Gets a little soundtrack-ish like it was written for a Disney movie but I don't mean that as an insult, it's produced like it was made for something Hollywood related. It paints a great picture lyrically and sounds like a million bucks. If throwback 60's country mixed with a little Nightmare Before Christmas is your jam, you probably are going to love this. </p><p><strong>Song to add to your playlist: </strong>San Antone</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="lKWDSCDITh0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/lKWDSCDITh0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> The Problem With Kids Today</p><p><strong>BMN Score: </strong>7.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">"Leather Jacket Blues" is a toe-tapping, pulse-pounding, tongue-in-cheek classic punk song. It exists somewhere between parody and pastiche, having a go at those that take themselves too seriously, the ones that with a straight face say “you can’t be a punk if you don’t have a felony“. At the same time it embraces that punk ethos that we all love, one of directness, honesty, and fun. Clocking in at a brisk 1:24, The Kids slam through the song at a frenetic pace, leaving no room for frills - or survivors. It was written in an afternoon following a short weekend tour. The band had noticed how much crowds responded to harder and faster songs. The Problem With Kids Today's Tate Brooks says "We wanted to dance and shout and bang into each other, so we wrote a song that does exactly that."</span></p><p><strong>What we say they sound like:</strong> I'm never going to fault any band for being Ramones inspired. It's a simple lyrical concept, shouty vocals and two minutes of blissful limited chord punk rock. The bass that Rancid kind of riff going on. This I think could be considered partially post-punk if we are looking at vocal delivery. It's hard to screw up viseral simple punk rock and The Problem With Kids today are doing it right. Would love to hear what it grows into. </p><p><strong>Song to add to your playlist: </strong>Leather Jacket Blues</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="MOUHTHX8d8Y" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/MOUHTHX8d8Y?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><br><strong>Band Name:</strong> C.L.S.M. </p><p><strong>BMN Score: </strong>8.4/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">While this is all three members of Coliseum, it’s not technically a new Coliseum album. 10 songs of blistering hardcore with unhinged vocals that deal with the chaotic insanity of everyday life in a world overrun with greed, self-infatuation, instant gratification, and ever-deepening class divisions,</span><i> Infinity Shit</i><span style="color:rgb(51,51,51);"> is the perfect punk record for this moment and a hammer that shatters the facade of our daily reality.</span></p><p><strong>What we say they sound like: </strong>This is the kind of stuff we don't get much of anymore. This band is defunct as of 2015 but even that seems like too late of a time period for this sound that captivated VFW halls for a few decades. I hadn't heard of this band before but as a hardcore kid in my youth this is the kind of stuff that will get you throwing elbows. Musically it's hard to dissect, it's like a chainsaw, it just is pulsing grit for 2 minutes of intense drum, guitar, and bass blasting you in the face with a great gritty cigarette smoke soaked gutteral screams. What else would you want from your hardcore? </p><p><strong>Song to add to your playlist: </strong>Hammer Through The Windshield<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5dF2U3V_Rok" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5dF2U3V_Rok?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> The Sleeping Souls</p><p><strong>BMN Score: </strong>9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">aced with spiraling riffs and highly charged vocals, the band’s new single, “</span>Scared Of Living<span style="color:rgb(51,51,51);">,” is a punk-rock firecracker which illuminates the vibrant, vital quality of the album from which it is taken. A song about this Orwellian world we find ourselves living in, it finds a band dwelling on how the age of the Internet is directly impacting who we are. </span>“Living your life through cameras and apps isn’t living,”<span style="color:rgb(51,51,51);"> the band explains. </span>“Everyone is trying to live up to a version of themselves that doesn’t really exist in the real world, and you can’t have your own opinions for fear of being lambasted publicly. Even though we’ve moved forward technologically, old institutions still inform everything we do. We need to break free, but at what cost?”</p><p><strong>What we say they sound like: </strong>To me this is Stone Temple Pilots maybe with a little Foo Fighters mixed in which surprised me. The band lists bands like Radiohead, Death Cab For Cutie and others as influences when all I hear is early 90's Alternative Rock and Grunge in their sound. Vocally it's a little bit like Richard Patrick of Filter singing a song written by the Foo Fighters but performed by Failure and STP. The influence of those direct components feels very present, but it might just be this specific song. It definitely harkens back to those days when you expected a big bombastic rock song to be the single that radio was spinning and this certainly sounds like that. </p><p><strong>Song to add to your playlist: </strong>Caught Up In The Scrape</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="pyP4wZ0B4v0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/pyP4wZ0B4v0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> Dead Days</p><p><strong>BMN Score: </strong>9.1/10</p><p><strong>What the band says: </strong><span>Take the emotional capacity and angst of an iconic emo ballad and set it to the tune of progressive metalcore; that is Dead Days’ new single “Death Song.” It’s the cathartic follow-up to “Past Life,” which was released earlier this summer. While experimenting with electronic flourishes throughout “Past Life” - think recent Motionless In White releases - the band delivers a more straight-forward, in-your-face metalcore anthem with “Death Song,” allowing the rebellious nature of the lyrical content to speak for itself.</span></p><p><strong>What we say they sound like: </strong>Sing along to the sound of your death. Does it get any more badass then that when you're in a mood to smash stuff. This is exactly what you want to play over and over in your head when some Karen is asking to talk to the manager where you work or while your dumb boss is muttering on and on. Immature? maybe but there is a need for brutality in music. This kind of music exists to give emotional release to legions of adoring teenage fans but I feel like us old hardcore gals can appreciate it still. We may strain our backs in the pit nowadays but it's worth it. </p><p><strong>Song to add to your playlist: </strong>Death Song</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Wavk5nhQ7XI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Wavk5nhQ7XI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73152472023-12-10T05:00:00-05:002023-12-10T05:00:03-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#15)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/53961ac98a8382364277f428b73ffbe7ad691c9b/original/comic001.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:rgb(0,0,0);">THE LAMLIGHTER (Page 1) by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3c302d54052e50e4ccfde7b7b2387fe4f23f8e51/original/bh14.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 14 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oXcgg7WC7LI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oXcgg7WC7LI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73070692023-12-08T05:00:00-05:002023-12-08T05:00:01-05:00INTERVIEW WITH BOSTON PSYCH GRUNGE BAND THE RUPERT SELECTION<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fbe68873824b4bdf04207141a45d10b6a18b6645/original/the-rupert-selection-3-credit-peter-mcmanus.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:center;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><i> Credit: Peter McManus</i></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><span style="color:rgb(67,67,67);">The Rupert Selection is an American psychedelic grunge band from Boston, Massachusetts. Comprising Reilly Somach (guitar/vocals), Sam Bouvé (bass/vocals), and Peter W. Bartash (drums), the band has created a loyal following throughout New England with their “original voice” and “sound anchored in hard rock” (<i>Boston Globe</i>). <i>Improper Magazine</i> had this to say about the band’s live shows: “The Rupert Selection sparked the loudest crowd interaction, with fans shouting to fill the pauses in the trio’s deft, dynamic mash of Nirvana-esque blasts and math-prog rhythm shifts.”</span></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br><span style="color:rgb(67,67,67);">Embodying everything you love about ‘90s grunge but with a modern twist, the band has released three EPs and one full-length album. Each release was built upon the previous album but without leaving the band’s original psychedelic rock roots behind.</span>
</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br><span style="color:rgb(67,67,67);">The Rupert Selection has left its mark on Boston with sold-out venues and heaps of praise from local media – nominated for “Rock Artist of The Year” three times by the Boston Music Awards (2018, 2019, 2023); being a finalist in the Rock and Roll Rumble; being named one of the “10 Acts On The Rise In Boston” by WGBH, and one of “10 Local Acts Making Waves” by <i>Improper Boston</i>.</span>
</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br><span style="color:rgb(67,67,67);">The future is bright for The Rupert Selection as new album <i>Crumbs for the Sun</i>, with Brian Charles at the helm as producer, is set for a November 2023 release. The band will be touring extensively afterwards. </span>
</div><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>In your opinion, what are the essential qualities that make a “good songwriter”?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Reilly Somach: It’s hard to put into words but it’s something you know when you hear it. It just has to seem genuine, like the person singing really means or has lived what they’re singing about. Making people feel and believe what you're saying or playing is everything.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What is the basis for writing attention-grabbing music in the year 2023?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: I really don’t know. I just focus on writing something I believe in enough to share and hope people like it as much as I do. I’ve accepted I was born in the wrong time and don’t fit in with this TikTok McDonald’s era of consuming music.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What has it been like working with an indie record label as opposed to working on your own?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: This album [<i>Crumbs for the Sun</i>] was done without any label support or funding.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Can you pinpoint some specific songs and songwriters that changed the way you write Music?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: The album <i>Lulu</i> by Metallica and Lou Reid.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: Good music is good music. Inspiration is inspiration. No limits or specific forms to any of it. I think the song “Mono No Aware” by Ruth Garbus comes to mind as being one of the more beautiful captivating songs I’ve heard recently. I’ve been really into the stripped down, less is more approach to music these days.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>For your new album, what inspired the lyrical content, album title, and overall vibe?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: Being alive.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: It’s always different. Sometimes a song needs to simmer for months or years, sometimes it’s ready instantly. No rhyme or reason to any of it. When it’s ready, it tells you.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Somach: Don’t rush or force anything.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="F2gWgUkGm4E" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/F2gWgUkGm4E?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Facebook</strong>: <a class="no-pjax" href="https://www.facebook.com/therupertselection/" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.facebook.com/therupertselection/</u></a><br><strong>Instagram</strong>: <a class="no-pjax" href="https://www.instagram.com/therupertselection/" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.instagram.com/therupertselection/</u></a><br><strong>Spotify</strong>: <a class="no-pjax" href="https://open.spotify.com/artist/0MhAs3S70CCQpBNO2EFL4Z?si=HtO6Zu36QOufCnU0qV6fYw" target="_blank" rel="nofollow noopener noreferrer"><u>https://open.spotify.com/artist/0MhAs3S70CCQpBNO2EFL4Z?si=HtO6Zu36QOufCnU0qV6fYw</u></a><br><strong>Bandcamp</strong>: <a class="no-pjax" href="https://therupertselection.bandcamp.com/" target="_blank" rel="nofollow noopener noreferrer"><u>https://therupertselection.bandcamp.com/</u></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73059092023-12-07T05:00:00-05:002023-12-07T05:00:01-05:00MEET EAST COAST PUNK ROCK BAND CALLING HOURS<p><span><o:p></o:p></span></p><p> </p><p><span style="color:black;"><o:p></o:p></span></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d04ce29940670904d0d9c67996408903e0cb28c9/original/calling-hours-credit-josh-nesmith.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(15,15,15);">Calling Hours, an East Coast punk/rock band featuring members of Farside and Don't Sleep, has just released their debut album, "Say Less," produced by Brian McTernan. The album explores the vocalist Popeye Vogelsang's feelings of displacement and discomfort after moving from California to Pennsylvania. The music video for the single "Low End Theory" is now streaming online. Critics praise the album's catchy choruses, energetic punk roots, and a mix of melodic punk sensibilities with a contemporary twist.</span><span style="color:#222222;"><o:p></o:p></span></p><p><br><span style="color:#222222;"><strong>How did the band form and what does the band name mean?</strong></span><br><br><span style="color:#222222;"><o:p></o:p></span></p><p><span style="color:#222222;"><strong>Popeye: </strong>Popeye: Tom and Tony were in a band called The Commercials based out of Harrisburg, PA. They were planning a reunion show and found out that I had recently relocated from Los Angeles to Pennsylvania. The show promoter, Jeremy Weiss, is a mutual friend who got us all connected and I was invited to open the show doing a solo acoustic set. That turned into all of us playing some full band songs which also included some Farside songs.<o:p></o:p></span></p><p> <span style="color:#222222;">We had never met in person before the night of the show but when we ran through the songs during our soundcheck the chemistry was incredible! Lucky for me, they had been working on some songs but didn’t have a lead singer. I wasn’t working on anything musically at the time so I asked if I could try out as their frontman. They started sending me practice demos, I started scribbling out lyrics, and we took it from there.<o:p></o:p></span></p><p> <span style="color:#222222;">As for the name Calling Hours, honestly, I think we just thought it had a nice ring to it. We batted around several different possible names on what seemed like an endless thread of text messages between all of us before we finally found something that we all liked. At the same time, there’s a hint of darkness to the name without it being too dark or putting us in a corner where we have to live up to a specific sound or style.<o:p></o:p></span></p><p><span style="color:#222222;"><strong>Previous musical projects? How'd you first get into music?</strong><i><o:p></o:p></i></span></p><p> <span style="color:#222222;"><strong>Tony:</strong><span> </span>Well, Jim, Garrett, Tom, and I have been playing in bands together now for probably close to 12 years, and in addition to Calling Hours we have two other bands we play in called Don’t Sleep, and Very Americans, but Tom and I have been playing together since we were 16.<o:p></o:p></span></p><p><span style="color:#222222;">I think I first started getting into music when I was a little kid like Beach Boys, The Monkees, Beatles, stuff like that.<span> </span>I then started skateboarding in probably 5<sup>th</sup> grade and a friend started introducing me to more alternative stuff like Violent Femmes, Sonic Youth, Dinosaur Jr., Nirvana, and those bands and skate videos were then sort of the gateway into punk and hardcore, but I’ve always leaned a little more towards the melodic end of things.<o:p></o:p></span></p><p> <span style="color:#222222;"><strong>Garrett:</strong> Other than the bands Tony mentioned above (Calling Hours, Don’t Sleep, Very Americans), I played in a band in the early 90’s called Junction. I have an older sister who was into new wave music that got me into cool stuff when I was 11 years old (The Clash, Echo and the Bunnymen, Siouxsie and the Banshees, Sex Pistols), and then in 8<sup>th</sup> grade a kid named Brian Brasher moved to our town from South Carolina and he obviously thought I needed to pick up my game a little, so he gave me a tape with Bad Brains, Minor Threat and Black Flag on it, and I was hooked. Thanks for ruining my life, Brian!<o:p></o:p></span></p><p> <span style="color:#222222;"><strong>Popeye:</strong> My entire family has always been very musical. I was the only one to ever play in a proper band but my parents, my older brother and older sister all played instruments, so I guess music was always part of my upbringing. There always seemed to be music playing in our house and were one of those families that would have singalongs in the family station wagon when we would go on road trips. Also, my brother and sister had really cool friends so they were always bringing home new records that I got to listen to on the family stereo system. The Clash, The Jam, Elvis Costello and the Attractions and Oingo Boingo are standouts from that period of my life.<o:p></o:p></span></p><p> <span style="color:#222222;">As for previous music projects, being the singer for Farside was one of the most incredible experiences of my life! The 10-plus years that we spent together brought me more adventures than I could have ever imagined, and made me more friends than I thought I could possibly have.</span></p><p><span style="color:#222222;"><strong>First concert that you ever went to? </strong><i><o:p></o:p></i></span></p><p> <span style="color:#222222;"><strong>Tony:</strong><span> </span>I think the first local show I went to was to see a band called Lost Cause at a record store that did shows in Carlisle, PA.<span> </span>The first big national tour I think I went to was Lolapalooza 94 in Philadelphia.<span> </span>Beastie Boys, Smashing Pumpkins, Tribe Called Quest, Flaming Lips, Breeders… pretty epic show in retrospect.<o:p></o:p></span></p><p> <span style="color:#222222;"><strong>Garrett:</strong> The first concert I went to was in 6<sup>th</sup> grade.<span> </span>It was ZZ Top on the Eliminator tour. It was on City Island in Harrisburg, which was basically a massive dirt field in the middle of the river that you accessed by a walking bridge! Truthfully, I was mostly stoked to see the opening band Kix, who was one of my favorites at the time and were kinda hometown heroes. My parents were dope and let me get out of school early so I could line up early for the show. Our Cub Scout leader was supposed to be chaperoning my friends and me (we were wearing our Cub Scout uniforms!), but he got SUPER high and ended up passing out in a field. We had to call one of our parents from a pay phone to get a ride home. What an introduction to rock and roll!</span></p><p><span style="color:#222222;"><strong>What's your writing process like?</strong></span><br><br><span style="color:#222222;"><strong>Garrett:</strong> Our writing process for Calling Hours was a little different than how we’ve written for other bands. Our guitarists Tom and Tony and I would sit in a room and Tom would show us some sick riffs. We’d develop the riffs into a basic skeleton of a song with verses, choruses and bridges. Tony would then program a very basic beat to the skeleton of the song, and we’d share a demo of the song with our drummer Jim. Jim then would record drums to the song - even though Jim lives in the same town as us, this was a pretty efficient way to write, and also helped save what’s left of our hearing since Jim hits REALLY hard and is a loud drummer. <o:p></o:p></span></p><p><span style="color:#222222;">From there, we’d send the instrumental demo to Popeye to apply his lyrical and vocal magic, and he’d share with us the demos with his vocals on top of them. <o:p></o:p></span></p><p><span style="color:#222222;">Genius producer Brian McTernan entered the fold very early on in the process, and we knew he could take anything we would write and make it way better. Bearing this in mind, as a band we all agreed that we wouldn’t get too emotionally attached to anything we wrote because once Brian got involved with pre-production, the song could change just subtly or could change in a wholesale way. In the end, most of Brian’s input involved how to make better transitions in the song, slight changes to chord structures, etc., but we love what Brian did to make our songs better and the record never would’ve happened without him. We love you Brian!<o:p></o:p></span></p><p><strong> </strong><span style="color:#222222;"><strong>What other artists or songs inspire your music? </strong></span><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6ps2ioLkhpO0K0qYrv7HWm?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <span style="color:#222222;"><i><o:p></o:p></i></span></p><p><span style="color:#222222;"><strong>Garrett:<o:p></o:p></strong></span></p><p><span>Pegboy – Through my Fingers<o:p></o:p></span></p><p><span>My friend David Batista was living in Morgantown, WV in the early 90’s and he put on a show at a club called The Machine Shop. He invited my band Junction to play our very first show there with Admiral, Nation of Ulysses, and Icefan (who later changed their name to Lincoln). After the show, I was talking to David in the spare bedroom at his house and he played a record for me called “Three Chord Monte” by Pegboy. I was immediately hooked. When it was time for me to track the new Calling Hours record, I told our producer Brian McTernan I wanted my bass to sound like the bass on “Three Chord Monte,” and I think the tone that Brian came up with is pretty close!<o:p></o:p></span></p><p> <span>Seam – “Bunch”<o:p></o:p></span></p><p><span>Sooyoung Park, singer and guitarist for Seam, is a highly underrated and unsung genius of a songwriter and performer. His work in Seam and Bitch Magnet helped lay the groundwork for what later was dubbed “slow core.” Seam’s songs were beautifully crafted – they were incredibly catchy but also had a melancholy nature to them. Calling Hours songs have a similar quality to them – our singer Popeye’s vocals help create earwig pop songs that you can’t help but sing along to, but the themes and lyrical content have a sullen heft to them that I love.<o:p></o:p></span></p><p><span style="color:#222222;"><strong>Popeye:<o:p></o:p></strong></span></p><p><span style="color:#222222;">The Clash - Complete Control<o:p></o:p></span></p><p><span style="color:#222222;">In addition to the awesome melodies and overall songwriting, this song always reminds me of how proud I am to have spent my entire musical career on independent record labels and not be part of a corporation. This is one of those pivotal songs that inspired me to want to be a musician in the first place.<o:p></o:p></span></p><p> <span style="color:#222222;">Descendents - My World<o:p></o:p></span></p><p><span style="color:#222222;">Displacement and isolation are not always bad things. They can sometimes lead to healthy self-reflection. Even though this song isn't a happy tune, the overall theme often reminds me that it's OK to be angry at the world with the hope that I'll gain some knowledge from my daily experiences.<o:p></o:p></span></p><p> <span style="color:#222222;"><strong>Jim:<o:p></o:p></strong></span></p><p><span style="color:#222222;">Descendents – Clean Sheets<o:p></o:p></span></p><p><span style="color:#222222;">Nivana – In Bloom<o:p></o:p></span></p><p><span style="color:#222222;">When I was working on The Say Less record, I aimed for drums that were both mighty and easy to groove to with a solid beat. My main inspirations were The Descendents' "All" and Nirvana's "Nevermind." I admired the drumming styles of Bill Stevenson and Dave Grohl and how they seamlessly integrated their drum parts into the songs. Both albums featured a straightforward but potent eight-note rhythm that perfectly complemented the vocals, blending elements of pop with hard-hitting drums, leaving room for the songs to breathe. In discussions with Tony and Garrett, as we kicked off the writing process, I expressed my desire for the record to capture the essence of Bill Stevenson and Dave Grohl's drumming. They were on board with the idea, and I believe Brian McTernan did an excellent job translating that vision.<o:p></o:p></span></p><p><span style="color:#222222;"><strong>Tony:<o:p></o:p></strong></span></p><p><span style="color:#222222;">Texas Is the Reason – Back and To The Left<o:p></o:p></span></p><p><span style="color:#222222;">TITR is probably my favorite band of all time, and I think they do that style of melodic hardcore with both aggression and melody perfectly.<span> </span>It was kind of a game changer for me when I first heard them, and I think they’ve influenced me to some degree in almost everything I’ve done musically since.<o:p></o:p></span></p><p> </p><p><span style="color:#222222;">Samiam – Sunshine<o:p></o:p></span></p><p><span style="color:#222222;">Samiam is a band that I don’t think ever got the accolades or level of commercial success they deserved relative to a lot of their contemporaries, but I think are beloved by a lot of musicians.<span> </span>Really well written, catchy songs, that rock.<span> </span>I think that blend of melody and fast paced songs that are born from punk and hardcore is where I like to land when I’m thinking about songs for Calling Hours, and I think this song “Sunshine” and the whole album it’s off of “Astray” is a great example of that.<o:p></o:p></span></p><p> <br><span style="color:#222222;"><strong>Tom:<o:p></o:p></strong></span></p><p><span style="color:#222222;">Sugar-Changes <o:p></o:p></span></p><p><span style="color:#222222;">The way Bob Mould plays the whole guitar and it has this open turning like drone from Husker to his solo material is perfect <o:p></o:p></span></p><p><br><span style="color:#222222;">Superdrag – Feeling Like I Do<o:p></o:p></span></p><p><span style="color:#222222;">This song is what I want Calling Hours to sound like each time I write a song.<o:p></o:p></span></p><p><span style="color:#222222;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><br><br><span style="color:#222222;"><o:p></o:p></span></p><p><span style="color:#222222;"><strong>Tony:</strong> That’s a good question.<span> </span>For me, I think when I go to see bands, I like when they are into the music, are engaging with the crowd, going off, etc.<span> </span>That energy is a lot of what I think what drew me initially to underground music, and punk/hardcore specifically.<span> </span>To that end, sometimes live songs can be a little sped up, the vocalist is maybe putting some more aggression into their voice, etc., and I dig that, and hope people feel we are able to bring elements of that to our live show.<span> </span>I love recording, and I think you can do a lot of things in the studio that can really add to a song, but I do like that the album and recording can be two different things that come from the same starting point.<span> </span><o:p></o:p></span></p><p><span style="color:#222222;"><strong>Has the band toured? What has the touring experience been like? Best shows? Worst shows?</strong></span><br> </p><p><span style="color:#222222;"><strong>Garrett:</strong> The arc of this band is kind of unusual in that we were lucky enough to have a record deal in place with Revelation Records before we played our first show and got an opportunity to go on a European tour after only playing three shows, and without having a record out yet. <o:p></o:p></span></p><p><span style="color:#222222;">The European tour just wrapped up a few weeks ago, and we tagged along with As Friends Rust, playing shows in Germany, England, Belgium and Holland. All of the shows went great, As Friends Rust quickly became our favorite band and our favorite people, and we were counting our blessings every day that we had the opportunity to go on such a rad tour!<o:p></o:p></span></p><p><span style="color:#222222;">Highlights of the tour were playing at Club Indra in Hamburg, Germany on the same stage that the Beatles played on 38 days in a row when they were first coming up, playing at the famed Conne Island in Leipzig, having a few spare minutes to visit Abby Road Studios before our London show, exploring the beautiful streets of Antwerp, Belgium before and after the show and eating a custard and chocolate waffle there, and just in general getting to hang out with fantastic people and make a bunch of new friends – all the guys in As Friends Rust and their crew, Wasted Years, Tomas our driver, Betty, David and Weronika in Munich, Katherine in Arnhem and Haino in Schweinfurt! Hope to see all of our Euro friends again very soon!<o:p></o:p></span></p><p><span style="color:#222222;">No worst show to mention!<i><o:p></o:p></i></span></p><p><span style="color:#222222;"><strong>What's up next for the band?</strong><i><o:p></o:p></i></span></p><p><span><strong>Garrett:</strong> We’re just a couple of days away from the release of our record “Say Less” on Revelation Records when we’re answering this. Next weekend we’re playing a couple of record release shows – one in Brooklyn at Saint Vitus with As Friends Rust and one in our hometown of Harrisburg, PA with our good friend Deletions. We’re starting to work on some shows throughout early winter and spring, and are hoping for some West Coast shows in the near future, as well as more overseas shows. We have already demo’ed a handful of songs that’ll be on our next record.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nOAXr142Aqc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nOAXr142Aqc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span><o:p></o:p></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5Y1ADOHxk-A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5Y1ADOHxk-A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="AJDuGMEZJ9I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/AJDuGMEZJ9I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73059082023-12-06T05:00:00-05:002023-12-10T14:34:14-05:00EXCLUSIVE INTERVIEW WITH AARON PFANNEBECKER OF SEE JAZZ<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d13142ed36e7b12ccb755baefe8c490c1e292b7e/original/see-jazz-photo3bycolinmarchon-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(15,15,15);">See Jazz, led by Aaron Pfannebecker, unveils "1982," a track from their debut album "Is This Anything?" accompanied by a captivating video by Steven Levine. The song blends ethereal pop melodies with suspended chords, evoking an 80's shoegaze atmosphere, featuring modulating vocals and post-punk elements. The album, created in NYC and Western Massachusetts, explores contemporary America's complexities, influenced by artists like Nick Nicely and New Order. With Zara Bode on vocals and Adam Langellotti on bass, See Jazz crafts warped bedroom collage pop guitars, forming music for outsiders in a unique world. "Is This Anything?" is a mosaic of melodies inviting listeners on an auditory journey, transcending the ordinary and embracing the unconventional.</span></p><p><br><span style="color:#0D0D14;"><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">Honesty. Honesty in emotion or story. Specificity and honesty done well is the goal. That’s the gold standard. <o:p></o:p></span></p><p> </p><p><span style="color:#0D0D14;"><strong> Q: What is the basis for writing attention-grabbing music in the year 2023? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">Attention-grabbing makes me think of something who is consciously trying to cut through something, which makes me think of a career mindset or someone who’s looking at art like a competitive landscape, which I think is gross and damaging. <o:p></o:p></span></p><p> </p><p><span style="color:#0D0D14;"><strong> Q: What has it been like working with an indie record label as opposed to working on your own? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">I’ve done both. This is totally on my own. I’m not going to lie. It’s hard! I mean, it’s so easy to lose your compass and so hard to trust your gut, making something you care about, crafting it, and then releasing it into the world. It’s daunting. I mean, everyone is hard up, and we’re in a world where numbers impact cultural considerations, amongst other things. But maximum respect to anyone who sees their work through to the end. <o:p></o:p></span></p><p> </p><p><span style="color:#0D0D14;"><strong> Q: Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">So many. Working on these songs, I relied on my impulses, and I think I’m aware enough to know which artists and which songs have formed my impulses and tastes. The The shaped a lot of how I approached this record. New Order and their minimalism, too. I also was inspired by sound in general. Playing with pedals, creating textures, and then knitting together layer upon layer. <o:p></o:p></span></p><p> </p><p><span style="color:#0D0D14;"><strong> Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">Absolutely not. The children are the future. First of all, energy is contagious. There’s this Kim Gordon quote I always think of, and I think she said it, or at least I always attribute it to her. “People will pay money to see someone who believes in themselves.” It’s beautiful, and it’s true. That energy is a fire, and it’s essential. I’m always bouncing around with what I’m aware of or listening to, so I’ll caveat what follows with that statement, but Horsegirl is great. They are young. They are doing their own thing despite perhaps the genre they are playing with (not in). I don’t know if Weyes Blood is younger than me, but she’s a beacon of sound and vision. Bodega are my favorite kind of underground. Soft Yes here in New York are young and have some fantastic songs. There are so many, and I know I’ll kick myself for thinking of more after this. <o:p></o:p></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0TeUQjli5dthUVheqjLOjQ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#0D0D14;"><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">Introspection. Respite. Insecurity. Second guesses. Throw all that together, and you get an album called Is This Anything? <o:p></o:p></span></p><p> <br><span style="color:#0D0D14;"><strong>Q: Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">100% both, and there’s no rhyme or reason other than knowing if something is done or if it’s not. And you know. Sometimes, you wrap quickly. Sometimes, an ingredient is missing that you’re either not aware of yet or you haven’t had an opportunity to add it yet. In the case of this record, all of these are true. <o:p></o:p></span></p><p> </p><p><span style="color:#0D0D14;"><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project? </strong><o:p></o:p></span></p><p><span style="color:#0D0D14;">I have enough songs written now to make a record. Most of this was done by myself, and I still want to add my own weirdness to whatever’s next, but I also want to incorporate more of other people’s personalities into it. Zara’s voice is fantastic on this. I’d love to use her more. Adam’s bass is perfect. I’d love to use him more and then mix all of that with strings and live drums vs. all drum machines, which is what this was. But I still want to use drum machines. I love drum machines. I want to get Wendel samples and go from there. </span></p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=2585229738/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://seejazz.bandcamp.com/album/is-this-anything">Is This Anything? by See Jazz</a></iframe></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73058782023-12-05T05:00:00-05:002023-12-05T08:23:37-05:00WHAT'S IN OUR INBOX! GALE FORCES, KC RAE, LAURA JANE GRACE, LOCAL BLOOD, PET NEEDS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. A really fun mix of styles today from very popular bands like Laura Jane Grace and newcomers like Post Punk from Lithuania Local Blood. We keep it pretty punky today except for the exquisite KC Rae who makes a great mix of Indie Rock and Indie Pop. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name:</strong> Gale Forces</p><p><strong>BMN Score: </strong>8.2/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">"Highlights of Existence" channels the energy of our primary need for connection. The realization that we’re never that far apart when we sit down and raise a glass around a fire, or in the backyard. What’s at stake is the quality of our lives and the ability to problem solve, by the better angels of our nature." </span>“Reach in and tie the rose, melting the callous of your heart” sums up a desperate summons for more."</p><p><strong>What we say they sound like: </strong>This kind of has a punky Killers feel, but maybe focused through a post punk lens. I could also see something like Gaslight Anthem being where this band is coming from. Although I like the vocals on this better, it's not reaching to be an imitation, it's got it's own unique timbre to it. Overall the sprinling of good songwriting and equal parts alt rock and post punk make this standout from other contemporaries. </p><p><strong>Song to add to your playlist: </strong>Highlights Of Existence</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="q4tRIrwsFm8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/q4tRIrwsFm8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> KC Rae</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">With big discoveries, came a new sense of self. KC Rae, as she goes by now, acknowledges that writing the songs found on <i>Think I’m Gonna Die</i> started out as an attempt to regain her power. “It felt like I was writing a response to all of the times I’d been told ‘No' in my career. And to be honest, I kind of just wanted to prove that I could do something on my own, as the sole writer, musician and producer of a thing that was just mine.” However, as time went on, the solo process became much more than that; it became the timestamp of a painful yet incredible chapter in life. The album is raw and uncompromising, yet also warm with familiarity; the way a brand new pair of denim might feel— at first pinching at the soft spots— and eventually easing into a second skin. </span></p><p><strong>What we say they sound like: </strong>This has a great vibe that lands somewhere between Boygenius and Soccer Mommy. It's catchy, it's fun and it's got a solid groove that is more high end pop than indie rock. This has a nice restraint it where it just flows and becomes something that can be endlessly listened to. This has a little bit of 90's vibe as well like a mellow Lemonheads or Juliana Hatfield song but it's definitely more in line with Sophia Allison of Soccer Mommy if I had to make a direct comparison. The video as well is like the music, it's simple, concise and perfect for the genre. </p><p><strong>Song to add to your playlist: </strong>Bathroom Floor</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8CBGSLOcmr4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8CBGSLOcmr4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Band Name:</strong> Laura Jane Grace</p><p><strong>BMN Score: </strong>9.9/10</p><p><strong>What the band says:</strong> <span style="color:rgb(51,51,51);">A musical force since </span>Against Me!<span style="color:rgb(51,51,51);">'s debut in the late-’90s and one of </span><i>Billboard Magazine</i><span style="color:rgb(51,51,51);">’s “</span>50 Greatest Rock Lead Singers Of All Time<span style="color:rgb(51,51,51);">,” punk veteran </span>Laura Jane Grace<span style="color:rgb(51,51,51);"> has never shied away from themes of political commentary, environmentalism, social critique and candid self-exploration. On the forthcoming </span><i>Hole In My Head</i><span style="color:rgb(51,51,51);">, she continues to showcase her songwriting genius across the 11 tracks presented here, issuing an album that captures the nuances of humanity and experience in a strangely optimistic manner. The lightness of its influence, and the journalistic recollection of experience set against a battered and warm folk-punk delivery from beginning to end, makes </span><i>Hole In My Head </i><span style="color:rgb(51,51,51);">a refreshing comfort.</span></p><p><strong>What we say they sound like: </strong>Gotta be honest, not a huge fan of this genre but this is enjoyable and nobody really does this better than Laura Jane Grace. It's like a mature version of the Ramones. It's got deeper lyrical content and music that feels like it has more depth to the guitar playing than Johnny Ramones style. There's something to be said for brevity in post punk, this song is the perfect length which is great for multiple listens and adding to playlists. </p><p><strong>Song to add to your playlist:</strong></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9hC9Mg_YzGw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9hC9Mg_YzGw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br><strong>Band Name:</strong> Local Blood</p><p><strong>BMN Score: </strong>9.2/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">This idea of the album is felt when listening to both the album’s lyrics and the composition of each song. “Loverman” is created as a conceptual one-piece, so it should be listened from the beginning till end, because the story of the main protagonist is being told throughout the album as a whole. What’s more, at the end of the album, the listener should hear some hints of what may be expected in our future work,” – the band shares their comments about their new release.</span><br><br><strong>What we say they sound like: </strong>This song has stong bite to it, dancey and similar to bands like The Bravery but mixed with classics like the Talking Heads. This is definitely the sound of the underground and exactly what we're hearing out of Bushwick Brooklyn from some of the biggest post punk bands like Dead Tooth and Two-Man Giant Squid. I was blown away to find out this is from Lithuania. Maybe the Brooklyn sound has been stealing from Lithuania this whole time and we didn't know it. Either way, this has energy, grit, and danceability along with blistering guitars. </p><p><strong>Song to add to your playlist: </strong>Lovesong</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1hMivCasbEw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1hMivCasbEw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Band Name:</strong> Pet Needs</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong>“In the last 18 months we have been catapulted from steady jobs and playing in our small town local bars to world tours at a million miles an hour. The life we’d grown accustomed to is constantly thrown behind us until it disappears into the distance in our rearview mirror. We thunder forward, show by show, adventure by adventure, until [normal life] returns as a speck on the horizon like an oasis in the desert. Then suddenly we’re home again. I sit content on the sofa with a beer, my wife and our new little puppy wondering what the hell just happened for the last three months.”<br><br><strong>What we say they sound like: </strong>Musically this didn't blow me away but more the charisma of the lead vocal is what put this over the top to make this weeks list of singles. I think it's just that almost tuneless way bands like IDLES and this band as well bark vocals but then also at other moments can sing in perfect harmony. This has a great post punk edge to it that sets it apart from other stale pop punk bands. </p><p><strong>Song to add to your playlist: </strong>Separation Anxiety</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ehmelwQBF9Y" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ehmelwQBF9Y?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73050942023-12-04T05:00:00-05:002023-12-04T05:00:01-05:00MEET BROOKLYN SONGWRITER & PRODUCER JAE SOTO<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c6435d8d48c7f4134e39e926506dafd6b8680caa/original/9a2de8779ce00d771aa6976c-1260x1180.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><p><br><span style="color:rgb(15,15,15);">Brooklyn-based songwriter and producer Jae Soto has just released "Citizen Jane," a dystopian-themed mini video game set in 2073, where players navigate a post-environmental disaster world governed by a social credit system. The game, created in collaboration with Nima Niazi, integrates Soto's music to enhance the immersive experience. In addition to the game release, Jae Soto recently dropped a new single, "Working the Weekend," showcasing a blend of indie-alternative and experimental pop. The song, created using the vintage Roland Alpha Juno 2 synthesizer, explores the challenges of working-class life with minimalist lyrics and a playful nihilistic chorus. Soto's musical journey, from session singer to solo artist, draws from eclectic NYC influences and culminates in a unique sound that combines traditional songwriting with processed sounds. A release party for the single and game is set for December 10 at Wonderville, featuring gameplay and live music.</span></p><p><span style="color:rgb(0,0,0);"><strong>How did the band form and what does the band name mean?</strong></span></p><p><span style="color:rgb(28,25,23);">Jae Soto has been my artist name for the past few years, but it's closely tied to my actual name, Justina Soto. I started this project a few years ago as a way to share my songwriting after spending many years feeling disconnected from my creative side. It began more simply as a personal creative outlet without expectations or pressure. Over time, as I've released my original music, I've started to gain clarity around my own artistic identity, which was my original hope! </span></p><p><span style="color:rgb(0,0,0);"><strong> Previous musical projects? How'd you first get into music? </strong></span></p><p><span style="color:rgb(0,0,0);">Singing has been an innate form of expression for me since childhood. I remember being 12 and feeling this compulsion to sing - it was stimulating in a way nothing else was. I tended to have trouble articulating my thoughts and feelings, but singing allowed me to bypass that and just express myself through sound.</span></p><p><span style="color:rgb(0,0,0);">Attending a performing arts high school in Queens was really pivotal and saved me in a lot of ways. I was immersed in music theory, vocal technique training, ear training - all vital skills. But most importantly, it gave me a creative community and outlet during those formative years. I think it really gave me the grounding I needed at the time. </span></p><p><span style="color:rgb(0,0,0);">I started out professionally as a session vocalist and background singer, working with various bands and artists including a few modern Jazz and pop ensembles. While I enjoyed performing, I never fully felt like I had found where I belonged creatively, but a major turning point came after I attended Ableton's Loop summit in Berlin back in 2017. After that, I sort of became fascinated with using hardware like loop pedals, synthesizers, and effects modules to make sounds and since then I’ve been intertwining my songwriting with creative production techniques. </span></p><p><span style="color:rgb(0,0,0);"><strong>First concert that you ever went to?</strong></span></p><p><span style="color:rgb(0,0,0);">I believe the first concert I went to was Dashboard Confessional in NYC! : ) </span></p><p><br><span style="color:rgb(0,0,0);"><strong>What's your writing process like?</strong></span></p><p><span style="color:rgb(28,25,23);">Songwriting begins for me when I get fixated on a particular chord or chord progression that I really enjoy playing. If the progression has some crunchiness in the harmony to it, that often sparks ideas for vocal melodies that can play off that harmonic tension.</span></p><p><span style="color:rgb(28,25,23);">When it comes to crafting the song's overall sound, I'll start by recording a rough sketch of the song with scratch vocals over the chord progression to capture the initial musical idea. Then I like to have freeform improv sessions using my guitar pedals. I'll experiment with different textures and loops and from these improv sessions, I'll pick out the moments and passages that stand out to me. Like putting together a collage - I piece together and rearrange the most inspired fragments from the improvisations. </span></p><p><br><span style="color:rgb(0,0,0);"><strong>What other artists or songs inspire your music? </strong></span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/79zfVWMEcK9mDIUm4E9D9L?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p></div><p><span style="color:rgb(0,0,0);">During quarantine, I made it a point to listen to a lot of new music (like Luke Temple and Kate NV). I would go on long bike rides and just let the albums play and I think it really helped expand my musical palette and clarity on what I enjoy hearing and creating as an artist, especially when it comes to<span> </span></span><span style="color:rgb(28,25,23);">playing with musical form and disregarding genres.</span></p><p><span style="color:rgb(0,0,0);">It reminded me that new things really filter into our subconscious "little monkey brains" and gradually shape our artistic instincts and eventual output. </span></p><p><span style="color:rgb(0,0,0);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p><span style="color:rgb(0,0,0);">I spent much of this past year playing solo shows and experimenting with different ways of performing the music live. My approach has changed so many times, and although I never feel like I've completely nailed it, I've come to understand that each song flourishes in its own way.</span></p><p><span style="color:rgb(0,0,0);">Some songs simply feel huge and amazing when I play the full instrumental, layer big synths on top, and sing along. Others feel better when I'm just looping textures and creating a more improvisational version. When given the chance to lean into improv, I sometimes surprise myself with what I come up with and feel really relieved to have created a space to just go completely off in whatever way instead of counting measures and having to stay within the tracks limitations. </span></p><p><span style="color:rgb(0,0,0);">Ultimately, I've learned it depends entirely on the individual song and what feels right in the moment. But having the flexibility to reshape them live has been really rewarding.</span></p><p><span style="color:rgb(0,0,0);"><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></span></p><p><span style="color:rgb(28,25,23);">My worst concert experience has to be when I peed my pants at the 5th grade Christmas concert, but my favorite experiences have been playing for audiences I was initially terrified of, assuming they'd be hostile, only to find them really engaged and surprisingly supportive.</span></p><p><span style="color:rgb(0,0,0);"><strong>What's up next for the band? </strong></span></p><p><span style="color:rgb(0,0,0);">I'll be releasing the full album Spring of 2024 and playing the music for folks.<span> </span></span><span style="color:rgb(28,25,23);">I'm also looking forward to sharing some projects involving the integration of programming languages to process and generate sound in new ways. </span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rl5zAvWvLCA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rl5zAvWvLCA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><span><strong>Play: Citizen Jane video game at </strong></span><a class="no-pjax" href="https://t.e2ma.net/click/bpgltj/bdr5em/fk79zp" data-name="Itch.IO" data-type="url"><span style="color:rgb(36,82,215);"><span><strong><u>Itch.IO</u></strong></span></span></a><br><span><strong>Stream: "Working the Weekend" at </strong></span><a class="no-pjax" href="https://t.e2ma.net/click/bpgltj/bdr5em/vc89zp" data-name='Stream: "Working The Weekend" at YouTube' data-type="url"><span style="color:rgb(36,82,215);"><span><strong><u>YouTube</u></strong></span></span></a><span style="color:rgb(36,82,215);"><span><strong> </strong></span></span><span style="color:rgb(0,0,0);"><span><strong>or</strong></span></span><span style="color:rgb(36,82,215);"><span><strong> </strong></span></span><a class="no-pjax" href="https://t.e2ma.net/click/bpgltj/bdr5em/b589zp" data-name="all digital platforms" data-type="url"><span style="color:rgb(36,82,215);"><span><strong><u>all digital platforms</u></strong></span></span></a><br> </div>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73109552023-12-03T05:00:00-05:002023-12-03T16:38:36-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#14)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/753008e25ecef8425c63a7e6b67542e3c4be88e6/original/comic000.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE LAMLIGHTER (cover) by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/950cb34f5bb8a2cc25850209b705fb36021fe551/original/bh13.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><br><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 13 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br> </p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="2Qs1J612nZs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/2Qs1J612nZs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73041172023-12-01T05:00:00-05:002023-12-02T15:37:30-05:00Who is Seaside Wavy?: The Odessey of Yama and Seaside By Justin Martin<p dir="ltr"><span><img src="https://lh7-us.googleusercontent.com/fIc_pLKtMX_Juv4RctbTpRRu9mJ5P5CepLX8k6YaE77eZhSTyVxgwz0hPwuopidkr8Dsdr3FZ1Z466hajf4FHKPqs6BfGa0J27y64kFDjRyVD8sQxnBYQXF9Rhzz9mNidJ2z3TJWA0J3qdyZlXOOkPw" class="size_orig justify_inline border_" height="416" width="624" /></span></p><p dir="ltr"><span>Image via </span><a class="no-pjax" href="https://www.instagram.com/p/CpdaHzWOLY5/?img_index=1" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>seasidewavy17k</u></a><span>. Photo credits to </span><a class="no-pjax" href="https://www.instagram.com/itz_demarco/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>@itz_demarco</u></a><span> and </span><a class="no-pjax" href="https://www.instagram.com/cashcors/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>@cashcors</u></a></p><p dir="ltr"><br><span>Hip-hop constantly evolves, with emerging artists pushing boundaries and setting new standards. One such artist is </span><a class="no-pjax" href="https://www.instagram.com/seasidewavy17k/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Seaside Wavy</u></a><span>, a rapper from South Jersey. With his dual personas, Seasidewavy and Yama, he creates a unique blend of laid-back vibes and explosive energy, and his work continues to impact the local rap scene.</span></p><p dir="ltr"><span>Seaside Wavy describes his dual personas as the "wavy side" and the "turn-up guy." Seasidewavy embodies a chill and relaxed demeanor. Yama is about getting lit, creating turn-up music, and igniting a riot of energy. This duality creates a yin and yang effect in his music, showcasing the multifaceted talent of Seaside Wavy.</span></p><p dir="ltr"><strong>Roots and Beginnings</strong></p><p dir="ltr"><span>Hailing from Burlington in South Jersey, Seaside Wavy has journeyed across the East Coast, from DC to New York. He first dipped his toes into the music scene at 12, but at 15, he took a serious plunge into recording and refining his craft.</span></p><p dir="ltr"><span>Seaside Wavy draws inspiration from various artists, with Future and Uno the Activist being significant influences. In the early days, Waka Flacka played a pivotal role in inspiring the energetic turn-up persona of Yama, influencing both his high-octane tracks and the wavy flows that define his style.</span></p><p dir="ltr"><strong>Unforgettable Performances</strong></p><p dir="ltr"><span>What sets Seaside Wavy apart is his ability to turn a stage into a dynamic playground of raw energy and excitement. His sets are not just performances; they are experiences that leave the audience out of their seats and jumping around. Whether you're a fan of the laid-back wavy vibes or the explosive Yama energy, Seaside Wavy's live shows are unforgettable.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="TWSiujj__x8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/TWSiujj__x8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><strong>Highlighting “Nightmare in Yama Wrld”</strong><br><br><span>Seaside Wavy's latest project, "</span><a class="no-pjax" href="https://linktr.ee/seasidewavy17k" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Nightmare in Yama Wrld</u></a><span>," takes listeners through a beautiful nightmare featuring Seaside's best work. The album, released in late August 2023, consists of 11 songs and has a total runtime of 25 minutes. It is a testament to Seaside's artistic growth and development. My favorite track is "White Russian ft. cashcor," where Seaside delivers his signature wavy flows over hypnotic plugNB-style synth chords. The track's catchy melodies and rhythms draw the listener into a sedated trance, offering a dreamy reprieve before the next track, "Mimi!," blows out the speakers. Seaside Wavy has plans for a deluxe version of the album, inviting listeners to explore the beginning and end of the world through his music.</span></p><p dir="ltr"><span>The rap scene is on high alert as Seaside Wavy continues to ride the waves of creativity and innovation. Keep an ear to the ground for his singles and upcoming projects as Seaside Wavy cements his place as an up-and-coming force in South Jersey and beyond. Also keep an ear out for local independent psychedelic rock band </span><a class="no-pjax" href="https://lucidmedia.blog/2023/09/05/who-is-swansun/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Swansun</u></a><span> with their new album </span><a class="no-pjax" href="https://open.spotify.com/album/5wPESdVS1lJP1XYWYjTYhQ?si=HTkFYV8hQBmrSF981M_VMA" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Break the Seal</u></a><span> and independent rapper like </span><a class="no-pjax" href="https://bloodmakesnoise.net/blogs/reviews/posts/7278301/meet-nj-backpack-hip-hop-rapper-wiseboy-jeremy-by-jd" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Wiseboy Jeremy</u></a><span> and his newest project </span><a class="no-pjax" href="https://open.spotify.com/album/2pwuJsALaF3rxQuuAPqjh2?si=gNVIstShT168zo4rgSG70w" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Still Chldrn</u></a><span>.</span></p><p dir="ltr"><span>~</span><a class="no-pjax" href="https://lucidmedia.blog/about/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Justin “JD” Martin</u></a></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73029402023-11-30T05:00:00-05:002023-11-30T05:00:01-05:00BMN EXCLUSIVE PREMIERE: SCUMMING (YAWN MOWER & WETBRAIN SIDE PROJECT) <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8c5c7a009c939e5ad61d0584c21f6af58c075101/original/img-8415.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the ever-expanding universe of Biff Swenson's musical endeavors, Scumming emerges as the latest constellation, a love letter to the Midwest emo scene of yesteryears. Teaming up with Rudy Meier, they channel the spirit of fourth-wave emo giants Algernon Cadwallader and Snowing in a three-song EP that's a nostalgic nod to that magical era between 2005 and 2010.</p><p>Clocking in at a concise 4:20, this twinkle-daddy noodle-punk worship is a sonic journey through the Midwest emo landscape, paying homage to its titans while carving a space for Scumming's distinctive voice. It's a musical snapshot that captures the essence of a bygone era, a reminiscent voyage with a modern twist.<br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8f5ac5190c244719d3a6fac8d63797725e646f0c/original/scumming-ep-art.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>The dynamic duo of Biff (Yawn Mower, Dana Why, Grasser) and Rudy (Tide Bends, Wetbrain, Bristler), along with their Yawn Mower comrades, is on an ambitious streak, unleashing a barrage of releases in a year and a half. The Scumming EP is just the opening act, paving the way for a slew of projects, including Mike Chick's third solo record, sophomore albums from Grasser, Dana Why, and Yawn Mower, and not forgetting the two EPs from Bristler.</p><p>The lyrics, a poetic expedition through urban landscapes and counterculture shenanigans, add another layer to the Scumming experience. From the caffeinated chaos of "Espresso Tonic Clouds" to the introspective musings of "70 Whatever and Still," and the irreverent swagger of "Double Denim Chic," each song paints a vivid picture of life on the fringes.</p><p>In a world where the collective output of Scumming and its musical kin seems relentless, there's no sign of the creative well running dry. With Scumming leading the charge, their musical journey continues to unfold, promising more sonic adventures for those who crave the raw, unfiltered spirit of Midwest emo as seen through the eyes of these Asbury Park, NJ punks. So, buckle up and dive into the world of Scumming—it's a ride worth taking.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="23oGWBzQYts" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/23oGWBzQYts?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72990632023-11-29T05:00:00-05:002023-11-29T05:00:01-05:00AN EXCLUSIVE INTERVIEW WITH CHICAGO'S LA ROSA NOIR<p dir="ltr"> </p><p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/867cbfa023358eeac82d65cf4b10398776afcc1d/original/img-6065.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"><span style="color:rgb(55,65,81);">Hailing from the vibrant streets of Chicago, IL, La Rosa Noir emerges as a post-punk powerhouse, infusing dark and dreamy surf tones with a nod to the moody alt rock of the '90s. Comprising five talented members—Yeshi Regalado as the mesmerizing frontwoman and singer-songwriter, Jannese Espino shredding as the lead guitarist, Dmitri Snyder adding trumpet and synth magic, Christian Ovalle on drums, and Kevin Martinez thumping the bass—the band's cool and fun sound encapsulates their upbringing on both the north and south sides of the city. Recently dropping their highly anticipated album "Arellano," produced by the maestro Alex Gonzalez, La Rosa Noir celebrates a triumphant five-year journey in the Chicago music scene. The culmination of two years in the studio has brought forth an album that holds profound meaning for the band, culminating in an ecstatic album release show at Sleeping Village on December 16, featuring stellar acts like The Renters, Future Nobodies, and Machine. This event isn't just a personal victory but a collective win for the latinx/poc creative community and local music scene, a celebration made possible by the unwavering support of fans, friends, and fellow local bands. Join us on December 16 at Sleeping Village as we revel in the achievement of crafting an album that resonates with the heart and soul of our vibrant city.</span></p><p dir="ltr"><span style="color:#222222;"><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - Being vulnerable, writing about things you normally don’t talk about but emotionally wear on your sleeve. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - Being a good storyteller. </span></p><p> </p><p dir="ltr"><span style="color:#222222;"><strong>Q: What is the basis for writing attention-grabbing music in the year 2023? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - Write something emotional and feels good when you hear it. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - Having hooks. </span></p><p> </p><p dir="ltr"><span style="color:#222222;"><strong>Q: What has it been like working with an indie record label as opposed to working on your own? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir -It’s really nice to have a larger team to work with and gain assistance from. They help a lot with press and guidance.</span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - We have deadlines so we’re on a schedule and everything we do is deliberate. </span></p><p dir="ltr"><span style="color:#222222;"><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - Slop by Forth Wanderers. When I first heard this song my heart exploded and every brooding emotion in me poured out of my veins and onto my skin with the help of this song/band. It was just one of those experiences you know when you listen to a new song for the first time. I absolutely love the lead vocalist’s moody voice and lyrics. The cool guitar tones over the deep, warm rhythmic bass and drums. Everything about this song inspired me to further explore the alt rock and dreamy shoegaze genre with La Rosa Noir. It was one of the songs that influenced the writing and creation of Lavender Warm, along with High by Slow Pulp. Another really good shoegaze female fronted band. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - I’m a huge fan of Jimi Hendrix as a songwriter, he’s a poet in the same way as Bob Dylan and Woody Guthrie, but he's overlooked because of his virtuoso guitar playing and larger than life persona and image. Little Wing and Bold as Love are standouts for me. </span></p><p> </p><p dir="ltr"><span style="color:#222222;"><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - I find myself being inspired by younger artists and their energy. One I can think of is a local female lead singer, she fronts Scarlet Demore. When I first saw them a few years back I was completely blown away. I remember sitting down for the band prior to them and as soon as I heard her sing I stood back up. I couldn't believe how emotional and intense she sang. It was easily one of the most powerful showcasing of talent I’ve witnessed in a while. When I found out the band was barely 21 I was shook. We’ve played a few shows with them since then and every time I see her perform live, not only do I get inspired to get better at my craft but I also find myself feeling an overwhelming sense of pride. Kat of Scarlet Demore is also a latina lead singer for an alt rock band and we’re both a part of something really cool and amazing, the local Chicago music scene. Seeing her and other younger female lead alt bands makes me so happy, motivated, inspired and proud that we really are out here. Doing what we love and trying to feel something doing so. It’s kinda working out for us so far haha. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - Scarlet Demore are a band I’m influenced by at the moment. They recently had a sold out EP Release Show at Lincoln Hall that blew me away. We’re lucky to have Alex Gonzalez (guitarist of Scarlet Demore) produce our album <i>Arellano</i>. </span></p><p> </p><p dir="ltr"><span style="color:#222222;"><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - The lyrics in our recent album “Arellano” were inspired by my life’s experiences. A lot of the lyrics I write are about my mom, my perspective of her and emotional response to her passing of cancer when I was 21. She died in my arms. I also write about my broken relationship with my father and I guess sometimes my broken relationship with myself. The more lighter toned songs like New Gods and Lavender Warm are about me mending that relationship with myself. Remembering to follow my “gut feeling” and that no matter what I do in life or where I end up, my God or your God or all of our Gods will be there at the end of day, waiting to receive us in their sweet embrace and that everything will always end up being okay :) </span></p><p dir="ltr"><span style="color:#222222;">I named the album Arellano, after my mamacita’s maiden name. She was one of the strongest women I’ve ever known and she happens to be the one who inspired my love for singing. In this album I write a lot about relationships. Whether they be with myself, the women and or the men in my life. Life is hard and music and writing has always been a way for me to respond to its harshness in a healthy way that can actually bring comfort to others as well. Realizing this skill makes me feel like I have a superpower which is an incredible feeling. .</span></p><p dir="ltr"><span style="color:#222222;">I really wanted this album to feel warm, heavy, and thick with emotion. I love the dreamy dissonance of post punk and the fiery penetrative energy that alternative and punk sounds ignites. I grew up on that and feel like that will always be an energy that influences how I view the world and write my musical response to it. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - I approach all the songs Yeshi brings to the band with the mentality of “How can I service these songs?”. I don’t ever think I can change her original piece and instead think of what I can add. When I introduce a song I like to have a title for it to establish some kind of theme then I leave the lyrics to Yeshi, I’ve already done enough!</span></p><p dir="ltr"><br><span style="color:#222222;"><strong>Q: Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever revisit old material to do a re-write or once it’s done it’s done? </strong></span></p><p dir="ltr"><span style="color:#222222;">Yeshi Regalado, Frontwoman of La Rosa Noir - We’ve been working on this record for about 2 years and every single song on this album has been refined and evolved throughout that time period. There was actually one song that we thought was done at the beginning of recording the album then at the last minute we all felt like it wasnt ready. It’ll either be released as a single or on the new ep we hope to release next year. I feel like it's normal for artists to create a piece of work and not complete it immediately. It can happen sometimes but most of the time I write a song, I keep it in my back pocket until there's a moment of inspiration that encourages me to complete it, and then before I know it it's done. </span></p><p dir="ltr"><span style="color:#222222;">Jannese Espino, Lead Guitarist of La Rosa Noir - I like to have songs for a long time and tinker with them until I feel like I’ve chiseled out the definitive version of the song. Moving forward however, I want to trust my instincts more and move quickly with an idea as opposed to coming back to it over and over again. </span></p><p dir="ltr"><br><span style="color:#222222;"><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></span></p><p dir="ltr"><span style="color:#222222;">I learned that it's easier to record a finished song than finishing a song while recording haha. IYKYK 😭</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="wmcRzEyfNpQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/wmcRzEyfNpQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><ul>
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</ul><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73023532023-11-28T05:00:00-05:002023-11-28T05:00:01-05:00A Night of Ghostly Conductors and Song-craft With NJ Songwriters Renee Maskin And Sonofdov<p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/77066bd2d50d2557aec1564602521d7ca65670f1/original/thumbnail-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_orig justify_right border_" /><span>A welcoming night of ghostly conductors and alt-folk songcraft warmed the cold November air. Built in 1887, the Glen Ridge Station may be the least likely place to house such an event, but the one time waiting room, with high ceilings and Queen-Anne style windows has been converted to a beautiful performance space, perfect for a night of intimate singer-songwriters.</span><br><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/b75168f649c12b594945bb28127ec1c5cf03b34f/original/thumbnail-3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p dir="ltr"><span>Opening the night with his hushed timber, northwestern New Jersey singer-songwriter </span><strong>SONOFDOV</strong><span>(Dennis King) captivated the audience with late night tales and supernatural encounters. A style both sparse and introspective, King set a warm tone to the crisp fall night. In return, the appreciative audience and sound washed over the ornate rafters to begin an unforgettable evening ride through Americana streets and dusty adventures. </span><strong>SONOFDOV</strong><span> releases music via Mint 400 Records </span><a class="no-pjax" href="https://www.instagram.com/sonofdov/"><span>https://www.instagram.com/sonofdov/</span></a><span> </span><br><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1d62caf5f7c23712e17cf05e8437a4cf06d51d24/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p dir="ltr"><span>After a quick intermission, the waiting passengers sat quietly for their train to roll in when a dark figure stepped into view. With trademark hat and churning guitar, the ghostly conductor set the gears in motion. Asbury Park's prolific singer-songwriter, </span><strong>Renee Maskin</strong><span>, has a presence and command of her craft. Silhouetted by a lone beam of light, Maskin bewitched the audience with her distinctive vocal delivery and dusty alt-country songs. She took us to far away places like east coast beach towns, wild running horses and California skies. In addition, Maskin played a handful of new songs from her soon to be released 2nd full length record, </span><i><strong>Shimmer</strong></i><span>, available November 18th on </span><strong>Mint 400 Records.</strong><span> </span><a class="no-pjax" href="https://www.instagram.com/reneemaskin/"><span>https://www.instagram.com/reneemaskin/</span></a><span> </span></p><p dir="ltr"><span>The </span><strong>Glen Ridge singer-songwriter series </strong><span>has been running events in conjunction with the Glen Ridge Recreation Dept for a handful of years. Get out and take in a show as this is one of the best kept secrets in the northeast singer-songwriter circuit.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tdPdbH_iqCs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tdPdbH_iqCs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gsy8dzTnHcQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gsy8dzTnHcQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73016592023-11-27T05:00:00-05:002023-11-27T05:00:06-05:00MEET TEXAS INDIE ROCK TRIO HOUSE PARTIES<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p style="text-align:justify;"><span class="text-big"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/89ef0ea13f7970bae2edd1b174362980093355b8/original/lyfknyvm.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p>
<p style="text-align:justify;"><span class="text-big" style="color:rgb(55,65,81);">Texas-based trio House Parties, formed in 2019, has quickly risen to prominence with their pop, rock, and pop-punk blend, addressing topics like trauma and mental health. During the COVID pandemic, they honed their craft and debuted their nostalgic sound at a local Emo Nite party. Since then, they've performed at major events across the country, solidifying their status as one of the Metroplex's hottest acts. Now, with their Equal Vision Records debut EP, SIDE EFFECTS, produced by Seth Henderson and Derek DiScanio, House Parties aims to establish themselves on a national level, showcasing their wide-eyed enthusiasm in the EP's four songs.</span></p>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>How did the band form and what does the band name mean?</strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>House Parties formed around in 2020 with just the lead singer and guitarist. Then scoured on social media looking for a drummer and a bassist and had found Wesley and Haley! The meaning behind the band name is just to be yourself. When you go to parties with your friends and you don’t have to put up a wall and pretend to be someone you’re not. To be your unapologetic self. </i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>Previous musical projects? </strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>How'd you first get into music?Spencer and I used to be in an old band where we met and after that didn’t work out, we started a tiny little side project called Rainier. During the pandemic is when we wanted to fully commit to starting a pop punk band. </i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>First concert that you ever went to?</strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>The first concert I ever went to was Paramore during their self-titled tour. I lied to my mom so I could go with my friend and we ended up sneaking into better seats!</i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>What's your writing process like?</strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>Our writing process is kind of random. I’ll write lyrics down in my notes app all the time and when Spencer or Wesley send me a demo, I sit down and try to fit lyrics together like pieces to a puzzle.</i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>What other artists or songs inspire your music?</strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>We’re all kind of inspired by different artists like Fall Out Boy, Paramore, and Pierce the Veil! </i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>Playing live can be a whole experience. Sometimes we wanna make it just like the recording, then on the other hand if we have a dope idea for a transition or just something cool, we’ll do it. The other night we covered a tiny snippet of Yellow by Coldplay before one of our sad songs and the fans loved it!</i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>Has the band toured?</strong> </i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i>Touring has been such an amazing experience but we’re all so exhausted. Since this is our first full US tour, we’re still getting used to waking up early and driving for 4 to 13 hours depending. Being on the road with Can’t Swim and Belmont has been such a great time and we couldn’t be more thankful for this opportunity. </i></font></span></p>
<p><span class="text-big"><font face="arial, sans-serif"><i><strong>What's up next for the band? </strong></i></font></span><br><br><span class="text-big"><font face="arial, sans-serif"><i>Up next for us is releasing our EP next year in January, and hopefully going in more tours!</i></font></span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Xlhdq7KMah0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Xlhdq7KMah0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big"><u>Socials:</u></span></div>
<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p style="text-align:justify;"><a class="no-pjax" href="https://www.housepartiesband.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" _suspicious="1" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big"><font face="arial, sans-serif">https://www.housepartiesband.com/</font></span></a><br><a class="no-pjax" href="https://www.instagram.com/housepartiestx/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" _suspicious="1" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big"><font face="arial, sans-serif">https://www.instagram.com/housepartiestx/</font></span></a><br><a class="no-pjax" href="https://www.facebook.com/housepartiestx" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" _suspicious="1" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big"><font face="arial, sans-serif">https://www.facebook.com/housepartiestx</font></span></a><br><a class="no-pjax" href="https://twitter.com/housepartiestx" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" _suspicious="1" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big"><font face="arial, sans-serif">https://twitter.com/housepartiestx</font></span></a></p></div>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73061112023-11-26T05:00:00-05:002023-11-26T05:00:03-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#13)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a59a1e8a67f387166f058bc762e08a8c37b46180/original/spore-012.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">SPORE, Page 12 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9e2467bb6cead816ecdc972af792fa5541bd705b/original/bh012.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 12 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br> </p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="52HRzyRHqcE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/52HRzyRHqcE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73016562023-11-22T05:00:00-05:002023-11-22T05:00:03-05:00TORONTO'S SWIIMS IS DESTINED FOR SHOEGAZE GREATNESS By Brynn Whitman<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a1561307ea2159d93056da6554bcaac3981d667a/original/swiims-2023-09-img-2132.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the turbulent aftermath of the early days of the Covid pandemic, emerged a beacon of sonic solace from the north, aptly named SWiiMS. This Toronto-based trio, guitarist Colin Thompson, singer/guitarist Mai Diaz Langou, and bassist Cian O’Ruanaidh, has skillfully woven a tapestry of influences ranging from Brit Rock and New Wave to Dream Pop and Shoegaze.</p><p>The roots of SWiiMS trace back to Thompson, who, after a few false starts, fortuitously crossed paths with Langou. The addition of O’Ruanaidh completed the lineup, infusing their sonic palette with melodic hooks and infectious energy. The result? A debut EP in 2020 titled "Through Waves" that washed over listeners with a wave of nostalgia, establishing SWiiMS as a band with universal appeal.</p><p>Fast forward to November 2023, and SWiiMS has released their much-anticipated debut LP, "Into The Blue Night." This album promises to be a sonic expedition into the complexities of relationships, exploring the heady mix of hope, bliss, and loss of control that accompanies the dawn of something new.</p><p>The lead single, "All I Die For," acts as a tantalizing glimpse into the sonic landscape that awaits eager ears. Langou, the charismatic lead vocalist, sheds light on the album's overarching theme, describing it as an introspective reflection on the initial stages of a relationship. "It's about trying to present the best version of yourself to maintain the other person's interest," she explains, setting the stage for a lyrical journey that resonates with depth and sincerity.</p><p>Critics are already buzzing with with some heralding "Into The Blue Night" as a classic. SWiiMS, akin to musical pioneers like Pixies, Slowdive, and Beach House, has boldly expanded their artistic horizons. The result is an enchanting album that captures the essence of their diverse influences, inviting listeners to immerse themselves in the atmospheric allure of “Into The Blue Night.”</p><p> SWiiMS stands on the precipice of a breakthrough, poised to etch their name into the annals of musical history with an album that is nothing short of a timeless classic.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UNZ-jvYqqPs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UNZ-jvYqqPs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/4earaeYwucKvSI6urVcNnw?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72995362023-11-21T05:00:00-05:002023-11-21T05:00:02-05:00MEET SWEDISH ALT ROCK BAND SONIC RADE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e3ab74a075348321ce8b42058b9c77862e99c01c/original/sonic-rade-b-w-5.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(55,65,81);">Sonic Rade, an alternative rock group based in Geneva, Switzerland, is making waves with their genre-bending music that draws influences from various rock eras. Founded by Ricardo Ryan and Christian Fonjallaz, the trio, now including drummer Pascal J Kramer, has become a staple in the Geneva scene. Their sophomore album, Sideways, earned Grammy nominations, and their recent release, Acacias, on the Italian label VDM Records, continues to showcase their excellence. The lead track, "Masquerade," is a powerful mix of 80s synths, distorted alt power chords, and haunting vocals by Ricardo Ryan. The accompanying music video, directed by the band, adds a noir aesthetic, creating a captivating visual and auditory experience. Dive into Sonic Rade's world with "Masquerade" and explore the depths of their album Acacias.</span><br><br><span><strong>Who are your biggest music influences?</strong><o:p></o:p></span></p><p><i><span>Artists that write songs with meaning and emotion. It goes from Bowie to Artic Monkeys passing through 80’s and dark melancholic themes with influences going from Jim Morrisson to artist producer sounds such as Daniel Lanois.<o:p></o:p></span></i></p><p><i><span>Lets say each one of us have artists and songs that we like but each one’s instruments liking and tonal texture and style is what make Sonic Rade sounds.</span></i></p><p><span><strong>How has your different backgrounds influenced your style? </strong><o:p></o:p></span></p><p><i><span>We each have our own past experiences and love for various music. The fact that we are three in the band makes it easy to complement each other’s. There is in the Masquerade song definitely a 80’s cult sound but at the same time there is a modern feel to it. We use actual technologies and synths and we merge it to what we like. The Harmonica solo comes in where you would not expect it and serves the song very well.</span></i><br><br><i><span><o:p></o:p></span></i></p><p><span><strong>What are your philosophies for writing music for a global audience?</strong><o:p></o:p></span></p><p><i><span>Before all we write songs for the meaning and sense of those, while we greatly appreciate the audience, what comes first is the song itself then the audio follows. </span></i><br><br> </p><p><span><strong>What were some of the inspirations for “Masquerade” music video? </strong><o:p></o:p></span></p><p><i><span>The first inspiration was to represent ourselves when we rehearse, this is why the video was filmed in our Rehearsal Underground space in the Acacias district of Geneva. As well the song has this dark mysterious fell that suited well and Black and White cinematography. </span></i><br><br> </p><p><span><strong>Did you have any difficulties when writing “Masquerade”?</strong><o:p></o:p></span></p><p><i><span>Not really, every song is different, here we let ourselves go, we made multiple drafts and like to improvise during the first versions of the song, after listening back we take note the best parts and structure the song around that. Masquerade have a hidden theme and impossible love. </span></i><br><br> </p><p><span><strong>Which lines from “Masquerade” have the most personal meaning to you?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;"><i>All these days I've been waiting out here</i></span><br><span style="color:#1D2228;"><i><span>Thinking you could never save me, I scream </span></i></span><br> </p><p><span><strong>How do you approach writing a narrative within a song?</strong><o:p></o:p></span></p><p><span style="color:#1D2228;"><i>Words and rhymes are important. We write on living experiences mostly and at times on imaginary ones. Being in the proper mood is very important as you cannot force things, the most important is to feel the song and words some by themselves.</i></span><br> </p><p><span><strong>What is next for Sonic Rade?</strong><o:p></o:p></span></p><p><i><span>We are at the moment playing live here in Switzerland and France. We are at the same time planning a spring recording and a US East Coast tour this summer.</span></i><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="J_JBzSd9CVQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/J_JBzSd9CVQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Follow Sonic Rade</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<a class="no-pjax" href="https://www.sonic-rade.ch/" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.sonic-rade.ch/</u></a><br><a class="no-pjax" href="https://open.spotify.com/artist/6hYFCTGv8Tj87RXQ5TmZNi" target="_blank" rel="nofollow noopener noreferrer"><u>https://open.spotify.com/artist/6hYFCTGv8Tj87RXQ5TmZNi</u></a><br><a class="no-pjax" href="https://twitter.com/sonic_rade" target="_blank" rel="nofollow noopener noreferrer"><u>https://twitter.com/sonic_rade</u></a><br><a class="no-pjax" href="https://www.instagram.com/sonic_rade/" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.instagram.com/sonic_rade/</u></a><br><a class="no-pjax" href="https://www.facebook.com/people/Sonic-Rade/100029060244337/" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.facebook.com/people/Sonic-Rade/100029060244337/</u></a>
</div><p><i><span><o:p></o:p></span></i></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72990662023-11-20T05:00:00-05:002023-11-20T05:00:02-05:00EXCLUSIVE INTERVIEW WITH TYLER JACKSON OF PORTLAND MAINE'S UPPER NARROWS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1847a96cd053a063969bca00014f3cc6b23c655d/original/0032783975-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(55,65,81);">Upper Narrows is the synth-pop brainchild of Tyler Jackson, a Portland, Maine-based songwriter and producer with a musical journey spanning over a decade. Departing from traditional instruments, Jackson shapes his sound through programmed beats and synths. Known for his prolificacy in the indie rock scene since 2008, he has released numerous works under various labels. "While We're Warm" (2023), Upper Narrows' debut LP, represents a matured evolution from Jackson's earlier experimental art pop project, Foam Castles. The album, named after a pond near Jackson's hometown, blends classic pop hooks with trance-like beats, impressionistic lyrics, and electronic distortions, creating a digital soundscape rich in human emotion and immersive qualities.</span><br><br><span style="color:#000000;"><o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: What is the basis for writing attention-grabbing music in the year 2023?</strong><span><o:p></o:p></span></span></p><p><span style="color:#000000;">Staying true to your instincts and taste should be the basis of any creative work. Any consideration to compromise in order to grab attention would be fatal and should be avoided at all costs! In other words, be honest and real and the goods will hopefully grab the attention of who it’s meant for. <o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: What has it been like working with an indie record label as opposed to working on your own?</strong><o:p></o:p></span></p><p><span style="color:#000000;">After spending a year or more working on a record, having someone else to wave the flag for your efforts is infinitely valuable, no matter how many copies you end up moving. Having someone who isn’t just you in your corner validates the process, for me at least. And it’s nice to feel a sense of community among the other artists on the label. <o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong><o:p></o:p></span></p><p><span style="color:#000000;">I haven’t written a whole lot since The Orielles put out their album Tableau (2022) but I suspect that I’m forever changed by the greatness of that thing, which I consider to be a recent high water mark in all of music. <o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong><o:p></o:p></span></p><p><span style="color:#000000;">I’m all about the youths and expect/hope for them to be more motivated and energetic than me. <o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe?</strong><o:p></o:p></span></p><p><span style="color:#000000;">Lyrically, now that the record is finished, I hear recurring themes of things like grief and existential confusion coming through a lot of it. But that probably wouldn’t be very discernible to anyone else because I tend to bury anything that sounds direct or too clear. The final set of a song’s lyrics is usually a collage of lines that sound good together and represent something vague or impressionistic. Kind of the “whatever it means to you” approach (and they do mean something to me). That is, it is about something specific sometimes, but I wouldn’t expect anyone to get that I’m singing about nuclear war in “History Buffoons” or my Dad smelt fishing “Dark Raver,” for example.<o:p></o:p></span></p><p><span style="color:#000000;"><strong>Q: Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong><o:p></o:p></span></p><p><span style="color:#000000;">Some combination of all of the above. I often write in bursts but will also happily harvest ideas or whole songs from 15 years ago.</span><br><br><span style="color:#000000;"><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong><o:p></o:p></span></p><p><span style="color:#000000;">It’s valuable and fun to intentionally step outside of creative comfort zones. It’s an easy way to experiment and it can make art and life less boring.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tgWREZqQ0kA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tgWREZqQ0kA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://uppernarrows.bandcamp.com/album/while-were-warm">https://uppernarrows.bandcamp.com/album/while-were-warm</a> </p><p><span style="color:#000000;"><o:p></o:p></span></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73026762023-11-19T05:00:00-05:002023-11-19T05:00:02-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#12)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c6790fde2ae5d5cb08eb3e09f0838c05361b1fb7/original/spore-011.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:rgb(0,0,0);">SPORE, Page 11 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/47ab3e5159f8951a46c6423fc79785911862e824/original/bh11.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 11 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br> </p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WjQKF1eD2Zs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WjQKF1eD2Zs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/73026702023-11-17T05:00:00-05:002023-11-17T05:00:01-05:00A Gunslinger Gone Bridge Tender: Jon Rauhouse & Blaine Long LP Review by Taylor John Salvetti<div style="outline:none !important;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/31d992a72d2f67884354f784f46ebd4a5397c5fc/original/flr065-mockup-wide.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><i>One Day Will Never Come Back</i> by Jon Rauhouse & Blaine Long is someone looking backward and opening the waterways for a safer passage.<br><br>You’ll hear a certain tremor in Blaine Long’s vocals, it’s become canonized with this certain style of vocals and poetic delivery. But it feels different here. It’s no surprise that Long’s voice is appropriate—no, crucial—to the pairing of Jon Rauhouse’s instrumentation and work on the pedal steel. Some might hear it as a lonesome instrument. Still, even the likes of Lloyd Green and Jimmy Day (the great steel players of the past) were cutting through up-tempo songs and party favorites just to get to the ones that were slow and low, the ones where pedal steel can do what it does best: weep in an open tuning. </div><div style="outline:none !important;"> </div><div style="outline:none !important;">The instrumentation on <i>One Day Will Never Come Back</i> is Rauhouse waving you down the stream, just having opened the bridge for you and yours to sail safely through. He’s not gone, no, but a fettered few years of quarantine and chemotherapy have put him in a state of obligatory reverie. He’s still making music and touring when he can, but this album feels like a live-in-the-moment manifesto. “I’m 64 and older than Elvis and Jesus,” says Rauhouse on “Thanksgiving.” It’s an ego death, it’s a call to action, it’s that feeling of impending doom that is immediately followed by beautiful acceptance.</div><div style="outline:none !important;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a0b1931b457f73ce539f73b1d5db7c639c3282e5/original/jon-rauhouse-blaine-long.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style="outline:none !important;">
<br>“I’m an earthbound angel stuck on this merry-go-round,” sings Long on the lead single, “Hey Babe,” released in October of this year. One can’t help but see the tenderness of existence in these songs. It doesn’t leave you wanting much. The bases are covered, the sun has set over an arid landscape, and this rings true in the final track, “The Queen is Dead.” It’s a low and slow melodic instrumental with a sweeping chamber orchestra, a delicate guitar lead, and a click of snare rim that feels like it’s keeping time for something larger.</div><div style="outline:none !important;">
<br><i>One Day Will Never Come Back</i> is an album of accumulation. It feels like time and life, bundled into seven tracks, like we’re all sitting at the same table, a fine meal shared between friends. Our wish is that there could be more: more friends, more food, more time, and more life. But we can only get so lucky.<br> </div><div style="outline:none !important;"> </div><div style="outline:none !important;">Jon Rauhouse & Blaine Long <i>One Day Will Never Come Back </i>will be released by Fort Lowell Records on Friday, November 17th. PRESAVE / LISTEN NOW: <a class="no-pjax" href="https://orcd.co/flr065" target="_blank" rel="nofollow noopener noreferrer"><u>https://orcd.co/flr065</u></a>
</div><div style="outline:none !important;"> </div><p><iframe style="border-width:0;height:373px;width:700px;" src="https://bandcamp.com/EmbeddedPlayer/album=1831220710/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" seamless=""><a href="https://fortlowell.bandcamp.com/album/one-day-will-never-come-back">One Day Will Never Come Back by Jon Rauhouse & Blaine Long</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72990622023-11-16T05:00:00-05:002023-11-16T05:00:02-05:00BROOKLYN SHOEGAZE INDIE POP FROM SEE JAZZ By Brynn Whitman<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d13142ed36e7b12ccb755baefe8c490c1e292b7e/original/see-jazz-photo3bycolinmarchon-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the nebulous expanse of today's indie music scene, See Jazz emerges as the brainchild of Aaron Pfannebecker, a Brooklyn-based recording project that has just unveiled its latest sonic offering, "1982," accompanied by a mesmerizing video crafted by Steven Levine. This unveiling provides a glimpse into the textured dreamscape that defines their debut album, provocatively titled “Is This Anything?”</p><p>"1982" weaves ethereal pop melodies with suspended chords, creating an atmosphere akin to great 80's shoegaze. The track features Elizabeth Fraser-inspired modulating vocals, a post-punk drive, and a thematic depth that explores the intricacies of perspective formation. Pfannebecker paints it as a keeper—a sonic journey grappling with the challenge of breaking free from a particular frame of mind.</p><p>With Zara Bode on vocals and Adam Langellotti (of Kurt Vile and the Violators) on bass, See Jazz embraces drum machines and synthesizers as collaborators in crafting warped bedroom collage pop guitars and hooky vocals, forming music tailored for outsiders and inspired by an entirely unique world. (Side note Zara Bode is the granddaughter of legendary illustrator Vaughn Bode, author of Cheech Wizard and other classic 70's comic art books)</p><p>The genesis of "Is This Anything?" unfolded in the heart of NYC and Western Massachusetts, navigating the pre and post-pandemic landscape. Lyrically, See Jazz delves into the complexities of contemporary America and the sensation of being adrift within it, channeling sounds reminiscent of Nick Nicely, New Order, and The The.</p><p>Boasting talents like Langellotti and Jed Smith (My Teenage Stride, Jeanines), the album is a mosaic of melodies enticing ears to dance and encouraging the forging of new connections. Pfannebecker reflects on the creative process, sharing, "I couldn't create anything during that time. I experienced a personal loss, and the world felt chaotic. I retreated into a cocoon."</p><p>See Jazz emerges as a remedy for those residing on the outskirts of contemporary popularity contests, with "Is This Anything?" serving as an auditory journey through a realm where textures entwine with melodies, and the unconventional takes center stage. As the album tracklist unfolds, from the rhythmic hymns of "Hymn" to the enigmatic allure of "Weird September," "Is This Anything?" promises an exploration of sonic landscapes transcending the ordinary. In the grand tradition of music that defies categorization, See Jazz emerges as a guiding light for those who revel in the unconventional, urging listeners to hit play and spark a revolution within their minds.<br><br><a class="no-pjax" href="https://seejazz.bandcamp.com/album/is-this-anything" target="_blank">https://seejazz.bandcamp.com/album/is-this-anything</a></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="QXLVe10OQBI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/QXLVe10OQBI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72990612023-11-15T05:00:00-05:002023-11-15T05:00:02-05:00MEET STOCKHOLM SWEDEN INDIE ROCK BAND WASHING MACHINA<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f028efeacb6102804f5bfa2b2c10e1684dd4996d/original/wm-2423x2423px-300dpi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span>Washing Machina was formed in Stockholm during the spring of 2021, amidst the COVID-19 pandemic. The creative spark ignited when Mark, Karl, and Sara began exchanging musical ideas. Emelie was recruited on drums, completing the puzzle and solidifying the band's unique sound.Inspired by bands like Foo Fighters, Sonic Youth, Breeders, Smashing Pumpkins, Pavement, and Dinosaur Jr, their music weaves together strong pop melodies with avant-garde guitar playing, boldly venturing into unexplored sonic territories.They have already made an unforgettable mark on the Swedish music scene through a series of successful shows. Recently, the band achieved a milestone by performing at a sold-out Heaven Up Here, an iconic indie rock club in Stockholm.The band's musical journey so far includes the release of two EPs: "Perfect Misfits" and "Last Bag of the Belt." Building on this momentum, their highly anticipated debut album is planned for release through L</span><span lang="SV">ö</span><span>vely Records</span><span lang="SV"> in 2024. </span><br><br><i><span lang="SV">Interview with </span></i><span style="color:#374151;"><i><span lang="SV">Karl Nordahl (Guitars & Vocals)</span></i></span><span><o:p></o:p></span><span style="color:#222222;"><span lang="SV"><strong><o:p></o:p></strong></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>1. How did the band form and what does the band name mean?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">The band came together during the COVID-19 pandemic in 2021, born out of the boredom of not being able to play live. We completed the lineup by recruiting Emelie to play the drums, who at the time worked with Sara. The name doesn't mean anything really; it's just a mix-up of two records we really like (Machina with Smashing Pumpkins and Washing Machine with Sonic Youth).<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>2. Previous musical projects? How'd you first get into music?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">I got into music because of my dad; he always loved music and also played in a cover band. They also had a rehearsal place where my friends and I started to play. So we had a lot of different bands then, can't remember the names, but then I met Hasse and formed Bring the Hoax, who are still active.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>3. First concert that you ever went to? (Locally and National acts)<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">The first big concert for me, I think, was when my dad brought me to Tom Petty's 'Into the Great Wide Open' tour when I was 10. I remember I thought it was so cool.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>4. What's your writing process like?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">Our process usually involves someone coming up with a good melody, and then we add a lot of distorted guitars, which usually sounds really good. When we started out, Mark and I had an idea that we would only add a few guitars so we could play the songs live in full. I think that idea went out the window with the first song, and now we have a lot of guitars on every track we make!<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>5. What other artists or songs inspire your music?<o:p></o:p></strong></span></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6Re6QjnH2ly5gOFXbbktbR?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#374151;"><span lang="SV">Well, I think we all love those '90s bands like Sonic Youth, Pavement, Breeders, Pixies, and Smashing Pumpkins, among others. I believe you can hear these influences clearly in our music. We're essentially playing what we want to hear, but with our own modern twist on it. Our playlist consists of some of these classics that we all adore, and we've also added some fantastic Swedish music from artists on the same label as us, such as Statues and Sweet Teeth (we'll be doing two dates in Stockholm and Gävle with them in March). The last song is an ode to the late Rick Froberg of Drive Like Jehu and Hot Snakes. May he rest in peace!</span></span><span lang="SV"><o:p></o:p></span></p><p><span style="color:#222222;"><span lang="SV"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">Playing live gives our songs life and makes them more vibrant. While creating and recording songs is enjoyable, it's during our live performances that we truly come together, and that's when the magic happens. We don't necessarily aim for the songs to be just like the recording, allowing for a unique live experience.<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>7. Has the band toured? What has the touring experience been, best shows? worst shows?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">We have done several gigs in the Stockholm area and also some mini-tours in Sweden. The worst show was probably the first one in Hedemora and the best was probably the last in Malmö, where we were amazing!<o:p></o:p></span></span></p><p><span style="color:#222222;"><span lang="SV"><strong>8. What's up next for the band?<o:p></o:p></strong></span></span></p><p><span style="color:#374151;"><span lang="SV">We're releasing our first album on Lövely Records in February and plan to play live much more. We have some Swedish gigs that we will announce shortly, but we're also looking for opportunities in Europe this spring.</span></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="DUX-VqUEStA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/DUX-VqUEStA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span lang="SV"><strong>Connect with Washing Machina</strong></span><span><strong><o:p></o:p></strong></span><br><a class="no-pjax" href="https://washingmachina.com/"><span>https://washingmachina.com/</span></a><span><o:p></o:p></span><br><a class="no-pjax" href="https://www.facebook.com/washingmachina"><span>https://www.facebook.com/washingmachina</span></a><span><o:p></o:p></span><br><a class="no-pjax" href="https://www.instagram.com/washingmachina/"><span>https://www.instagram.com/washingmachina/</span></a><span><o:p></o:p></span><br><a class="no-pjax" href="https://washingmachina.bandcamp.com/"><span>https://washingmachina.bandcamp.com/</span></a></p><p><span style="color:#374151;"><span lang="SV"><o:p></o:p></span></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72990122023-11-14T05:00:00-05:002023-11-14T09:11:32-05:00WHAT'S IN OUR INBOX! FIRE MOTEL, CALLING HOURS, SWIIMS, JAE SOTO, TETCHY <p> <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This is an interesting one today, we got a few Brooklyn bands that are making some noise and even one of our Canadian Shoegaze neighbors. A really fun mix of styles today. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name:</strong> Fire Motel</p><p><strong>BMN Score: </strong>9.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(54,54,54);">Drawing from influences likes of Bright Eyes, Destroyer, and La Femme. Nostalgic guitar tones weave intricate melodies <span>resonating with a hint of nostalgia. The bittersweet vocal melodies soar above the layers of sound, evoking a range of emotions. Fire Motel's artistry lies in their ability to seamlessly blend these elements, immerses listeners in a world of heartfelt resonance and introspection.</span></span></p><p><strong>What we say they sound like: </strong>Nostalgic is a great way to describe this bands sound, as it's very early 2000's indie in the vein of things like Sea Wolf, Bright Eyes, Nada Surf, Rogue Wave and more. This is mellow thought with a good groove in each song which lifts it musically above most of their contemporaries. It has moments that are Death Cab, Spoon, Modest Mouse, etc, a good amalgamation of the better part of the indie rock world of the last 20 years. It's hard to listen to this and not find something you enjoy. Each song has it's own unique style but overall it has a cohesion as a collected release. Definitely one of the most enjoyable mellow acts from Brooklyn that I've heard. The consistency of great writing makes this more memorable than a lot of other stuff we review. </p><p><strong>Song to add to your playlist: </strong>Dot Coma, Fear Of Death, Like The Universe</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=3084947462/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://firemotel.bandcamp.com/album/the-world-an-opera">The World an Opera by Fire Motel</a></iframe><br> </p><p><strong>Band Name:</strong> Calling Hours</p><p><strong>BMN Score: </strong>7.5/10</p><p><strong>What the band says: </strong>“I was living alone in a one-bedroom apartment in a 1940s building in Los Angeles,”<span style="color:rgb(51,51,51);"> he recalls. </span>“It was a seven-minute walk to Trader Joe’s, an eight-minute walk to my bank, and a nine-minute walk to the post office. I was doing voiceover work full-time. When I had free time, I’d walk to one of the local parks and have a sandwich under a tree. It was like living inside of the Andy Griffith show—like I was living in Mayberry, where every day was a sunny day.”</p><p><strong>What we say they sound like: </strong>This<strong> </strong>to me has a very early 90's rock sound in the vein of Gin Blossoms, Soul Asylum, etc. but mixed with punkier modern bands like The Gaslight Anthem. It feels very Americana almost like a punky John Cougar Meloncamp. They remind me a lot of the NJ band The Milwaukees also. If you are looking for upbeat and nostalgic rock that sort of hits like Kings Of Leon but less indie, you might really dig this. </p><p><strong>Song to add to your playlist: </strong>Gin Perry</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5Y1ADOHxk-A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5Y1ADOHxk-A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Swiims</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong>The album's lead single, "All I Die For," serves as a tantalizing preview of the musical tapestry that awaits. Mai Diaz Langou, the band's lead vocalist, sheds light on the album's theme, describing it as a reflection on the beginning stages of a relationship. She notes, "It's about how you try to make yourself more intriguing or impressive than you are in order to keep that person interested." The sincerity and depth of the lyrics promise a profound and relatable listening experience.<o:p></o:p></p><p><strong>What we say they sound like: </strong>This band came out of nowhere a few years ago with one of my favorite EP's of all time. They are masters of blending Indie Pop, Indie Rock and Shoegaze into perfect gems. Their newest single comes ahead of their debut EP and it seems the masses are finally catching on as they seem to have much more publications noticing this time around. If you like Cocteau Twins or other classic Shoegaze you are going to love this band. Mai Diaz Langou is one of my favorite new vocalists and I think this band could easily be as popular as bands like Soccer Mommy, Japanese Breakfast or Boygenius. It's that good!</p><p><strong>Song to add to your playlist: </strong>All I Die For</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UNZ-jvYqqPs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UNZ-jvYqqPs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Jae Soto</p><p><strong>BMN Score: </strong>9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">On the song Jae Soto says, "'Working the Weekend' is a tongue-in-cheek portrait of working-class life. With minimalist lyrics that feel like a day in the grind, the song is meant to capture the pressure cooker of emotions - from turning shoulders against the oppressive heat to smashing glass in screams of frustration. As the chorus erupts into "I won't make it out," the song takes on a playful nihilism, accepting the trap of inequality with a knowing laugh against the danceable backdrop. The juxtaposition indicates a decision to embrace the burden, finding humor and release in the overwhelming struggle. Though the details evoke a sense of being trapped, the driving rhythms suggest cathartic acceptance as a small escape.<i>"</i></span></p><p><strong>What we say they sound like: </strong>This track is very unique and original and intrigues me greatly. The song starts with what seems deliberate keyboard and then for a few moments it's like someone is pushing fast forward on a CD, skipping notes and creating an ultra glitchy effect that then becomes more deliberate sounding as the drums come in and syncopate perfectly. It's always great when I hear a song that is in 4/4 but it makes me have to count along just to make sure. The track has a light poppy indie vibe almost like Electric Youth if a band like TOBACCO was writing their songs. The sax adds a really nice touch. </p><p><strong>Song to add to your playlist: </strong>Working the Weekend</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rl5zAvWvLCA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rl5zAvWvLCA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Tetchy</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">In some ways, it’s helpful to conceptualize Tetchy’s music not so much as creating a sound, as creating a </span>place<span style="color:rgb(0,0,0);">. A place to radically </span>feel. <span style="color:rgb(0,0,0);">Somewhere that trauma is laid bare, smashed to pieces and then reconstructed through audacious freedom and unabashed pleasure. Perhaps the defining aspect of the burgeoning Tetchy lore is that vocalist/guitarist </span>Maggie Denning<span style="color:rgb(0,0,0);"> is, in her own words, “someone who has very big feelings.” From the band’s earliest releases, her songs have been repositories of visceral emotion; from unshakeable heartbreak and soul-crushing grief to delirious joy and brazen lust.</span></p><p><strong>What we say they sound like: </strong>Tetchy at times seems dangerous and unhinged on tracks like “Married” but shows off a mellower side with “Voices”. It still has this uneasiness to it though that draws you in. Tetchy seems like one of those acts that live will captivate. At moments it's indie pop and then at other moments it's like the fury of Bikini Kill. One of the best parts is that with any of the songs it's very hard to predict what direction it's heading in. Particularly in this track that goes from pop to prog in it's final minutes. </p><p><strong>Song to add to your playlist: </strong>Voices</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="YB4gS-d8MiI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/YB4gS-d8MiI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72965222023-11-13T05:00:00-05:002023-11-13T05:00:02-05:00MEET GHANA ARTIST ROCKY DAWUNI<p><span class="text-small"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/504fdad938344ef6b8c3484aaca3fe9d0a3b87f8/original/rocky-dawuni.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span>Few artists in showbiz work harder than Ghanaian superstar <strong>Rocky Dawuni</strong>. Raised by a traveling cook for UN Peacekeepers around Africa and the Middle East, Dawuni found stability in music during his semi-nomadic childhood. Everywhere he went, he soaked up the musical stylings of the locals, prompting him to discover the diverse musical roots within his own country upon return. Forming his first music group with makeshift instruments, it didn’t take long for Dawuni to get noticed. His unique blend of sounds from reggae, Afropop, funk, and soul stands out and calls in listeners from all walks of life. His skill and versatility have allowed him to share the stage with the likes of Stevie Wonder, Peter Gabriel, Bono, Jason Mraz, and Janelle Monae. Meanwhile, his personality and global perspective landed him the titles of UN Goodwill Ambassador for the Environment for Africa, and Global Ambassador to the World Day of African and Afrodescendant Culture. On top of that, his 2016 album Branches of the Same Tree received a GRAMMY nomination for Best Reggae Album and he has gone on to receive two more GRAMMY nods for Best Global Music Album and Best Global Music Performance for subsequent releases. Get to know Rocky Dawuni before the release of his next album, due out next year!<br><br>Leading up to the release of his album, get a peek at Rocky Dawuni’s next (r)evolution with his latest single,<strong> “Shade Tree.” </strong>Expressing Dawuni’s full breadth of influence, this new track layers elements from soul, roots, reggae, Highlife and even subtle nods to the West Coast hip-hop beats of Dawuni’s second home of Los Angeles. Dawuni’s lyrics invite all its listeners to cool off and seek understanding of one another under the shade of our common heritage. Reconnect to your roots and find your community in Rocky Dawuni’s “Shade Tree.”<br><br>Get closer to the center of the circle with the music video for “Shade Tree,” directed by young visionary Brazilian director Ema Ribeiro. In the video, Dawuni beckons us to follow him through the streets of Salvador, Bahia. Across beaches, through markets, and past murals, the vibrant city scenes lead us to a grandmotherly tree at the center of town. Gathered together, the community flourishes and celebrates their roots, calling you in to join them for respite from the harsh world under the “Shade Tree.”</p><p><br><strong>How has your upbringing impacted your musical career?</strong><span style="color:rgb(29,34,40);"> </span></p><p>Growing up in an African military barracks instilled in me a sense of self discipline and tireless focus that has helped shape my approach to my career. It was a time when the Ghanaian military was also governing the country so that influenced amd shaped me with a keen sense of political and social consciousness which became critical in defining my over all musical world view.<br><br> <strong>What inspired you to create “Shade Tree”?</strong> </p><p>The song was inspired by the need to project nature as the basis of all human connection. The "Shade Tree" in most African traditional villages was a place of convergence for people from all walks of life. It served as a neutral place for the resolution of differences and a space for protection of human diversity and inclusion - an oasis where dialogue amd conversations serve as the pathway to forging peace and harmony. It is a vision of a reality where our humanity triumphs over our division.<br><br><strong>How does it feel to be a global ambassador?</strong> </p><p>For me it is an extension of my musical mission. It provides an opportunity to transform the message of my music into real life social impact.<br><br><strong>What is the main message/theme of “Shade Tree”? </strong>"</p><p>We are one but we are not the same, We are one under one Shade!"<br> <br><strong>Who are your musical inspirations? </strong></p><p>My musical inspirations are Curtis Mayfield, Fela Kuti, Bob Marley, Isaac Hayes, Tupac Shakir among many others.<br><br><strong>What was the creative process like for “Shade Tree”? </strong></p><p>“Shade Tree” is a song the was came through me as a gift from God amd the universe. It was not a song that I sat and wrote. I felt it, sang it and then wrote it down.<br><br><strong>Who or what motivates you?</strong></p><p> I am motivated by the energy of God and everyday life. It is my belief that conscious music and positive messages are the most important channels to shift the universal mindset and usher a new era of peace on Earth. <br><br><strong>What’s next for you? </strong></p><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<p>The next step for me is focusing on the completion of the forthcoming album which is set to drop in 2024 as well as continuing all of the work I am doing in the activism space as well as with my own Rocky Dawuni Foundation which focuses on youth, environment and leadership. I am also planning tours next year in Europe, South America, United States and beyond to bring forth the new music.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eXiZXFNT6QM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eXiZXFNT6QM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span class="text-small"><strong>Follow Rocky Dawuni</strong></span><br><a class="no-pjax" href="https://rockydawuni.com/" target="_blank" rel="nofollow noopener noreferrer"><span class="text-small"><u>https://rockydawuni.com/</u></span></a><br> <a class="no-pjax" href="https://www.instagram.com/rockydawuni/" target="_blank" rel="nofollow noopener noreferrer"><span class="text-small"><u>https://www.instagram.com/rockydawuni/</u></span></a><br> <a class="no-pjax" href="https://www.facebook.com/RockyDawuni/" target="_blank" rel="nofollow noopener noreferrer"><span class="text-small"><u>https://www.facebook.com/RockyDawuni/</u></span></a><br> <a class="no-pjax" href="https://twitter.com/rockydawuni" target="_blank" rel="nofollow noopener noreferrer"><span class="text-small"><u>https://twitter.com/rockydawuni</u></span></a></p>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72989712023-11-12T05:00:00-05:002023-11-12T14:44:01-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#11)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/40958c80d3ad152e5c53daf48ca7e5ae9fd6d3c7/original/spore-010.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />SPORE, Page 10 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dbff7df5bac4cad3c4605058fa740bc158c33f72/original/bh010.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 10 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br> </p><p><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ggQS1mntcXE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ggQS1mntcXE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72926862023-11-10T05:45:00-05:002023-11-10T07:36:24-05:00NEW INTERVIEW WITH BOSTON'S LOOKING GLASS WAR<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f2db8fedf7b4b5cff16f63db015d138a5584f6c6/original/looking-glass-war-credit-coleman-rogers-photography.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><span class="text-big"><span id="yiv8466219245gmail-docs-internal-guid-860ca22d-7fff-60b4-7e23-5b49e1752e1b">In the Fall of 2022, Goddamn Glenn and Tony Porter (both of Parlour Bells) came together with fellow Boston scene veterans Pete Zeigler (The Easy Reasons, The Rationales) and Mike Ackley (Strangeways) to see what would happen when this group of seasoned indie musicians made noise together. Each needed it as much as the others. The spark was immediate. A new post-punk-meets-glam sound emerged, melding Glenn’s theatrical vocals with Pete’s shimmering and sputtering post-punk guitar, all driven by Mike’s propulsive UK bass lines and Tony’s precise beats. They called it Looking Glass War.</span></span></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><span class="text-big" style="color:rgb(0,0,0);"><strong>In your opinion, what are the essential qualities that make a “good songwriter”?</strong></span></div><p dir="ltr"><span style="color:rgb(0,0,0);">Pete Zeigler: Understanding the band you are writing for, how the sum of the parts can execute a particular song is important so you can write to everyone’s strengths. Additionally I think a DEEP understanding from years of listening to the music one loves creates instincts that allow a writer to touch on familiar umami, if you will, while still pushing originality. Also, learn your instrument and knowing how things work can save a lot of time and headaches. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Goddamn Glenn: Be patient with a good idea. Conversely, don’t be afraid of something that just falls out of the sky suddenly. In between the ideas, try to stay in some kind of habit of writing. Even if that doesn’t yield a song or particular lyric you feel is worth saving, it’s time well spent.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Mike Ackley: An ear for a catchy melody. Don’t overplay. Keep it simple.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What is the basis for writing attention-grabbing music in the year 2023?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: Speaking for myself, I try to write music I would like to listen to. It is what comes out naturally. I don’t think so much about grabbing attention, but more about how it makes me feel.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: The thing that gets forgotten about grabbing attention is that it doesn’t necessarily require shock, controversy or being topical. A simple parable that strings a few words in unlikely company can be enough to grab someone’s attention. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Mike: A great hook.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What has it been like working with an indie record label as opposed to working on your own?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: We are working on our own, at present. But if there are any indie record labels out there that are interested in working with us, please do feel free to reach out so we can answer this question properly in a few months!</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: For me there is Johnny Marr – his approach to songwriting and the place of the guitar in it all is definitely impactful. Bernard Butler and then Richard Oakes’s separate contributions to Suede, and of course Bowie. I also listen to a lot of writers and composers that are outside of the post punk/Indie genres. Becker and Fagen from Steely Dan, modern jazz stuff, loads of electronic IDM stuff as well. I am kind of all over the place. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: I’m not sure I can pinpoint a particular artist or song that has changed the way I write – they exist for sure – but for me it’s more observing their habits as creators that has influenced the way I write. I guess if I had to lean into this a bit, I’m pretty conscious of when I’m being confessional and when I’m creating a kind of fiction. One of the most honest lyrics I can think of is, “I miss the comfort in being sad” from “Frances Farmer Will Have Her Revenge On Seattle” by Nirvana. It’s a heartbreakingly naked sentiment that Kurt Cobain put into the world.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Mike: Like Pete, I’m all over the place with what I listen to, but for this project I’mn relying heavily on British post-punk – bands like the Chameleons and obviously Joy Division. Bands with sparser, spiky guitar parts with the bass driving the melody and chord structure. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: Most of my post punk/indie listening is with newer artists – you have to keep doing that or you rot away and sound like a boring garage band – few fates worse honestly. Here is a list of some that get me going lately, some newer than others: Affleck’s Palace, The Murder Capital, Pastel, Enjoyable Listens, The Violent Hearts, Desperate Journalist, High Vis…</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: Everyone in boygenius has to be younger than me! They definitely inspire me. Look, most of my influences are rotting in boxes underground at this point, so I’m absolutely inspired and motivated by anyone who can keep this Sisyphusian rock rolling forward.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Mike: I’m kind of the opposite – I find it hard to find good new bands that move me, but I can always find or rediscover older music that passed me by when I was growing up. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>For your new album, what inspired the lyrical content, album title, and overall vibe?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: Where it is a debut album, I can’t say that I set out with a particular narrative lyrically. We wanted to record the best of what we had written to date, so by nature it’s a bit of a collage. It would be cool to eventually do something more conceptual, where we are earnestly setting out to tell a story. The album title <i>Where Neon Meets The Rain</i> is lifted from the second verse of our debut single “ARRIVE!”</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: Mike and I have a backlog of songs that are half started, just the harmonic structures and instrumentation – Glenn writes the lyrics and melodies. There is a lot of self editing in the process right? It is important to be your harshest critic and know what works and what does not for the particular chemistry of the group.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: Well, we’re still relatively new. Having played them repeatedly in rehearsals and shows, the songs may feel old to us sometimes, but they’re still just in the process of reaching people! That being said, there’s a few things vocally I’ve experimented with live and adjusted since they’ve been committed to record. Looking ahead, when we have more time to meditate on ideas, I do however think there is some value in letting some song sketches marinate for a while before heading into the studio.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Pete: Trust the process.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Glenn: Again, be patient with a good idea.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Mcm8lk5Kv5I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Mcm8lk5Kv5I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72926842023-11-09T05:00:00-05:002023-11-09T05:00:04-05:00MEET NJ INDIE ROCK POST PUNK BAND CANTATIONS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/067a5c2c1c8ab6b341099583aecc43cbf192aaba/original/ttgxvjxb.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#1D2228;"><span>Cantations is a four piece from Hudson County that specialize in post-punk song styles. Comprised of Nicholas Maratta (guitar/vox), Jeff Mckeon (bass/vox), Dan Nagano-Gerace (saxophone), and Ryan Treppedi (drums/vox), Cantations offers lyricism, a wide range of inspirations, and potent instrumentation to offer a profound and dramatic experience.</span></span><br><br><span style="color:#1D2228;"><span>The Water Won't Go Down is the first full length from Hudson county outfit, Cantations. Coming after three EP releases leading up to it, the record rallies together Dan Nagano-Gerace, Jeff McKeon, and Ryan Treppedi to create a proper band format around primary songwriter Nick Maratta's compositions. This release pulls threads from an eclectic group of influences and individual contributions to form a dirty alchemy all of its own. The record itself deals with themes of longing and resilience under what often feels like the difficult or even impossible odds. The Water Won't Go Down was engineered and mixed by Matt Olsson at North End Recording in Passaic, NJ. Mastering was provided by Nick Bolton at Bolton Sound Studios. Album art by Shantell Batista.</span></span><o:p></o:p><span>. </span><i><span>(</span>photo credit Ryan Treppedi)</i></p><p> </p><p><span><strong>1. How did the band form and what does the band name mean?</strong></span></p><p><span>Cantations originally began as a recording project for Nick Maratta, harnessing contributions from other musicians (Matt Olsson, Ryan Treppedi, Jared Hart, Dan Nagano-Gerace, Jeff Mckeon, Nick Jorgensen, and Amanda DaSilva). The band has now cemented itself as a more traditional four piece with Nick Maratta, Jeff Mckeon, Dan Nagano-Gerace, and Ryan Treppedi.</span></p><p><span>The name Cantations was born from trial and error: originally CANTS as a play on "chant</span><br><span>", "gantz", and personal negativities like "I CANT do this"; "I CANT do that". Later, Cantations was chosen as the name, keeping true to the simple direction of the music: singing and songs with a bit of an esoteric flair.</span></p><p><span><strong>2. Previous musical projects? How'd you first get into music?</strong></span></p><p><span>Nick: Previous musical projects include Shithead's Rainbow and St. Sunday. I first got into music by being absorbed in the teenage punk rock scene of Bayonne NJ. Later growth came from influence from high school musical theatre. Things have been adrift ever since.</span></p><p><span>Ryan: among previous and current: Shithead’s Rainbow, Hollow-Eyed, Inertia., VARLOTS. My dad is a drummer so music was sort of in the fabric of every conversation growing up, and how I made my decisions and saw the world. I eventually gravitated into the punk scene and beyond but met of these guys on a fateful show in 2009/2010 and we haven’t stopped hanging out and making music since - I’ve been making music with the same group of 7 or so people for 15 years haha. </span></p><p><span><strong>3. First concert that you ever went to? </strong></span></p><p><span>Nick: Locally around the time of my first kiss, I saw bands Notify Simon and No Say play in a public park. National acts, I remember seeing My Chemical Romance and The Offspring and The Transplants at Warped Tour 2005.</span></p><p><span>Ryan: nationally it was green day and James brown pretty close together. Locally it was a punky shoegaze band called The Medics from my high school I saw them play in 8th grade and they blew my mind. </span></p><p><span><strong>4. What's your writing process like?</strong></span></p><p><span>Usually there will be the sembelance of a song written with lyrics and chord structure and general melody created and brought to the table for the full band to tinker with and debate over. That being said, we have been successfully dabbling with developing a song using a riff or a drum beat as the beginning focal point and then layering other parts on top, reworking as we go.</span></p><p><span><strong>5. What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3c7JxskG1pJXXK8Kwp8c2s?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span>Nick: I learned a lot of songwriting structural taste by listening to my friend Jared Hart play music for almost two decades. A lot of 80's bands informed some of my melodies, with Siouxie and the Banshees not necessarily being my favorite but her cover of The Passenger checks a lot of boxes for the era's influence on my writing. Lastly I definitely have binged Now Now a lot since I am a softie at heart.</span></p><p><span>Ryan: Pile is such an incredible band from both a songwriting perspective and musically: they rock, they are beautiful and fluid, and they constantly reinvent themselves - Kris Kuss is also an incredibly innovative and melodic drummer to me. Erykah Badu is a classic who has just been a staple of much of my adult life, her and her peers have a special place in the DNA of how I think about music making - the way the drummer approaches this track resonates with how I want to work my way into a groove for a lot of the stuff we make. Combo Chimbita I think is the best band in New York since I saw them first play to 30 people in 2017, they are psychy, heavy, anti-colonial, mystical, hypnotic - Carolina Oliveros’s vocals here have a haunting power and gravity to them - I love the way the drummer works around the set here, ghostly and then thunderous when he needs to be. The Cure are another classic I’ve been getting heavy back into recently - had to throw in a little goth for Cantations and Nick stole Siouxsie already haha. I love the hooks in this song and the sort of production that exists in this record was a playful break from some of the density of those earlier legendary records - but still hits hard. </span></p><p><span><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p><span>Nick: The live experience for all intents and purposes should replicate the sound of the latest album, The Water Won't Go Down, within a reasonable margin of error. That being said, we are perfectly comfortable changing the arrangement of songs on a case by case basis. </span></p><p><span>Ryan: I try to approach the live experience as a different thing from an album usually - I want this to be visceral and immediate, to carry you. A show is a call and response experience of you and the audience so nothing is ever the same, always aqueous. Cantations and all of Nick’s projects have always worked well around the flexibility of whomever is creating together for any given project. That being said we really wanted this record to be as close to the live version of us as possible - which is a bit of a different approach than we’ve done in the past. </span></p><p><span><strong>7. Has the band toured? </strong></span></p><p><span>The band has not toured yet, but are open to future prospects. The time is ripe.</span></p><p><span><strong>8. What's up next for the band?</strong></span></p><p><span>Anything and Everything by Hook or by Crook</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="0mweHedOZGk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/0mweHedOZGk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/cantations/" target="_blank" rel="nofollow noopener noreferrer"><span><u>https://www.instagram.com/cantations/</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72923992023-11-08T05:00:00-05:002023-11-08T05:00:02-05:00Oh Bummer! Dives Deep with New Single "Swimming" - A Melancholy Journey Through Depression<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9a867ba80606d9f7663071d15f1c0a2c2747c146/original/ab6761610000e5eb1e50425b91511b4b3146c573.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Indie rock and alt hip-hop sensation Oh Bummer! is making waves with the release of his latest single, "Swimming," a mid-tempo, introspective emo alt hip-hop tune that hits you right in the feels. The track comes ahead of his highly anticipated second EP, "A Part of the World," set to drop in early 2024.</p><p>Oh Bummer! paints a vivid picture of the emotional struggle in "Swimming," describing it as a snapshot of being in the midst of a depressive episode with no clear end in sight. The song captures the sensation of sinking deeper, the distant light at the surface fading away, like a rock tied to your foot. It's a journey through hopelessness, alienation, and the weight of it all, wrapped in melancholy jazz guitar chords, 808s, and teenage angst. Oh Bummer! confesses, “I still haven't learned how to swim, but at least for now, my head's above water.”</p><p>Hailing from Seattle but now based in LA, Oh Bummer! is the brainchild of singer/songwriter Tanner Houghton. Imagine BoywithUke with finger tattoos and a dose of edge, or Field Medic trying his hand at rap. Oh Bummer! is all that and more, delivering a sound that combines elements of hip-hop, punk, and folk. Tanner's prolific songwriting captures the essence of folk simplicity, infused with casual wit and self-deprecation.</p><p>Oh Bummer!'s debut EP, "Losing Sunlight," showcased his unique sound, and now, he's back with a bang on "Swimming." Teaming up with veteran producer The KickDrums and renowned horn player Kelly Pratt, Oh Bummer! promises a musical journey that transcends genres.</p><p>As we eagerly await the release of "A Part of the World" in 2024, Oh Bummer! continues to be a refreshing voice in the indie scene, offering sincere music for anyone who's ever felt like they don't quite fit in.</p><p>So, dive into the world of Oh Bummer! and let the waves of "Swimming" carry you through a poignant exploration of life's struggles and triumphs.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="DHt91WKASr0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/DHt91WKASr0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p>By B. Whitman</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72923982023-11-07T05:00:00-05:002023-11-07T05:00:01-05:00SINGER SONGWRITER DEREK SMITH: NEW INTERVIEW!<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6bf17441f0f6fea8f34b4e5f75b0aa3861fe86e9/original/derek-smith-press-photo-horizontal.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><p><span style="color:rgb(0,0,0);">Derek Smith is an up and coming force in the northeastern US music scene. In addition to being the front-man and primary songwriter for The Cosmic Vultures, he writes and records solo material. His first release for the label was a wildly successful single, "Fire in the Forest", which has over 30,000 plays to date. The corresponding album </span><i>Rubedo</i><span style="color:rgb(0,0,0);"> only fueled the demand for more music and luckily for his fans, Derek is a prolific writer. His sophomore album, </span><i>Obscura</i><span style="color:rgb(0,0,0);">, was released on July 12 just seven months later. As Smith continues to release material, including October single "Black Angel," his sonic identity comes increasingly into focus.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>In your opinion, what are the essential qualities that make a good songwriter:</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Derek Smith: There are a few things that I believe that make up the perfect combination of a good songwriter. The first thing is listening. Listening and studying music is of paramount importance. The basic understanding of basic structuring of a song. Also using chords as if they were mathematics. What and why certain chords go well together. Like numbers. Swerving in vocal melodies and proper instrumentation as well. All of this combined can make a good songwriter. Treat the process as if you are watering a plant. Respect the process.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>What is the basis for writing attention grabbing music in 2023?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">The attention span of a person in 2023 is rapidly different from say… people in the 70s. A band like Pink Floyd could still attract so many music lovers with their extremely long and avant-garde openings. Nowadays, if your song doesn’t start with a catchy guitar lick or drum beat, you may have a hard time getting listeners. Now, personally, I think a huge percentage of the people who need to be bought with a catchy opening, are not the type of “music” fans that would enjoy my music necessarily. I wouldn’t even necessarily call them music fans. That might be a hot take, but that’s just the way I feel about it. Is it dopamine? Is that what it is when receiving a catchy hook in a song or a tasty guitar or bass lick? Could be. </span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">It’s so unbelievably subjective as everyone just has a different music taste. Sometimes a song gets popular not because it’s actually a good piece of music, but actually how it was marketed and how it was delivered to the consumer. If you ordered a steak at a restaurant and it came sort of sloppy looking in a styrofoam container, you probably won’t enjoy it. But when the steak comes looking fancy on a nice plate… then that may make all the difference. Marketing is big nowadays. And going back to attention spans, it’s like someone from 2023 watching a film from the 1940s. Most of these people will miss the art and camera work all together. They might find it boring because the editing isn’t changing a camera angle every 3 seconds. Nowadays I always give an album two full listens. Sometimes you can’t digest and understand everything on the first listen.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>What has it been like working with an Indie record label as opposed to working on your own?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Well I’d say the extra publicity from working with an indie label is better than having no publicity at all. It was a pleasure and very cool to have the first album on Oak Honest Records with</span><i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"> Too Many Shapes</span></i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"> from 2020. They’ve done a great job promoting and they’ve grown quite a bit since 2020. It’s like being a part of a family and that is a very comforting feeling.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>Can you pinpoint some specific songs and songwriters that changed the way you wrote music?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Lennon and McCartney was the start of all of it for me. And today their music still inspires me to write. Songs like “Strawberry Fields Forever” and “Getting Better” are examples of tunes that I have studied over the years. I look at the chords being used and try to understand why they sound so good together. The flow of the songs and the tempo. Later I started to listen to artists like Steely Dan and Frank Zappa. The intricate compositions written by artists like that started making me think how I could attempt music like that. But I always go back to less is more. More digestible music. Stevie Wonder and Bob Dylan are also huge influences.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>Do you find it harder to be inspired by artists that are younger than you or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">This is a great question. I really don’t look at artists by their age. I am sure there are songs by artists I’ve heard that are younger than me that I have loved, but can’t think of any by name. But I think that I am generally inspired by bands who can weave together great chord changes and have a solid understanding of harmonies. Ultimately, I have seen artists like McCartney (who is 80) and The Rolling Stones, who are up there in age, and they have more energy than most young bands I’ve seen. To play a three-hour show every night… man… that’s impressive.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>For your new album, what inspired the lyrical content, album title and overall vibe?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">The last album that I released was </span><i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Obscura</span></i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">, back in July. There were a bunch of different themes that were bouncing around my head: friendship, nihilism, dreaming, Salem, depression. Sometimes I’ll write fiction, but I found myself writing about real feelings on this album. I think that’s why the name ended up being </span><i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Obscura</span></i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">. It was obscure to me that I was writing more songs based off of real emotion than just fiction. I think the overall vibe ultimately dipped in all of my difficulties and feelings. It felt good to get a lot of it out on record.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever revisit old material to do a re-write or once it’s done it’s done?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">A mix of everything mentioned. With the amount of songs I write, I realize that some songs don’t fit with each other so I will put them on the shelf until I know what record they will make sense with. I have a number of unfinished songs that I always get excited about going back and finishing. Looking back and saying “Ooh! That song would be perfect because it’s folky.” Something like that.</span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p dir="ltr"><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba"><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></span></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">For my latest release, </span><i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">Black Angel</span></i><span id="gmail-docs-internal-guid-7a5631f5-7fff-0361-ef93-fa6aa31eeeba">, I realized that just having a good song is not enough anymore. Production is a huge factor. Having a nice crisp sound with the correct instrumentation is so very important. And I will make sure to give all of my new material the proper treatment going forward.</span></span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OioKvebal50" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OioKvebal50?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>
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</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<strong>YouTube</strong>: <a class="no-pjax" href="https://www.youtube.com/@therealdereksmith1" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.youtube.com/@therealdereksmith1</a><br> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72923952023-11-06T05:00:00-05:002023-11-06T05:00:01-05:00MEET SERBIAN GARAGE ROCK BAND THE THUNDER CORPSES<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9df4013b58efef6ecca3cb96eb94cfe945d0ead2/original/the-thunder-corpses.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span lang="EN">The Thunder Corpses, emerged on the music scene in 2023, hailing from Knjaževac, Serbia.</span><br><span lang="EN">The Thunder Corpses' music intertwines the alluring essence of 1960s music with elements of garage rock, surf rock, and punk, embracing a rich tapestry of diverse musical influences. Comprising guitarist and frontman Vuk Jovanović, bassist Alexandar Ljubic, and drummer Zarko Mihajlovic, The Thunder Corpses recently released their debut album, titled "Somewhere Over the Black Bay," which offers listeners an exciting and distinctive auditory experience. With high-energy live performances on the horizon, the band is poised to take their unique sound to a wider audience.</span></p><p><span lang="EN"><strong>How did the band form, and what does the band name mean?<o:p></o:p></strong></span></p><p><span lang="EN">The Thunder Corpses: We came together in Knjaževac, Serbia, in 2022, as if emerging from the very elements of our namesake. The band name, "The Thunder Corpses," draws its inspiration from the myth of Dionysus, the Greek god of wine, ecstasy, and artistic expression. In the myth, Dionysus was born from the ashes of his mother, Semele, after she was consumed by the divine thunder and lightning. <o:p></o:p></span></p><p><span lang="EN"><strong>Any previous musical projects or experiences that led you to form the band?<o:p></o:p></strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: Before finding our current lineup, we did explore different musical projects individually. These experiences provided a foundation, but it wasn't until we came together that we felt the chemistry and shared vision that define The Thunder Corpses.<o:p></o:p></span></p><p><span lang="EN"><strong>Can you share the story of the first concert each of you attended? </strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: The first local major concert we attended was a national act Elektricni Orgazam. </span><br><span lang="EN">For our drummer, Žarko Mihajlović, the first major concert was by The Killers. Our guitarist and singer, Vuk Jovanović, attended a Mark Knopfler concert, and for our bassist, Aleksandar Ljubić this was the band Mando Diao.</span><br><span lang="EN">These early live music experiences left a lasting impact on us and played a significant role in shaping our love for performing.<o:p></o:p></span></p><p><span lang="EN"><strong>What's your writing process like?<o:p></o:p></strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: Our writing process is quite collaborative, but it's Vuk Jovanović, our guitarist and frontman, who often takes the lead in crafting the songs. He usually initiates the creative process, coming up with initial ideas and melodies. Then, together, we work on fine-tuning and evolving the songs to create that unique sound that defines The Thunder Corpses.<o:p></o:p></span></p><p><span lang="EN"><strong>Can you tell us about the artists and songs that inspire your music?<o:p></o:p></strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2akc7Tt3lFWUxDePSs4SIn?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: We draw inspiration from a diverse range of artists and songs, which contribute to the multifaceted nature of our music. On our Spotify playlist, you'll find tracks from artists like Shadows, Ariel Pink, Deep Freeze Mice, Wizzard, B52s, Love, The Strokes, Joy Division, Alain Souchon, Scot Walker. Each of these artists has contributed to our unique blend of surf-rock, garage-rock, and punk, and that's what sets us apart.<o:p></o:p></span></p><p><span lang="EN"><strong>What's the live experience like, and what's your philosophy on playing live? Do you believe the live performance should be identical to the recorded version or should it be its own unique experience?<o:p></o:p></strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: Our live shows are high-energy, electrifying experiences. We aim to create an atmosphere that's not just an exact replication of our recorded tracks. While we love our recordings, live performances are a chance for us to offer a different perspective on our music. It's like taking our audience on a unique journey through our songs, and we believe live performances should be their own thing, distinct from the recorded versions.<o:p></o:p></span></p><p><span lang="EN"><strong>Has the band toured? What has the touring experience been like so far, and can you share some memorable moments from the best and worst shows?<o:p></o:p></strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: We're actually just getting started with touring. Our first tour is scheduled to kick off in December 2023, and we're incredibly excited about it. While we don't have specific touring experiences to share just yet, we're looking forward to creating memorable moments on the road and connecting with new audiences.<o:p></o:p></span></p><p><span lang="EN"><strong>What's up next for The Thunder Corpses?<o:p></o:p></strong></span></p><p><i><span lang="EN">The Thunder Corpses</span></i><span lang="EN">: Our immediate plan is to start our tour in December 2023. We're really eager to hit the road, play our music in different locations, and share our live performances with fans. Beyond that, we'll continue to promote our debut album, "Somewhere Over the Black Bay," and explore new opportunities to take our music to new heights. The journey is just beginning, and we're excited to see where it takes us.</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="v9vWVsJ2k-w" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/v9vWVsJ2k-w?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="http://www.instagram.com/thethundercorpses" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.instagram.com/thethundercorpses</a></p><p><span lang="EN"><o:p></o:p></span></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72943942023-11-05T05:00:00-05:002023-11-05T11:00:27-05:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#10)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2e156d0280106d545ee2be8917c893b07ebdaad2/original/spore-009.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:rgb(0,0,0);">SPORE, Page 9 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/7a6450c19cf5e95e1f2fcdc4f9018b90ded18795/original/bh009.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 9 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br><br><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="qvHfUHSAn2g" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/qvHfUHSAn2g?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72921462023-11-03T05:00:00-04:002023-11-03T07:18:08-04:00MEET VANCOUVER INDIE JAZZ GROUP MALLEUS TRIO<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/858116ee0d3b0ca8ac41240ca1619450209888c7/original/malleus-trio-1-colour-copy.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#242424;">Malleus Trio is a Vancouver-based band comprised of Dominic Conway on tenor saxophone, Geordie Hart on bass and Ben Brown on drums. Casting elements of rock, pop, jazz, avant-garde and more through the prism of a deeply rooted rapport forged over more than a decade together, their strikingly unique sound has taken them to venues across Canada and Europe. <o:p></o:p></span></p><p><span style="color:#242424;">Malleus Trio’s third full-length album, ON/OFF was released on September 22nd, 2023.<strong><u><o:p></o:p></u></strong></span></p><p><span style="color:#242424;"><strong><u><o:p><span style="text-decoration:none;"></span></o:p></u></strong></span></p><p><span style="color:#242424;"><strong><u><o:p><span style="text-decoration:none;"></span></o:p></u></strong></span></p><p><span style="color:#242424;"><strong><u><o:p><span style="text-decoration:none;"></span></o:p></u></strong></span></p><p><span style="color:#242424;"><strong><u>1. How did the band form and what does the band name mean?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;"><strong><u><o:p><span style="text-decoration:none;"></span></o:p></u></strong></span></p><p><span style="color:#242424;">We first got together in 2007, when we were all attending Vancouver Community College. Right off the bat, there was a special chemistry, a set of mutual instincts, shared musical values that felt unique. A few months later we were offered our first gig and— necessity being the mother of band names—we combed the nearest bookshelf for something to spark our imaginations and found an anatomy textbook. The malleus is one of the trio of bones that conducts sound vibration to the inner ear. The fact that all three work in conjunction with one another and are of equal importance to conducting sound also seemed fitting.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>2. Previous musical projects? How'd you first get into music?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">We all come from broad musical backgrounds. If anything, formative time spent in rock and/or R&B bands might be the common denominator between us, but past that the roads that led us to here have been wide ranging. Ben is a founding member of Pugs & Crows, and Geordie of The Boom Booms. Dominic is a part of Mary Ancheta Quartet, among other projects.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>3. First concert that you ever went to? (Locally and National acts)<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">“There is a formative and vivid recollection of seeing Little Richard and Jerry Lee Lewis on a double bill at the Pacific Coliseum in the mid 90s. I was changed forever.” - Dominic.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>4. What's your writing process like?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">Collective, organic and exploratory. What we do has always been very rooted in the moment and shared spontaneous discovery. The odd time someone will bring in a formed idea but usually we get together and improvise and from there it’s a matter of choosing which ideas to keep caught, to feed and grow, and which to release, maybe to find their way back to us later on.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>5. What other artists or songs inspire your music? <o:p></o:p></u></strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0YPrDt4DRcwMZ47iYaGtmP?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#242424;">We draw on a pretty wide array of influences. We’ve been told more than a few times that our music feels cinematic and certainly many of the artists that inspire us posses that quality, such as Portishead,<span> </span>Tom Waits or Nine Inch Nails. Much of our music is built on groove first and hip-hop has been key influence there. One of the tracks on our new album ON/OFF had the working title “Timbaland” for a long time. As a trio, Duke Ellington’s album with Max Roach and Mingus, Money Jungle, has been a touchstone for its balance of refinement and rawness. Deftones’ brand of heavy yet catchy catharsis satisfies of late. The rhythmic urgency and playfulness of Maceo Parker’s saxophone as well as the singing quality of Carlos Bica’s bass have been influences on us as instrumentalists.</span></p><p><span style="color:#242424;"><strong><u>6. What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">The live experience is where we thrive. We take a lot of time and care in the writing process and we’re very proud of all three of our albums, but ultimately the songs are funnels for the chemistry and shared musical language we’ve built over the past 16 years. We’ve played together long enough to know and trust that what lies outside the lines on any given night can be as rewarding as what we’ve built inside.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>7. Has the band toured? What has the touring experience been, best shows?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">We’ve toured Canada twice, including this summer. In the spring we went over to Europe for the first time. All of it has been immensely rewarding. Going into an unfamiliar place and feeling how our music reacts in a room with fresh sets of ears has taught us a lot about what we create together and how that exists outside of us.<o:p></o:p></span></p><p><span style="color:#242424;"><strong><u>8. What's up next for the band?<o:p></o:p></u></strong></span></p><p><span style="color:#242424;">Our new album, ON/OFF just came out a couple of weeks ago so we’ll be promoting that and planning more of what’s next, including shows. Interested parties can follow us on Instagram and Facebook as well as checking out our website, malleustrio.com.</span></p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=1610367471/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://malleustrio.bandcamp.com/album/on-off">ON/OFF by Malleus Trio</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72905882023-11-02T05:00:00-04:002023-11-06T08:29:07-05:00WHAT'S IN OUR INBOX! THE THUNDER CORPSES, HOWLIN' CIRCUS, WASHING MACHINA, SHALLOW POOLS, THE PROBLEM WITH KIDS TODAY<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Today we got some garage rock on our radar among other things. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name:</strong> The Thunder Corpses</p><p><strong>BMN Score: </strong>9.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(55,65,81);">The Thunder Corpses have a distinctive sound that effortlessly fuses various influences, creating an authentic and electrifying atmosphere.</span></p><p><strong>What we say they sound like: </strong>There's something about over fuzzed garage rock that is comforting and warm to me. This is like The Strokes playing a Ramones song if you can imagine that. It's got that 50's / 60's aesthetic to the chord structure and style. It's not like the band is reinventing the wheel but why bother when your songs are short, catchy and to the point, plus enjoyable. </p><p><strong>Song to add to your playlist: </strong>Castles Of Alhambra</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rLJh7NS39zo" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rLJh7NS39zo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Howlin' Circus</p><p><strong>BMN Score: </strong>8.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">With his gritty, powerful, and defiant lyrics, Sandouk fearlessly blurs the boundaries of genres, weaving a mesmerizing tapestry that unveils the devastating personal impact of Islamophobia and white supremacy in the post-9/11 era. Yet, his music goes beyond mere social commentary; it delves deep into the heart of humanity, exploring the world's sharp decline in empathy.</span></p><p><strong>What we say they sound like: </strong>We are on a fuzzed out garage rock kick today. This is slightly darker lyrical content and although the vocals are fuzzed out the overall song is well produced and clear. I think overall it's also a song not reinventing the wheel but the vocals stand out to me as ear pleasing with raw emotion poured into them. Overall an enjoyable single that makes you want to check out what's next from Howlin' Circus. </p><p><strong>Song to add to your playlist: </strong>Baghdad Blues</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="QRb-T41itUk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/QRb-T41itUk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Washing Machina</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(32,32,32);">"Twilight Zone" is the second single from the upcoming album "The Spontaneous Splendid," an indie rock banger characterized by its prominent guitar elements. The creation of the song followed an unconventional path, as it began by laying down the drums first –a departure from the norm for the band. Thematically, the song delves into the sensation of being adrift, stuck in a figurative "no man's land," with uncertainty clouding the way forward. Mark further describes the song's essence, noting its echoes of Sonic Youth and Unwound, yet interwoven with the beloved pop melodies reminiscent of Washing Machine.Basically, "Twilight Zone" promises an interesting mix of experimental and alternative rock, with catchy pop melodies.</span></p><p><strong>What we say they sound like: </strong>Grungy fun dissonant guitars on this one. The song kind of has a Sleater Kinney feel musically but with more of a traditional male front man rock vocal. I feel like the interesting writing style and noise adds tension to the overall song that helps it stand out from the pack. It's definitely 90's inspired perhaps a mix of everything from My Bloody Valentine and Failure to Dinosaur Jr. and Pavement. It's got little bits of everything that makes 90's alt stuff great. </p><p><strong>Song to add to your playlist: </strong>Twilight Zone<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="TmQv5MKZZrE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/TmQv5MKZZrE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Shallow Pools</p><p><strong>BMN Score: </strong>9.0/10</p><p><strong>What the band says: </strong><span style="color:#000000;">The band’s fiery attitude and lyrics sometimes are at odds with its music, but that’s a contradiction shallow pools love to explore when they write songs. It’s not just an individual hallmark of the 10 tracks that make up I Think About It All The Time, but one that can be extended to the album as a whole. The thing that’s being thought of constantly, you see, is, as Ajemian succinctly puts it “not great stuff,” and it permeates every fiber of this record. “It’s kind of a concept album—almost,” laughs Ajemian. “But when we listened back to it, we realized it was less an end of the world album than just all the different things that consumed us, whether that’s environmental or external or internal things.”</span><br><br><strong>What we say they sound like: </strong>This song to me has a very 80's pop feel like Tears For Fears meets something more mainstream like Belinda Carlisle but then it manages to mix in modern production and an indie pop vibe with everything. It's catchy upon first listen and is definitely something I could see listening to over and over without getting sick of it. It's got a groove to it that is just flat out enjoyable. </p><p><strong>Song to add to your playlist: </strong>Golden<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UmqDcVQ7oHk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UmqDcVQ7oHk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>The Problem With Kids Today</p><p><strong>BMN Score: </strong>8.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">On the song the band's Tate Brooks says, "'What Else Can I Say' is an indie punk anthem, written out of frustration both metaphorically and literally. It broke us out of a writer’s block and set the bar for the rest of the album."</span></p><p><strong>What we say they sound like: </strong>I would put this in the indie lo-fi category but with a helping of post punk. It's not quite as edgy as some of my favorite Bushwick bands but it's got that same fun vibe to it. It's shouty, it's catchy and made me want to keep listening. It's one of those projects that seems to be greater than the sum of it's parts which is always a good thing. It all works together to join pop punk, post punk and indie rock into a fun package. </p><p><strong>Song to add to your playlist: </strong>What Else Could I Say<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="7AEIPTxOqZk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/7AEIPTxOqZk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72883322023-11-01T05:00:00-04:002023-11-01T05:00:01-04:00MEET ASBURY PARK NJ SINGER SONGWRITER RENEE MASKIN (NEW INTERVIEW) <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/db96055d7b09218bf27af50961a2b95f32d27739/original/reneemaskin-shimmer-cover.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(55,65,81);">Meet Renee Maskin, the unmistakable voice echoing through the vibrant music scene of Asbury Park, NJ. Renowned for her distinctive sound and artistic flair, Maskin seamlessly weaves heartfelt narratives with subtle wit in her lyrics, creating a musical tapestry that draws from influences as diverse as country, Americana, krautrock, and glam. Formerly a key member of Lowlight, Maskin co-wrote four critically acclaimed studio albums and toured alongside The Pretenders. Since 2022, she has been carving her path as a solo artist, with her full-band LP "Renee Maskin & The Mysterious Wilds" claiming the top spot on the NACC Folk charts in early 2023. Shimmer, her latest endeavor, showcases Maskin taking the reins, handling production and most of the instrumentation herself. With comparisons to Leonard Cohen and accolades describing her work as "indie-folk at its finest" and "quintessential, smart, unique Americana," Renee Maskin is an artist whose sonic journey is not to be missed.</span><br> </p><blockquote type="cite"><div style="outline:none !important;" dir="ltr"><div style="outline:none !important;" dir="ltr"><div style="outline:none !important;">
<p><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”?</strong></p>
<p><span>That’s a great question, and a hard one. If it were an easy formula, there would be a lot more good songwriters for sure. But how do you make sense of them all? Nick Cave and Daniel Johnston? Kevin Morby and Prince? </span>José González<span> and Joey Ramone? You could try and find a thread, but I think there’s a lot of magic involved with becoming a solid songwriter. That, and practice.</span></p>
<p><strong>Q: What is the basis for writing attention-grabbing music in the year 2023?</strong></p>
<p>Good songwriting will always stand out. Artistic integrity will too. It’s kind of a broad answer, but there’s so much new music coming out all the time. So, so much. And film. And books. The way to stand out is to just have your own voice and perspective, own it, and keep doing the work until eventually someone notices. If you’re an artist, you don’t have much of a choice in this anyway. You make your work like you breathe the air. So do what you do, and put it out.<span> If it's good it will cut through some of the noise.</span></p>
<p><strong>Q: What has it been like working with an indie record label as opposed to working on your own?</strong></p>
<p>I’ve got a great working relationship with Mint 400. For the most part, I do actually work on my own. I have a lot of freedom to go down whatever path I see in front of me with my songs.<span> </span>I think that there’s some trust that I’m doing something good, or at least interesting. And conversely, when I check back in with Neil, I listen to his feedback. It’s always constructive. There’s things you can’t hear in your own work when you’re too close to it. Like anything else, you have to work with people who understand what you’re trying to do, and who you also understand. And who collectively all want to see the work and overall vision of the artists and label succeed.</p>
<p><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong></p>
<p>The first time I listened to Bill Callahan, I was visiting my friend up in the Catskills. I remember saying to him that if I had heard this music in the wrong moment, the wrong context, I'd think it was the most annoying thing I’d ever experienced. But up there, in his kitchen, drinking coffee, looking out at the mountain, it all came together. The sly, strange humor mixed in with some matter-of-fact darkness, some occasional longing. Both pretty and pretty weird all wrapped together in a low, dry delivery. I wouldn’t have written a song like “Horses” had I not first heard Bill Callahan and Smog that afternoon.</p>
<p> </p>
<p><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></p>
<p>I’m in a weird moment in my life where I forget that I’m older than a lot of the people I share bills with. And also, younger too. The days of aging out of the music game at 28 seem to be over now.<span> </span>I’m not ageist, I find everyone inspiring if they’re making good music. But to answer the question, my favorite new act in Asbury Park is Great Oblivion, who does seem a little young to be writing such gorgeous songs. It’s exciting to be excited about someone new on the scene.<span> </span></p>
<p><br><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe?</strong></p>
<p>I’m lucky that I’m in a relationship with another artist. It’s a nice thing to have. John (Decker) and I talk about everything, but what sometimes starts off as a joke or a wild idea often ends up an artistic reality. “Rain, Rain” was John. He’s not a songwriter, or even a musician, but every time we’d get a dose of New Jersey weather, he’d start saying I should write it. So I wrote it. “Frustrated Painters” came out of a conversation we have all the time about how we’d rather be painters, but we don’t have the knack for the medium required to really excel at it. Earlier this year, John and I spent time in Joshua Tree to shoot the “Scrimshaw” video and found the area to be much more meth-y and weird than we had imagined. So, John was my unofficial bandmate and co-writer for this record for sure.</p>
<p><strong>Q: Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></p>
<p><br>All of the above. “Horses” is an older song now. And it was also on my last LP with The Mysterious Wilds (Mike Noordzy and Ben Ross). It’s why I like the medium of songwriting so much. A drawing, for instance, is very permanent. You say “It’s done!”, and you hang it on the wall, or sell it, or piss on it and film that and then that's the art piece. But a song can keep being reborn. You can remix, remaster, re-record altogether. You play it live and it lives in that moment too. Other people can cover it. A song can travel a pretty far distance.<span> </span></p>
<p>On this record, though, "Horses" was the exception. Most of the other songs on <i>Shimmer </i>are brand new 2023 material. I have a backlog of songs that are waiting for homes on a recording, but I was writing a lot of material I was excited about, so I went in that direction this time around.</p>
<p><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></p>
<p><br>I was saying to Neil (Mint 400) the other day that I don’t even completely know what I’m doing differently now, but I feel like my music is growing and moving into an exciting place. I’m just going to keep on.<span> </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tdPdbH_iqCs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tdPdbH_iqCs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div></div></div></blockquote><p><br><a class="no-pjax" href="https://www.instagram.com/reneemaskin/">https://www.instagram.com/reneemaskin/</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72798142023-10-31T05:00:00-04:002023-10-31T05:00:01-04:00BOSTON DARK WAVE BAND FEED US GIVES US A LIST OF THEIR FAVORITE HORROR MOVIES!<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e1f3c758881c31d95b93c6432946d5757fa80914/original/collage.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Horror is a genre that revels in fear and disgust for our entertainment. It's been haunting the silver screen for over a century, inspired by folklore, religious beliefs, and literary giants like Poe and Shelley. But it found its true form in 1931 with “Dracula.” Horror defies normality, embracing monsters, apocalyptic scenarios, and the supernatural. As critic Robin Wood put it, "normality is threatened by the monster," and this threat keeps us hooked.</p><p>Before "Dracula," the term "horror film" was a bit of a misfit, used for everything from battles to addiction tales. But Dracula gave it identity. What defines a horror film? It's all about manipulating your senses – negative space, jump scares, and mirrors that reflect our deepest fears. Music adds to the unease with dissonance and eerie timbres. Themes in horror are diverse, from the horrors of personality, like Frankenstein's monster, to fears of Armageddon, whether sci-fi or natural. And then there's the demonic, with satanic rituals and witchcraft. But horror is more than shock value. It's a mirror reflecting our cultural anxieties, from war to disease. It helps us confront the darkest corners of our psyche. So, embrace the macabre. In horror, we find a mirror for our fears and desires.</p><p>Today the band FEED US from Boston, and producer Ben Didsbury aka R|verghxst, one half of the project, brings us a list of some of his favorite horror films!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ob8vZhSjES8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ob8vZhSjES8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Night of the Living Dead (1968). The parent of modern horror. It deftly weaves in the social issues of the late 60s (which are unfortunately still relevant today) with spine-tingling suspense and a gut-punch of an ending. For a treat, read Robert Eberts classic review of the movie. </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="hPs2ExUL_bc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/hPs2ExUL_bc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Susperia (1977). Perhaps the pinnacle of the Italian Giallo horror movement. This one is all vibes, helped along by the killer soundtrack by Goblin. Don't worry about the plot, it's really not about that. Also, don't sleep on the 2018 remake. </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="EBQHp2__AVQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/EBQHp2__AVQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Audition (1999). No horror-movie list would be complete without representation from Japan. There are so many to choose from, but this one will stick with you. You'll never look at needles or sacks the same way. </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Ysde4KaFirk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Ysde4KaFirk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Housebound (2014). Now for something completely different This is a New Zealand horror-comedy that borrows heavily from other classic movies, but adds just the right amount of new thrills and laughs to make it unique. It has the best (and maybe only) scene of defiant urination in movie history. <br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="-fkbig10TD8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/-fkbig10TD8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Barbarian (2022). Coming out of the horror-renaissance of the past decade, it finds a way to mix "elevated" horror with crowd-pleasing scares. This one is definitely better when you go in as cold as possible, but it has one of the best tonal shifts in horror history. <br><br><i><strong>And now the guys who made the above list present to you perfect Halloween video for your viewing and listening pleasure:</strong></i></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NIS0OnDX5Gk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NIS0OnDX5Gk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72782952023-10-30T05:00:00-04:002023-10-30T05:00:02-04:00MEET CINCINATTI'S INDIE SHOEGAZE SONGWRITER DITNER<p><o:p></o:p></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e807803c540d80f082b515f21687b06a95814db0/original/ditner-figures-pic-2-bass.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><o:p></o:p></p><p><span style="color:rgb(55,65,81);">Ditner, the experimental indie project led by Joshua Deitner from Cincinnati, Ohio, has been on a musical journey, from exploring parallel universes in the debut "Future is Fine" (October 2022) to collaborative experiments like "Negative Space" with Chris Bump (June 2023). Now, the spotlight is on their latest release, "Figures" (October 27, 2023), promising traditional instrumentation, layered guitars, and a fusion of influences, including NYC post-punk, shoegaze, gospel, R&B, jazz, British electronic, and desert rock, showcasing their most daring lyrical and vocal work yet, with "I’m Still" and “Swallowed Whole”, the previously released singles, offering a glimpse of what's to come.</span></p><p><span style="color:#000000;"><strong>How did the band form and what does the band name mean? </strong></span><o:p></o:p></p><p> <span style="color:#000000;">Ditner came into existence to satisfy my need to create my own work, unhindered by a band of competing voices. The first album was mastered before I even settled on the name. It’s a misspelling of my own last name – in part to reflect an older pronunciation (that some of my family still use), partially to have a moniker that’s less prone to spelling and pronunciation confusion, but to use an original pseudonym that really reflects who I am. </span></p><p><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p> <span style="color:#000000;">I’ve always been into music. I took lessons and played a lot of church music as a kid, then played in original bands starting when I was around 13. I went to school for music, starting with classical piano performance, but eventually got burned out and/or realized that I didn’t have the constitution for real excellence in the classical life. I ended up getting degrees in music performance, recording technology and music business. </span><o:p></o:p></p><p> <span style="color:#000000;">In college (St. Louis/Southwestern IL) I played guitar and synth for an indie-folk outfit called Auk. Later, I got back together with an old friend (Chris Bump, now aka Iffer) to form The Parallels. Chris has the greatest, most distinctive writing, vocal and guitar styles that I’ve ever been around. I played drums with him in The Parallels in the STL area around 2005-2006, and later in Shanghai, around 2014-2016. These days he and I collaborate a bit (as Ditner and Iffer), though we are slowly working on restoring some of the Shanghai-era Parallels recordings. My label (Meager Morsels Music) is currently working on releasing/re-releasing the old Auk and Parallels albums.</span></p><p><span style="color:#000000;"><strong>First concert that you ever went to?</strong> </span><o:p></o:p></p><p><span style="color:#000000;">I don’t remember the earliest concert. I grew up with a lot of church music, and I know I saw some touring Christian rock groups as a youngster. I went to a bunch of local punk rock shows as a teenager too. The first great show that I recall, as I was coming into my own, was Interpol playing a small club in Boston around 2003, back when they were touring their first album. That was such a good show, and later I came to appreciate how great it was to see them in that small setting – I could see and hear everything they were doing. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:#000000;">The main process I’ve been using for the past couple of years is writing lyrics and music separately. Sometimes I might sit down to play a few chords to get the juices flowing, but then I’ll close the piano and just write lyrics for a while. When I’m not writing lyrics I’ll poke around with musical ideas but won’t try to match them up until there are mostly complete ideas on both sides. I like to try different lyrical forms – I often think of A, B, C (etc.) sections instead of Verse, Chorus, Bridge. This way, for better or worse, I rarely have a repeating refrain. I feel like this fits well with the way I like to compose the music. </span><o:p></o:p></p><p><span style="color:#000000;">I’ve been relying heavily on piano – most of the guitar-based songs I’ve done started with piano. It gives me the most freedom to create the harmonies that interest me. I used to write on guitar, but playing in a “guitaristic” or guitar-friendly way ultimately narrowed my flow and limited the harmonic possibilities. I appreciate how some instruments can limit your writing in a positive way, and I’m a big believer in imposing limits in order to stimulate creativity. So in the future I plan to start writing music away from the piano. <span> </span></span><o:p></o:p></p><p> <span style="color:#000000;">While the songs are basically written ahead of recording, I do find myself completing the arrangements and textural concepts during the recording process. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4TTPdqXJXwb32ViTAOVogs?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#000000;">I’m inspired for different reasons these days. When I was younger, I’d respond to music gutturally and emotionally. Now what’s exciting are those artists that preach freedom – those that demonstrate how I can be free to create genre-defying recordings, and with my own voice. I don’t have to sound like a pop vocalist; I don’t have to use what some Youtuber says is the best guitar tone; I can use a single mic to record an entire album just to see what happens. </span><o:p></o:p></p><p> <span style="color:#000000;">I’m a huge fan of Radiohead, and of everything that Thom and Jonny have done. Kid A, The Smile, Bodysong, Anima, Atoms For Peace and Jarak Qaribak all rank the highest for me in terms of concept, composition, textures and overall production. </span><o:p></o:p></p><p> <span style="color:#000000;">Sigur Ros is an early example, for me, of musical freedom. However, I still listen to them emotionally. They’re a big influence on my definition of beauty. </span><o:p></o:p></p><p> <span style="color:#000000;">The Flaming Lips and The National are groups I love for mostly very different reasons, however, Wayne and Matt’s vocals are so important to me. They showed me that I don’t have to be perfect, or sound like anyone else, and fans love them for that. When I first heard these bands, I disliked their vocals – I think because they were shockingly different, and didn’t fit my idea of what vocals should sound like, at least within their genres. Now I find these voices to be beautiful and empowering because of the same qualities. </span><o:p></o:p></p><p> <span style="color:#000000;">Interpol is another example of a distinctive vocal style, but their main impact on me is their rhythm section. I never played bass or drums the same after I heard Turn On The Bright Lights. </span><o:p></o:p></p><p> <span style="color:#000000;">Recently I’ve been listening to a lot of The Japanese House. Clean is an earlier track that I still play on repeat – the melody is distinctive and I really dig the production on that song. Saw You In A Dream boasts a chord progression both gorgeous and sophisticated. </span><o:p></o:p></p><p> <span style="color:#000000;">Iffer is really great, and a recent inspiration. I’ve always known him as a very distinctive guitarist and vocalist, but recently I’ve been blown away by his electronic production. It sounds like nothing else – kind of 80’s, kind of dark 2000’s sleaze, kind of psychedelic desert rock. </span><br><br><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p><span style="color:#000000;">These songs haven’t been played live yet. Ditner emerged from Covid19 as a recording project. That’s not a conscious decision, but I haven’t yet found the right group of local multi-instrumentalists I’d need to make it happen live. </span><o:p></o:p></p><p><span style="color:#000000;">I agree with those artists that talk about the obligation to play the “greatest hits” for the fans that come out to shows. It’s a good thing I don’t have to think about that – I’ve got no hits and no fans. However, I’m a bit different from a folky guitarist/singer in that I know it would require substantial resources to make a live show identical to the recording, in most cases. So I have to think about myself. Who am I? What’s important? At this point, I feel wildly free with my current creative process and I’d be reluctant to give any of that up in order to consider creating an accurate live reproduction. So out of necessity, I have to be OK with a live performance taking on a different personality. </span><o:p></o:p></p><p><o:p></o:p></p><p><span style="color:#000000;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:#000000;">I’m working now with a few other artists on a collaboration-focused album that I’d like to release early next year. I’m really excited about this – these artists possess some amazing voices, and writing with them is opening up my mind. </span><o:p></o:p></p><p><span style="color:#000000;">I’m also writing a bit for a subsequent collection of songs – I’m not sure if I should commit much to words yet, but it’s sounding very different from everything I’ve done up to this point. </span><o:p></o:p></p><p><span style="color:#000000;">Lastly, my goal for 2024 is to get out and play some shows, even if it’s a limited set with a small group. </span><o:p></o:p></p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eNie6BwSTKc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eNie6BwSTKc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><a class="no-pjax" href="https://www.facebook.com/ditnermusic" target="_blank"><span style="color:#000000;">https://www.facebook.com/ditnermusic</span></a><o:p></o:p> <br><a class="no-pjax" href="https://www.instagram.com/ditnermusic/" target="_blank"><span style="color:#000000;">https://www.instagram.com/ditnermusic/</span></a><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72920372023-10-29T05:00:00-04:002023-10-29T05:00:01-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#9)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e1cca0e9b9d9ce695999d48b4a06250b4d6ca0b6/original/spore-008.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:rgb(0,0,0);">SPORE, Page 8 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dcd2b85ea0104dfc3acbb8a1f285ff9de585f596/original/bh008.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">THE BLACK HAT, Page 8 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br><br><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="AsTo24QymSY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/AsTo24QymSY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72810752023-10-27T05:00:00-04:002023-10-27T05:00:01-04:00BMN VIDEO PREMIERE: NJ INDIE ROCK BAND FAIRMONT FT. MIKE CHICK OF YAWN MOWER<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/071103719f808bd83f8fd9160e15aa5202be7f4a/original/fairmont-recluse-jamboree-final-copy.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:#374151;">Fairmont, the North New Jersey Indie Rock band, has been on an unwavering and steadfast musical journey for over two decades, leaving it’s mark on the NJ indie rock scene. Led by the creative vision of Neil Sabatino and Christian Kisala, they've unleashed a staggering twelve full-length albums and a diverse range of tracks, showcasing their eclectic tastes and musical prowess, while maintaining their DIY ethos with their label Mint 400 Records and in-house production. Their latest opus dropping on 11/24/23, ‘Recluse Jamboree,’continues to weave together their collective experiences into a remarkable sonic tapestry, featuring a constellation of vocal talents that elevate the record to new heights. The first single, "Paper Heart," captures a light-hearted feel but delves into darker themes, serving as Sabatino's cautionary tale about the music industry's soul-crushing nature, making 'Recluse Jamboree' a cathartic experience that aims to connect with those who resonate with its messages.</span><br><br><span style="color:#374151;">The video incorporates a collage of home shot & stock footage. Sabatino says it was filmed using only a budget of about $100 for green screen materials. Combined with the efforts of Yawn Mower vocalist Mike Chick, the video used only about $20 worth of white and black makeup. Again the band Fairmont who has become known for their DIY ethics shows that forcing your kids to be in your low budget music video shot in your home kitchen can yield surprising results. </span><o:p></o:p></p><p><span style="color:#374151;">Today Blood Makes Noise proudly presents “Paper Heart” a track and video that also features Mike Chick of Asbury Park’s Yawn Mower lending backing vocals and some whistling. Enjoy the spooky Halloween vibes Fairmont creates in their newest video. </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="kGl80Pc5pnY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/kGl80Pc5pnY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="http://www.fairmontmusic.com/">http://www.fairmontmusic.com/</a> <br><a class="no-pjax" href="http://www.mint400records.com/">http://www.mint400records.com/</a> </p><p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72850622023-10-26T05:00:00-04:002023-10-26T05:00:01-04:00MEET BRAZILIAN PUNK AND HARDCORE BAND STATUES ON FIRE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/65e522b31c0661a62e65f75fecf9cececb6e93ad/original/sof-pic-by-sebb-koch.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Brazilian punk and hardcore band, Statues On Fire, formed in 2013, has marked a decade of success with five European tours, solidifying their position as one of the country's premier bands. Despite facing setbacks from the Covid-19 pandemic, their anticipated tours and festival appearances in 2020-2022 have been rescheduled for 2023. The band, fueled by the challenges of the Bolsonaro era, returns with a powerful new album, "IV," featuring 13 tracks blending hardness, melody, metal, and hardcore. Comprising Andre Alves, Lalo Tonus, Alex Silva, and Regis Ferri, Statues On Fire's journey includes prior engagements in notable projects like Nitrominds and Musica Diablo.</span><br><br><span lang="PT-BR"><strong>How did the band form and what does the band name mean?</strong><o:p></o:p></span></p><p><span lang="PT-BR">Hallo! Thanks for the interview. Statues on Fire did the first rehearsal in October 2012 and that time we had no band’s name, just an idea what kind of music we would like to do. The first concert and band’s announce was April/2013 where i consider our starting point as a band. The name Statues on Fire means the habit governaments create false idols like heroes. Mostly of these statues representing murderers, colonizers and years of invasions/exploration around the world. Statues on Fire means burn all these symbols that keeps mostly of the society blind of the real history behind them.</span><br><br><span lang="PT-BR"><strong>Previous musical projects? How'd you first get into music?</strong><o:p></o:p></span></p><p><span lang="PT-BR">André and Lalo had a band called Nitrominds where they did a lot of tours in Europe, also South America and Canada. I came from a band called Kacttus where i played one european tour and lot of concerts here. Regis had a Kiss cover band where he was Ace. I started 20 years ago on high school with friends, we met at the weekend to listen Ramones, Nofx, and share tapes and cds to discovery new bands.<o:p></o:p></span></p><p><br><span lang="PT-BR"><strong>First concert that you ever went to? </strong><o:p></o:p></span></p><p><span lang="PT-BR">When i was 15 i went to a local bar pretty near to my home with some friends, i dont remember the band’s name but i got impressed because i saw the drummer kicking ass there and i would like to play like that, but i didnt know how to kick in the kick drums on that time haha.</span><br><br><span lang="PT-BR"><strong>What's your writing process like?</strong><o:p></o:p></span></p><p><span lang="PT-BR">Starting with the guys showing some riffs and with this we mix our ideas together and try to make the song without any specs, i mean, we dont follow any music genre because we’re into a punk rock scene, or metal or whatever, we let the music flow. After that Andre starts to the writing the lyrics (he’’s wrote all the lyrics and a lot of riffs) based on our political/social situation or a personal life and the society we are into at that moment.</span><br><br><span lang="PT-BR"><strong>What other artists or songs inspire your music?</strong></span></p><p><span lang="PT-BR"><o:p></o:p></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3RuU5oGuIOGKyNB7eaj1SH?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/34RQnXufqvqB8ZFzJQZCgA?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6Uc4WzRX2LxOSOv2pangaZ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2NSKjCZbZEc4qOmfhvfC7v?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span lang="PT-BR">We just listen all kinds of music, but certain you can find a lot of influence from bands like Metallica, The police, Pennywise, Rise Against, Propagandhi and we try to mix something punk with thrash metal and also pop and catchy melodies from 80’s and 90’s.</span><br><br><span lang="PT-BR"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><o:p></o:p></span></p><p><span lang="PT-BR">Live music has to be feeling and doesnt matter if the concert is too big or small one. Of course we do a lot of rehearsals to try to make everything perfect on the stage and people recognize our songs they like, but since there are people watching your band (and i dont care how many in numbers) we put our hearts in front of and our mostly high level respect for them and we just play as were our last concert of our lives. Live music is the best oportunitty to express your feelings and your music ideas and i don’t care to be identical because each concert is not equal as your day isnt.</span><br><br><span lang="PT-BR"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong><o:p></o:p></span></p><p><span lang="PT-BR">Since we are from a huge country like Brazil we cannot touring here like we do once a year in Europe, playing every day. Traveling and the costs it’s a pain in the ass and the concerts here is only from friday till sunday but we do concerts often here and since 2014 every year we are touring in Europe (except during last two years because covid-19 issues). Everywhere we go it’s a great experience, meet new people, old friends and so on. This year we supported Rise against here in Brazil and was a big opportunity to spread our music, im a bit anxiety to our next european tour in October/2023, so, probably when you read this interview we will be on the road and i hope this tour going to be good with a new album on hands and a great job that our label Rookie records did again, an amazing partner since 10 years ago. I cannot said a worst concert, but sometimes we have problems with food, place to sleep, but we can figure out and make this bad experience turns in a lot of jokes after that.</span><br><br><span lang="PT-BR"><strong>What's up next for the band?</strong><o:p></o:p></span></p><p><span lang="PT-BR">We just release a new album called “IV” via Rookie Records, i think is one of our best albuns and we will promote them in every part of this planet we can reach, playing or just spreading digital, sending vinyls and making new friends on this crazy road.</span></p><p><span lang="PT-BR"><o:p></o:p></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="j5XaKIJ7t1c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/j5XaKIJ7t1c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><span style="color:rgb(0,0,0);"><strong>European tour 2023</strong></span><br><span style="color:rgb(0,0,0);">11/10/2023 - STATUES ON FIRE @ Wiesbaden, DE - KreativFabrik</span><br><span style="color:rgb(0,0,0);">12/10/2023 - STATUES ON FIRE @ Wermelskirchen, AJZ Bahndamm</span><br><span style="color:rgb(0,0,0);">13/10/2023 - STATUES ON FIRE @ Koln, DE - Sonic Ballroom</span><br><span style="color:rgb(0,0,0);">14/10/2023 - STATUES ON FIRE @ Dusseldorf, DE - AK47</span><br><span style="color:rgb(0,0,0);">15/10/2023 - STATUES ON FIRE @ Heerlen, NL - Café Bluff</span><br><span style="color:rgb(0,0,0);">17/10/2023 - STATUES ON FIRE @ Erfurt, DE - Cafe Tikolor</span><br><span style="color:rgb(0,0,0);">18/10/2023 - STATUES ON FIRE @ Hamburg, DE</span><br><span style="color:rgb(0,0,0);">19/10/2023 - STATUES ON FIRE @ Dortmund, DE - FZW Festival</span><br><span style="color:rgb(0,0,0);">20/10/2023 - STATUES ON FIRE @ Kiel, DE - Hansa48</span><br><span style="color:rgb(0,0,0);">21/10/2023 - STATUES ON FIRE @ Oldenburg, DE - Umbaubar</span><br><br><span style="color:rgb(0,0,0);">Links:</span><br><a class="no-pjax" href="https://www.facebook.com/statuesonfire" target="_blank" rel="noopener noreferrer">https://www.facebook.com/statuesonfire</a><span style="color:rgb(0,0,0);"> (</span><a class="no-pjax" href="https://www.facebook.com/statuesonfire/" target="_blank" rel="noopener noreferrer">https://www.facebook.com/statuesonfire/</a><br><a class="no-pjax" href="https://www.instagram.com/statuesonfire" target="_blank" rel="noopener noreferrer">https://www.instagram.com/statuesonfire</a><span style="color:rgb(0,0,0);"> (</span><a class="no-pjax" href="https://www.instagram.com/statuesonfire/" target="_blank" rel="noopener noreferrer">https://www.instagram.com/statuesonfire/</a><br><a class="no-pjax" href="https://statuesonfire.bandcamp.com/" target="_blank" rel="noopener noreferrer">https://statuesonfire.bandcamp.com</a><span style="color:rgb(0,0,0);"> (</span><a class="no-pjax" href="https://statuesonfire.bandcamp.com/" target="_blank" rel="noopener noreferrer">https://statuesonfire.bandcamp.com/</a><br><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72850932023-10-25T05:00:00-04:002023-10-25T11:09:32-04:00SPELLES Unveils Haunting Anthem "Night Terrors" in a Fusion of Amy Winehouse and Suicide<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ca2477f1c3a5f832bc79d8d9f6198010a8e53951/original/image.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>SPELLES, the dynamic duo comprising Luc Laurent and Kathryn Baar, has released their latest single, “Night Terrors”. The track, a chilling blend reminiscent of Amy Winehouse meets Suicide, showcases a new dimension of SPELLES' expansive and genre-defying musical prowess.</p><p>"Night Terrors" kicks off with a blues-inspired bass synth riff and pulsating drums by Laurent, setting the stage for Baar's soulful and biting vocals. The menacing verses build an atmosphere of tension, creating a sonic landscape where the listener feels submerged underwater. Yet, just as the depths seem insurmountable, the song concludes with a heroic ending, pulling the audience back into the light.</p><p>The choruses explode with a rich tapestry of organs and string machines, amplifying Baar's confident declaration, "Look at me now, I'm coming alive." The lyrics delve into the dichotomy of emotions associated with chasing elusive dreams, with lines like "What haunts you the most? My unlived life" and "Built a pyramid of dreams, to honor what's dead."</p><p>SPELLES has garnered acclaim, amassing over 5 million streams and earning praise from Consequence, CLASH, BBC, NME, NPR, and more. Their music has found placements on popular shows like Good Girls and Pretty Little Liars, showcasing the duo's versatility and widespread appeal.</p><p>"Night Terrors" marks the third single from SPELLES' highly anticipated debut album, "Diving Into the Arms of the Divine," set for release on November 15th via Sierra Bonita Records. The album promises to be a culmination of their musical journey, blending influences from Portishead, Radiohead, and Nina Simone into a commanding and emotionally resonant body of work.</p><p>As SPELLES continues to captivate audiences with their unique sound, "Night Terrors" stands as a testament to their ability to craft haunting anthems that leave a lasting impression. Dive into the sonic depths with SPELLES and anticipate the release of their debut album, destined to make waves in the music scene.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NFYfz4pkpyQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NFYfz4pkpyQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/spellesmusic" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><font face="arial, sans-serif"><span>https://www.instagram.com/spellesmusic</span></font></a><br><a class="no-pjax" href="https://twitter.com/spellesmusic" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><font face="arial, sans-serif"><span>https://twitter.com/spellesmusic</span></font></a><br> </p><p>-B. Whitman</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72850942023-10-24T05:00:00-04:002023-10-24T05:00:01-04:00SCOTTISH BAND PAWS RETURNS WITH NEW RAW UNAPOLOGETIC ALBUM<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bf0c9a1fcd10505e539c49f3fd103c27f59a5099/original/paws-photo-by-nicky-murray.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In the turbulent landscape of alternative rock, where trends ebb and flow like the tides, PAWS emerges with a self-titled album that's as raw and unapologetic as the Scottish Highlands that birthed it. Phillip Jon Taylor and Joshua Swinney, the dynamic duo behind PAWS, have crafted a sonic manifesto that not only reflects the dissonance of modern living but also serves as a testament to the enduring power of artistic collaboration.</p><p>The genesis of this fifth LP is as intriguing as the music itself. After a hiatus following their fourth album, "Your Church On My Bonfire," the pair found themselves at different ends of the British Isles—Phillip immersed in the Highlands, exploring the realms of painting and parenthood, while Joshua pursued his culinary passion in London. The physical distance, however, couldn't sever the creative umbilical cord that bound them.</p><p>Reuniting in October 2022, the duo embarked on a musical odyssey in Phillip's Crofters cottage studio. Drawing inspiration from phone demos and a chemistry forged on the road, the songs materialized with a surprising swiftness. The album, a product of the duo taking the reins of production, reflects their commitment to creative freedom and the sheer joy of making music together.</p><p>The lead single, "Disenchanted," serves as a raucous introduction to the album's themes—a disorienting exploration of human identity against a punk assault that leaves no room for complacency. It sets the tone for a record that swings from the frenetic energy of youth to the contemplative wisdom that comes with age.</p><p>"Uncertain" channels the grace of Jimmy Tamborello into an empathetic powerhouse, showcasing the conflicted soul at the core of the album. The juxtaposition of shimmering instrumentals and incisive lyrics creates a sonic landscape that's both familiar and groundbreaking.</p><p>"One Nation Under DOG" takes a scathing look at a world losing its grip on reality, delivering brutal home truths with Desaparecidos power chords and Guided By Voices-inspired lead lines. It's a stark commentary on the capitalist cage we're all scrambling to escape.</p><p>In essence, PAWS is more than an album—it's a razor wire-encased documentary chronicling the trials of contemporary existence. From the dark underbelly of '90s alternative rock to celebratory indie punk, PAWS navigates the sonic spectrum with an authenticity that pays homage to their roots while signaling a new beginning. It's a testament to the enduring power of friendship and artistic synergy—a spark that reignites the flame of creativity in the midst of chaos.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IkCIVggek3I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IkCIVggek3I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="w3D7Q983tss" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/w3D7Q983tss?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://wehavepaws.bandcamp.com/album/paws">https://wehavepaws.bandcamp.com/album/paws</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72850302023-10-23T05:00:00-04:002023-10-23T05:00:02-04:00WHAT'S IN OUR INBOX! AUTOGRAMM, LA ROSA NOIR, SICK RIDE, THE MANIKINS, WIMPS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week we get back to our punk rock roots a little bit more. Hope you enjoy the selections our writers have made. If you want to see your band on one of these lists, send us streaming music and as short bio. </span></p><p><strong>Band Name: </strong>Autogramm</p><p><strong>BMN Score:</strong> 8.1/10</p><p><strong>What the band says: </strong> <span style="color:rgb(34,34,34);">Autogramm, synth-driven power-poppers from Seattle, Chicago and Vancouver, have just announced their latest LP <i>Music That Humans Can Play</i> with an advance single and video for the track “WannaBe”. Their first album in over two years will be released on vinyl and digital </span><span style="color:rgb(0,0,0);">formats world-wide on November 17th via Stomp Records (and Beluga Records EU). They continue the band’s tradition of crafting new wave gems with a power pop twist. Drawing on influences from the likes of The Cars, The Go-Go's, Gary Numan, 20/20, and Devo, Autogramm have delivered an album that will fit in easily into the 80’s section of your record collection, with songs so well-crafted they probably deserve to be on the soundtrack of <i>Fast Times at Ridgemont High</i>. </span></p><p><strong>What we say they sound like:</strong> Lo-fi Indie garage rock with modern production that pushes the music to the edge of indie pop. If instead of guitar this was synth I'd say it's like a mix of early 80's New Wave and early 2000's indie rock like MGMT. Interesting aesthetic that is playful and 80's cliche on purpose, especially the poorly done green screen video looks like something that might have appeared on MTV it's first week on the air. I love the feel but could hear future work having a better pop hook to it in order to really play into the 80's nostalgia. <br><br><strong>Song to add to your playlist: </strong>Wannabe</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Wq9wYXmlAVA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Wq9wYXmlAVA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name:</strong> La Rosa Noir</p><p><strong>BMN Score:</strong> 9.1/10</p><p><strong>What the band says: </strong> <span style="color:rgb(85,85,85);">Frontwoman Yeshi Regalado says, "</span>This is the song that formed La Rosa Noir. It was the first song we all played together. The lyrical style of the song is influenced by Johnny Cash's story telling. I was obsessed with him at the time. I love playing minor rhythm chords; they've always felt so good. Once we were all jamming to it, it wasn't long until we all were in sync with one another. The song felt heavy, fast, bold, and strong which is everything I felt when I saw that red motorcycle one day. From that point forward, we all had an idea what La Rosa Noir is and was going to be."</p><p><strong>What we say they sound like:</strong> This to me has almost a gothy Neutral Milk Hotel mixed with Amy Winehouse feel, it's fun and quirky. It's throwback but moody and modern sounding at the same time. It's a nice mix of different styles that blend seamlessly into an amalgamation of genre's. In a way it reminds me a little of that Radiohead song “Street Spirit Fade Out”, in that it's dark and seems like a recognizable melody, almost cinematic in delivery. The horns are a nice touch. </p><p><strong>Song to add to your playlist: </strong>Red Motorcycle</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gZY5gcnBtYA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gZY5gcnBtYA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br><strong>Band Name: </strong>Sick Ride</p><p><strong>BMN Score:</strong> 9.5/10</p><p><strong>What the band says: </strong><span style="color:#000000;"> A Disco-Death-Rock musical act composed of two over-zealous frontmen<span> shimmering in silver and gold garments. An entity created to organize original sound waves into a mystical blend of dirt and shine using only two voices, four hands, and four feet. An experience sure to captive spectators and instill the urge to party.</span></span></p><p><strong>What we say they sound like:</strong> Great lo-fi Indie Rock that blends a little bit of Fountains of Wayne, Jimmy Eat World and Weezer among others but more subdued with vocals in the vein of kind of like Foster The People, Cage The Elephant and others that have that high register male vocal with some grit. The simple 60's pop song structure really bodes well for the band, and it works. Less is more I always say, why do anything other than write something short, sweet and to the point. In a way, depending on branding I could also see this being packaged as sort of a Gerard Way/ Misfits style more indie type act because it is skewed slightly towards the goth arena with it's self proclaimed “Disco-Death-Rock” genre tag. </p><p><strong>Song to add to your playlist: </strong>Endless Summer<br><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=2171498348/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://sickride.bandcamp.com/track/endless-summer">ENDLESS SUMMER by Sick Ride</a></iframe> <br><strong>Band Name: </strong>The Manikins</p><p><strong>BMN Score:</strong> 9.2/10</p><p><strong>What the band says: </strong> ”In My Head” is a straight up garage banger telling you to not take any guff from people who want to drag you down. It features all the stuff you like, dirty guitars, trashy drums and handclaps, so you know it's good!</p><p><strong>What we say they sound like:</strong> The Manikins have this very Hives feel to their songwriting which we all know is a study in 60's garage rock from The Seeds to MC5 and sparked the garage revival of the early 2000's. Even though it's a bit cliche, can writing a good garage rock song really be anything other than great? In it's simplicity it's ear catching, it's a cool riff and a cool lead vocal. They may not be reinventing the wheel but they sure as hell understand how to make that same old wheel cool as fuck. </p><p><strong>Song to add to your playlist: </strong>In My Head</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="YOxk3Sm4Rog" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/YOxk3Sm4Rog?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br><strong>Band Name: </strong>wimps</p><p><strong>BMN Score:</strong> 9.6/10</p><p><strong>What the band says:</strong><span style="color:#000000;"><strong> </strong> Wimps play rapid-fire punk songs (with a smattering of angular lo-fi post punk) with shout-sung lyrics about common day-to-day woes such as insomnia, anxiety and procrastination.</span></p><p><span style="color:#000000;"><strong>What we say they sound like:</strong> Ok, so the video starts with a huge nod to Back To The Future so I'm already like 100% sold. Then Sleater Kinney style dissonant guitars shred a fun lo-fi punk tune that delves into the trials and tribulations of trying to be a punk rocker while also being a Mom. The band is one of those bands that just grabs hold and instantly makes you love them. It's genuine and it's funny but they also know how to be punk rock. As Henry Rollins has often said punk isn't dead, it just goes to bed at much more reasonable hour. </span></p><p><strong>Song to add to your playlist: </strong>Mom</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="fZa-0SNx2pk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/fZa-0SNx2pk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72888852023-10-22T05:00:00-04:002023-10-22T05:00:04-04:00 BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#8)<p> </p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/266a4c120c83c040ce1a0f5c06df52ff58460e45/original/spore-007.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><br><span style="color:rgb(0,0,0);">SPORE, Page 7 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8e65ee412bebcbbea2d9efd91eaed4c2fb89e3f2/original/bh007.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />THE BLACK HAT, Page 7 by Neil Sabatino, </span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br><br><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Bc9vwJCzlHg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Bc9vwJCzlHg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72782802023-10-20T05:00:00-04:002023-10-20T05:00:01-04:00BMN VIDEO PREMIERE: FAKE POCKETS "FLAGPOLE SITTA" (HARVEY DANGER COVER FOR 90'S COMPILATION)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9d4d2f0db1527bef03288795495d0851e6914bd6/original/0032413646-25.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Mint 400 Records has made waves with its exceptional compilation albums, including full cover albums of The Beach Boys' "Pet Sounds" and Nirvana's "In Utero." Their latest offering, a compilation featuring 32 tracks from the '90s grunge, indie, and alternative rock era, epitomizes the label's eclectic approach. From Radiohead and Bjork to Alice In Chains and Soundgarden, this compilation captures the essence of a generation with exact replicas and innovative reinterpretations.<o:p></o:p><br><br><span style="color:#1D2228;">"Fake Pockets is an indie rock band from Asbury Park, NJ that specializes in power pop & bummer bops. Their debut EP Magnolia Street was released in 2020, with a second EP Reverie released June 2023 via Mint 400 Records. Fake Pockets is comprised of Devon Alana (vocals & rhythm guitar), Bill Lambusta (bass), Jake Resnick (drums), and Cara Introcaso (lead guitar)." The band covers Harvey Danger's “Flagpole Sitta” and gives us an official video today, the day the full compilation drops!</span></p><p><br><span style="color:#26282A;"><strong>Why did you pick the specific cover you did?</strong></span><br><span style="color:#26282A;">Last year, the band had been brainstorming cover songs to add to our set of mostly originals. We normally do one per set, but wanted the ability to throw in a second (or more) if the need arose. We had tried out a couple songs, but they weren't really passing the band's sniff test as fun enough to excite the crowd we want. Around that time, we were playing a show with our friends Ruby Bones, who dropped "Flagpole Sitta" into their set. As the whole band was rocking out in the crowd, I turned to Devon and said, "We should cover that!" She was immediately excited but concerned about doing the same song as our friends. So amended my statement: "We should <i>steal</i> their cover!" A few months later, this project came up and we took the idea of covering the song off the backburner.</span><o:p></o:p></p><p><br><span style="color:#26282A;"><strong>Why is the band you covered important to you?</strong></span><br><span style="color:#26282A;">Harvey Danger is often thought of by some as a one-hit-wonder, which I guess is true as this is their only true mainstream hit. However, I don't think the band ever really cared that much about mainstream success and they continued for many years, releasing 2 more albums after their first and adding their voice to the indie rock revolution of the mid 2000s. That stuff was my bread and butter, and I fell in love with their third album <i>Little by Little...</i>, especially the song "Happiness Writes White." That song remains on my list of Bill's Favorite, Greatest Songs of All Time. To sum up an answer to this question: I love Harvey Danger for their resiliency, resolve, and considerable songwriting talent.</span><o:p></o:p></p><p> </p><p><span style="color:#26282A;"><strong>Tell us about the first time you heard that song?</strong></span><br><span style="color:#26282A;">I don't remember it exactly, but I would have been in middle school, watching MTV or VH1 when this video came on. This was right around the time I became very passionate about music, and I probably watched this video every time it made an appearance on the VH1 Top 10.</span><o:p></o:p></p><p><br><span style="color:#26282A;"><strong>Why was the 90's a magical time in music?</strong></span><br><span style="color:#26282A;">Oof, this is too big of an answer for a pithy response here. So here's some buzzwords that 90s music embraced: integrity, experimentation, advancement, eclecticism, empathy, and third wave ska.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="b8L-27VSBr0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/b8L-27VSBr0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72837372023-10-19T05:00:00-04:002023-10-19T05:00:01-04:00Six Impossible Things Dive into New Depths with "The Physical Impossibility of Death in the Mind of Someone Living" EP<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0df60f58163883b3a3d27c6334cfced766f247d4/original/7853615e980888230f88a3677c839120b1d8ff72.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Italian Dream Pop duo Six Impossible Things has unveiled their latest sonic endeavor, the emotionally charged EP titled "The Physical Impossibility of Death in the Mind of Someone Living." Released on September 27, 2023, via Dear Gear Records on vinyl and across all digital platforms, the EP marks a significant evolution in the band's sound and narrative.</p><p>In contrast to their more minimalist past, this release sees founding members Nicky Fodritto (keyboards) and Lorenzo Di Girolamo (guitar) expanding their lineup with Enrico Tosti (bass) and Andrea Daniele (drums). This addition injects a newfound energy and dimension into the tracks while preserving the intimate and pure qualities that define Six Impossible Things' signature sound.</p><p>"The Physical Impossibility of Death in the Mind of Someone Living" explores themes of isolation, nostalgia, and inner demons against the backdrop of the challenges posed by the new decade. The EP was conceived during a time of lockdown in Codogno, Italy, where the band members were forced to navigate the complexities of creating music while physically separated.</p><p>Drawing inspiration from Damien Hirst's 1991 artwork of the same name, which features a preserved tiger shark, the EP captures the essence of life and death in a profound and haunting manner. The band aptly describes it as a demonic, deathlike form that mirrors the innate urge to live.</p><p>Recorded by Daniele Mandelli and masterfully mixed and mastered by Maurizio Baggio at La Distilleria in Bassano Del Grappa (TV), the EP boasts a refined take on Six Impossible Things' classic sound. The collaboration with bassist Enrico Tosti, drummer Andrea Daniele, and producer Maurizio Baggio adds depth and diversity to the band's trademark sadcore style.</p><p>"The Physical Impossibility of Death in the Mind of Someone Living" marks a pivotal moment in Six Impossible Things' discography, showcasing their growth and willingness to explore new territories. The EP invites listeners to immerse themselves in a dreamy yet introspective musical journey, resonating with fans of Boygenius, Beach House, and Ethel Cain.</p><p>As the band continues to push boundaries and navigate the ever-changing landscape of their artistry, Six Impossible Things stands as a testament to the transformative power of music in the face of life's uncertainties.</p><p><a class="no-pjax" href="https://siximpossiblethingsvi.bandcamp.com/album/the-physical-impossibility-of-death-in-the-mind-of-someone-living" target="_new">Listen to the EP here</a> to experience the ethereal fusion of dream pop, indie edge, and enigmatic enchantment that defines Six Impossible Things' latest offering.<br> </p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=2568880576/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://siximpossiblethingsvi.bandcamp.com/album/the-physical-impossibility-of-death-in-the-mind-of-someone-living">The Physical Impossibility of Death in the Mind of Someone Living by Six Impossible Things</a></iframe><br><br>-By Brynn Whitman</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72809572023-10-18T05:00:00-04:002023-10-18T05:00:01-04:00NY STATE INDIE POP DUO A CAROUSEL MOON RETURN WITH NEW SINGLE<p><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/b07af394e8409d622896a707451d0eb2ff805768/original/358704802-601418565453792-6860781451130894015-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(29,34,40);">A Carousel Moon has teamed up with producer and engineer Brendan Williams of Gain Stage Recording in New Paltz, New York to write and record their newest single "All My Friends". This is their first release since the "Random People" ep in 2021. The duo of Michael Esserman and Eric Sosler (No Great Pretender) have taken a new approach to writing and look forward to releasing more music with MINT400 Records in the near future. <i>(Interview with Michael Esserman)</i></span><br><br><strong>In your opinion, what are the essential qualities that make a “good songwriter”?</strong><br><br>It’s hard to say what makes a good song writer. I think a good song writer is someone who writes good songs. That sounds obvious, but I think the real question is what makes a good song. In my opinion, what makes a good song is when broken down to the bare bones, the meat and potatoes, it still holds up. Don’t get me wrong, I love all the production stuff, the ear candy and what not, of course that can make a good song great! But you can’t polish a turd as the saying goes. You need that strong foundation, a great melody or a great instrumental hook, something that grabs your attention and pulls you in and then takes you on a complete journey, start to finish.</p><p><strong>What is the basis for writing attention-grabbing music in the year 2023?</strong></p><p>It’s seem now a days you need to take out the fluff, trim the fat, so to speak. There is so much music out there it’s hard to grab anyone’s attention with a 1 minute intro. The listener wants to get hooked right away or they are moving on. What that hook is I don’t know, it seems that’s what everyone is trying to figure that out. I don’t think you should try to write a song you think people will like, you just need to write the best song possible, and if you love it you hopefully they’ll love it too.<br><br><strong>What has it been like working with an indie record label as opposed to working on your own?</strong><br><br>Working with an indie label puts a little more pressure on you to make a finished product, but it’s easier to do so without having to worry about performing the tasks the label takes care of. It allows you to focus more on the music, and less on the business end of things.<br><br><strong>Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong><br><br>As crazy as it sounds, the show and sound track to Daisy Jones and the Six. In the show they were really pushed by their producer to work hard on their tracks and really take the time to craft them, to chisel them down to there best form instead of settling on the first incarnation of a song. We were really inspired by that.</p><p><strong>Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></p><p>Young artists, old artists it doesn’t matter, if they are making great music it’s always inspiring. And of course it makes you want to work harder when you see someone younger than you, that is better at there craft than you, it’s humbling and makes you want to get improve. There is a young blues guitarist out there Toby Lee who is just phenomenal and when I heard him play I was blown away. I was like damn I wish I could play like that!</p><p><strong>For your new album, what inspired the lyrical content, album title, and overall vibe?</strong></p><p>In the past lyrics always seem to take a back seat, but moving forward we wanted it to be just as important as the music, if not more important, so we have been focusing a lot on that. I think the lyrics are more personal and focus on different experiences rather existing to create an abstract vision or mood.</p><p><strong>Do you find that you ruminate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></p><p>We generally like to write and release. I heard somewhere that a record is exactly that, a time stamp. It represents where you were at that point in your life. There is no reason to go back and revisit. That was then and this is now.</p><p><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></p><p>I think you always learn something new, and that is how you grow as an artist. If we didn’t learn we couldn’t grow and the music would remain stagnate. I think on this particular project we are learning to really sit down and shape the songs, to go over with a fine tooth comb instead of just throwing ideas at a blank canvas and hoping we create a masterpiece. We are working with more intention. That being said, we haven’t abandoned <span style="color:rgb(29,34,40);">what we’ve done in the past. Spontaneity is still part of the process, but we are more willing to remove, shorten, or rearrange parts for the benefit of the song, rather than keep things just because they sound cool.</span><br> </p><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><div style="outline:none !important;" dir="ltr"><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tvEX_7h9SA4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tvEX_7h9SA4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/aCarouselMoon/">https://www.facebook.com/aCarouselMoon/</a> </p>
</div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72831482023-10-17T05:00:00-04:002023-10-17T05:00:01-04:00MEET AUSTRALIAN INDIE ROCK BAND REVEREND GENES<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<div style="margin:0px;padding:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/99dc21af91dc644c0df208445d160a7568c7fac0/original/reverend-genes-newcastle-ocean-baths-landscape.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div>
<div style="margin:0px;padding:0px;">Reverend Genes' biography has no words of niches or trends, greatness or specialness. For better or for worse Reverend Genes' focus is a message of music. </div>
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<div style="margin:0px;padding:0px;">Guitars are at the core of the Reverend Genes sound. The electric guitars are single coil Strats, overdriven and crunchy. The bass is always a P bass. There is no specific keyboard played. Instead, a blank MIDI keyboard is loaded with B4, Rhodes or piano sounds. The drums, rhythms and effects are a mix of live triggers and samples. Steel string and nylon string acoustic guitars are used for songwriting and sometimes those parts stay in the final mix.</div>
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<div style="margin:0px;padding:0px;">The main influences include Australian pub bands along with UK and USA new-wave and post-punk sounds. Bands that come to mind include Midnight Oil, The Church, You Am I, The Cure, Interpol, Pavement, and The Pixies.</div>
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<div style="margin:0px;padding:0px;">Reverend Genes hails from Newcastle NSW Australia.</div>
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<div style="margin:0px;padding:0px;"><strong>1. How did the band form and what does the band name mean?</strong></div>
<div style="margin:0px;padding:0px;">Reverend Genes has kicked around in various forms for a few years. Some of the earliest songs were jammed out in rehearsal spaces around Newcastle. The ideas and sounds were developed while studying music between Newcastle and Sydney. A few years were also spent playing in cover bands around Sydney. Reverend Genes is now back home in Newcastle, and the focus has switched from playing live to songwriting and recording.</div>
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<div style="margin:0px;padding:0px;">As for the name Reverend Genes. It simply means to respect all genes. Reverend is used as an adjective as opposed to a noun. It literally means respect. So while it would be fun, there is no Reverend in the sense of a single person. From animals to plants, we are all Reverend Genes. The alternative is space. Good luck with that.</div>
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<div style="margin:0px;padding:0px;"><strong>2. Previous musical projects? How'd you first get into music?</strong></div>
<div style="margin:0px;padding:0px;">Newcastle is a town with two approaches when it comes to bands. Either a band plays covers in more commercial venues, or they play their own music in venues that are a bit less commercially driven. Reverend Genes have played and existed in both of these realities. From money-soaked pubs and clubs through to the Bar On The Hill at the local University. Along the way there have been countless awesome musicians, gigs, lots of hanging out and absolutely zero financial security.</div>
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<div style="margin:0px;padding:0px;"><strong>3. First concert that you ever went to? </strong></div>
<div style="margin:0px;padding:0px;">The first concert that had a meaningful and real impact was definitely Fugazi in Newcastle. Friends from a local band called Big Men Fly were the support act. The venue was a small bowling club. There was no stage, just fold-back wedges and mic stands between the band and everyone else. Fugazi were in full flight. This was just one of those gigs that is impossible to forget. The bowling club is now a train station. </div>
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<div style="margin:0px;padding:0px;">Another gig that comes to mind was an all Aussie show with You Am I, Front End Loader and Tumbleweed at the Cambridge Hotel. The Cambridge Hotel is one of Newcastle’s few operating mid-sized rooms that has always supported original music. You Am I opened that night. There was only a handful of folk in the room for the first band. Aside from their energy and sound, with Front End Loader and Tumbleweed watching on from the side of the stage it was pretty clear that something special was going on. Three amazing independent Australian bands, all on one bill, doing their thing. Sadly this iconic venue, that has hosted countless national, international and local acts, has been sold and will soon be turned into apartments.</div>
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<div style="margin:0px;padding:0px;"><strong>4. What's your writing process like?</strong></div>
<div style="margin:0px;padding:0px;">Songwriting in Reverend Genes falls to one central member. There is definitely a process. It usually goes something like this. Pick up a guitar and start practicing scales, riffs, or maybe a few favourite tunes to try to understand what makes them work. More often than not, just doing this will lead to hearing something that sounds a little original or new. Next, grab whatever is on hand to create a rough recording. The best ideas will stick without a recording, but keeping a bank of ideas is one way to prepare for later arranging and recording sessions.</div>
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<div style="margin:0px;padding:0px;">Writing supporting parts and deciding on the overall instrumentation is pretty straightforward. The initial musical idea usually points in a specific direction. Often counter melodies in the bass and keyboards will flow in-between the gaps left by the guitar parts. The top line or vocal is often the last part added. If a song has made it this far then a hook should not be too far away.</div>
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<div style="margin:0px;padding:0px;"><strong>5. What other artists or songs inspire your music? </strong></div>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4DhGQeU34EFsp4hPZEWlr1?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<div style="margin:0px;padding:0px;">First up Fugazi and the Pixies are two of the most original bands harmonically. The use of melodic noise and unconventional chord progressions influenced many musicians. Both bands also understood that alternating, loud and soft dynamics just works in a live setting. Midnight Oil are equally original and inspiring. The duelling guitars of Martin Rotsey and Jim Moginie and the complex harmonic progressions are unparalleled. Rob Hirst’s energy and drumming is simply impressive. Being able to roll up to the offices of an international polluting oil company to protest environmental neglect is just the icing on the cake.</div>
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<div style="margin:0px;padding:0px;">Three more Australian bands worth mentioning are You Am I, Front End Loader and Tumbleweed. Initially, You Am I were Australia’s answer to the world’s pre-eminent 3 piece grunge band. You Am I had the guitar sounds, the charismatic frontman and the songs. Berlin Chair was a breath of fresh air at a time when much of Australia was still looking for the next polished image rock band or were still listening to the established roster. There are many excellent albums including Sound As Ever, Hi Fi Way and Hourly Daily.</div>
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<div style="margin:0px;padding:0px;">Front End Loader are simply a force of nature. Huge guitars pumping out of Marshall stacks, and fiercely independent. The sense of melody and driving rhythm is always fresh and timeless. Check out the debut self-titled album and How Can We Fail When We Are So Sincere to hear some of the best original, independent, Aussie pub rock, period. Then throw some Tumbleweed into the mix to experience the finest stoner rock that Australia has to offer. Theatre of Gnomes and the self-titled debut album Tumbleweed are genre classics.</div>
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<div style="margin:0px;padding:0px;">Another iconic Australian band is The Church. The early recordings while harmonically closer to the more standard songs of the day, pretty much define the early independent guitar sound in Australia. Inventive rhythmic and melodic guitar riffs develop across the bands releases and culminate in the classic song Under The Milky Way. The album Hey Day is a personal favourite closely followed by Starfish.</div>
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<div style="margin:0px;padding:0px;">When it comes to melody and influence it is hard to go past Robert Smith. The Cure are most likely the most successful band to come from left of centre, dominate pop charts, and at the same time avoid becoming overtly commercial. The sense of sonic wonder, freshness and escapism within the bands music is second to none.</div>
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<div style="margin:0px;padding:0px;">Last up two other bands that have been on loop play over the years are Pavement and Grandaddy. Pavement are the masters of slacker rock. Their blend of melody, quirky lyrics and sonic chaos is truly beautiful to listen to. Likewise, Grandaddy’s melodies have carved out a sweet patch of sound that turns off the real world every time you press play. Magnificent.</div>
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<div style="margin:0px;padding:0px;"><strong>6. What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></div>
<div style="margin:0px;padding:0px;">Playing live is a combination of wilful expression and uncertainty. It is a special blend that is best served up raw and well done all at the same time. It is definitely possible to play live and be true to the recorded sound. That is one way to go. However, if you have strong melodies and harmonies then performing live note-for-note and sound-for-sound is not essential at all. The main aim is to communicate, hopefully distract from the mundane, and with any luck hit a home run. If you also get to head home with a smile on your face, some hot take way food and a few good brews then it’s been a great night.</div>
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<div style="margin:0px;padding:0px;"><strong>7. Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></div>
<div style="margin:0px;padding:0px;">Well Reverend Genes has certainly toured the studio. That is one tour that is pretty much in the bag. There have been endless jams and recording sessions. Of course it would be great to go on a tour of other folks studios, especially studios with gear that is unattainable to mere mortals. If you know of any upcoming, all expenses paid studio tours let us know. Preferably each studio would have us stay for a few weeks. On offer would be some tidy tunes.</div>
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<div style="margin:0px;padding:0px;"><strong>8. What's up next for the band?</strong></div>
<div style="margin:0px;padding:0px;">Reverend Genes spent COVID like everyone else in isolation. To stay sane, songs were written and recorded, and the end result was a fresh approach to the Reverend Genes sound. There were more vocal harmonies and better song arrangements that are hopefully going down well across independent and community radio. In the short-term Reverend Genes will continue to release these recordings. The next two singles are You And I (21 July) and wanted To Run (21 September), and the first EP Space in November 2023. After that are two more five track EPs called Time and Change that are planned for release throughout 2024. The lyrics and artwork for all 15 tracks that make up the Space Time Change EPs are on the <a class="no-pjax" href="http://www.reverendgenes.com.au/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.reverendgenes.com.au</a> website as placeholders prior to each track and video being released.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Meanwhile Reverend Genes are working away arranging new tracks that have been piling up over the last year or so. The shape of these new recordings is yet to be finalised. There have been discussions around recording a clearer electric guitar focused sound. Maybe get a few Les Paul’s in the mix, or run the Tube-screamer a little hotter. It is fairly safe to say that the Rhodes keyboard sound will still feature, and there are also ongoing experiments with filters and other elements found in electronic music that could find a way into the overall sound. All up, hopefully the production and songs will lift to a new level while staying fresh.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">If the audience for Reverend Genes continues to grow then at some point it might be cool to get out of the studio to play a few gigs. Not sure yet. Time will tell.</div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Gphqpm6a7WE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Gphqpm6a7WE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><br>Web: <a class="no-pjax" href="https://www.reverendgenes.com.au/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.reverendgenes.com.au</a><br>Twitter: <a class="no-pjax" href="https://www.twitter.com/reverendgenes" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.twitter.com/reverendgenes</a><br>YouTube: <a class="no-pjax" href="https://www.youtube.com/reverendgenes" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.youtube.com/reverendgenes</a><br>Facebook: <a class="no-pjax" href="https://www.facebook.com/reverendgenes" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">www.facebook.com/reverendgenes</a><br>Bandcamp: <a class="no-pjax" href="https://reverendgenes.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">reverendgenes.bandcamp.com</a><br> </p></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72831472023-10-16T05:00:00-04:002023-10-16T05:00:01-04:00GEOFF RICKLY ADDS SOME KICK TO BK BAND SHARKSWIMMER<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e3fc9ec423459ca87222b3d4604e0359ca308b75/original/images-disco.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Brooklyn-based quartet Sharkswimmer is making waves in the music scene with their debut album, "Serenity," and their latest music video for the powerful track, "Demolition of a Childhood Home," featuring Geoff Rickly of Thursday. The band, known for their unique blend of introspective, melodic post-hardcore-informed alt-rock, has crafted a record that is both emotionally charged and sonically dynamic.</p><p>Produced by Jon Markson, the mastermind behind acts like Drug Church and Koyo, "Serenity" showcases Sharkswimmer's ability to seamlessly weave together '90s influences with a modern perspective. Geoff Rickly, a notable figure in the emo scene, joins the band in the music video for "Demolition of a Childhood Home," adding an extra layer of depth to a track that explores personal struggle and the enduring impact of childhood trauma.</p><p>The song's title draws from vocalist Justin Buschardt's experience of his childhood home being destroyed in a tornado, serving as a poignant metaphor for the wreckage left behind by abuse. The angular and dissonant guitars create a sense of unease, while the relentless shouts from Buschardt and Rickly provide an intense and cathartic release.</p><p>Geoff Rickly, in praise of Sharkswimmer, states, "The band rules. People need to take note." His collaboration with the band on this track indeed adds a vital element to an already standout piece, resonating with raw emotion and intensity.</p><p>"Serenity" as a whole is a stunning full-length effort that drips with personality. It invites listeners on a poignant journey through the wreckage of dysfunctional relationships and the process of rebuilding a wounded heart. With additional contributions from Vinnie Caruana, the album is out now via Really Rad Records, firmly establishing Sharkswimmer as heirs to the alt-rock throne.</p><p>In a music landscape filled with imitations and pretenders, Sharkswimmer's authenticity shines through. Their blend of aggression, melodic hooks, and disarmingly earnest lyricism sets them apart, securing their position as a band to watch in the creatively rich period of guitar music. "Serenity" is more than an album; it's an immediate and arresting affair that cements Sharkswimmer's status in the alt-rock realm.<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="CVbDHCbsDpI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/CVbDHCbsDpI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>IG - <a class="no-pjax" href="https://u5958710.ct.sendgrid.net/ls/click?upn=iv09c6IKQuwif-2F-2BgKB34zSHx2VVikrd0Lux2-2F0SIUCLP3B-2B28B6nu2IJpJkSlZzHntZ9Atfo6CxZUs8jbb3cPHUntmAQvQ5ytK3kZMH7WPcT4xywQswmjmAPrVYKJV-2BPFsHaFqblCSR9DEbTFhG2HqMo4FJ-2B6-2Fl2ihrc67Z-2BVHnIXOucKWjrQJfoAaNzsfz-2B-2F5CsWtfCM9IrhLmfrBTE1pfYI-2B-2FnURrdnqFiN9IVlQ8Urp9Wd1WvjPpqpMdSRQt-2BdRx4_uDUVLOcHvXwbK42LtKnJ8XzegsBs0elQ0pXXdNOJ220RKuZi23LZym5aMAldVSaZPjoXrgVLrPpiJn6barjzAo4q2EbHST7j9Wg1T-2F5xGiwZ0yX3i7rfv9Qv-2Fm1xS-2Fmi9JcmmrGycV88-2FmCRg9-2BRleR0Wm5YsU-2BfpUHHOYNWRml26TDZbmPp3EsodXWBfBNCwrX-2F3OxWX6ndn78S0kSOksCMnMSZ8YPWi8kccW2N3Ag-2Ff7yAaxQ7BAdJT7AScH0APPi10Mbi0uGqLvLBRg-2BnNzSC8cN3AC0l474DoVJlQA-2Br9yxaBemWln1pls63rToYrOVylavEMyiD0BPySfNoMNF6jQr4AVf0kNLHkLZTtOp-2BPfhh2x7PrADanXv1ZCV6mrlrQg8NKQlipEdJs4kHgQ-3D-3D" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/sharkswimmerband/</a><br>Twitter - <a class="no-pjax" href="https://u5958710.ct.sendgrid.net/ls/click?upn=iv09c6IKQuwif-2F-2BgKB34zSHx2VVikrd0Lux2-2F0SIUCLP3B-2B28B6nu2IJpJkSlZzHntZ9Atfo6CxZUs8jbb3cPHUntmAQvQ5ytK3kZMH7WPcT4xywQswmjmAPrVYKJV-2BPFsHaFqblCSR9DEbTFhG2Hti0JLVst7RXSUCgF5h15CH1CzgXl3knUUAcrAyhiogjEWzWEiRXF7AwDhtzV9OKx1OepIrhLkxiLvYwaNN6Wcs-3DES9__uDUVLOcHvXwbK42LtKnJ8XzegsBs0elQ0pXXdNOJ220RKuZi23LZym5aMAldVSaZPjoXrgVLrPpiJn6barjzAo4q2EbHST7j9Wg1T-2F5xGiwZ0yX3i7rfv9Qv-2Fm1xS-2Fmi9JcmmrGycV88-2FmCRg9-2BRleR0Wm5YsU-2BfpUHHOYNWRml26TDZbmPp3EsodXWBfBNCwrX-2F3OxWX6ndn78S0kSOksCMnMSZ8YPWi8kccW2N3Ag-2Ff7yAaxQ7BAdJT7AScH0AZsKFBteAVCtYeAPPORDPDiInJhzyWV1urcuLhOzIqdTBsA0roBcpKrioxhRrx1NHCEgsOdXxdNRDPSZoOSWp1fL2jsjSD2PRRuFvYJlQ5H5ATNSbTTEBSJRLd9cfmzj-2B4X-2BmYBiffZfGLNdOOK49uQ-3D-3D" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://twitter.com/sharkswimmerbk</a> <br>Website - <a class="no-pjax" href="https://u5958710.ct.sendgrid.net/ls/click?upn=iv09c6IKQuwif-2F-2BgKB34zSHx2VVikrd0Lux2-2F0SIUCLP3B-2B28B6nu2IJpJkSlZzHntZ9Atfo6CxZUs8jbb3cPHUntmAQvQ5ytK3kZMH7WPcT4xywQswmjmAPrVYKJV-2BPFsHaFqblCSR9DEbTFhG2HuM6NpeD-2Ba5yte5uxbd1x4Nf2QUHLWleln7JO541fRM4A-2Bj-2BkwqIt5pmMwi0HCoN0w-3D-3Dvrgm_uDUVLOcHvXwbK42LtKnJ8XzegsBs0elQ0pXXdNOJ220RKuZi23LZym5aMAldVSaZPjoXrgVLrPpiJn6barjzAo4q2EbHST7j9Wg1T-2F5xGiwZ0yX3i7rfv9Qv-2Fm1xS-2Fmi9JcmmrGycV88-2FmCRg9-2BRleR0Wm5YsU-2BfpUHHOYNWRml26TDZbmPp3EsodXWBfBNCwrX-2F3OxWX6ndn78S0kSOksCMnMSZ8YPWi8kccW2N3Ag-2Ff7yAaxQ7BAdJT7AScH0Ai42JdSEcmvBUMzq0EDZwvJZ9tTinZo-2B1JHZVgFb9Mh96Lq-2FhAmPdGg56DrkmWNM-2BbnehV-2BFjfzZ45XVPfWjSyG0mL1Z8F0u29eUIgNB4nLyzHTX48e1PK7-2Birhlabx01iE1h-2Bqoj2C7aCzMNgO7M-2Bw-3D-3D" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.sharkswimmer.band/</a><br>Bandsintown - <a class="no-pjax" href="https://u5958710.ct.sendgrid.net/ls/click?upn=iv09c6IKQuwif-2F-2BgKB34zSHx2VVikrd0Lux2-2F0SIUCLP3B-2B28B6nu2IJpJkSlZzHntZ9Atfo6CxZUs8jbb3cPHUntmAQvQ5ytK3kZMH7WPcT4xywQswmjmAPrVYKJV-2BPFsHaFqblCSR9DEbTFhG2Hsu7bVdAz1sykmc2KPksEYHcVTnzv9lgZyJTFwzWWZuFvhQ9AhPaJYCyw9bF3MFlrBEuy-2BeRquExFV0VA1hWLZQGoop6MU6uidIxRTdsaonyh08I_uDUVLOcHvXwbK42LtKnJ8XzegsBs0elQ0pXXdNOJ220RKuZi23LZym5aMAldVSaZPjoXrgVLrPpiJn6barjzAo4q2EbHST7j9Wg1T-2F5xGiwZ0yX3i7rfv9Qv-2Fm1xS-2Fmi9JcmmrGycV88-2FmCRg9-2BRleR0Wm5YsU-2BfpUHHOYNWRml26TDZbmPp3EsodXWBfBNCwrX-2F3OxWX6ndn78S0kSOksCMnMSZ8YPWi8kccW2N3Ag-2Ff7yAaxQ7BAdJT7AScH0Az07rO3b8sRf3eTDMH0rSpCI99f-2F5vQQPYnfKqKrqBGJrAvnvgM9Z6gH7PgekSCIfqYXYff-2Bm9f366LTTf4sXVUH3ySdbF1zKFK015BFmqN0IgW-2FE-2FlCRqjLETwu-2FaXFFKDJONV-2BzN1lEo0QMdDofSw-3D-3D" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.bandsintown.com/a/15002358</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72861252023-10-15T05:05:00-04:002023-10-15T05:20:01-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#7)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span></p><p><span style="color:rgb(0,0,0);">Today we take a 1 week break from Comics to present some work by Chris Lee of The Maravines in honor of his new EP dropping on Friday the 13th. These sketches were originally done in conjunction with an album that is not widely distributed. </span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f16e0e1d8833638284046090bb3db537842577d4/original/thumbnail-3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/22d18a3b46ec411aab9bc1bfa0fa54e8b72b679f/original/thumbnail-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><br><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3cf0ca7fd00b9e604e58e3626d2ad665c70e4854/original/thumbnail-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><br><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/19721e5d3cb675c55f894633813b366757229232/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><br><span style="color:rgb(0,0,0);">Todays soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5oaN5B3i6k0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5oaN5B3i6k0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72870152023-10-13T05:10:00-04:002023-10-13T05:20:01-04:00“Lydia Elle” by Common Thread: A Glimmer Through the Looking Glass of Nostalgia by Taylor John Salvetti<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:center;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/624d103008bdf493b516d9a1a6bc0289d4fd0a1e/original/ct1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><i><strong>Photo by Jody McFarland</strong></i>
</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bff09f7f917a1c2be0b56cf2389c991fc79a202a/original/flr067-mockup-wide.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><br>Who doesn’t want a thrashy, fuzzed-out bass, sixty-two-second intro? I’ll never know. Neither did Common Thread. With their 30th Anniversary release of <i>Fountain</i>, and lead single, “Lydia Elle,” listeners can come to expect this mentality of pre-Y2K angst, raw crunch, desperate pleas for a brighter future.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br>“Lydia Elle” is youth on display, not only sonically, but an earnestness of adolescence that is yearning to be seen, heard, validated. Thirty years is a long time, and Common Thread has shared stages with some formidable acts like Agent Orange, The Smithereens, and The Veldt, but I’d say this release can hold its own against the new names of the genre.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br>When asked about the resurfacing of this sound trend and the changed DIY landscape, frontman Joe Parker said, “It’s tempting to think we were on the cutting edge…more of a result of having similar musical exposure…We would regularly perform with 8-10 effects pedals apiece and be the only band I saw doing this.”</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br>Indie labels have been moving forward with more archival work and releasing somewhat forgotten music to a new audience. Regarding Fort Lowell’s re-release of <i>Fountain</i>, Parker said, “In a way, these are modern field recordings. It gives the music another chance to be discovered and audiences get a richer picture of a bygone scene.”</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br>This moment feels like a direct response to the day and age we find ourselves, when things are easily accessible, full albums made with a single microphone and stock DAWs. But Common Thread recorded <i>Fountain</i> and “Lydia Elle” on a cassette tape back in 1993, a time when music production was accessible but still a considerable effort. The nuances are not lost in this re-release thirty years later. The fuzz and near disintegration, the warble, the echo: all of it feels sincere, even until the last few seconds of soaring vocals and phased distortion. This music has come from a deep moment in these young people’s lives and brought to light so many years later, and it shows that some things might still be timeless.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> <br><a class="no-pjax" href="https://orcd.co/flr067a" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>“Lydia Elle” is streaming on all platforms. Enjoy and reminisce</u></a>. </div><p><iframe style="border-width:0;height:120px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=122553807/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1593865479/transparent=true/" seamless=""><a href="https://fortlowell.bandcamp.com/album/fountain-30th-anniversary">Fountain (30th Anniversary) by Common Thread</a></iframe><br><a class="no-pjax" href="https://fortlowell.square.site/product/common-thread-fountain-30th-anniversary-edition-/87%20" data-link-type="url">Pre-Order It Here!</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72810732023-10-13T05:00:00-04:002023-10-25T12:38:06-04:00MEET FRENCH INDIE ROCK BAND SIZ<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr">
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<br><br>Behind the pseudonym SIZ is Sylvain Palis, member of the Flippin’ Freaks collective and member of several bands in Bordeaux, France (TH da Freak, Courtney & The Wolves...). Nurtured on 90s indie rock, Sylvain started the SIZ project in 2016, with Quentin Plantier (drums), Rémi Lemoine (bass) and his brother Thoineau (guitar). Produced by Arthur of JC Satan, the band's debut album, Liquid (2019), unveils eight compositions that resemble sonic detonations, borrowing from the impressive walls of sound typical of shoegaze, as well as the tortured guitars reminiscent of the Seattle grunge scene. After a few French tours, 2021 marked the beginning of a collaboration with the label Howlin' Banana Records, centered around a couple of singles, 'From The Sea To Your<br>Mind’ and ‘The Aquatic Light’. These two melancholic and lyrical compositions feature soothing guitars, revealing a previously unseen facet of his songwriting.<br><br> </div>
<div style="color:rgb(0, 0, 0);font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><span style="color:rgb(34,34,34);"><i><strong>How did the band form and what does the band name mean?</strong></i></span></div>
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<br><span style="color:#000000;"><font face="arial, sans-serif"><span>SIZ is my solo project, which I began in 2015. I started performing live with some of my friends in 2016; they were part of the collective Flippin’ Freaks, which has now evolved into a label. The current lineup was established in 2018 and includes my brother, Thoineau, on guitar, my friend Quentin on drums, and Rémi on bass. The name 'SIZ' originated when I was a baby, and my brothers started calling me that—it just stuck. Plus, I was too lazy to come up with a cooler band name.</span></font></span><br> </div>
<div style="color:rgb(0, 0, 0);font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><span style="color:rgb(34,34,34);"><i><strong>Previous musical projects? How'd you first get into music?</strong></i></span></div>
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<br><span>When I was in high school, I used to be in a band called 'The Dillingers.' We weren't particularly great, but it was a lot of fun. Our musical inspiration came from bands like The Kooks, The Strokes, and The Hives. Then, I ventured into experimenting with ambient music, influenced by Jean-Michel Jarre. Eventually, I started working on my project, SIZ.</span><br> </div>
<div style="font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><p><span style="color:#000000;"><font face="arial, sans-serif">During my childhood, my parents introduced me to the trumpet, and my brothers were deeply passionate about music. We spent a lot of time watching MTV. I was not great at school; all I could think about was music, so I started creating my own.</font></span></p></div>
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<br><span style="color:rgb(34,34,34);"><i><strong>First concert that you ever went to?</strong> </i></span><br> </div>
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<span style="color:#000000;"><font face="arial, sans-serif"><span>The first concert I ever attended was likely my brother's. He was a member of a band called 'The Sterlings,' and I was around 12 years old at the time. But, the first live performance by an international band that I saw was 'The Bishops,' an English group with a Beatles revival vibe.</span></font></span><br> </div>
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<div style="font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><p><span style="color:rgb(34,34,34);"><i><strong>What's your writing process like?</strong></i></span></p></div>
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<span style="color:#000000;"><font face="arial, sans-serif"><span>Before I write a song, I go through interactions and contemplation to find inspiration. I've dedicated a lot of time to understanding my writing process, and now that I've grasped it, I can compose and write quite quickly. Most of the time, I begin with an unusual drum pattern, followed by playing the guitar and the bassiz until I discover a chord progression that feels natural. Once I align them with the rhythm, the song is pretty much done. </span></font></span><br> </div>
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<p><span style="color:rgb(34,34,34);"><i><strong>What other artists or songs inspire your music? </strong></i></span></p>
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<span>I find inspiration in sound textures, ways of singing, and rhythmic patterns. I've been listening to Julian Casablancas since I was a child, and his influence on my singing style is undeniable, although it's not intentional. I'm also drawn to the drumming patterns found in bands like Metz and other Mathrock bands such as Electric-Electric and Foals.</span><br> </div>
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<div style="font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><p><span style="color:#000000;"><font face="arial, sans-serif">The track "What Does Moon Thing" was a reference to a band that holds significant importance to me: What Moon Things. You can even hear some jazz influences in my music. For instance, in "Abracadabra Love," I was inspired by the theme of "Blue Rondo à la Turque" by the Dave Brubeck Quartet</font></span></p></div>
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<br><span style="color:#000000;"><font face="arial, sans-serif"><span>I like live performances for their distinction from recordings. In the recording studio, you have endless possibilities — you can layer fifteen guitars, vocals, orchestras, sound designing, whereas live performances impose certain limitations. I play with three other musicians, which brings a sense of constraint but also a raw, almost brutal quality that comes from the musicians or their gear. It feels more organic, allowing accidents to occur and create something entirely new.</span></font></span><br> </div>
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<div style="color:rgb(0, 0, 0);font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><span style="color:rgb(34,34,34);"><i><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></i></span></div>
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<span>In 2019, I had the opportunity to embark on a three-week tour for my first album, 'Liquid,' in France and Switzerland. It felt like a summer camp, except our tent was our car. We felt like in Lord of the Rings: during the day, we travelled and stopped in small towns for lunch, while at night, we returned to civilization to play in bars and caves.</span><br> </div>
<div style="font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><p><span style="color:#000000;"><font face="arial, sans-serif">One of my worst shows happened when we were supposed to play at a festival. We waited for hours, but the festival ran significantly behind schedule, and unfortunately, we never got the chance to play. </font></span><span style="color:rgb(0,0,0);">On a brighter note, my favorite show took place in a bar in Bordeaux called 'L'Avant-scène.' We played very loud, we were at home, all our friends were there. I think it was our best show.</span></p></div>
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<br><span style="color:rgb(34,34,34);"><i><strong>What's up next for the band?</strong></i></span><br> </div>
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<span style="color:#000000;"><font face="arial, sans-serif"><span>Our goal is to play live as much as possible in France, Europe, and worldwide if we get the chance to. Also, I'm currently working on a triple album, but I'm keeping the details a secret for now...</span></font></span><br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="3O3_czbn3T0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/3O3_czbn3T0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="color:rgb(0, 0, 0);font-stretch:normal;line-height:normal;margin:0px;padding:0px;"><div style="font-stretch:normal;line-height:normal;margin:0px;padding:0px;">
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72810142023-10-12T05:00:00-04:002023-10-12T05:00:01-04:00WHAT'S IN OUR INBOX! GLASSIO FT. BEAUTY QUEEN, LAUREN HIBBERD, MALLEUS TRIO, STATUES ON FIRE, SKATELAND<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Today we jump from Indie Pop to Punky Metal and even through in some Jazz. Lots of fun stuff on todays list and our writers loved most of it. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Glassio & Beauty Queen</p><p><strong>BMN Score: </strong>8.2/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);"><span>new collaboration between New York City's Glassio and Los Angeles based Beauty Queen. </span>“A Friend Like You” marks <span>Glassio</span>’s return to releasing music after a 14-month hiatus. This time, Irish-Persian songwriter-producer Sam R. joins forces with Dream-Pop artist Beauty Queen to create a whispering, psych-electro anthem that serves as an ode to the “friend that sends you down bad choice road." The new single<i> </i>mixes a melodic sensitivity with brooding and ominous dance beats, setting a tone that serves as a perfect palette cleanser to the sunshine-drenched sounds of the fleeting Summer – a sonic reminder of the closing of a season, and a perfect soundtrack to saying goodbye to new friends before the start of the Fall season.</span></p><p><strong>What we say they sound like: </strong>To me this has a vibe that is cute like some of the Eels stuff from “Daisies Of The Galaxy" but it has a real Jesus and Mary Chain meets Belle & Sebastian thing going on. It's a little more modern sounding though because of what sounds like a drum loop. The layering is nice and keeps the track moving so that while there are no big musical changes it feels like exponentially the song gets bigger through great dynamics. What's nice is I don't feel I need to use the word “busy” because it never feels too busy, it feels like the layering adds this momemtum throughout. </p><p><strong>Song to add to your playlist: </strong>A Friend Like You</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="qvmm3BYhLL0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/qvmm3BYhLL0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br><strong>Band Name: </strong>Lauren Hibberd</p><p><strong>BMN Score: </strong>6.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);"> </span>“I guess eventually you run out of stuff to laugh about and have to look life — or in this case, death — straight in the eye<span style="color:rgb(51,51,51);">. </span>This is a song for people who don’t want to grieve, for people who don’t know where to start, and for people who don’t know how it ends.” </p><p><strong>What we say they sound like: </strong>I really wanted to love this song and then lines like “I'm just a waitress serving dead meat on Halloween” comes in and I just don't get it. This feels like it's really trying to be as profound as Phoebe Bridgers and her contentious relationship with her father but it's like the artist doesn't say things in concise cohesive way or she's trying to be too clever lyrically. Some people love Blink 182, I always found their lyrics didn't really speak to me and this is kind of hitting me the same way. Honestly I listened to this song like 7 or 8 times and I feel that I can't relate and I don't understand if this is a hate or love song. Musically it's ok, I don't mind it. I guess I'm getting hung up on the little things but I feel like there are literally a million different ways to say “I suck at grieving” in a more genuine way. </p><p><strong>Song to add to your playlist:</strong> I Suck at Grieving</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="deE28hEXHCM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/deE28hEXHCM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><br><strong>Band Name: </strong>Malleus Trio</p><p><strong>BMN Score: </strong>9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Malleus Trio's unorthodox yet accessible take on jazz is undoubtedly a result of the eclectic versatility of its membership. Over the past decade and half, bassist and composer Geordie Hart has applied his background in jazz to a wide variety of different scenarios including his own band the Boom Booms, who bring a widescreen sensibility to soul-pop, as well as appearances alongside noted artists Sarah McLachlan, Bryan Adams, Serena Ryder and Jessie Reyez. Saxophonist Dominic Conway is currently a member of numerous different outfits spanning the proggish jazz of We Just Stole A Car to the polymorphous funk of Coco Jafro.</span></p><p><strong>What we say they sound like: </strong>This has a very cool modern jazz vibe in the vein of bands like Okvsho or Krokofant but also with traditional hard bop vibes. The sax style to me is a little John Zorn but more subdued particularly because of the somber feel of the track. This group does a really nice job of mixing classic jazz with a very modern aesthetic. I feel like the jazz purists would approve of an act like this more than for instance a Domi & JD Beck because of it's more traditional song structure. I really like this and as a purused the full LP I didn't hear anything I didn't like. </p><p><strong>Song to add to your playlist: </strong>Little Tigers</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rDwQm4GmVfU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rDwQm4GmVfU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Band Name: </strong>Statues On Fire</p><p><strong>BMN Score: </strong>8.4/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Singer Andre writes: "Religion and politics are hand in hand for a long time, religion is the way the politicians and preachers have to make you blind, make you believe in what they want, that´s why I hate your God and you. I´m not even know if there´s any God or Jesus really walked on this Earth."</span></p><p><strong>What we say they sound like: </strong>This has a really nice punk metal / hardcore intensity to it. It's so fast that it gives Dragonforce a run for their money. The speed of this is so impressive, it's like machine gun fire for three minutes. I'm also an anarchist punk at heart so any song denouncing government and religion I'm like a thousand percent on board with. This has a real Propaghandi on speed feel with a dark overtone. I think fans of stuff like Big Wig and other acts that combine metal and punk will enjoy this. </p><p><strong>Song to add to your playlist:</strong></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="j5XaKIJ7t1c" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/j5XaKIJ7t1c?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Band Name: </strong>Skateland</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Drawing from a wide variety of musical influences, he combines melancholy lyricism and new wave instrumentation with pop production techniques to create a sound that is equal parts past, present, and future. With Skateland, he often writes about autobiographical experiences, confiding, "I take emotions or feelings that I've gathered from certain experiences and package them into a format that's accessible to anyone who listens. I think that's why I love writing and recording music in non-traditional places as opposed to a fancy studio, writing a guitar part on my porch, jotting down song lyrics at a bar or cafe, tracking vocals in my bedroom etc., it feels like returning to the scene of that major life event and there's an emotional power in that!" </span></p><p><strong>What we say they sound like:</strong> I'm really enjoying the production of this track, the gruff walkie talkie sounding verse vocal mixed with a very chill Postal Service, Geowulf, Tennis type vibe. It's got all the hallmarks of modern indie pop and synth wave. The layers of synth textures and airy delay vocals make for an enjoyable pop hit. Not sure if this falls into the dream pop, shoegaze, bedroom pop genres or all three. I'm a fan would add this to my personal playlist of what I listen to for musical enjoyment and that's about as good as it gets compliments wise from me. </p><p><strong>Song to add to your playlist:</strong> POSTCARDS!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="_6-M2sN18Jc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/_6-M2sN18Jc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72810132023-10-11T05:00:00-04:002023-10-17T08:43:38-04:00MEET NASHVILLE HEAVY DUO ROCK FRIENDSHIP COMMANDERS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/29a8e2f88baaa15c1eedb4afb57bd7ff78a864f4/original/0026607721-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#000000;">In the roaring tempest of Nashville's rock underground, Friendship Commanders stand as a mighty duo, forging visceral sonic narratives that hit like a force of nature. Their latest opus, "Still Life," a thunderous anthem from the imminent album MASS, serves as a haunting testament to songwriter/guitarist/vocalist Buick Audra's tumultuous sojourn through the crucible of Massachusetts. With searing honesty, Audra's lyrical revelations expose the shadows within the Boston music scene, where "Still Life" becomes a fever dream, a collage of poignant echoes and unspoken truths. Teaming up with the indomitable drummer/bassist Jerry Roe, Friendship Commanders, under the astute guidance of producer Kurt Ballou, sculpt a sonic landscape at GodCity studio in Salem that mirrors the raw urgency and unapologetic intensity of their narrative. As the album's release looms large, each prelude single, including the evocative "High Sun" and boundary-defining "Vampire," offers a glimpse into the band's unyielding commitment to sonic exploration and social commentary. Friendship Commanders are not just a band; they are sonic storm-bringers, wielding music as a weapon and narrative as a shield in their unrelenting pursuit of truth and catharsis.</span><o:p></o:p></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(153, 153, 153);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;">
<p><span style="color:#000000;"><strong>How did the band form?</strong></span><o:p></o:p></p>
<p><span style="color:#000000;">On a lark. We started playing together and making demos because we thought it might be a fun “side project.” We were both doing other things musically and thought FC would be an outlet for a different side of our musical leanings. We had no idea it would become the primary project it is now!</span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>What are your previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p>
<p><br><span style="color:#000000;">Buick Audra: We’re both from musical families, so music is really both of our first language. I have a solo project under my own name (Buick Audra); I also played in a post-hardcore band with my brother and another friend called 33 Slade; I was in a musical partnership with English singer Joss Stone; and I’ve done assorted other shorter-lived projects here and there. </span></p>
<p><span style="color:#000000;">Jerry Roe: My first project to release an album and tour was a short-lived band called Paper Rival, but I toured and recorded with Th’ Legendary Shack*Shakers shortly after that, and spent a year on the road with Head Automatica. I’ve ended up mostly working as a drummer and this is really my first genuine, all-in band.</span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span><o:p></o:p></p>
<p><br><span style="color:#000000;">BA: My first concert that wasn’t my biological parents was Blondie, and it was amazing. Debbie was a force, and I’m certain it shaped my musical trajectory.</span><o:p></o:p></p>
<p><br><span style="color:#000000;">JR: My first concert was Fugazi, with a local band called Buzzkill opening which featured a young Hank III on drums. I preferred them at the time. They were more on the Helmet side of things. They broke up soon after.</span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>Can you explain what your writing process is like?</strong></span><o:p></o:p></p>
<p><br><span style="color:#000000;">I’m the primary writer, and I tend to follow my instincts and my obsessions. This new album, MASS, was written in a couple of short months and ended up being a concept album about my time living in Massachusetts as a teen and younger adult—a weird and formative time with some bizarre experiences that still impact me today. I started to hear melodies and guitar riffs and followed them where they took me. Once the first two songs were written (“A Retraction” and Fail”), I realized the work was starting to tell a story about that time and place. As the songs each formed, I’d take them to Jerry, and we’d work them up into the arrangements that are now on the album.</span> <br><br><span style="color:#000000;">One thing that informed some of how this record was written, was alternate guitar tunings. I put one of my guitars in a C tuning, and another in an F/C tuning. One guitar was in Drop D and the last was in standard tuning. Having that variety of voices helped me get out of my writing ruts and work some new melodic and chordal structures into the mix.</span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span> <br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4y8MlhRDDL7OnmF9CdKZsX?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span style="color:#000000;"><strong>PLAYLIST</strong></span> <br><span style="color:#000000;">Outshined – Soundgarden</span> <br><span style="color:#000000;">Song of the Minerals – Shellac</span> <br><span style="color:#000000;">Breakdown – Mariah Carey w/ Bone Thugs-N-Harmony</span> <br><span style="color:#000000;">Would? – Alice in Chains</span> <br><span style="color:#000000;">Rusty Cage – Soundgarden</span> <br><span style="color:#000000;">Are You That Somebody – Aaliyah</span> <br><span style="color:#000000;">Quiet – The Smashing Pumpkins</span> <br><span style="color:#000000;">Feed the Tree – Belly</span> <br><span style="color:#000000;">No Aloha – The Breeders</span> <br><span style="color:#000000;">10. Demon Cleaner – Kyuss</span> <br><span style="color:#000000;">11. Hit ‘Em wit da Hee – Missy Elliott w/ Lil’ Kim</span><o:p></o:p></p>
<p><br><span style="color:#000000;">BA: I wrote the new album, and I’m a big R&B fan, as well as a heavy music person. I also listen to a good bit of instrumental jazz. All around, I love big choruses, and I’m a sucker for melodic riffs and soulful vocals. I’m always influenced by Chris Cornell and Layne Staley as vocalists; Chris Cornell and Steve Albini as writers and guitarists; Mariah Carey and Aaliyah as vocalists and artists; and I would not be here without the artistry and existence of Poly Styrene and the other founding women of punk. Also hugely influenced by Rickie Lee Jones, Shawn Colvin, and Kim Deal. I believe MASS nods to Badmotorfinger, Live at Action Park, Butterfly, and Dirt, among others.</span> <br><br><span style="color:#000000;">JR: I feel like my influences are fairly typical for a drummer from my generation - Bill Bruford and Neil Peart were big, alongside folks like Levon Helm and Pete Thomas from The Attractions - but in this band I pull mostly from my love of the sludgier stuff like Crowbar and the Melvins, and the grunge/alt-metal that was hitting when I was a kid. Matt Cameron is probably my favorite of all time. Pocket and great time feel are the most important thing to me, and I’m always gonna lean that way when it’s time too come up with a part. Buick IS the writer in the band though, and so my biggest influences here are her guitar parts and melodies. There’s a real thing about locking in with whatever her right hand is playing, and filling the space in-between her words with something complimentary that hopefully helps get the point across musically and spiritually. The songs come from her so perfectly fleshed out and what I play comes pretty easily and quickly.</span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p>
<p><br><span style="color:#000000;">BA: I think recorded music and live music should each have their own kind of presence and power. I don’t ever aim to exactly replicate a recording in a live setting, but I do aim to honor it. On MASS, we really went for it as far as production and layering went, so it would be impossible to perform those songs the same way live, but we definitely work to deliver renditions that are moving, powerful, and technical on stage.</span><o:p></o:p></p>
<p><br><span style="color:#000000;">JR: I think I can speak for both of us by saying that we approach the show as athletes almost. Power and size are essential as a duo, so it’s all about making it sounds as big as we can without using any tricks or playing anything that would make us sound smaller. I always feel like we’ve run a marathon after we’re done playing, and truly these shows are the most alive I ever feel. Most spiritual experience I can have on this planet.</span> <br><span style="color:#000000;"><span> </span></span><o:p></o:p></p>
<p><span style="color:#000000;"><strong>What has your touring experience been, best shows? Worst shows?</strong></span> <br><br><span style="color:#000000;"> BA: I feel like we’ve played literally every kind of show there is, from shows where no one came, to sold out shows at Bowery Ballroom—and everything in between. We, like everyone else, lost a lot of touring time in 2020 and 2021, so now we’re just happy to be out at all. The shows this year have been great so far. Looking forward to hitting some new cities as well as places we haven’t been to since before the pandemic this Fall!</span><o:p></o:p></p>
<p><br><span style="color:#000000;">JR: It may not be the best show we ever played, but we opened for Red Fang at Exit/In here in town a few years back, and it served as sort of our proper introduction to the sludgier, heavier music fans of the world and made it very clear that’s where we belong. We’ve felt at home there ever since, and we made some strong friendships that night. Feel like that show is a big part of the reason why we’re where we are now.</span> <br><br><span style="color:#000000;">The worst show we ever played feels like a different timeline, but in the first month or so of us being a band an old friend of ours booked us on a gig out of state that turned out to be in a sports bar, and they asked us to turn down in the middle of our first song because they couldn’t hear drink orders. No idea what dude was thinking of booking us there, but we’re thankful that we very quickly moved past that being something that would happen ever again.<span> </span></span><o:p></o:p></p>
<p><br><span style="color:#000000;"><strong>What's up next for the band?</strong></span><o:p></o:p></p>
<p><br><span style="color:#000000;">BA: We’re doing six weeks of touring in the U.S. on our new album MASS, which we made with Kurt Ballou! We’ve been working toward this release all year and we can’t wait to be out playing the songs live!</span><o:p></o:p></p>
<p><br><span style="color:#000000;">JR: Buick’s already got some great new songs in the can, but we absolutely will be, and must tour extensively on this album. Can’t wait! We need it for our </span> <br><span style="color:#000000;">souls.</span> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="car-Bg2RJsc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/car-Bg2RJsc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://friendshipcommanders.bandcamp.com/album/mass"><span style="color:#000000;">https://friendshipcommanders.bandcamp.com/album/mass</span></a></p>
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</div></div></div></div></div></div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72784532023-10-10T05:00:00-04:002023-10-10T05:00:01-04:00Interview: Shaheed and DJ Supreme discuss their “Jazz Men” ft. Eric Essix and “Something To Ride To” videos<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/463a39debc3349d789f35abacf4639f19bf9dd9b/original/shaheed-and-dj-supreme-jazz-men-photo-1-horiz-c.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><i><span lang="EN">Coming from Birmingham, Alabama, hip-hop duo Shaheed and DJ Supreme have released two new music videos for “Jazz Men” and “Something To Ride To”, the latter coming from their recent album </span></i><span lang="EN">The Art of Throwing Darts</span><i><span lang="EN">. BMN had the pleasure of interviewing Shaheed and DJ Supreme, and that interview can be read below!</span></i></p><p><span lang="EN"><strong>Who are your musical influences? </strong></span></p><p><span lang="EN"><strong>Shaheed: </strong>My musical influences are so many people. I will start with Prince, Michael Jackson, Dilla, James Brown, Rakim, Gangstarr, EPMD, DJ Supreme, Isley Brothers, and Al Jerreau, just to name a few.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> My biggest musical influence is my father Johnny Malone (R.I.P.). He was a great singer, songwriter, and producer. He wrote for artists such as A Taste of Honey, The Blackbyrds, and Brian Jackson, and worked with legends such as Isaac Hayes, Fred Wesley, and Carl Anderson. Everything I know about the music industry, I learned from my dad.</span></p><p><span lang="EN"><strong>What was it like working with Eric Essix?</strong></span><o:p></o:p></p><p><span lang="EN"><strong>Shaheed: </strong>It was an honor and a pleasure to work with this legendary jazz artist. He is someone who is from our city and he is a master at his craft and is well respected in his genre and we grew up listening to him. So, to have a song with him is special and legendary. We showed the world how jazz and hip-hop sound in Birmingham, Alabama.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> Working with Eric was a dream come true. We talked about it for a while, then after doing a few shows with him, we sent some tracks, and he knocked them out. We’ve made history as the first ever jazz and hip-hop collaboration between artists from Birmingham.</span></p><p><span lang="EN"><strong>What is the message behind “Jazz Men” and “Something To Ride To”? </strong></span></p><p><span lang="EN"><strong>Shaheed: </strong>“Jazz Men” is a tribute to the history of jazz and hip-hop collaborations and how great it is when you combine the two art forms together. Also, we named it “Jazz Men” because it fits our personality and music. “Something to Ride To” is an anthem for when you’re riding in your car or vehicle, or skating or bike riding. You can relax and chill while riding to it.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> For “Jazz Men” we just wanted to celebrate the legacy of jazz music and contribute to the extraordinary list of hip-hop artists that combine jazz and hip-hop. “Something To Ride To” is one of those classic joints for you to drop the top on your ride and cruise up and down the boulevard. No matter what kind of whip you’re pushing you can be inspired by “Something to Ride To.”</span><o:p></o:p></p><p><span lang="EN"><strong>“Jazz Men” </strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="F4UcwgioO38" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/F4UcwgioO38?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span lang="EN"><strong>Who or what inspires you? </strong></span></p><p><span lang="EN"><strong>Shaheed: </strong>My way of life, which is Islam, and my teachers who have taught me so many beautiful lessons about this life and how to navigate through it. I thank them for being patient with such a bad student such as myself. They inspire me to become a better person and human first, and an artist second.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> I get inspired by so many things. From listening to old music to watching a spider spin a web. Just living life inspires me.</span></p><p><span lang="EN"><strong>How would you like your fans to feel when they hear “Jazz Men” and “Something To Ride To”?</strong></span></p><p><span lang="EN"><strong>Shaheed: </strong>I would like them to feel happy and liberated. These songs, I feel, can put you in a good mood. I was in great mood when I wrote them, so feeling and being in a positive state of mind and heart is a must.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> We always tell our listeners and fans to settle in, grab some green tea, and light some incense so they can vibe with us and feel the music.</span></p><p><span lang="EN"><strong>“Something to Ride To” </strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LDbGoghTC9Y" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LDbGoghTC9Y?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p><o:p></o:p></p><p><span lang="EN"><strong>Can you walk us through your creative process?</strong></span><o:p></o:p></p><p><span lang="EN"><strong>Shaheed:</strong> Our process is simple. DJ Supreme lays the instrumentation in a masterful way and then I either already have something for it or I come up with something based on the mood of the beat, but in the end, it comes out a masterpiece.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> We often label our music “Truth Over Beats”. In that tradition, I usually craft the beats and send them to Shaheed, and he will pair it with one of the wonderful manuscripts in his rhyme book. Normally his turnaround time is impeccable, and we end up with a hit on our hands.</span><o:p></o:p></p><p><span lang="EN"><strong>How do you get past a creative block? </strong></span><o:p></o:p></p><p><span lang="EN"><strong>Shaheed: </strong>Keep climbing and keep striving and living. Also, meditating and contemplating helps me the most because I put my mind and heart in a place of remembrance of The Creator and all of the blessings we have been given.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME:</strong> Go on vacation.</span><o:p></o:p></p><p><span lang="EN"><strong>What's your favorite song off your new album, </strong></span><i><span lang="EN"><strong>The Art of Throwing Darts</strong></span></i><span lang="EN"><strong>? </strong></span><o:p></o:p></p><p><span lang="EN"><strong>Shaheed: </strong>I would say “Brainstorming” and “Something To Ride To,” with “Brainstorming” being my most favorite out of any song we have ever done.</span><o:p></o:p></p><p><span lang="EN"><strong>DJ SUPREME: </strong>That’s a hard question. I can’t really name a favorite song. All I can say is I hope everyone enjoys the new album, </span><i><span lang="EN">The Art of Throwing Darts</span></i><span lang="EN">, featuring Akil and Chali 2Na from Jurassic 5, Percee P, Raheem DeVaughn, and Slug from Atmosphere. It’s in my opinion the best representation of our music to date.</span><o:p></o:p></p><p> </p><p><span lang="EN"><strong>Follow Shaheed and DJ Supreme:</strong></span></p><p><a class="no-pjax" href="http://www.kruhiphop.com"><span lang="EN">http://www.kruhiphop.com</span></a><span lang="EN"> </span><o:p></o:p></p><p><a class="no-pjax" href="http://twitter.com/shaheed_supreme"><span lang="EN">http://twitter.com/shaheed_supreme</span></a><span lang="EN"> </span><o:p></o:p></p><p><a class="no-pjax" href="http://instagram.com/shaheedanddjsupreme"><span lang="EN">http://instagram.com/shaheedanddjsupreme</span></a><span lang="EN"> </span><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72782712023-10-09T05:00:00-04:002023-10-17T08:19:03-04:00TRIPLE PREMIERE 'FLANNEL DREAMS' 90'S COMP (TOM BARRETT, THE BRIXTON RIOT, TOM MAROON)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2818753dc6e732587885dce726517398141e58ea/original/flanneldreamsflashphoto-final.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />In an era cluttered with music industry noise, Mint 400 Records stands as a beacon of authenticity. Mint 400 Records has made waves with its exceptional compilation albums, including full cover albums of The Beach Boys' "Pet Sounds" and Nirvana's "In Utero." Their latest offering, a compilation featuring 32 tracks from the '90s grunge, indie, and alternative rock era, epitomizes the label's eclectic approach. From Radiohead and Bjork to Alice In Chains and Soundgarden, this compilation captures the essence of a generation with exact replicas and innovative reinterpretations.<o:p></o:p></p><p>Mint 400 Records remains an oasis for musicians in a world often marred by industry noise, where music reigns supreme. Their latest compilation invites music lovers to join the journey, celebrating the purity of sound.</p><p>Today @ Blood Makes Noise we highlight some of the more Indie tracks from the compilation with Tom Barrett, The Brixton Riot and Tom Maroon who cover 90's classics from Folk Implosion, Lemonheads & Beck. </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/185bd132d8f7ffaf4595ea7c3f5b1e53de969867/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><strong>Jersey City Folk Musician Tom Barrett who now resides in Nashville:</strong></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OaH3gomF7QA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OaH3gomF7QA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Why did you pick the specific cover you did?</strong><br>I’ve just always loved the song. I thought it’d be a fun activity not to reimagine it but to just try and recreate it. There’s so much going on with it, lots of different layers and textures. I didn’t want to mess with the feel too much. It’s a song I listened to pretty obsessively in my youth so I was able to do most of it from memory, apart from remembering some lyrics. I actually recorded a good chunk of it while in the waiting room at the Nissan dealership. Our car needed about a half-day’s worth of work, I had my laptop with me and just got cracking.<o:p></o:p></p><p><strong>Why is the band you covered important to you?</strong><br>Lou Barlow has always been a tremendously important influence of mine, I’ve always connected with his songs pretty intensely. I was already a huge Dinosaur Jr and Sebadoh fan by 1995 when I’d record covers of his songs on my four-track, so I was excited to find out there was yet another band of his for me to obsess over. And the more I learned about the Folk Implosion, the more endeared I was to the relationship between him and his bandmate John Davis, like how they’d split their songwriting and playing duties completely evenly. That idea was a huge part of their identity as a band in a way. One of the records even has “50/50” drawn somewhere on the cover. Their last record (One Part Lullaby) was a big one for me. Lou’s actually responsible for a few of my favorite records. He’s one of the pillars of my own musical infrastructure, a voice I can always turn on when I need some calm.<o:p></o:p></p><p><strong>Tell us about the first time you heard that song? </strong><br>I first heard it when I saw the video for “Natural One” on 120 Minutes. It was instantly catchy and the video had striking visuals. Very colorful with some memorable images, like the worms and that drinking bird and stuff. I was really excited when the song made it into the Buzz Bin and became a hit. I personally never got upset when that would happen, like “the band’s not mine anymore” or whatever. I always thought it was a good thing. More people were now listening to what I considered to be good music that meant something to me, it gave me hope and made me feel a little more understood by people or something.<o:p></o:p></p><p><strong>Why was the 90's a magical time in music? </strong><br>I don’t know, I can’t put it into words, they just were. Probably for the same reasons why other periods of history in music were magical for other people during their own times. For me, hearing bands like Sebadoh and Pavement and Guided by Voices and Built to Spill for the very first time at that age, and discovering labels like Matador and Merge and Drag City, I feel like it was my good fortune to have been around and in my early 20’s as it was happening. Indie rock in the 90’s was a revelation that kind of saved me, I think. It was music that sounded new and different, and it didn’t seem so style-conscious like other genres of rock and roll did. The bands were relatable, they looked more like me and less like your average rock stars coming out of the 80’s. There was also some degree of musical diversity among all the different groups, a nice cross-referencing of what were some fairly obscure earlier influences during that time. Because I’d follow all these bands so closely, I’d see and hear some older names get mentioned in interviews, like Silver Apples and Nick Drake. <o:p></o:p></p><p><span>Another huge reason why I’d say it was a magical time is that I would get to cross paths with so many amazing folks who would become lifelong friends, people I’ve known since my early twenties whom I still know to this day. We’d play music together, go see shows in Hoboken back when it was fun, go to house parties in Jersey City, get trashed and jam until 4am with the cops barely bothering us. Now we’re older, a stroll down memory lane is good once in a while, but mostly we go back and forth about what’s going on now and all the new bands. Most of them remind us of the old bands in some way or another. It’s nice.</span></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ef35b806c1cd0656367f2206bf6cb7c114211201/original/ab6761610000e5ebed195ac2cdcf1f5eac314d93.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><strong>The Brixton Riot is a staple of the Central Jersey Indie Rock Scene:</strong><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="La-6p7XEhgs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/La-6p7XEhgs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Why did you pick the specific cover you did?</strong><br><span style="color:#1D2228;">We love doing these compilation record covers but the hardest part is narrowing down to a single song that we all can agree on covering. The Lemonheads is an easy choice - we've performed entire shows of nothing but Lemonheads covers - but even picking out a single Lemonheads song proved to be a challenge. Mallo Cup made the most sense in the end, as it combined the band's harder roots with the more melodic songs that would follow on the later records.</span><o:p></o:p></p><p><strong>Why is the band you covered important to you?</strong><br><span style="color:#1D2228;">There are a lot of parallel musical tastes in our band, but there are only a handful of groups that the four of us completely align on, and The Lemonheads is probably the perfect example of that. They provided a blueprint for what we wanted to sound like as a band - sometimes they are polished and sometimes they are rough around the edges, they can play soft pop ballads one minute and borderline hardcore the next, but all of it is melodic. The song is the most important thing when it comes to the Lemonheads, and I like to think we follow that same mandate.</span><o:p></o:p></p><p><strong>Tell us about the first time you heard that song? </strong><br><span style="color:#1D2228;">I think Steve gave me a copy of Lick on Taang! records many years ago, along with Lovey. I came in at It's A Shame About Ray but it was interesting to hear the band's early roots. The one riff that the song is most known for was the thing that probably stood out the most. The whole song shifts at that point and it only happens once and never repeats. It shouldn't work but it totally does.</span><br><o:p></o:p></p><p><strong>Why was the 90's a magical time in music? </strong><br><span style="color:#1D2228;">Personally, I think it's the sound of the records that makes me appreciate the 90's era so much. A lot of the overblown production techniques were being abandoned and you got to hear what drums actually sounded like on records again. There was a lot of that happening in the independent music scene but it was interesting to watch everything unravel and start again in the mainstream. It's hard to understand the importance of radio in today's world of streaming sites and YouTube, but that was the way you found new bands back then - especially if you were lucky enough to be in range of a good college or non-commercial radio station.</span><br><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/94e7808ded3609e77f4b9fc57f58389b377d24dc/original/tom-maroon-loser-promo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:#1D2228;"><strong>Tom Maroon is a Pittsburgh-based artist/producer whose expressive and energetic music combines glam, punk, and power pop influences into a uniquely cinematic style. Also a member of This Bliss</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eGqfKKo3I-k" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eGqfKKo3I-k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Why did you pick the specific cover you did?</strong><br>I was determined to put my own spin on whatever song I chose to cover. I had a few different ones in mind, but when I went to record them, they just sounded like note-for-note replications of the originals. "Loser" felt more open-ended. It afforded me the space to have fun with the vocal ad-libs and the weird, one-chord, beat-heavy production. I could really inject my personality into every corner of the track. There's an element of comedic self-deprecation to everything I do in music, and few songs embody that idea better than "Loser" does!<o:p></o:p></p><p><strong>Why is the band you covered important to you?</strong><br>I admire the way that Beck refuses to be pigeonholed into one single genre. He's musically adventurous, despite his appearance and aesthetic being similar to that of your average acoustic singer-songwriter. I'm inspired by artists who bill themselves as a solo act, but draw influence from such a wide array of styles that their music defies categorization. His eclectic 90s output represents a general template that I want to follow with my own music.<o:p></o:p></p><p><strong>Tell us about the first time you heard that song?</strong><br>I was in the car with my mom when I was a kid, and we heard "Loser" on the radio. I was fascinated with it, but she turned it off after the chorus because she didn't like the negative lyrics! I forgot about the song for a while after that. Thankfully, I have a cool older sibling who brought it back into my life a few years later. I became obsessed with it when I was in 8th or 9th grade, working diligently to memorize all the lyrics. (My mom likes the song now.)<o:p></o:p></p><p><strong>Why was the 90s a magical time in music?</strong><br><span>In the 90s, the most popular musicians weren't trying to frame themselves as the glamorized, glossy image of a rock star that we had come to know in the 80s and 70s. I appreciate that it became cool to throw out the hair metal bravado, put on some flannel, and just write some beautifully minimal songs. </span></p><p> </p><p><a class="no-pjax" href="http://www.mint400records.com"><span>http://www.mint400records.com</span></a></p><p> </p><p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72804582023-10-08T05:00:00-04:002023-10-17T08:18:26-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#6)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a><br><span style="color:rgb(0,0,0);"><u><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6a6a3a74149236089990bd45f7f5428a5897373b/original/spore-06.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></u>SPORE, Page 6 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fa622858c2e4f7eb39f3a6accfb94e81e1061a90/original/bh006.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>THE BLACK HAT, Page 6 by Neil Sabatino, <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a><br><br><span style="color:rgb(0,0,0);">This Weeks Soundtrack:</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NZGQp6sWM4s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NZGQp6sWM4s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72783012023-10-06T05:00:00-04:002023-10-06T05:00:01-04:00MEET NJ BACKPACK HIP HOP RAPPER WISEBOY JEREMY By JD<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0206e2e486989d4f701f501718da910fae42f4bf/original/snapinsta-app-359770950-804944634519678-1221815760728758665-n-1080.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p dir="ltr"><span>Image via @</span><a class="no-pjax" href="https://www.instagram.com/mindofyaajii#" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>victoria.wilcoxx</u></a></p><p dir="ltr"><br><span>Jerimiah Ochoa, also known as </span><a class="no-pjax" href="https://www.instagram.com/wiseboyjeremy/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>Wiseboy Jeremy</u></a><span>, is a 20-year-old Willingboro, New Jersey, backpack hip-hop rapper. The son of a rapper and a DJ, Wiseboy Jeremy was born with a deep connection to music. Growing up in a musical family, he started creating his songs at 13. During high school, he drew inspiration from artists like Minnie Riperton, Kendrick Lamar, and Eminem, which led him to start creating his music on Soundcloud. From his earliest project, Friday Nights on Fallon Street, to his latest EP, </span><a class="no-pjax" href="https://www.youtube.com/watch?v=LKuzfaA_9lY" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>AZURE</u></a><span>, Jeremy has delivered physical proof that music can feed the soul. Though his past struggles, current thoughts, or future worries, his music is a type of diary. And listening to his lyrics paints a picture of his life story.</span></p><p dir="ltr"><span>What sets Wiseboy Jeremy apart is his commitment to authenticity. He writes about real-life experiences and emotions, believing every human experience is unique and relatable. He acknowledges that he's still evolving and doesn't have all the answers. Still, he's dedicated to sharing his trials and tribulations with his audience.</span></p><p dir="ltr"><span>Wiseboy Jeremy's 2022 album, "Still Chldrn," reflects a transformative period in his life and career. He uses his music to express his journey of self-discovery and love. His stage name suggests wisdom beyond his years, and he delivers his lyrics over jazz-infused production with an East Coast hip-hop vibe.</span></p><p dir="ltr"><span>One of his standout singles, "Grace," demonstrates his expanding musicality and artistic progression. This single's soulful boom bap and glitch-hop vibes envelop the listener as Wiseboy spits a snake charmer's flow on top of an even groovier sample. It's reminiscent of artists like Earl Sweatshirt, Armand Hammer, or The Alchemist. His sounds have converged into something truly unique as he expands his repertoire. He has plans for future projects, including "Pumpkin Seeds," which many listeners anxiously await. He's also been working on more visual projects from live performances like his most recent outing with C.S. Armstrong and Nicknames at </span><a class="no-pjax" href="https://www.youtube.com/watch?v=NrDCOK6h8Mg" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>$LD live at Heaven Can Wait, New York.</u></a></p><p dir="ltr"><span>Wiseboy Jeremy is a hometown hero, one of South Jersey's best independent young rappers, and a rising star. His music reflects his passion for the art form and his commitment to positively impacting the world while emphasizing the importance of self-transformation.</span></p><p dir="ltr"><span>-</span><a class="no-pjax" href="https://lucidmedia.blog/about/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><u>JD</u></a></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LKuzfaA_9lY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LKuzfaA_9lY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72762402023-10-05T04:00:00-04:002023-10-05T04:00:01-04:00MEET AUSTRALIAN SHOEGAZE PROJECT SEVEN HOUR DAYS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dfc330dbd050769ba3691a5ffe91da19179c798c/original/273214945-10158149548896898-7985613058389411977-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br>Seven Hour Days is the shoegaze project from multi-instrumentalist, Steve Matzkov following on from noise projects "The High Impedance", "Dobson & Fitch" and "Matzal". Seven Hour Days sound can be described as Cocteau Twins and Lush influenced, swirling nostalgic blissful dream-pop, soothing and euphoric ethereality vocals against the urgency of the guitar distortion and hypnotic drum loops that strikes a fine balance of emotional intensity and melodic subtlety.</p><p> </p><p><strong>How did the band form and what does the band name mean?</strong> <br>The band formed after I played in a couple of experimental bands that disbanded. I still wanted to make music so I combined with what I'd learnt from this and what I'd recorded previously as a solo artist. The name Seven Hour Days is taken from the working hours I was currently doing everyday at the time.</p><p><br><strong>Previous musical projects? How'd you first get into music?</strong> <br> Due to the sounds of what David Pearce of FSA and Windy & Carl were making and of course MBV's Loveless, I decided to experiment with effects pedals creating drones and noise under the name "The High Impedance" I then went on to play drums for "Matzal" and "Dobson & Fitch" which were both experimental drone / post rock type of bands. <br> </p><p><strong>First concert that you ever went to?</strong> <br>The Meanies from Melbourne Australia and Summersault Festival Perth 1996</p><p><br><strong>What's your writing process like?</strong> <br>I usually start off with a drum pattern at a certain BPM which pops in to my head all of a sudden. I then follow that with a bass line, guitar drones, guitar melody, vocal melody and then finally the lyrics.</p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong> <br>When people go to a live show some expect to hear exactly what's on the album which is usually not the case and are disappointed of what they've heard. I believe a live show should be a whole new experience for the listener as if you're almost listening to new music by their favourite artist. <br><br><strong>Has the band toured? What has the touring experience been, best shows?</strong> <br> Seven Hour Days hasnt toured as such but I have played numerous shows in the above mentioned projects locally and a one off solo instrumental set in Japan a few years ago. I usually find the best shows is when the venue is packed and everyone's getting into it.</p><p><strong>In your opinion, what are the essential qualities that make a “good songwriter”? </strong><br>I believe a good songwriter writes something that can relate to someone that makes them say "yeah, that happened to me once, I thought it was just me"</p><p><br><strong>What is the basis for writing attention-grabbing music in the year 2023? </strong><br> Although it's getting harder to do now, I believe new music should be original or have something that stands out and captures the listener, a good hook if you will.</p><p><br><strong>What has it been like working with an indie record label as opposed to working on your own? </strong><br> When working with a label it makes you feel like your part of a family and like minded people. </p><p><br><strong>Can you pinpoint some specific songs and songwriters that changed the way you write music? </strong><br> Generally I like the way Jazz Fusion is written as the compositions are sporadic but at the same time make sense.</p><p> </p><p><strong>Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring</strong>? <br>Definitely motivated by their energy and consistency. The latest album by Nossiennes was inspiring, the album had everything going on from start to finish.</p><p> </p><p><strong>For your new album, what inspired the lyrical content, album title, and overall vibe? </strong><br> Lyrical content is always about life experiences thats happened in the past, present or possibly future. <br> The vibe of the album is talking about these issues which some people may have probably been through topped off with a positive sound.</p><p><br><strong>Do you find that you deliberate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong> <br>The way social media is right now, new music is getting released non stop so i prefer to get my musc out there as soon as possible to basically keep up. <br> I'll listen to my old tracks sometimes when I get stuck writing new material, i'll either grab something that ive done before and perhaps change the sound or guitar bit.</p><p> </p><p><strong>Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project? </strong><br>As always when recording at home I try to get clearer recordings with what I have so I experiment with mic positioning, mixing and mastering techniques. I always learn something new for next time.</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=1159915292/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://sevenhourdays.bandcamp.com/album/time-to-shine">Time To Shine by Seven Hour Days</a></iframe></p><p><a class="no-pjax" href="https://sevenhourdays.bandcamp.com/album/seven-hour-days">https://sevenhourdays.bandcamp.com/album/seven-hour-days</a></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72761572023-10-04T05:00:00-04:002023-10-04T08:25:12-04:00WHAT'S IN OUR INBOX! THE CHATS, THE PLANES, EMBERS, PEN PIN, SICK BOSS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Kind of an all over the place one this week. Found two new favorites in Pen Pin and SICK BOSS. If you want to see your band on one of these lists, send us streaming music and as short bio. </span></p><p><strong>Band Name: </strong>The Chats</p><p><strong>BMN Score:</strong> 9.1/10</p><p><strong>What the band says: </strong> <span style="color:rgb(51,51,51);">“</span><span style="color:rgb(26,26,26);">more agitated and absurd than ever,” and </span><span style="color:rgb(51,51,51);">“</span><span style="color:rgb(26,26,26);">everything you want a Chats album to be: fast, crass, and loaded with more instantly quotable Aussie idioms than Crocodiles <i>Dundee</i> and <i>Hunter</i> put together.”</span></p><p><strong>What we say they sound like:</strong> Austrailan punk rock that is like The Ramones on speed, it's got old school punk grit. It's the kind of thing I feel like any fan of the genre would enjoy. I'd definitely put this on a playlist and watch a live set of this band. The hyper-speed and just pure fun of this makes you want to listen. No wonder they are icons down under. Would love to catch them here. </p><p><strong>Song to add to your playlist: </strong>Struck By Lightning</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="--p34RKclbA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/--p34RKclbA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong> The Planes</p><p><strong>BMN Score:</strong> 8.2/10</p><p><strong>What the band says: </strong> The Planes are an indie rock band founded in Brooklyn, NY, back in the summer of 2010 by songwriter, singer, and guitarist Stephen Otto Perry. Through the years, the band has chugged along deep under the surface, earning a rep for deft <span style="color:rgb(0,0,0);">songwriting, electric live performances, and tight musicianship (occasionally loosened by inebriation). An efficient, well-oiled indie rock machine that has never ridden a bandwagon orchased a trend, they have crafted a voice and vibe that is unmistakably theirs, despite existing in an ultra-crowded genre. With a very small, but very loyal fanbase, The Planes have become favorites at Brooklyn’s more obscure DIY spots.</span></p><p><strong>What we say they sound like:</strong> This borders twee pop bands like the Lucksmiths but maybe with a little bit more indie rock grit around the edges. The meek vocals are the distinctive thing that separates it from other bands. It's honest and genuine and not trying to be something that it's not and I can get behind that. As BMN has argued recently with a few folks that bands like this from The Weakerthans to Pavement are not judged by the skill of the vocalist but more the delivery and lyrical content. It's a unique voice saying unique things, which is what I always appreciated about the indie scene as compared to the other scenes. </p><p><strong>Song to add to your playlist: </strong>Feels Like Years</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="EGkmt5ze2Fc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/EGkmt5ze2Fc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong> Embers</p><p><strong>BMN Score:</strong> 2.1 /10 </p><p><strong>What the band says: </strong> "I wrote this song while on the road and dealing with the ups and downs of trying to maintain a relationship. I wanted to capture the sound that reminds me of singing along to my favorite bands in the car, but with the lyrics of an emo revenge banger.”</p><p><strong>What we say they sound like:</strong> This is by far the most popular band we're covering today and I can tell you just with the vocal melody it's got “I listen to Blink 182 and 100 Gecs” written all over it. Like am I supposed to relate or be like yeah totally when the singer says “I'm so fucked up for you”? It's just so cringe, who is this written for? 14-16 year olds that'll be impressed with your use of the word fuck? The song musically starts with promise but I can't say anything else about it is like-able. I mean the throwback Taking Back Sunday lyric kind of hints to this guy is too old to be this way. What I do know, except that I just don't think it's good. </p><p><strong>Song to add to your playlist: </strong>Scratch My Name</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="vOTArPWeLtY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/vOTArPWeLtY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Pen Pin</p><p><strong>BMN Score:</strong> 9.9 / 10</p><p><strong>What the band says: </strong> <span style="color:rgb(0,0,0);">Entitled "T</span><span>he Boredom" the song is about the perils of low levels of dopamine. Jeni confides, "I hope it serves as a reminder not to be too hard on ourselves when we find ourselves scrolling through our phones yet again, without knowing how we got there. "The Boredom" isn't necessarily evil, but it's a character that you might not always want around but seems to show up when you least expect it anyway." Surf rock drenched guitars underlay layered breezy melodies for an end of summer earworm. </span></p><p><strong>What we say they sound like:</strong> I have not heard of Pen Pin but I feel like this might be a band I have to investigate and listen to more of. It's cute indie pop with a little bit of the pop elements of some heavier indie stuff like The Beths or Soccer Mommy but with the lightness of a Phoebe Bridgers. Take that and make it sun soaked and fun. This band feels hopeful, fresh, joyous and the splash of 60's gives it this underlying element that is great. You ever hear bands that just kind of sound like it's writers have come up with their own unique style? I feel that way when I hear this band. </p><p><strong>Song to add to your playlist: </strong>The Boredom</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nBZ2UrJNr8k" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nBZ2UrJNr8k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>SICK BOSS</p><p><strong>BMN Score:</strong> 9.5</p><p><strong>What the band says: </strong> <span style="color:rgb(0,0,0);">SICK BOSS encompasses a wealth of experience that spans many dimensions of Vancouver’s music scene from alternative pop to far-out experimentation. Appearing in their full line-up, the band performs the unique amalgam of composition and improvised music showcased here; in smaller or collaboration-oriented incarnations, the group primarily improvises.</span></p><p><strong>What we say they sound like:</strong> This to me feels like if you had Radiohead or some other super group of musicians messing around with some lo-fi recording gear. The music is superb, the sound quality a little more saturated with distortion than I'd expect for this style but I'm ok with it. The horn melody adds a cinematic texture to it. This is really great driving instrumental music kind of like an indie version of The Budos Band. The guitar noise adds an interesting twist to this style of music, I feel like it's partially improvised but at a very high level where the whole band caught on and were on the same page. Definitely something different but exhilarating. </p><p><strong>Song to add to your playlist:</strong> Useless Genius 2</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=3834394379/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://sickboss.bandcamp.com/album/businessless">BUSINESSLESS by SICK BOSS</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72702982023-10-03T05:00:00-04:002023-10-03T05:00:01-04:00CHRIS LEE OF THE MARAVINES, TOP TEN ALBUMS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a02b9af49c3932112b025cb725747936220a3094/original/screenshot-2023-09-08-at-8-28-47-am.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><strong>About the author:</strong> Chris Lee, songwriter & vocalist of The Maravines, are an indie folk rock duo from Union City, New Jersey that formed in 2010. They are recognized for their lo-fi production, sullen harmonies, and reserved instrumental accompaniments, and draw comparison to the music of indie rock bands like the Shins and the Decemberists. In 2013, they joined Mint 400 Records and released the ten-track album The Maravines, followed by the albums Distlefink (2014) and Sloan (2016) . The band was a staple of the North Jersey scene often playing at curated shows by their label. Most recently Lee released the new collection “Orange” in 2023 and is working on upcoming material. <o:p></o:p></p><p><br><strong>Top Ten Albums:</strong> <br>Of my parents music collection, the Beach Boys' Endless Summer was my favorite. In the Summer of 1990, we went to the Garden States Art Center to see them, as the Sun went down we sat on the lawn and listened. The following year, at my friends' birthday party at the Roller Rink in Asbury Park, When I Come Around played each time that the lights were turned off, and during a county fair, More than a Feeling played with every ride of the roller cars. When I got home, I borrowed the second album from my parents, Boston. We listened to G 1.063 where I heard Nirvana, Pearl Jam, Soundgarden, and Stone Temple Pilots. In Febuary of 1992, I collected my birthday money, and bought my first album, Nevermind. Visiting a friends home with cable, we watched music videos in her room, and I saw Black Hole Sun, I Stay Away, and Creep. With my allowance money, I bought Superunknown, Ten, and Green Day's Dookie. I traded a Billy Joe Armstrong poster from a 1994 edition of Rip magazine for Alice in Chain's Dirt, and got Purple, and Bush's Sixteen Stone from a penny Compact Disc catalog in 1995. By 1998, I listened to Led Zeppelin's first album, also borrowed from my parents. The song Babe I'm Gonna Leave You began my interest in acoustical composition, when writing music.<o:p></o:p><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/7KHYflhTuC2Kzl40We7Yy7?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><strong> The Beach Boys Endless Summer</strong> - Surfin' U. S. A.</p><p><strong>Pearl Jam Ten</strong> - Jeremy</p><p><strong>Green Day Dookie </strong>- When I Come Around</p><p><strong>Alice in Chains Dirt </strong>- Down in a Hole</p><p><strong>Boston</strong> - More than a Feeling</p><p><strong>Stone Temple Pilots Purple</strong> - Big Empty</p><p><strong>Nirvana Nevermind</strong> - Smells Like Teen Spirit</p><p><strong>Bush Sixteen Stone</strong> - Machinehead</p><p><strong>Soundgarden Superunknown</strong> - Black Hole Sun</p><p><strong>Led Zeppelin</strong> - Babe, I'm Gonna Leave You</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72732802023-10-02T05:00:00-04:002023-10-02T05:00:01-04:00MEET BOSTON DARK WAVE INDIE ELECTRO BAND FEED US<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/88ac1eab512943f78d9afb0311f844bdf6a16dcb/original/thumbnail-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br><span>FEED US is a Boston based musical collaboration between Zizza (Nick Zampiello) and r|verghxst (Ben Didsbury). FEED US is a Dark-Wave electronic dance music album born from the real need for new Halloween party music. </span><o:p></o:p></p><p><span>The instruments employed are a sweeping array of classic analog synthesizers and drum machines married to live sampling, organic sound and sound effects. Each song harkens back to a different classic spooky style, given new life, and tempered into a cohesive whole. If you need spooky, just press play and enjoy FEED US.</span> <br><br><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:black;">FEED US is the Italo-horror movie soundtrack duo you never knew you needed. We love soundtracks and obscure movie genres so the focus of this collaboration became a group with these basic ideas represented. We aim to make something new but identifiable. This is not meant to be 2 minute concise formulas. Nor is it totally experimental ambient.</span><o:p></o:p></p><p><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:black;">There’s too many previous projects to name. My main other project is This Bliss. Also on the same label. In grade school I was playing snare drum with all my friends in the back of the orchestra. We would goof off for 40 minutes and then do the big snare roll and bass drum cymbal crash that ends every classical piece. We were just barely able to pay attention for that long. Once I graduated to drum set I realized that I really enjoyed the outlet. After attending UMass Lowell for classical music I came to Boston and joined noise and rock bands…</span><o:p></o:p></p><p><span style="color:black;"><strong>First concert that you ever went to? </strong></span><o:p></o:p></p><p><span style="color:black;">Whitesnake or Aerosmith. Mid 1980’s. Worcester Centrum. Worcester MA.</span><o:p></o:p></p><p><span style="color:black;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:black;">We start pieces individually and hand them off for experimentation. It’s wild. Sometimes I get a demo that is musically developed and I focus mostly on drums. Other times there’s a rhythm track and I am looking for chords and other sounds. Sometimes I am just adding a weird layer of Fairlight CMI III to add an otherworldly quality to a section.</span><o:p></o:p></p><p><span style="color:black;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p><o:p></o:p></p><p><a class="no-pjax" href="https://en.wikipedia.org/wiki/Dudley_Simpson" target="_blank"><span style="color:#196AD4;">Dudley Simpson</span></a><o:p></o:p></p><p><a class="no-pjax" href="https://en.wikipedia.org/wiki/Daphne_Oram" target="_blank"><span style="color:#196AD4;">Daphne Oram</span></a><o:p></o:p></p><p><a class="no-pjax" href="https://en.wikipedia.org/wiki/Delia_Derbyshire" target="_blank"><span style="color:#196AD4;">Delia Derbyshire</span></a><o:p></o:p></p><p><a class="no-pjax" href="https://en.wikipedia.org/wiki/John_Carpenter" target="_blank"><span style="color:#196AD4;">John Carpenter</span></a><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3O1tbtGU4A2KQVrwrtZUEa?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><o:p></o:p></p><p><span style="color:black;">We are not as of now a live project. It would take considerable staging to achieve this and I would do it is there was demand.</span><o:p></o:p></p><p><span style="color:black;"><strong>Has the band toured? </strong></span><o:p></o:p></p><p><span style="color:black;">Not yet. If we have a breakthrough composition and want to support it live I would love to do this with real original equipment and personnel. TOTAL AUTHENTICITY.</span><o:p></o:p></p><p><span style="color:black;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:black;">The release will coincide with HALLOWEEN. We started this band so that we could play our own Halloween soundtracks at our own Halloween parties! MISSION ACCOMPLISHED!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="33YRMTvJK5g" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/33YRMTvJK5g?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="http://www.mint400records.com/">http://www.mint400records.com/</a> <br><a class="no-pjax" href="https://www.facebook.com/newallianceeast/">https://www.facebook.com/newallianceeast/</a> <br><a class="no-pjax" href="https://www.instagram.com/riverghxst/">https://www.instagram.com/riverghxst/</a> </p><p><br><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72761552023-10-01T05:00:00-04:002023-10-01T05:00:01-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#5)<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a></p><p><br> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/137dd6c422534f656bf776bac2510785db5fd05a/original/spore-005.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">SPORE, Page 5 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f0fea35346200d011e74bf5a1ba7cf0f9cf2a10c/original/bh05.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />THE BLACK HAT, Page 5 by Neil Sabatino, <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p>This Weeks Soundtrack:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="SyrmXg6yefw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/SyrmXg6yefw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72709382023-09-29T05:00:00-04:002023-09-29T07:15:20-04:00TEEN IDLE ‘Nonfiction’, Debut Album Track Breakdown By Sara Abdelbarry<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/075446103f13567fc4865d11bbc66b937e1c8ec3/original/teen-idle-nonfiction-album-artwork.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:black;">My debut full-length record <i>Nonfiction</i> is officially out as of today. It sounds crazy to say. To celebrate, Blood Makes Noise graciously asked me to break down all the tracks on the album, and boy do I have a lot to say! Let’s do it.</span><br><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5fbdcad7b616a82519e289b90c3dda1a3c724808/original/teen-idle-saccharine-credit-sara-abdelbarry-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p> <span style="color:black;"><strong>Track 1: “Saccharine”</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="DSPf6Z5EN2s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/DSPf6Z5EN2s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span style="color:black;">This is a classic song about a relationship that has ended. Despite its sugary title and indie-pop adorned sweetness, if you look closely, a lot of the lyrics are actually pretty bitter or sarcastic. It just encapsulates that feeling you have when you’ve dated someone and can look back on all your fond memories but also recognize all the major red flags in hindsight. This song’s origins are probably the most mysterious out of any of the songs, because the production process just happened so seamlessly and inexplicably. Which is interesting since it’s my most sonically different song. The sax solo is just impeccable, too.</span><o:p></o:p></p><p><span style="color:black;"><strong>Track 2: “Birthday Cake”</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Kbkm9Fn4yCo" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Kbkm9Fn4yCo?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span style="color:black;">I wouldn’t say this is a dark song, but it definitely occupies the space of one of the album’s most contemplative and analytical songs. The song isn’t about anyone in particular but it was definitely inspired by stories friends have told me and friends of friends. The protagonist in this song is a sort of anti-hero who you really want to root for, but their self-destructive behavior makes it hard. The initial character was built off a pretty specific archetype of a drugged-up, troubled kid who tries to move as far away from home as possible.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 3: “Norway”</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="XLds1Id18Jw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/XLds1Id18Jw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;">The track listing is very intentional, and “Norway” builds off the themes of the previous song. I can’t remember which came first, but they feel like two sides of the same coin. “Norway” deals with this idea that someone will try too hard to escape their hometown and reinvent themselves, but they try so hard and fail that they just end up right back where they started. It speaks to this idea that the more you run from something, the less it will work. It’s almost a call to work through and embrace your origins as opposed to escaping them. This song is one of the ones that sounds the most different from the demo. I challenged myself to make a departure from the demo.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 4: “Things You Say”</strong></span><o:p></o:p></p><p> <span style="color:black;">“The things you say will always stay in my mind / You’ve become someone I can’t recognize”. These first lyrics really exemplify this song’s theme, which unsurprisingly, like quite a few on this record, are about falling for someone who doesn’t feel the same way or is unable to. I like to call this one of the creepiest or maybe eeriest on the record, because it fits the very bleh way I was feeling when writing this. The guitar work on this track is some of my favorite on the record and I’m really proud of how the end of this song builds up into this frenzy and climax. This was one of the most fun to make, easily. And my friend Danny Murray absolutely crushed the drums on this.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 5: “Epigraph”</strong></span><o:p></o:p></p><p> <span style="color:black;">This is meant to serve as a sort of interlude on the record and a bridge between tracks 4 and 6. Initially it was actually called “Interlude” but I didn’t like how on-the-nose that was. I actually wrote the guitar for this song in 2016, when I was only 18, which feels insane that the origins of this album could even go back that far. This song is actually the exact recording I made in 2016, just the first demo for the song. This was admittedly the last addition to the album — it felt like it needed an interlude or brief instrumental moment, and I searched through the voice memos on my phone and then found this riff, one of my favorites I’ve written. It’s also the only track on the record that I mixed by myself.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 6: “Spiderwebs”</strong></span><o:p></o:p></p><p> <span style="color:black;">I really like how the interlude creates this moment between “Things You Say” and “Spiderwebs”. The two songs are so different in dynamics but I think they might share a mood in some ways. Although they’re thematically similar: “Spiderwebs” also deals with having a crush on someone who is unavailable. “Things You Say” is more of a recognition that this same crush is pretty shitty, while in “Spiderwebs” I’m still very much in my feelings and doting over this person hoping it might work. “Trap me in your web and watch me start to spin”, I sing. The slide guitars on this song and the bridge guitar riff are two of the most special sounds on the album to me.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 7: “Dance Inc.”</strong></span><o:p></o:p></p><p> <span style="color:black;">If you asked me when and how I wrote “Dance Inc.” I genuinely could not tell you. It wasn’t one of those things that started with a demo on my phone. I believe I made the whole backbone of the song in one sitting in my recording software. Now that I’m thinking about it, I think the very first thing I wrote for this song was the bass line. I structured everything around that, because that’s the driving force. This song is the most dance-y and funky Teen Idle has ever been. There was just the urge to have a song like this. I felt like I was emerging into this happier and more confident place. Yet the song itself is a diss to the corporate world and an ode to my frustrations with job-hunting and recruiters. The “world of the blazers and blood-hungry headhunters”.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 8: “Every Night”</strong></span><o:p></o:p></p><p> <span style="color:black;">“Every Night” is equal parts love song as well as a song expressing concern about a former friend. Its guitar tuning is definitely the most odd on the whole album, and I really do think this is one of the album’s strongest. I really went crazy with the production on this, and it’s definitely in a subtle way, but I think the very basic drum machine beat supplements the growing and changing song nicely. In previous songs I hadn’t really given piano much of a spotlight, but it’s a main feature of this song, and I think it ended up making the song what it needed to be. I don’t really know how I wrote and played the piano part on this song because I have no idea how to play it now. I’d have to dissect it note by note.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 9: “Stranger”</strong></span><o:p></o:p></p><p> <span style="color:black;">“Stranger” was actually the first song written for this album. At the time I didn’t know this song would be on an album or that I was about to make an album. I wrote this song the night I got back from the airport after I’d finished my semester abroad in Denmark and moved back to the U.S. The whole experience was one of the most beautiful things I’ve ever experienced (it still brings tears to my eyes!) so it was upsetting to leave that. This song is basically a love song dedicated to the city of Copenhagen and all the people I came to know and befriend there. This was the hardest song to record on the album. I spent day after day rerecording it and trying to figure out the right tempo, type of guitar, and best recording method, and of course once I made it as simple and raw as possible, close to the original demo, it finally worked.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 10: “Winter”</strong></span><o:p></o:p></p><p><span style="color:black;">I like a closing track to an album to be cinematic in some way. I’m a very literary-driven person, since I was an English major, and I look at songwriting like plot development. Especially in this case, with an album called Nonfiction, one would expect the last song on this record to be like the closing chapter of a book. And I think “Winter” fits this mold. It’s really a heartfelt, sweet ending to this little portrait of my young adult life that this album is. When I wrote the song, it was immediately an album closer. I’m really proud of the chorus in this song as well as the build up and production. If you listen closely in the outro, you can hear my friends Nat and Nick singing “the door is open” with me. I went really wild with the ending, even using some tubular bell sounds. Plus, the year ends in the season of winter, so what a fitting end to a record.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>Track 11: “On Fire” (Bonus Track)</strong></span><o:p></o:p></p><p><span style="color:black;">This song was never initially meant to be a bonus track, but the record ended in a very different place than I started it at. By then I felt like there were too many songs similar in sonic palette to this track. This felt like it had to be a bonus track because I didn’t want to do away with it entirely. I wrote this song after learning more about the early New York music and art scene of the ‘60s and ‘70s that included Lou Reed, Patti Smith, and Andy Warhol. The self-destruction inherent in some of those artistic circles was very interesting to me, especially in cases of people like Nico and Edie Sedgwick, two seemingly beautiful souls who really destroyed themselves. As someone who doesn’t even really drink, I was just very interested in how this polar opposite lifestyle of indulgence and excess can present itself.</span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/artist/00EGv7Le8ST91QVNTI7KqV?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:black;">Insta: </span><a class="no-pjax" href="https://www.instagram.com/teenidlemusic/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><span>https://www.instagram.com/teenidlemusic/</span></span></a> <br><span style="color:black;">Label artist page: </span><a class="no-pjax" href="https://h1massive.com/artist/teen-idle/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://h1massive.com/artist/teen-idle/</span></a><o:p></o:p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72709432023-09-28T05:00:00-04:002023-09-28T05:00:01-04:00MEET NY SYNTH POP BAND TELLY<p><o:p></o:p></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2551c8739b3981642a76279619ec5cc494c5478c/original/stbf2wkk.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:black;">From a natural serendipity honed over several years, the New York synth-pop duo <i>telly</i> was born. Shlee, a Burlington, VT native, and Mix, an LA native, bonded over a love of electronica and a penchant for a maximalist sonic palette. Drawing from elements of dream pop, shoegaze, and electronic pop, their style has often been deemed “dreamy yet danceable,” which they take no offense to. Their latest single, BLINK, is the first offering from their debut EP, aptly named EPISODE 1, foreshadowing a glitchier and hazier direction than their synth-based debut single, Rearview. Call it clickbait, call it short attention span, call it thrill-seeking - the years spent building to this EP were marked by throwing out any idea that didn’t feel intoxicatingly exciting, leaving us with 4 songs that exhibit the duo’s energetic stylistic precision.</span><br><o:p></o:p></p><p><o:p></o:p></p><p><o:p></o:p></p><p><span style="color:black;"><i><strong>What does the band name mean?</strong></i></span><o:p></o:p></p><p><span style="color:black;">We really like the elements of electronic media and also have a soft spot for the English nickname for television. </span><o:p></o:p></p><p><span style="color:black;"><i><strong>How'd you first get into music?</strong></i></span><o:p></o:p></p><p><span style="color:black;">We both began musical endeavors at young ages. As we got older, we both played in bands and projects that were pretty different from telly, and after we met we knew we wanted to try something in the direction of electronic pop. The path from beginning musically to where we are now was very long but we both feel it’s important to engage in different genres to see what each style brings out of you. </span><o:p></o:p></p><p><span style="color:black;"><i><strong>First concert that you ever went to? </strong></i></span><o:p></o:p></p><p><span style="color:black;">Mix: Matisyahu @ the Greek Theatre in LA</span><o:p></o:p></p><p><span style="color:black;">Shlee: Corbin Bleu @ the Champlain Valley Fair 😎</span><o:p></o:p></p><p><span style="color:black;"><i><strong>What's your writing process like?</strong></i></span><o:p></o:p></p><p><span style="color:black;">We often start with a singular idea or sound and build from there, or take a full instrumental and add vocal melodies on to that, until we solidify that, and carve lyrics out from there. Once we have a demo, we typically do a lot of edits, revisions, and alternate versions until we land on what we find to be the best version of the song. </span><o:p></o:p></p><p><span style="color:black;"><i><strong>What other artists or songs inspire your music?</strong></i></span><o:p></o:p></p><p><span style="color:black;">The artists that directly inspire our music are Frou Frou, Jam City, Little Dragon, and Sylvan Esso. But we love a lot of other music too, like Shania Twain and Animal Collective. </span><o:p></o:p></p><p><span style="color:black;"><i><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></i></span><o:p></o:p></p><p><span style="color:black;">Our philosophy for our own live shows is definitely to deliver as much energy as we can and bring something really engaging and exciting to the stage. Since we perform as a duo with backing tracks, it’s been fun to build out the visual element and sync it with all of the tracks. We currently don’t have too much variation from recording to live versions, but plan to experiment with that more as we grow. </span><o:p></o:p></p><p><span style="color:black;"><i><strong>What's up next for the band?</strong></i></span><o:p></o:p></p><p><span style="color:black;">We’ve got our debut EP, <i>EPISODE 1</i>, coming out October 11th with a release show the same day at Gold Sounds in Brooklyn! We’re really excited about getting this out into the world. Hoping to release some more <i>EPISODEs</i> in 2024 as well.</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="QWKPbB9OliE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/QWKPbB9OliE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;">Instagram: </span><a class="no-pjax" href="https://www.instagram.com/yourewatchingtelly/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.instagram.com/yourewatchingtelly/</span></a><br><span style="color:black;">TikTok: </span><a class="no-pjax" href="https://www.tiktok.com/@yourewatchingtelly" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.tiktok.com/@yourewatchingtelly</span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72709022023-09-27T05:00:00-04:002023-09-27T05:00:01-04:00WHAT'S IN OUR INBOX! THE VELDT, STRAWBERRY LAUNCH, PAWS, ALL GET OUT, RENEE MASKIN<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Today we keep it pretty chill and stick mostly to the Shoegaze and Indie Rock genres except for Renee Maskin's stand out country classic track. Everything though is pretty great this week, hope you agree. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>The Veldt</p><p><strong>BMN Score: </strong>7.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">One of the most notable first-wave shoegaze bands, formed in North Carolina in the 1980s, The Veldt surrounds identical twins </span>Daniel Chavis<span style="color:rgb(51,51,51);"> (vocals, guitar) and </span>Danny Chavis<span style="color:rgb(51,51,51);"> (guitar). Their unique sound was influenced by Cocteau Twins as readily as Marvin Gaye and free-jazz warriors Sun Ra and Pharaoh Sanders. Referencing European post-punk while embracing modern hip-hop, these trailblazers work with transient dreamscapes as fluidly as solid song structures.</span></p><p><strong>What we say they sound like: </strong>We are pretty big into Shoegaze here at BMN so we have to cover something that involves Elizabeth Fraser of Cocteau Twins. This has a very 80's pop feel more than Shoegaze, it kind of has a quality like a less charismatic version of something by Prince from the 80's. It's good, don't get me wrong but not quite what I expected. I can't even tell where the guest vocal is. It has some of the hallmarks of the Shoegaze genre but I'm not sure this hits the mark like their pioneering work on Afrodisiac. The vocals on the earlier work is so much more vibrant with atmospheric guitars especially on tracks like “Soul In A Jar” and this, well is just different. I'll leave it up to you the listener to decide. </p><p><strong>Song to add to your playlist: </strong>Aurora Borealis</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="yt0a3lM-Sk8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/yt0a3lM-Sk8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Strawberry Launch</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Strawberry Launch’s third and final single of 2023 is a rage-fueled rock ballad exploring the misgivings of relationships through digital media. The group's typical writing structure delivers high energy beats with an easy-to-follow message, but “Videos” takes a turn for the dark, with front and center vocals and sultry instrumentation that explodes into a much needed release.</span></p><p><strong>What we say they sound like: </strong>Strawberry Launch is quickly becoming a favorite here. Shoegaze vibes but with a mix of modern Indie Pop and Indie Rock. The groove in this track is dark and has moments of sparseness, moments of dissonance and then driving more at the chorus with some nice shredding before the heavy rock bridge. The sentiment of the song addresses a pretty modern situation and I think they do that rather well. </p><p><strong>Song to add to your playlist: </strong>Videos</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="3qOjVl8syHI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/3qOjVl8syHI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br><strong>Band Name: </strong>Paws</p><p><strong>BMN Score: </strong>9.4/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Delving into the dark underbelly of 90s alternative rock, painting with evocative instrumentals and revelling in celebratory indie punk, the band also embrace sordid pop and ambient electronics. And while it pays homage to where they have come from, it also signals a clean slate for the pair.</span></p><p><strong>What we say they sound like: </strong>The vocal is like an edgy Ben Gibbard playing over a jangly Death Cab type song but with a little more grit and lo-fi edge to it. Like most of the Ernest Jennings roster this band feels like a hidden gem that isn't getting enough attention. Do you know how sometimes something is just simple but it works? This really doesn't have anything tangible that I can't point to that makes it better than a lot of stuff out there but it is. The bands chemistry and songwriting just fit neatly into the Indie Rock genre and will be something that fans of Soccer Mommy to Pavement will enjoy. If you love Death Cab For Cutie this is like right up your alley too. </p><p><strong>Song to add to your playlist: </strong>Disenchanted</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="w3D7Q983tss" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/w3D7Q983tss?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>All Get Out</p><p><strong>BMN Score: </strong>9.7/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">“Out Of Pocket” harkens back to the very early days of All Get Out, but it was only when the band improvised its intro and Hussey spontaneously came up with its lyrics that he realized that it took him back to a time when he was within that alternative/emo scene. At the same time, that’s just a through line on this record, rather than the focus. Indeed, the solemn chug of “Around It” was inspired by watching <i>Unstuck In Time</i>, the documentary about Kurt Vonnegut, and hearing about how his sister’s death impacted the writer. And yet, it’s conveyed with remarkable emotion and clarity, turning abstract notions into memories you’re sure that he — and you, as the listener — had. </span></p><p><strong>What we say they sound like: </strong>One thing I'm going to say that is underated these days is sometimes very cool bands don't have well produced records. This record is produced amazingly, the drums are big and driving and the vocal is full, lush and present with atmospheric guitars that seem to swirl everywhere. The vocal has a resemblance to The Decemberist with songwriting that has a melancholy appeal to it. This feels like an odd range of influences that kind of all meld perfectly to give this band a very original sound and vibe. It's driving and skates the line of post punk and pop, and I can't think of many others that do this well or at all. </p><p><strong>Song to add to your playlist: </strong>Come Back Around</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="AM14gjcZ2uw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/AM14gjcZ2uw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Renee Maskin</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong><span>Known for her distinctive voice, literally and artistically, Renee Maskin is a staple of the thriving music scene in Asbury Park, NJ. She is following up the 2022 debut ‘Swimming’ and her 2023 LP ‘Renee Maskin and The Mysterious Wilds’. Maskin draws from a musical well including country and Americana, to krautrock, to glam. Maskin’s track “Nashville” laments all of her close musical associates moving to an idyllic version of Nashville looking for broader musical horizons. In response labelmate Tom Barrett penned the song “NJ Ain’t Quite Like Tennessee”.</span></p><p><strong>What we say they sound like: </strong>This song is just classic and speaks to every artist who has ever relocated to try to make it big and it doesn't go as planned. The actual song is simple 60's classic country with themes that span generations. Maskin knows how to give her lyrics broad appeal and this might possibly be my favorite song from her. The bridge just will give any musician chills when she says “Are you back with the band, guitar in hand”. Written as a response to NJ favorite Tom Barrett's move to Nashville and compiled on a great 2 song single. It's a short song but that's only going to make you want to listen more and more. </p><p><strong>Song to add to your playlist: </strong>Nashville</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="7FH-VgQdU1k" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/7FH-VgQdU1k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72709412023-09-26T05:00:00-04:002023-09-26T05:00:01-04:00MEET EMILY WHITEHURST OF INDIE POP BAND SURVIVAL GUIDE<p><o:p></o:p></p><p><o:p></o:p></p><p><o:p></o:p></p><p><a class="no-pjax" href="https://www.dropbox.com/s/vc7usdbycy41wbu/Survival-Guide-Press-Photo-1-PC-Mike-Carey.jpg?dl=0" target="_blank" title="This external link will open in a new window"><span style="color:#000000;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5d219d13fd2131eda63813883e88035e74896c60/original/survival-guide-press-photo-1a-pc-mike-carey.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></a><o:p></o:p></p><p><span style="color:#000000;">Emily Whitehurst, the creative force behind Survival Guide, describes her music as "cinematic alterny-electropop," blending electronic beats and synths with vibrant melodies and her captivating vocals. Whitehurst's musical journey began with punk rock, fronting the band Tsunami Bomb, before transitioning to synth pop and electronic indie-pop as Survival Guide. She recently released the mini-album "RHV1.5," featuring covers with her unique twist, inspired by interactions with her dedicated Patreon community. Now, she's preparing to release "deathdreams," an album that explores themes ranging from anxiety to dreams about death, showcasing her diverse songwriting and vocal prowess. Produced by Bob Hoag, the album includes real acoustic drums, adding depth to her sound. Ultimately, Whitehurst hopes her music resonates emotionally with listeners, offering a cathartic experience that elicits a range of feelings.</span></p><p><br><span style="color:#000000;"><strong>How did Survival Guide form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:#000000;">Survival Guide was initially a 2-piece band that formed from the remains of my previous band. Jaycen was the guitar player of The Action Design, and I was on vocals and keyboards. As that band was dissolving, we decided to do something a little different (for us) and try a mostly electronic 2-piece as Survival Guide. We chose the name partially because we felt we were doing whatever we could at that point to continue playing music -- basically just surviving as musicians and not giving up. I still really identify with this, considering Jaycen left the band a while back due to shifting life priorities so I'm on my own. Although, I'd love it if someone would hand me the "guide" part of the name... maybe that's what I need to live up to, to be both the survival and the guide. Haha, you've got me thinking deep about this one! </span><o:p></o:p></p><p><br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:#000000;">There's the aforementioned The Action Design, which was kinda high-energy power pop, and before that I fronted the punk band Tsunami Bomb and toured internationally. I first got into music when I heard Green Day. I connected DEEPLY with pop punk -- so deeply that I felt compelled to be part of it and start my own band. I had two pop punk garage bands before Tsunami Bomb: Generic Asphalt and Plinky. </span><br><br><span style="color:#000000;"><strong>First concert that you ever went to? (Locally and National acts)</strong></span><o:p></o:p></p><p><span style="color:#000000;">I wouldn't say there were really any local artists in my area when I was growing up -- I lived in a very small town and had to drive almost two hours for my first "real" concert, which was Green Day! I was part of their fan club (which I think was called the "Idiot Club"? Haha) and had a chance to get some advance tickets, and convinced my parents to let me go with my best friend and our two older brothers. We made our way to the front row, I got crushed a lot and came away from it sweaty and bruised, but it was epic and I'll always treasure the memories! </span><br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:#000000;">My new album, <i>deathdreams</i>, is the first music I've written by myself, so I'm still kinda searching for what works best for me! For most of these songs, I semi-replicated what would have happened in a full band. In all of the bands I've been in, songs start when one person brings one piece to the table. I've never been in a band where one person wrote all the songs and brought them to practice in a completed form. Thankfully! Because otherwise I may have had an even tougher time figuring out how to write everything myself. So my method has been to pick up an instrument, see if I can write a little piece on it that I like, and expand it from there. I tend to write vocals and lyrics better when there's music to write to, so I try getting a fairly solid instrumental song before writing words and melody to it. I may start a song on drums, piano, a synth sound or bass, and see where it takes me. </span><br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? (Please talk about the artists you've chosen on your Spotify Playlist that you've given to us)</strong></span><o:p></o:p></p><p><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4Uq0QdsStY6xQdY9bz8vOq?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p><p><span style="color:#000000;">I had a super fun time creating the playlist that reflects my influences on the album! It's not really what you may think though. These are not necessarily what I would call my "top" artists (though I do have a few all-time faves in here). These are specific feelings that I sensed pieces of some of my songs resembling as I was writing them. For example, as I was writing the first track (Bad Little Seed), I thought "hey, I'm hearing a change on this bridge that makes it slightly heavier, but in a bassy electronic Bjork kind of way". Then, as I continued to fill out the section, I considered what Bjork might do with that piece. That's mostly what you'll find on this playlist. <i>deathdreams</i> has some darkness and simple yet driving electronic drums, a-la Trent Reznor (with NIN and with the Halsey song that he co-wrote), some quirky bleepy beats like Sylvan Esso, some dramatic and strong vocals like Adele, some wispy and soft (yet somehow still dramatic) vocals like Lana Del Rey, pop punk melodies like MxPx, piano as a strong bass instrument like MSTRKRFT, a bouncy Pat Benetar-esque bridge, and a heartbreaking love song about death like Death Cab For Cutie. Oh, and a tribute to over-the-top Bond songs like Shirley Bassey's "Goldfinger"! </span><o:p></o:p></p><p><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p><span style="color:#000000;">I would like my live show to resemble the recorded version, but I'd like it to be better. Not necessarily musically, but better in the sense that the concertgoer feels energized by the live performance in front of them, and the weight of the bass and drums, and the contagious happiness coming from the stage. If the music is too identical to the recording, it gives people no reason to attend a show. It needs to be special in some way. But if the music is too different from the recording, the people who already know and love the songs feel disappointed. It's an important balance. </span><br><br><span style="color:#000000;"><strong>7. What has the touring experience been with Survival Guide, best shows? Worst shows?</strong></span><o:p></o:p></p><p><span style="color:#000000;">I got to open for Joan Jett once! That was probably my most notable show so far as Survival Guide. My worst shows were very traumatic -- I had a string of shows on tour where my gear was malfunctioning and the backing track (which had ALL the drums and guitar on it!) would just completely stop mid-song. I'd be stuck up on stage by myself with just keyboards and vocals and crickets, trying to decide whether to start that song over completely or go to the next one and hope it didn't happen again! (It did.) Those shows gave me nightmares! </span><o:p></o:p></p><p><br><span style="color:#000000;"><strong>What's up next for Survival Guide?</strong></span><o:p></o:p></p><p><span style="color:#000000;">The album comes out in October, so I'm currently working on singles and music videos leading up to that, plus putting together some release shows to celebrate. After that, I'll be working on booking some small tours to support the album, and hopefully starting to write the next one! </span><br><span style="color:#000000;"> </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="BNIdsPZgxlQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/BNIdsPZgxlQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:#000000;"> </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="a3ZJnBw3-N8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/a3ZJnBw3-N8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span style="color:#000000;"><strong>Web/socials:</strong> </span><br><a class="no-pjax" href="https://www.srvvlgd.com/" target="_blank" title="This external link will open in a new window"><span style="color:#000000;">https://www.srvvlgd.com/</span></a><span style="color:#000000;"> </span><br><a class="no-pjax" href="https://twitter.com/srvvlgd" target="_blank" title="This external link will open in a new window"><span style="color:#000000;">https://twitter.com/srvvlgd</span></a><span style="color:#000000;"> </span><br><a class="no-pjax" href="https://www.facebook.com/srvvlgd" target="_blank" title="This external link will open in a new window"><span style="color:#000000;">https://www.facebook.com/srvvlgd</span></a><span style="color:#000000;"> </span><br><a class="no-pjax" href="https://www.instagram.com/survivalguidemusic/" target="_blank" title="This external link will open in a new window"><span style="color:#000000;">https://www.instagram.com/survivalguidemusic/</span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72760802023-09-25T05:10:00-04:002023-09-25T05:20:01-04:00BMN EXCLUSIVE PREMIERE: REESE VAN RIPER "BLACK ALLIGATOR" <p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/eb4eed0590a9b08c02f19483d8943086a8a6492e/original/dsc01746-950-1188-c1.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />In the gritty heartland of New Jersey, where the swamps whisper secrets and the blues seep into your soul, Reese Van Riper has unveiled the electrifying crescendo to their musical trilogy: "Sinners Saints & Psychopaths." It's a raucous ride through the labyrinthine corridors of their sonic psyche, a feverish homage to legends like Tom Waits and Captain Beefheart. But, hold onto your hats, because this musical rollercoaster has a surprise in store – a rap interlude that pays tribute to Van Riper's eclectic influences, from the Delta bluesman R.L. Burnside to the legendary Johnny Cash.<o:p></o:p></p><p>Yet, "Psychopaths" isn't merely a symphony of madness; it's the triumphant climax of a 30-song odyssey that kicked off with "Sinners" and carried on through "Saints." "Sinners, Saints & Psychopaths" isn't just an album; it's an expedition into the primal, a celebration of the divine, and a mirror reflecting the untamed spirit within us all. In this sprawling tapestry of melodies, there's something for everyone, a journey through a kaleidoscope of emotions and life experiences.<o:p></o:p></p><p>And if you're not already blown away, consider this: Reese Van Riper has embarked on the Herculean feat of delivering 30 songs in a mere 11 months as part of the "Sinners Saint & Psychopaths" trilogy. That's right, they've earned the esteemed title of New Jersey's most prolific songwriter, and it's a well-deserved honor. Since inking a deal with Mint 400 Records in 2019, the band has unleashed a staggering 65 songs across seven releases. Behind this whirlwind of creativity stands the dynamic partnership of Reese and the drumming maestro and producer Glen Monturi, whose sonic landscapes provide the fertile soil in which the Reese Van Riper persona thrives. As Van Riper himself passionately explains, "Glen creates a vivid sonic landscape for the Reese Van Riper persona to thrive in."<o:p></o:p></p><p>As touted in the local press Reese Van Riper and their band reign supreme as the "High Priests of Jersey Swamp Rock." They concoct an alchemical blend of blues, folk, and rock that's pure magic. And if you're not already convinced, <span> </span>others attest that Reese Van Riper's indie blues sound will engulf your senses, and you won't want it any other way.<o:p></o:p></p><p>In their gritty, blues-driven universe, Reese Van Riper doesn't just sing songs – they embody them. As in the past Reese Van Riper has be said <span> </span>to have a touch of the legendary Screamin' Jay Hawkins in their raucous delivery, fusing bluesy guitar riffs with an eerie allure that's positively electrifying. Other Jersey outlets have dubbed it "sleazy, bluesy North Jersey swamp rock," a genre-defying cocktail that's as intoxicating as it is irresistible.<o:p></o:p></p><p>So, there you have it, the electrifying journey of Reese Van Riper, New Jersey's sonic trailblazers, and the epic conclusion to their trilogy – "Sinners Saints & Psychopaths." Their music is a portal to a dimension where the blues meets indie rock, and it's a journey that's impossible to resist. <br><br>Today we are lucky enough to premiere “Black Alligator” From Reese Van Riper's “Psychopaths” album. <span>The song kicks off with a swamp heavy sporadic riff that carries on into a flower power bright chorus about the care free existence of being a big black alligator says Van Riper. He continues “I wrote the song about a gold alligator on a small black leather handbag that i had seen in a closet in 2012. it was so cool looking I wrote this riff and just shouted black alligator over and over. When we were recording ‘Psychopaths’ I knew we had to add the truly schizophrenic riff on the album. I finished writing the song. The black alligator is king of the swamps, always got someone on his ridged tail. So it’s nice for him to swim around carefree every once in a while.”</span><br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="6-Wt0S_j4zA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/6-Wt0S_j4zA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72738052023-09-24T05:00:00-04:002023-09-24T05:00:01-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#4)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0566212f0566c3be1c3a30f9196c6f5cf5088ac3/original/spore-004.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">SPORE, Page 4 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" href="http://shanemichaelvidaurri.tumblr.com/" data-link-type="url">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fe2369ae7af84ba4cff3f1bf588da1633eb42c10/original/screenshot-2023-09-15-at-8-19-36-am.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>THE BLACK HAT, Page 4 by Neil Sabatino, <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p>This Weeks Soundtrack:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="hgFi-iqX1mQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/hgFi-iqX1mQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72702962023-09-22T05:00:00-04:002023-09-22T05:00:01-04:00MEET BOSTON POST PUNK INDIE BAND LOOKING GLASS WAR<div style="margin:0px;padding:0px;">
<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/37656398bb5d8f8197f38e5909877d40086feb4d/original/looking-glass-war-credit-coleman-rogers-photography.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(55,65,81);">In the autumnal embrace of 2022, the forces of Goddamn Glenn and Tony Porter, stalwarts of Parlour Bells, converged with seasoned Boston comrades Pete Zeigler (of The Easy Reasons and The Rationales) and Mike Ackley (of Strangeways), seeking a musical communion that would reignite their creative spirits. A magnetic impulse drew them together, sparking an immediate connection that birthed the audacious fusion known as Looking Glass War, blending Glenn's theatrical vocals with Pete's shimmering post-punk guitar, all anchored by Mike's propulsive UK bass lines and Tony's precise drumming. This was no ordinary musical venture; it was a sonic tempest, a show of the enduring power of artistic alchemy in the heart of Boston's music scene.</span>
</div></div>
<p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>How did the band form and what does the band name mean?</strong></span></span></p>
</div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Goddamn Glenn, vocals: We had this running list of band names. Then one night I put on this movie “The Looking Glass War,” which is based on the John le Carré novel of the same name and features a very young Anthony Hopkins. I loved the neo-noir vibe of the film and added the title to our running list of band names. We dropped the “The,” made a logo for it, and “Looking Glass War” the band was officially christened.</span></span> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete Zeigler, guitar: Mike (Ackley, bass) and I had been writing songs throughout the pandemic and had done a couple of demos. In the fall of 2022, Glenn gave me a call to see if I was available and interested in working together with him and Tony (Porter, drums). He also asked if I knew any bassists. I let him know that Mike and I had been working on material and we decided to put the two parts together and see if the sum of the parts was something good. We all got together and ran through early versions of some of the material Mike and I had. Glenn and Tony helped rearrange and craft melodies for the tunes and Looking Glass War emerged. We went on to write new material as well, following that same workflow, and here we are.</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>Previous musical projects? How'd you first get into music?</strong></span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>I first got into music as a kid growing up in rural New York. Initially into Led Zeppelin and hair metal, I became obsessed with UK import magazines and the UK indie scene/madchester stuff. I dabbled in some hardcore bands in college and then took a few years off until I came back to the Boston Indie scene. Played with The Blue Wires, Hey Now Morris Fader, The Rationales, The Easy Reasons, and now Looking Glass War. Also filled in with numerous Boston bands over the years. </span></span><br><br><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Mike<strong>: </strong>I grew up close to Manchester, England, so you absorbed amazing music by osmosis. I started playing relatively late in my early 20s. I was in Leeds (UK) at the time and a couple of friends and I one day decided that we needed to be in a band. So we went out, bought cheap shitty instruments and taught ourselves to play. Our first real band was called BiNGO and we actually got relatively successful on the local Leeds scene. We got played by John Peel! Fast forward a few years and a different continent & after moving to Boston I played in Strangeways for a while and then briefly the Shallows. Then came COVID and I needed music, so I learned synths and wrote a solo electronic album which was a bit left field for me. </span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Tony<strong>: </strong>I grew up around Boston and had played drums for a few years before entering a Berklee College of Music Summer Program during High School and eventually attended college there. I’ve played in a wide variety of bands over the years, engineered in local studios, and toured as a front-of-house engineer. I even DJ’d at some raves and clubs back in the mid-’90s, early 2000s since matching beats on vinyl came easy to me as a drummer. I hit a lull in the few years leading up to the pandemic and then Glenn approached me to take over as drummer for his band Parlour Bells. What happened afterwards, is where the Looking Glass War origin story came into play. </span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Glenn: I’ve been playing in bands since I was 13. I was strictly a hair metal kid until I discovered Jane’s Addiction and sold all my glam rock CDs. (Kinda wish I didn’t do that now). After ducking out of music for several years, I started a band called Parlour Bells, which Tony from this band is a part of as well. Tony and I wanted to try collaborating on something new, which is how we connected with Pete and Mike.</span></span><br> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>First concert that you ever went to? </strong></span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>The Black Crowes, at Cornell University. Great show! </span></span><br> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Mike: James at the Blackpool Empress Ballroom. Everyone sat cross legged on the floor for “Sit Down” and I was like “what the fuck?!”</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Tony<strong>: </strong>This may come as a shock, but it was Megadeth on the “So Far, So Good, So What” tour. I was always blown away by the technicality of metal drummers. My friend's dad had to come as a chaperone since we were so young. I remember him laughing at all the people headbanging.</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Glenn<strong>: </strong>The Cars at the Worcester Centrum. They opened up with “Hello Again” and little Glenn was floored!</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>What's your writing process like?</strong></span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>So far it has been Mike and I getting a rough draft together then bringing it to Glenn and Tony. Then as a group we arrange the material and Glenn really crafts the heart of the song with his melodies and lyrics. That is where the magic happens. </span></span><br> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Glenn<strong>: </strong>I never like to just punt or phone it in when it comes to a lyrical melody. So when Pete and Mike give me a song sketch, the first thing I do is put it on my iPhone, pop in my earbuds and listen to it repeatedly. To the point where it’s then just stuck in my head. Then it sits in my brain for a while like an irritating grain of sand inside of an oyster, around which the proverbial pearl is formed.</span></span><br> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>What other artists or songs inspire your music? </strong></span></span></p></div><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1YiDrKtKOMRFHltBlMyvUo?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>Johnny Marr and the Smiths is huge. Also Richard Oakes from Suede, particularly on </span><i><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Coming Up</span></i><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">. Interpol has been a shared love of ours as well. </span></span></p></div><p><br> <span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Mike: Growing up close to Manchester you are obligated to love New Order, the Smiths, Stone Roses, the Mondays etc. I’m a huge Joy Division fan and Hooky is one of my favorite bass players – “Shadowplay” is a great example of his more simple, but highly effective bass lines. For this project we’re also drawing from that ‘80s post punk vibe, particularly bands like The Chameleons and The Church.</span></span></p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Glenn<strong>: </strong>I’ve always loved the soft on heavy juxtaposition of the Smashing Pumpkins. The guitars on one their newest tracks “Moss” are incredibly mean and awesome sounding. The band boygenius is a new discovery for me. I love the ‘90s sound which seems to be totally back and I feel that a lot from several of their tunes, especially on “Satanist.”</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Tony<strong>: </strong>Danny Carey from Tool has been one of my favorite drummers and I love the way his band has an ebb and flow between being calm, pensive, and hazily psychedelic one moment to having tremendous energy and ferocity the next. For me, they cover a lot of emotional and energetic ground within the timeline of one track. Queens of the Stone Age also covers a lot of range with their off-kilter, almost drunk or stoned sounding vibe. Their guitar tones are all over the place and vary a ton from track to track. I dig their huge sonic palette since I’m also an audio engineer. </span></span></p></div><p> </p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></span></p></div><p> </p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>First and foremost, I am a proponent of a loud, visceral live experience. It should get hearts racing. As a single guitar band, exact recreation of some recorded work is tricky, but I try to stick to the plan. Not a fan of “jamming” or loose interpretations. </span></span></p></div><p> </p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Mike<strong>:</strong> I like it when the core of the song and arrangement is the same live as the recorded version but I do think you can add subtle textures with extra guitar parts, synths, etc., when recording, that you don’t necessarily need live.]</span></span><br> </p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Tony<strong>: </strong>I play pretty similarly to what was done on the recordings, but I don’t get hung up on playing all the fills exactly. In the studio, each take wasn’t played as a carbon copy either, so I kind of work within certain parameters for each song. The main beats themselves don’t change, but now that I think of it, maybe I should try a samba beat over “Arrive!” some time (joking of course). </span></span></p></div><p> </p><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Glenn<strong>: </strong>I don’t veer too far off course in terms of vocal delivery when performing live vs. studio work. That being said, I always want to give each audience something unique and special, so I might deliver a particular line with a bit more drama or bravado… or whatever feels right at the moment.</span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>Has the band toured? What has the touring experience been? </strong></span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Pete<strong>: </strong>We have not been out on the road yet, as it is a brand new project for us, but definitely excited to share our music and meet fans on both sides of the Atlantic in the coming months. </span></span></p></div><div style="margin:0px;padding:0px;"><p dir="ltr"><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836"><strong>What's up next for the band?</strong></span></span></p></div><div style="margin:0px;padding:0px;">
<p><span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-3a1514a3-7fff-20a9-bfb8-0901dd841836">Mike<strong>: </strong>Our next single “A Tsar is Torn” is another banger and will be released in September with the EP to follow. We have a few more local shows lined up for the fall and we’re also actively writing with plans to get back into the studio soon.</span></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Mcm8lk5Kv5I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Mcm8lk5Kv5I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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</div><p><br> </p><div style="margin:0px;padding:0px;"> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72697332023-09-21T05:00:00-04:002023-09-21T05:00:01-04:00MEET UK SINGER SONGWRITER POGGY<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/552257f8896f550cc34368da49321bf1358ec1a0/original/poggy.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Hailing from the coastal town of Deal in Kent, Poggy's music, influenced by jazz, world, and folk, evokes the primal elements of life and nature. Raised with her four sisters in a musical household, she released her debut album "Woman" in 2021, celebrating family bonds. Her "No More I" EP continued this journey, weaving ancient forest imagery with her signature blend of genres. Poggy's latest album, 'Sister,' pushes the boundaries of freedom and limitation, serving as a profound reminder to embrace the untamed essence of existence.</span></p><p><strong>How did the band form and what does the band name mean?</strong></p><p>I don't currently have a band but more of a pool of musicians I call upon for different events. These are all people that I have collaborated with over the years and developed good musical relationships with. They are people who have been involved in my music in some shape or form for the duration of my musical career. The name is just my nickname that I grew up with.</p><p><strong>Previous musical projects? How'd you first get into music?</strong></p><p>I released a debut album 'Woman' in 2016. That was reoorded and produced by Richard Bundy. I then released an ep and worked on a dance music collaboration later on down the line with Rowan Viner. </p><p>I came from a very musical family of 6 originally. I was brought up playing piano and singing, but from a classical perspective. I learnt to sing harmony early on in choirs and by messing around singing with my sisters. My parents were both concert pianists.</p><p><strong>First concert that you ever went to?</strong></p><p>I think it was to watch the Jackson 5 in London somewhere</p><p><strong>What's your writing process like?</strong></p><p>It happens very organically, with not too much thought. Its a sense of being moved to do it. It either happens or it doesn't And there have been long spells where nothing has come to me! So when I do feel inspired, I make the most of it. It's not something I 'try' to do as such and I like it that way.</p><p><strong>What other artists or songs inspire your music? </strong></p><p>Jono Macleary, Nico, Bridget st John, John Martin and ick Drake, classical guitar music, to name a few. Also the Buena vista social club and other cuban music.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="tP4LCZhbZO0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/tP4LCZhbZO0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>What's the live experience like and your philosophy on playing live? Do you think the live music should be identical to the recorded version or should it be it's own thing?</strong></p><p>I have been enjoying playing solo the last few years and it has helped me to find my own voice. I have had times of playing as a band also and would like to do so again when the time is right. I think it's fine to present something different from the recording when playing live. I suppose it depends on what the venue want also.</p><p><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></p><p>I have toured but in a different band prior to going solo. The last band I toured with was Cocos Lovers. I had a lot of fun and I would definitely like to tour again with my own music either on my own or with a band.</p><p><strong>What's up next for the band?</strong></p><p>I would like to explore the idea of a tour and also move onto my next recording project.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IIK1pysVGgk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IIK1pysVGgk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72685642023-09-20T05:50:00-04:002023-09-20T06:00:01-04:00MEET BROOKLYN INDIE ROCK POWER POP BAND ONESIE<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="ltr"><div style="margin:0px;padding:0px;">
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<span style="color:rgb(55,65,81);">Led by the visionary songwriter, virtuoso guitarist, and captivating frontman Ben Haberland, accompanied by lifelong comrades Rob Lanterman (of Shrugdealer and Hidden Home Records) on guitar, Josh Inman (known for his roles in Jupiter Boys, Big Oil, and Shred City Records) on drums, and Matt Ernest on bass, Brooklyn's Onesie has spent the past six years meticulously carving out a niche all their own within the musical realm. Drawing inspiration from the concise craftsmanship of 1970s power pop, the socially astute lyricism and infectious hooks of 1980s indie and Britpop, and the unapologetic intensity of 1990s DIY punk hardcore, this eclectic ensemble is now poised to unveil their third album of timeless, irresistibly catchy anthems. Onesie's sonic alchemy transforms our shared anxieties into a sonic experience that invites you to dance, wield an air guitar, burst into laughter, and shed a tear – often within the same verse. In a musical landscape plagued by sameness, Onesie stands as a genre-defying beacon of substance, a band that creates with the enduring power of artistry and authenticity. </span><br> </div>
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<br><strong>How did the band form and what does the band name mean? </strong><br><br> </div>
<div style="margin:0px;padding:0px;"><i>I found myself at a crossroads in my mid 30s after years of being a lieutenant in various bands- meaning I was always a main songwriter and arranger but often shared the front person role or was just the lead guitarist. I had a vision and really wanted to focus on creating a body of work of my own songs, so I started building my demos back catalog and eventually assembled a group of friends to jam. It's still as uncomplicated as that today, just friends bringing their own unique talents to this weirdo power pop songs I make in my room. The band name came from the folder I made for the first song of the project, Pillow Sail. I wrote "One" and that seemed too indistinct so I made it "Onesie" just to make it more visible on my desktop. Pretty silly origin for a silly band name!</i></div>
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<br><strong>Previous musical projects? How'd you first get into music? </strong><br><br><i>I've been playing in bands and been involved with making and releasing records since I was 17. I started touring at 19. Some of my previous projects were The Disenchanted, Celebrity Roast, The Isles, Sport Of Kings, Boomerang Son, and Gurus. My parents got me into the usual boomer melange of Beatles and Stones but I was kind of a late bloomer with my own collection. My first tape was Pump by Aerosomith- the coinciding Making of Pump doc totally fascinated me. A couple years on, I was on to Smashing Pumpkins and Rush and spent a few years playing along with the big rock albums of the early 90s in my bedroom. A few years later I discovered the world of DIY punk hardcore and that kind of self sufficient community approach really changed my life. I started recording on a 4 track at home, playing in bands, and traveling to shows.</i> <br><br><strong>First concert that you ever went to?</strong><br><br><i>First big national band was Rush and Primus at Nassau Coliseum- I remember being crushed by the devastating volume and I really appreciated the level of devotion of their fans- I was getting deep into the catalog myself. Locally I think it was Vision Of Disorder at The Right Track Inn on Long Island - still love them by the way. The hardcore scene on LI in the mid 90s was crazy, often there were a thousand people showing up to see local bands.</i> <br><br><strong>What's your writing process like?</strong> <br><br><i>I tend to demo songs pretty thoroughly as far as guitar/bass/drums/keys. Lyrics and vocal melodies come last. I keep a notes file on my phone with little phrases that enter my airspace, then I'll try to pull out ideas that match the vibe of the music and expand from there. It's very fun- like solving a puzzle. I'll mix them as I go along and listen on headphones walking around the city and see if what I thought was a hook at 2AM actually has any lasting power. I'll build up about 20 of those, which at this point usually takes about a year, then send them out to the band and say ok which are the ones that seem promising enough to work on together. </i> <br><br><strong>What other artists or songs inspire your music? </strong><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1HpYRvMckjNJHkpEqFc50P?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><br><i>Big Star is of course a huge touchstone for any guitar pop band. "Back Of A Car" has that perfect marriage of a snaking, catchy guitar line that blends perfectly with the vocal melody. The drums are very organic- you're gliding along or getting punched in the gut depending on what the vocal is doing. Thin Lizzy I love for their guitarmonies and kind of attitude-laden, talky vocals that jump out when Phil reaches for a note. Malkmus I love for the way he treats genre and language like a playground- hopefully whatever genre you're messing with, it still sounds like you, and he is just the master of being fearless like that especially in his solo work. Having grown up on 80s hits, I chose "Destination Unknown" because its sort of like a lost Cars classic- there's just dozens of hooks in there, but there's also a droning kraut rock one note-ness to it that allows the vocal to be very playful. "Apartment Song" + "Divorce Song" are master classes in simple arrangements and lyrical storytelling. I can often get immersed in details or keeping myself entertained with too many dynamics. On this record I really tried to write some songs that focus on a cohesive single theme, character, or place (see "Morning Warren", "Rat Island", or "Let Me Guess").</i> <br><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong> <br><br><i>We go for that classic balance- it should certainly be recognizable as the recorded song but it's going to come out differently depending on x amount of factors that day so just be loose and in the moment with your bandmates. Maybe because we have a DIY punk background we play loud and move things along at a brisk pace and so the slower, more delicate songs tend to not get picked for a live set.</i> <br><br><strong> Has the band toured? </strong><br><br><i>Personally I've done many US and EURO tours but Onesie has really only done the northeast USA so far. It's always great to leave town. Brooklyn has so many venues it can feel like you're on tour when you play Manhattan or Queens. One time, at the end of a long weekender, we played in the center of a giant football stadium size dome in small town PA. There were a handful of suburban punks there, milling about this cool little skate park while this crazy storm raged outside. Surreal! We def plan on touring as much as we can for a part time band.</i>
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<br><strong>What's up next for the band? </strong><br><br><i>We're all very excited about this record and will be pushing it for a few months. We'll prob do another video. Show wise we'll continue with our usual pace of playing the northeast and hopefully be getting out to some new regions for us. Keep and eye out and thanks for listening!</i>
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</div></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="54kmH-8yy58" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/54kmH-8yy58?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://onesieband.bandcamp.com/">https://onesieband.bandcamp.com/</a></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72658882023-09-19T05:00:00-04:002023-09-19T05:00:01-04:00A CONVERSATION WITH NJ INDIE ROCK BAND MERCY UNION<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/abd4f08d195282ae2b9f013db9b6ebf1450de5e1/original/20220306-mu-24170.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><o:p></o:p>What once started as two friends shaking off the dust in a Jersey City basement has now turned into a full time project for the members of Mercy Union. Building on the foundations of their previous projects, Mercy Union hit the ground running with their debut full length “The Quarry” (2018) as well as their follow up EP “II” (2019). They showcased those songs across both the US and Europe and are gearing up to head into the studio this June to record LP2.</p><p><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”?</strong></p><p>I think my favorite quality in songwriters is the ability to create something that is unique to the artist while being simultaneously relatable to a listener. <o:p></o:p></p><p><strong>Q: What is the basis for writing attention-grabbing music in the year 2023?</strong><o:p></o:p></p><p>I’m not sure how qualified I am to answer that one. Grabbing anyones attention in 2023 let alone holding it can feel like an unattainable task. We have every song in the world at our fingertips at all times and that can feel pretty daunting. At the end of the day, I always remember that I was and I still am a music listener before a creator. Whenever I write something I ask myself “do I like this? Would I keep listening to the record after this track?” and if the answer is yes, then I’m happy. Hopefully someone else feels the same way. <o:p></o:p></p><p><br><strong>Q: What has it been like working with an indie record label as opposed to working on your own?</strong><o:p></o:p></p><p>Here in the US we’re still on my label Mt.Crushmore, which I started to release our first record 'The Quarry.' Doing it ourselves holds a lot of value and it’s allowed us to function completely on our own terms. I had never initially intended to, but I’ve wound up releasing some really awesome records from bands like Zopa (ft. Michael Imperioli), Hidden in Plain View & more. In Europe we’re on Gunner Records which has been a staple in Germany for years. Gunnar has become a member of the family over the last decade, & working with him is beyond easy. We're so grateful that he’s always had our backs and supports us through any weird idea that we have. <o:p></o:p></p><p><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong><o:p></o:p></p><p>There are literally tons but here are a few off the top of my head, especially from the beginning when I was trying to figure out how to do it. </p><p>Tom Petty has been a huge source of knowledge for me. He walked a line of simplicity and tastefulness within his music and his ability to turn common phrases and words into uniquely relatable and larger than life tracks has always been fascinating. I don't care how old you are, there's a TP track for any moment in your life.<o:p></o:p></p><p> Far From Finished’s “Living in the Fallout” record showed me at a very young age that punk songs could be multidimensional. We just blasted it in the van for the first time in a while and it’s still a favorite. Harmonies, hooks on hooks; it still gets me. <o:p></o:p></p><p>I found Amy Winehouse’s ‘Back to Black’ a little later than I should have but it made me really think about how I could push and pull my own vocals and melodies in ways I didn’t even know was possible. I'm nowhere even close to the planet she existed on, but it sparked a curiosity that's translated into songs. I would give a lot for one more record from her.<o:p></o:p></p><p><o:p></o:p></p><p>Lucero’s ‘Nobody’s Darlings’ was a game changer. A dirty record with tons of attitude, all based around some amazing songwriting. <o:p></o:p></p><p> American Steel's 'Destroy Their Future' is one of the most underrated records of all time. The lyrics, the voice, the hooks. It has everything. It has the fast punk songs, the sad, soft introspective ones. <o:p></o:p></p><p> AFI's 'Sing The Sorrow' was on constant rotation in my hometown. I was always amazed at how AFI could curate a record with all of their musical and lyrical themes, artwork and visuals, and all of the extras they included for their fans. That record was and is still a massive influence. <o:p></o:p></p><p> The Bouncing Souls - 'How I Spent My Summer Vacation' Where else would I get all of those woahs from?<o:p></o:p></p><p> Goo Goo Dolls - ‘Dizzy Up The Girl’, always.<o:p></o:p></p><p><br><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong><o:p></o:p></p><p>I absolutely love finding new bands and songwriters, especially when they’re younger. The energy and perspective is necessary for things to not stay stagnant and I try to ingest as much from that side of the scale as the other. I always say it’s like being stuck on a round of Boggle. Sometimes you need someone else to spin the board around so you can see things a different way.<o:p></o:p></p><p> I’ve been really fortunate to be surrounded by some younger and new(er) artists that have released some great music recently. We put out Charlie & Margot’s record on Crushmore and that’s because it was on repeat since Matteo sent it to me. Our other percussive collaborator Matt Olsson released his first EP under the moniker “Old Son” and we’ve all been excited about that. Our friends in Worse Off are finishing up their first LP after putting out one of the most fun EP’s I’ve heard in a long time. Over in the UK, Arms & Hearts, Chloe Hawes, and Oli Ng have all been releasing better and better records and I’m always waiting to see what they do next. Mike Frazier’s latest LP is fantastic. Same with Tim Hause. School Drugs continue to get better and better. I can’t wait to hear the new Sydney Sprague record and even though they’re not a new band by any means, spending the last couple of weeks with Prince Daddy & the Hyena has left their songs carved into my brain. Their latest self-titled record is one of the most interesting and well written records I've heard in a long time. The new bands pushing hardcore into the stratosphere deserve all the love too. There’s a lot but hit me with any other recs you have!<o:p></o:p></p><p> <strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe?</strong><o:p></o:p></p><p> The overall vibe was the band finally coalescing into a unit, and that translated into a complete idea from start to finish. We dug into our influences and we wanted to make a record that could exist today, as well as '98-02 during an era of post-hardcore and emo adjacent bands that we’ve always attached to. With the help of Rob Freeman and Kevin Ann Dye, it got closer than I ever thought it could to that goal. As far as the lyrics, records I'm writing usually occur in the time and place that it’s written. About 1/2 or more of this record was written during the height of the pandemic and that gave me a lot of time to think a little too much. It’s become representative of a moment in time. The album title was named after a porcelain white tiger that my grandfather had brought back from overseas that we used as a sort of mascot or votive during the writing process. It just summed up the whole thing really well. <o:p></o:p></p><p><br><strong>Q: Do you find that you deliberate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong><o:p></o:p></p><p> I do a little of both. Redeye was literally finished in the studio. The Weekend had been in the chamber for about 5-6 years before I brought it to the band. There’s no right or wrong way in my mind, and when it works it works. I like to revisit things as evidenced by us including a few tracks from my solo record into our set with ‘Basements’ even becoming the album closer. I always enjoyed when artists kept thinking about their songs in the long term. You’d hope that over time you’re getting better at your craft, and maybe you just didn’t have the same tools in the toolbox when you originally wrote the song. <o:p></o:p></p><p> <o:p></o:p></p><p><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong><o:p></o:p></p><p>Slowing down the pace and finding the right team changed everything for us. I can’t wait to see what the entire crew can come up with next.<o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ZTCVqQBse-w" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ZTCVqQBse-w?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/mercyunion">https://www.instagram.com/mercyunion</a></p><p><br> <o:p></o:p></p><p> <o:p></o:p></p><p> <o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72658842023-09-18T05:00:00-04:002023-09-18T05:00:01-04:00MEET ASBURY PARK NJ INDIE ROCK DUO SEPARATR<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/80d5727569372342f8734cba9bccdc9588458ab2/original/separatr-artist-photo-6.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-8015419c-7fff-2c73-1ac5-73807615ef07">In 2019, Joe and Stephanie Douglas had a band and an age old problem- their drummer. Their third drummer, to be exact. So they disbanded, bought a drum machine, and started fresh as a duo named Separatr. Joe, a long-time guitarist and producer, started reworking their existing bombastic rock songs into moody minimal dark pop. When Stephanie wrote a simple piano ballad called Directionless, it was soon transformed (to their surprise) into a pop-punk anthem. So they embraced these disparate sounds and embarked on the creation of their debut EP QUEEN ACE, all while selling their house and most of their belongings to fund a move from Seattle to Asbury Park, NJ.</span></span> <br><br><strong>How did the band form and what does the band name mean?</strong>
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<div style="margin:0px;padding:0px;">We met through our roommates in 2008, and one of our first conversations was about Yeah Yeah Yeahs and Gorillaz. Over the next few months we started messing around with recording some covers and ended up playing an acoustic show with some originals. It's just gone on from there. We eventually landed on the name arbitrarily from a Radiohead song because it looks good graphically and seems vaguely ominous.</div>
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<br><strong>Previous musical projects? How'd you first get into music?</strong>
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<div style="margin:0px;padding:0px;">Joe grew up with his parents listening to a lot of Smashing Pumpkins and Radiohead, so he always wanted to be able to make music that could sound like anything and not be stuck in certain genres. He started learning to play bass and later guitar, starting a band in high school and even recording an album. </div>
<div style="margin:0px;padding:0px;">Stephanie always loved to sing but never had much of a formal musical outlet. She took some guitar lessons and wrote some songs, but never performed them in public until she and Joe met. They would record covers of The White Stripes and The Kills in Joe's tiny college apartment, eventually forming a band called The Shows with a friend of a friend and playing local shows in Seattle and Bellingham, WA. <br><br><strong>First concert that you ever went to?</strong>
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<div style="margin:0px;padding:0px;">Joe's first big concert was Jimmy Eat World/Green Day at age 15, but there was a good local high school scene and a local all-ages venue where he played and saw bands like The Lonely Forest. Stephanie's first was The Distillers/Garbage/No Doubt at 19, a pretty peak time to see all three bands. There weren't many local bands to see, but she remembers it being a pretty big deal when a local "celebrity" who had been on the Mickey Mouse Club with Britney, Christina, and Ryan Gosling came back to attend high school and starred in their production of Grease. <br><br><strong>What's your writing process like?</strong>
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<div style="margin:0px;padding:0px;">We take a "whatever works" approach to our songs. Some are reworked from Joe's old band, some are amped up versions of acoustic pieces Stephanie wrote. Sometimes Joe comes up with a riff or backing track and Stephanie writes a melody and lyrics over it. For QUEEN ACE, there was a particular song of Stephanie's that ended up being split into three- Obvious, Call It, and First in Line. Joe took the hooks/melodies and built off each one individually, and then Stephanie came back and added new lyrics. The one thing we don't really do is write collaboratively, though we're trying to get better at it. <br> </div>
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<strong>What other artists or songs inspire your music? </strong><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3J4ooXZPu3StV4JxLRmfR2?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </div>
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<div style="margin:0px;padding:0px;">We used to have a different, more traditional rock band and went through several drummers. We knew it would be so much easier logistically and creatively if it was just the two of us, so we started Separatr as a duo with backing tracks in the tradition of other acts like Sleigh Bells and The Kills. We've seen both live multiple times and it validates to us that this is a legitimate path to take as artists. We also love minimal dark pop and try to incorporate those kinds of contradictions into our production. Halsey's album If I Can't Have Love, I Want Power with Trent Reznor and Atticus Ross was thrilling to discover and a favorite for both of us. <br><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong>
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<div style="margin:0px;padding:0px;">We're usually booked on shows with full rock bands- drums, bass, keys, maybe even two guitars. So it's essential that we put on as energetic and interesting a show as possible with just a voice, a guitar, and our tracks. We also make sure to always be on time, finish our set on schedule, and meet as many people as possible, because every show is a chance to make awesome connections. Generally our live show is pretty close to our recordings, but we do run specific live show tracks that are different than the album versions. It's always nice to give a live audience a different experience than just listening to the EP, so we incorporate that as much as we can. <br><br><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong>
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<div style="margin:0px;padding:0px;">We played a lot around Seattle and our hometown Bellingham when we lived in Washington, but it was just never feasible to tour there. North of us was Vancouver, BC which came with restrictions and complications of crossing into Canada. And even Seattle was over two hours away. Beyond that was another 4 hours to Portland going south or about six hours to Spokane WA going east. Not easy to pull off on a weekend. Plus we had two elderly cats on all kinds of medications that we couldn't leave for more than a couple of days. One of the main reasons we moved to Asbury Park was because there are just so many places to play so close together, and booking/playing a tour is infinitely easier. <br><br><strong>What's up next for the band? </strong><br>We're working on what we call a "Director's Cut" version of QUEEN ACE. It will have alternate production and vocals, and an acoustic version of one of the songs, plus whatever else we come up with. And we'll be playing shows anywhere and everywhere we can! <br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="fZ_HDW6iU4s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/fZ_HDW6iU4s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="margin:0px;padding:0px;"> </div>
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<a class="no-pjax" href="https://campsite.bio/separatr" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">separatr.band</a> <br> </div>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72702952023-09-17T05:00:00-04:002023-09-17T12:35:17-04:00 BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#3)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ce4d7a11cd173f448244db8105e5c898ce7f116d/original/spore-003.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">SPORE, Page 3 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f9e5533bc7f4dc5b72c5d3e3784045c624f7f7ca/original/bh4.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>THE BLACK HAT, Page 3 by Neil Sabatino, <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p>This Weeks Soundtrack:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LrXKdPvvV1I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LrXKdPvvV1I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72658832023-09-15T05:00:00-04:002023-09-15T05:00:01-04:00WHAT'S IN OUR INBOX! NEVARIS, TELLY, SPELLES, ULTRA MAJOR, FRIENDSHIP COMMANDERS<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. It's been a while since we've had a week where our writers just gushed and loved everything they listened to. This week it's a bit of a mix from heavy to soulful but it's all good, so strap in. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Nevaris</p><p><strong>BMN Score:</strong> 9.2/10</p><p><strong>What the band says: </strong> <span style="color:rgb(51,51,51);">Manhattan-based artist Nevaris presents a NYC audio-visual experience in</span> 'Interference<a class="no-pjax" href="https://youtu.be/JeOayLcEbEI" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">'</a><span style="color:rgb(51,51,51);">, a fabulous grooved-up track that was inspired by the energy of growing up in New York City. This soulful sonic offering can be found on Nevaris' debut</span> Reverberations Album <span style="color:rgb(51,51,51);">a fertile soulful collaboration with legendary bassist-producer Bill Laswell, which combines dub, funk, Afro-Latin rhythms, turntablism and extended improvisation.</span></p><p><strong>What we say they sound like:</strong> There is a very cool Massive Attack Trip Hop feel to this and I can certainly get behind that. The track has bits of funk, dub, and Latin rhythms but also a 60's soul vibe mixed in there. I love that this is NYC because it feels like we don't get many bands on the East Coast doing this sort of music. There literally is not anything in this track that I object to. It's definitely a nice intro track that has me wanting to check out more. </p><p><strong>Song to add to your playlist: </strong>Interference</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="JeOayLcEbEI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/JeOayLcEbEI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name:</strong> Telly</p><p><strong>BMN Score:</strong> 9.7/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Hazy, glitchy, dreamy. Telly is a digital media project designed to move you.</span></p><p><strong>What we say they sound like:</strong> This lo-fi indie pop gem is exactly as advertised. The glitchy modern essence makes this feel urgent and right now. I equate it a little to 100 Gecs where as they aren't reinventing the book as far as the songwriting but they are adding such interesting layers of futuristic glitched out tones along with just cool straight forward compressed to hell guitar pop. It's great when any band can present something that's been a billion times before as something completely new and refreshing. Telly is so fuckin cool, surprised I haven't heard of them until now. </p><p><strong>Song to add to your playlist:</strong> Blink</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="QWKPbB9OliE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/QWKPbB9OliE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Spelles</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span style="color:rgb(26,26,26);">With their haunting and cinematic sonic landscapes paired with dynamic and soulful</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">vocals, SPELLES returns with their stirring new single, “Holy Hells.” The duo, made up</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">of songwriters and instrumentalists Kathryn Baar and Luc Laurent, have written and</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">produced a powerful and soul-drenched anthem that echoes their love of stoic</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">philosophy and the art of perseverance. With lyrics such as, “In the kingdom of my ruin I</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">made peace. From a dead land grew an Eden for all to see,” and “It was the highs that</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">saved me, lows they made me," "Holy Hells” celebrates personal transformation and</span><span style="color:rgb(0,0,0);"> </span><span style="color:rgb(26,26,26);">transcending dissonant forces that consume us.</span></p><p><strong>What we say they sound like:</strong> The vocal on this is smooth like butter, it's got soul, it's got swagger like Adele meets Sharon Jones. Musically it's got a very cool Radiohead simplicity to it but mixed with Amy Winehouse throwback 60's backbeat. I really dig this track, this feels like a dirty little secret, how is this not a huge hit? The melody & the overall aesthetic is dark, nostalgic and uplifting all at once. This might be the best thing I've listened to this month. </p><p><strong>Song to add to your playlist: </strong>Holy Hells</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8waVC_wWtLU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8waVC_wWtLU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Ultra Major</p><p><strong>BMN Score:</strong> 9.6/10</p><p><strong>What the band says: </strong>Ultra Major<span style="color:rgb(54,40,26);"> is the product of four guys who grew up listening to 90s guitar rock. Take one part MTV Buzz Bin and 120 minutes; mix in plenty of big album rock a la </span>Pixies<span style="color:rgb(54,40,26);">, early </span>Smashing Pumpkins<span style="color:rgb(54,40,26);">, and </span>Sonic Youth<span style="color:rgb(54,40,26);">; shake it all up with indie/post-hardcore bands like </span>Knapsack<span style="color:rgb(54,40,26);">, </span>Superchunk<span style="color:rgb(54,40,26);">, </span>Chavez<span style="color:rgb(54,40,26);"> and late 90’s and early 2000s punk & hardcore compilations; and pour on some catchy melodies for good measure.</span></p><p><strong>What we say they sound like:</strong> Brooklyn 90's inspired band Ultra Major gives us a taste of their upcoming album with “Nobody Hears You”. It's interesting because this comes off a little darker and less pop than their previous efforts. It's big arena rock that has a bit classic rock and metal infused with their usual 90's Alt style. It's almost a bit Coheed and Cambria rather than their more Silversun Pickups usual flair. It's evident they've found the right producer in Tom Beaujour to bring this more metal version of the band into the light. </p><p><strong>Song to add to your playlist: </strong>Nobody Hears You</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ksK8e_n1H4o" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ksK8e_n1H4o?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Friendship Commanders</p><p><strong>BMN Score:</strong> 8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">MASS is the third album by Nashville heavy duo Friendship Commanders, a concept record about memory, language, and the state of Massachusetts. The project was written after the suicide of songwriter Buick Audra’s longtime friend, </span>Marc Orleans (Sunburned Hand of the Man, Spore, Juneau, Enos Slaughter)</p><p><strong>What we say they sound like:</strong> I'm a sucker for a duo, I love big single note guitar that breaks into fuzzed up power chords. This could easily work as a full band thing but I think the simplicity of doing this kind of music as a duo adds a cool element to it that shifts it in a slightly more indie direction and out of the main stream which for me is a good thing. The song itself is brought to life with the harmonies on choruses. I actually feel the guitar suffocates how large the drums should sound on a duo project but that's a little nitpicky. </p><p><strong>Song to add to your playlist:</strong> Blue</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="VWNpxgLZekU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/VWNpxgLZekU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72608672023-09-14T05:00:00-04:002023-09-14T05:00:01-04:00MEET CHICAGO PSYCH ROCK BAND ELECTRIC SHEEP<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/616378be4f8dd9ec86cf7375185a6ad8bfc108c5/original/esheep.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(0,0,0);"><font face="HelveticaNeue">The best kept secret of Chicago’s psych rock scene, Electric Sheep is the project of singer-songwriting collaborators Jonathan Extract and Devin Nolan. Rooted in the detailed song-craft and elaborate studio recordings of artists like the Beatles, Radiohead, and David Bowie, Electric Sheep’s sound is both innovative and nostalgic, intricate and pop, tender and groovy. A tight high energy rhythm section consisting of Leon Nguyen’s bass and Chris Lee’s drums elevate the often intimate tracks into something transcendent. Eclectic and enigmatic in execution, Electric Sheep’s catalog brims with a lucid fascination for popular music. Their fourth album, “Trip the Light Fantastic” is perhaps their most lush and refine work yet, overflowing with moving song-craft and entrancing studio creativity. </font></span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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<p><span><strong>How did the band form and what does the band name mean?</strong></span></p>
<p><span>Jonathan: Devin and I met in grade school and have been writing songs together now for 15 years. Leon has been playing with us since high school too. So this is really a family band at this point.</span></p>
<p><span>Devin: Electric sheep initially formed as a back-to-basics rock band, taking inspiration from all sorts of garage and psychedelic pop bands. Over time, our sound has become an amalgamation of all sorts of influences, both personal and collective. The name is taken from the famous psychonaut and novelist Phillip K. Dick’s novel, “Do Androids Dream of Electric Sheep.” It really doesn’t mean anything other than we like all things strange and esoteric.</span></p>
<p><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p>
<p><span>Devin: Jonathan and I recorded in high school under the name the Catatonics, which is where we initially started to explore the sound that would become Electric Sheep. Besides my collaboration with Jonathan, I was a member of a band called Pinebocks, which released some music on Chicago garage rock staple, Dumpster Tapes. There was a garage and psych zeitgeist in Chicago around that time, and Electric Sheep found a natural home there.</span></p>
<p><span>Jonathan: Leon and I worked together in a project named fAbrics. Recording those albums in my late teens really helped me hone in my recording and producing skills. As far as getting into music, I guess it starts as just being a massive music nerd. From collecting, researching, DJing, playing, and writing, I’ve immersed myself in pop music for most of my life.</span></p>
<p><span>Leon: I got into music because my Vietnamese dad loved to sing and perform in front of people. My earliest memory was of him singing on stage at a lunar new year festival to celebrate Tet.</span></p>
<p><span><strong>First concert that you ever went to? (Locally and National acts)</strong></span></p>
<p><span>Devin: Yikes.... the first concert I ever went to was to see the band Chevelle in seventh grade.</span></p>
<p><span>Jonathan: First concerts? I mean, I remember seeing the White Stripes do Get Behind Me Satan..but I come from a performing family, so I’ve seen live acts my whole life.</span></p>
<p><span><strong>What's your writing process like?</strong></span></p>
<p><span>Devin: On a personal level it really depends. One of the things I’ve always liked about music is that there aren’t any hard rules as to how a song should be written. My favorite songs usually come from a burst of inspiration where there is no process, it just flows out.</span></p>
<p><span>Jonathan: When Devin and I are together—we’ve lived in different cities now for years—one of us will come in with a fragment of a song, maybe a guitar lick, or verse or something. And we’ll just hammer it out over a few hours. It’s always surprising how fast it goes. We can write a song from start to finish in about 3 hours. However, a lot of our music is crafted separately. For certain projects we each come with songs we’ve crafted over months. But the best part of the relationship is how we compliment each other, adding harmony, production ideas, a solo. Our music really is greater by the sum of both parts. We spend probably more time in the studio than out these days. Chris Lee of VCR studios has really facilitated that for us. So a lot of song writing is about adding ideas in the studio.</span></p>
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<div class="page" style="margin:0px;padding:0px;" title="Page 2"><div class="section" style="background-color:rgb(255, 255, 255);margin:0px;padding:0px;"><div class="layoutArea" style="margin:0px;padding:0px;"><div class="column" style="border-left:1px solid rgb(204, 204, 204);margin:0px;padding:0px;">
<p><span>Devin: Jonathan and I have gotten it down to a science at this point. When you’ve been writing with someone for so long and the same musical DNA runs through your veins, it becomes sort of automatic.</span></p>
<p><span><strong>What other artists or songs inspire your music? </strong></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2fo1WzCDuqeWWTIL9gAnXP?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span>Jonathan: Well it starts with the Beatles, cruises into adiohead, and then expands into all types of psychedelic pop directions. I’ve personally been enamored by singer songwriters that use the studio to make “pocket orchestras” as well as bands that constantly change album to album. But as we’ve gotten older, we’ve both become fascinated with alternative Pop Rock— bands like Big Star, REM, Sparks...</span></p>
<p><span>Devin: The Back to the Grave and Nuggets compilations of 60’s garage rock really inspired our initial direction of back-to-basics rock n’ roll.</span></p>
<p><span>Leon: As a bassist I’ve always been big on Motown, as well as 60’s and 70’s psych rock influences. I think it compliments you guy’s music nicely and lets me think in a rhythm and groove type of way.</span></p>
<p><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p>
<p><span>Jonathan: We’ve been a studio band for years now. This is only due to our situation of living in different cities. Any chance I’m back in Chicago we all practice and record. However, we love playing live, and did so pretty frequently throughout 2015, 2016, and 2017. We have plans for live shows, and how to interpret the often dense production of our studio records into something we can do with just guitars. But that’s not all that hard. Playing tracks stripped down to their chords and licks often makes the tracks even better.</span></p>
<p><span><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p>
<p><span>Jonathan: We’ve been very lucky to play great shows with great bands in Chicago. But we haven’t toured.</span></p>
<p><span>Devin: We dream about it though!</span></p>
<p><span><strong>What’s up next of the band?</strong></span> <br><br><span>Jonathan: Over the course of working on our last record “Trip the Light Fantastic,” we recorded a number of other songs destined for different projects. There’s a certain single that should drop not too long from now. But Devin and I are very far along in planning our next album. Some songs have already been completed. It might be some of our strongest songwriting yet. Hopefully it won’t take too long to get that out to the world</span> <br> </p><div class="video-container size_xl justify_left" style=""><iframe data-video-type="youtube" data-video-id="86xxrEsjipk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/86xxrEsjipk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div></div></div></div>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:#000000;"><font face="Helvetica Neue">Socials:</font></span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><a class="no-pjax" href="https://www.facebook.com/electricsheepchicago" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://www.facebook.com/electricsheepchicago</span></a> <br><a class="no-pjax" href="https://instagram.com/electricsheepchicago?igshid=MzRlODBiNWFlZA==" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://instagram.com/electricsheepchicago?igshid=MzRlODBiNWFlZA==</span></a> <br><a class="no-pjax" href="https://electricsheepchicago.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://electricsheepchicago.bandcamp.com/</span></a></p></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72709352023-09-13T05:15:00-04:002023-09-13T05:20:01-04:00Six Impossible Things release new single “Happy”, anticipating their new EP<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/09bb192576270a39872d3085be7ca8e6abc24917/original/cinestill-ts22.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span>Six Impossible Things anticipate their new EP with the second and final single, “Happy”, out on Wednesday, September 13, 2023. The track follows the release of “Twenty Something”, already included in the Rock Italia playlist on Spotify premiered internationally via Idioteq. Both songs will be part of the tracklist of the group's new EP, “The Physical Impossibility of Death in the Mind of Someone Living”, out September 27, 2023 on Dear Gear Records on vinyl.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="3FlMTn9s-0I" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/3FlMTn9s-0I?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span>Compared to the previous single, Happy is a track that slightly softens the tone by presenting the band's more intimate side, more akin to the sound the group pursued on its first two works than the rest of the tracks, which instead see the novelty of the full band approach. A track then that almost serves the function of a bridge between the Six Impossible Things we have known so far and the </span><br><span>band that can be heard on the new EP.</span><br><br><span>Singer and keyboardist Nicky Fodritto, who wrote the song in April 2020, says that "I recorded the demo of Happy in my attic and sent it to Lorenzo (the band's singer and guitarist), but we waited until the end of the lockdowns to actually get to work on the piece. The lyrics are very powerful and deep, so during the recording process we focused really hard on the vocal parts. We wanted the breaths to be heard between each verse of the lyrics, and I have to say that I really pushed myself very hard to be able to capture the perfect feeling and emotion in every single take." </span><br><br><span>Six Impossible Things upcoming EP, “The Physical Impossibility Of Death In The Mind Of Someone Living” is a 5-track project. The band worked with producer Maurizio Baggio on vocals, mix and mastering and with musicians from the italian Post-Hardcore bands What We Lost and Sittingthesummerout. </span><br><br><span>The single “Happy” and the previous “Twenty Something” are available on all main digital platforms.</span><br><br><br><o:p></o:p></p><p><span lang="IT"><strong>Six Impossible Things:</strong></span><br><a class="no-pjax" href="https://click.mailerlite.com/link/c/" target="_BLANK"><span style="color:#09C269;"><span lang="IT">https://www.facebook.com/siximpossiblethingsvi</span></span></a><o:p></o:p><br><a class="no-pjax" href="https://click.mailerlite.com/link/c/" target="_BLANK"><span style="color:#09C269;"><span lang="IT">https://www.instagram.com/siximpossiblethingsvi/</span></span></a><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72605042023-09-13T05:00:00-04:002023-09-13T05:00:01-04:00INDIE SPOTLIGHT: EVERYONE ASKED ABOUT YOU By Olivia King<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/001d80f1703b7a9607d9a4201c2697dcb713d6c4/original/indiespotlight.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br><span style="color:black;">The twee-pop and emo rock band <i>Everyone Asked About You </i>consists of high school friends from Little Rock, Arkansas, with Collins Kilgore, Chris Sheppard, Lee Buford and Hannah Vogan on vocals. Joining the band later on in 1998 is drummer Matt Bradley and John Beachboard on synth and keyboard.</span></p><p><span style="color:black;">The band captures the beauty and pain of adolescence, which makes their sound particularly nostalgic. In their ‘97 EP <i>Everyone Asked About You</i>, the organic melodies and imperfect vocal deliveries that are tied with the memorable 90’s punk sound come to life. Vogan’s vocals epitomize what twee pop is.The almost out of tune notes and twinkly guitar encapsulate teen romance, as well as heartbreak. In their reminiscent track <i>Me Vs. You,</i> Vogan recalls a past lover; “Haloed by the light at the lamplight/ Just between me and you/ I think I’m in love with you.” There is a youthful innocence that this female-led band is able to capture with their emphasis on the absurdity and sprawling emotions that emerge from young love, especially with the intense fuzzy guitar and Vogan’s organic vocal delivery. </span><br><br><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9018e9681606d007d6a632f561cdf91f2906f433/original/eaay3-scaled-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;">Their 2023 released single <i>Sometimes My Memory Fails Me Sometimes</i> allows the delicate nuances in their music to flourish, specifically the ambient keyboard towards the second half of this four minute long track. The lyricism repeats itself multiple times throughout the song, however, towards the end of the track, Vogan’s feelings towards her lover abruptly change; “With your question marks and I don’t care stares/ The way you question all the answers/ I don’t care.” The shimmery synth erupts into an elaborate drum percussion and grungy guitar, which eventually melts into slowed strums and glittery wind chimes that mark Vogan’s change of heart. EAAY gives leeway for every band member to display their musical talents that may not be caught at first listen, so it is definitely worth a few replays. </span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/4EDP0vKSg8rDakjO2Qrx0J?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72605032023-09-12T05:00:00-04:002023-09-12T05:00:02-04:00MEET SINGER SONGWRITER DAN TAGGART AKA DANELLO<p><o:p></o:p></p><p><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0dcc9fdb75e536910031a53e8bf970dacb52398a/original/cropped-polaroid.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;">Danello (Dan Taggart) is a singer-songwriter from Northern NJ. He has been playing guitar for 12 years. He also plays some piano. He started writing songs in the second half of high school with his first band, Skytop Motel. He started Danello, The Sad Surfer this year as his first serious attempt at a solo project. He released his debut single, "O, Lovely World" in July. It will be a part of his debut album, 'Danello, the Sad Surfer,' which will be released October 6th. </span><br><br><strong>How did the band form and what does the band name mean?</strong><br><span style="color:black;">I started Danello, The Sad Surfer for two reasons: the first being a way to release a surplus of songs I had for years that I didn't really know what to do with. The second was also to challenge myself to see if I can release an entirely self contained solo project. All of my previous projects featured a good amount of help, even if I was the main songwriter.</span><br><br><strong>Previous musical projects? How'd you first get into music? </strong><br><span style="color:black;">I started a band in high school with my brother and neighbor called Skytop Motel. We are an indie rock band that fuses pop, prog,psych and grunge. We have a full length album and an EP released. In 2021, I joined another band called Goalie Fight. Aso of today, Goalie Fight has released our second album! This project is more emo and alternative influenced, with a dash of garage rock. I also have an interest in composing classical music on the side. I would eventually like to do a film score.</span><o:p></o:p></p><p> </p><p><strong>First concert that you ever went to?</strong><br><span style="color:black;">First concert I went to was Dillinger Escape Plan. I have no idea why I agreed to this because I don't really listen to metal. Insane show, but not my kind of music. Shortly after I started exploring the DIY scene in NJ. </span><o:p></o:p></p><p> </p><p><strong>What's your writing process like? </strong><br><span style="color:black;">Usually mess around on a chord progression and try humming different melodies. I almost always write lyrics last, and sometimes it takes years to get an inspiration for a song. Some of these songs are at least 7 years old. I am a very slow writer.</span><o:p></o:p></p><p> <strong>What other artists or songs inspire your music? </strong></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1Zz3kie2ENjUdiWmbiDTXZ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br><span style="color:black;">The general influences for this album are Surf, Doowop, Emo, and Psychedelia. I like a lot of old music like the beatles and beach boys and I wanted to make an old sounding record mixed with modern garage rock elements from bands like the strokes. It was originally going to be 4-5 songs but I kept writing more and more. I also wanted a sense of longing and sadness for the project. On the playlist, there is a song by my friend and frequent collaborator Possum in My Room (who also is the drummer on most of the tracks). One of his b-sides struck me as very sparse and melancholic. I wanted to get a similar spaciness on one of my songs, I even used the same trumpet plugin lol. Another track on the playlist is built to spill's big dipper. I really like the chord progression and used a similar one for the coda of the opening track on my album. I remember humming my own melody over the song in the car and ended up using it for that track. I used the "Yeah Yeah Yeah" refrain from she loves you by the beatles. I included a Bach chorale that served as a base for a pseudo-baroque song.</span><o:p></o:p></p><p> </p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><br><span style="color:black;">As Danello, I do not have a ton of live experience. I did my first show this month. I try to make it sound like the recording if possible, but right now I do not have a backing band so I just do acoustic guitar.</span><o:p></o:p></p><p> </p><p><strong>Has the band toured? </strong><br><span style="color:black;">No touring yet, my band goalie fight will be touring next month though!</span><o:p></o:p></p><p> </p><p><strong>What's up next for the band?</strong><br><span style="color:black;"> I already had like 3 different albums planned out when I started this. My first album was going to be a more synth pop/new wave sounding record (which is like 80% written), but I decided that I would wanna start with something more simple in arrangement that is less of a pastiche of the 80s. I still plan on finishing that project. The one after that is going to be more baroque-pop with some piano rock thrown in.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Xn5zG-zK3Xg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Xn5zG-zK3Xg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://linktr.ee/danello" target="_blank" title="This external link will open in a new window"><span style="color:#0066CC;">https://linktr.ee/danello</span></a><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72604252023-09-11T05:00:00-04:002023-09-11T05:00:01-04:00MEET PORTLAND MAINE SYNTH POP SONGWRITER TYLER JACKSON OF UPPER NARROWS<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/db34092066fd837446f3a83890fadf2d484bd253/original/0032783975-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:#000000;">Upper Narrows is the Portland, Maine-based synth pop recording project of songwriter and producer Tyler Jackson. *While We’re Warm* (2023) is Jackson’s first LP as Upper Narrows. Building songs around programmed beats and synths in lieu of drums and guitars, *While We’re Warm* is a continuation of Jackson’s songwriting efforts in the rock outfits Foam Castles and Golden Rules the Thumb.</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span><br><br><span style="color:#000000;">The primary music projects of my past are the indie rock bands Foam Castles, Endless Jags and Golden Rules the Thumb, all based in Portland, Maine. I began playing guitar when I was about 10 years old & started playing in bands/writing songs when I got to high school. </span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span><br><br><span style="color:#000000;">After over a decade of playing in bands, I started <span>Upper</span> <span>Narrows</span> as a solo studio project several years ago. At this point, it’s only a recording thing and I have no immediate plans to put an <span>Upper</span> <span>Narrows</span> band together and play shows.</span><br><br><span style="color:#000000;">Back in 2011, I released a Foam Castles EP called <i>Come Over to My House</i> which featured songs with programmed beats/drum machines, lots of synths and way fewer guitars. Kind of low-fi, weird, dance-y pop songs (decidedly not rock). That release got a good response and it was pretty fun and interesting to do. I always wanted to return to that approach and it felt like a good time to try it again. I’d been writing the same kind of songs I normally write, but this time instead of using a rock band to bring the songs to life, I used fairly simple electronic beats, synths, etc. An emphasis on keyboards, effects, and no rock.</span><br><br><span style="color:#000000;"><span>Upper</span> <span>Narrows</span> is the name of a small pond near where I grew up in central Maine.</span><br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span><br><br><span style="color:#000000;">The songwriting approach for this group of songs was similar to how I’ve always worked (acoustic guitar and vocals ---> quick demo). Normally, I’d share the demo with band members to see if it was something they’d want to make & then go from there. This time, I thought of it as a solo album and decided to follow my instincts all the way and not rely as much on collaborators, at least in terms of decision making. The small group of frequent collaborators I did work with of course absolutely helped and improved the tunes. As the primary songwriter/producer for Foam Castles and Golden Rules the Thumb, my role on this record didn’t feel very different from on those.</span><br><br><span style="color:#000000;">I’m always collecting lyric ideas in notebooks and in digital notes so when it comes time for me to compose a song, I’ll often mine those notes and start Frankenstein-ing something together. For me, the writing is this molding of all the parts into one thing (the “aboutness” and style of the song usually reveals itself through this process). Sometimes that process will result in a poem-like thing that still needs a melody and chord structure, other times it’ll come pre-packaged with those things. For most of these songs, I took the folky, straightforward acoustic demos and then started from scratch, ditching everything but the lyrics, melody and basic structure. Replacing all of its elements bionically, piece by piece.</span><br><br><span style="color:#000000;">One new thing for me was using acoustic instrument samples on a few tracks (as detailed in the credits)... the drums on "Blue Hubbard" and the noisy horns on "My Lottery Dream" were used with permission from a massive sample pack of recorded broken instruments.</span><br><br><span style="color:#000000;"><strong>First concert that you ever went to?</strong></span><br><br><span style="color:#000000;">My first concert was the Red Hot Chili Peppers and Foo Fighters at Cumberland County Civic Center in Portland, ME on May 14, 2000. My biggest takeaway (even as a 13 year old) was how bad of a singer Anthony Kiedis is! The Foos were legitimately good. I remember the opening band called The Bicycle Thief doing a great cover of “Champagne Supernova.” Overall a memorable and fun experience.</span><br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music?</strong></span><br><br><span style="color:#000000;">For this specific project, I felt a lot of inspiration from beat-oriented, trance-y art pop. Very specifically, the Eno/Cale album <i>Wrong Way Up</i>. The Russian artist Kate NV influenced some key production methods which I ran with. I wanted to get lost in druggy synth sounds and very simple programmed beats while keeping one foot firmly planted in the pop world.</span><br><br><span style="color:#000000;">Generally, I’d say Bowie, Dylan, Neil Young, Eno, Lou Reed, John Cale, Robert Pollard, Dan Bejar and Yo La Tengo are my all time faves and hover over/influence everything I do.</span><br><br><span style="color:#000000;"><strong>What's up next for the band?</strong></span><br><br><span style="color:#000000;">Repeating Cloud is going to release two more singles over the course of this summer, culminating in a vinyl release of the full length (<i>While We’re Warm</i>) this fall.</span>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="jZ4RhEjjevM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/jZ4RhEjjevM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72685592023-09-10T05:00:00-04:002023-09-10T08:51:14-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#2)<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d7d9e3f018f1588ef7d8927b74911f995c1d16c/original/spore-002.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">SPORE, Page 2 by S.M. Vidaurri, Award winning author of</span><a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a><span style="color:rgb(0,0,0);"> & </span><a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><a data-link-type="url"> ( </a><a class="no-pjax" data-link-type="url" href="http://Shanemichaelvidaurri.tumblr.com">http://Shanemichaelvidaurri.tumblr.com</a><a data-link-type="url"> )</a></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dbfb08445631fd74d26531f5765a06477cde8f45/original/bh3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>THE BLACK HAT, Page 2 by Neil Sabatino, <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p>This Weeks Soundtrack:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="4aElvfGjEzQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/4aElvfGjEzQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72604242023-09-08T05:00:00-04:002023-09-08T05:00:01-04:00MEET NORTH CAROLINA SHOEGAZE BAND DOGGY DAYCARE<div style="margin:0px;padding:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/06caaa03e98efd10d9dcab13db9e6bbd262e750b/original/dd1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style="margin:0px;padding:0px;">
<span>What started as a stripped-down, breezy solo song on <strong>Doggy Daycare</strong>’s debut album </span><i><span>I Love My Friends</span></i><span> has turned into something bigger. A hint of what’s to come by the Wilmington, North Carolina group, "<strong>(forgetting) sarah marshall</strong>" is post-breakup navelgazing in content and fuzzed-out shoegazing in form. It swirls in the realms of My Bloody Valentine and Smashing Pumpkins but glows with its own forlorn Southern bent.</span>
</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">Doggy Daycare started as a bedroom coping mechanism by Adam Bastug. In the process of creating the first batch of songs, lead guitarist Joshua Sullivan, drummer Connor Simpson, and bassist Ethan Jenkins came along to contribute different parts. That solitary project then bloomed into something new. Their signature blend of southern shoegaze, 90s angular indie rock, and unexpected humor quickly established the band as torchbearers of melodic, guitar-driven indie rock. </div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<strong>How did the band form and what does the band name mean?</strong> <br><br>Doggy Daycare started as just a name for the side project I (Adam) was using to put out lo-fi music. I wrote the first Doggy Daycare song while I was sick with COVID in June of 2022. After I wrote a couple, I decided I would go ahead and record a full album. After putting out a couple songs, Josh and I connected over the music and got together to have him record a guitar track on one of the songs. We talked after that session about how much fun it was and how good it felt and Josh was really adamant that the music was good enough to be heard by people. I would say Josh is largely responsible for Doggy Daycare becoming a band, as I don't think I would've had the confidence to put the more intimate songwriting from the first album out for everyone to hear without him telling me it was worth it. The band name is random, but over the years I've tried to name a couple other bands Doggy Daycare. Nobody really vibed with it and it kept getting shelved. So when the time came to name my side project, there was no other option. <br><br><strong>Previous musical projects? How'd you first get into music?</strong>
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<br>We've all been in bands growing up and learned how to play a variety of instruments from young ages. Josh was involved in the WIlmington music scene almost a decade before the rest of us, playing out with his old band, Villa Verde. He then took a break from music in general to pursue other creative efforts in writing and directing. Connor, Ethan and myself met by playing in a band called Hot Plastic Poets, which was active in the Wilmington scene until recently. <br><br><strong>First concert that you ever went to? (Locally and National acts)</strong>
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<br>Adam - Switchfoot - House of Blues, Myrtle Beach, SC <br>Ethan - Weezer - House of Blues, Myrtle Beach, SC <br>Connor - Meatbodies - The Grey Eagle, Asheville, NC <br>Josh - Thrice - House of Blues, Myrtle Beach, SC <br><br><strong>What's your writing process like?</strong>
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<br>Our writing process tends to vary and we like it that way! It keeps things interesting for us and seems to result in a variety of song styles. Our recent single, (forgetting) sarah marshall, was a song that I wrote and recorded for the first album. It was written and recorded in my bedroom at 3:00 AM while I was dealing with a bout of insomnia. The single we just put out was a full-band reimagining of that song. Sometimes our songs start with just lyrics, a vocal melody or a simple guitar part and we write music around that. Other times we just jam around until we find something we like and write around a certain riff or chord progression. There's a song Josh wrote 6 years ago that's going on the record because we all love it. It really does just depend on the song itself, we don't have a set process. <br><br><strong>What other artists or songs inspire your music? (Please talk about the artists you've chosen on your Spotify Playlist that you've given to us)</strong> <br> <iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5XydO7angz99saDFdRxBip?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br>I think part of the reason we have a unique voice as a band is because we have a unique blend of backgrounds in music and influence. Josh draws a lot of guitar influence from Chavez and angular guitar bands like Pavement. Ethan has been inspired by the bass work of Dismemberment Plan and Parquet Courts. Both of those groups have a variety of bass styles and he's been pulling from them heavily for the album we're recording. Similarly, Connor is really getting into Mannequin Pussy, more than he already was. Though he brings his own unique style to the band, there's definitely traces of their influence mixed in. I am mostly influenced by songwriters like Alex G and Will Toledo of Car Seat Headrest. I connect with them lyrically, but they also construct songs in unique ways. I feel like they rarely do the obvious thing, which is something I sometimes struggle with. <br><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong> <br><br>We hope that the main takeaway of a Doggy Daycare live show experience is that it's fun, because it's fun for us. Our philosophy is basically to have a good time playing music that we love, so that the people watching us are more likely to have a good time and love the music as well. We smile, we make jokes, we laugh when we mess up. I personally don't like when bands are super serious and broody on stage, unless it fits the genre aesthetic or something. Even so, I like seeing the human side of performers. If you're just trying to keep up a "cool rockstar" persona, that feels fake to me and makes me question whether or not the music itself is authentic as well. I do think that there's something to be said for live versions of songs having a life of their own. In fact, half of our current setlist are songs from our first album that I recorded with an acoustic guitar and a drum machine in my bedroom. The live versions of those songs feel much bigger, because they have to. That lo-fi sound really doesn't generate the same amount of energy as 4x12 cabs and two-tiered pedalboards do. There's also something cathartic about turning a song I wrote while sad and sleep-deprived into a loud, energetic banger. <br><br><strong>Has the band toured? </strong>
</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">We haven't toured yet! But we'd love to! We'd love to tour! Just putting it out there that we'd love to tour! If anyone wants to help us book a tour! We'd love that! Touring, that is. <br><br><strong>What's up next for the band?</strong>
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<br>In the immediate future, we're finishing up work on our upcoming album and playing some more local shows. We love playing in Wilmington and have really cut our teeth in the area, but hopefully we'll be playing some out of town dates later in the year, possibly touring in the Winter. Our first full-band album will be out after the new year, but we'll be dropping some singles from it between now and then. Otherwise, we're just hanging out and being cool.</div><p><iframe style="border-width:0;height:120px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=528309723/size=large/bgcol=ffffff/linkcol=de270f/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://fortlowell.bandcamp.com/album/forgetting-sarah-marshall">(forgetting) sarah marshall by Doggy Daycare</a></iframe> <br><span style="color:rgb(0,0,0);">Doggy Daycare:</span><strong> </strong> <br><a class="no-pjax" href="https://www.instagram.com/doggydaycare3000/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><font face="arial, sans-serif"><strong>Instagram</strong></font></a> <br><a class="no-pjax" href="https://twitter.com/DoggyDaycare3K" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><font face="arial, sans-serif"><strong>Twitter</strong></font></a> <br><a class="no-pjax" href="https://www.youtube.com/@DoggyDaycare3000" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><font face="arial, sans-serif"><strong>YouTube</strong></font></a></p><div style="margin:0px;padding:0px;">
<br> </div><div style="margin:0px;padding:0px;"> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72604842023-09-07T05:00:00-04:002023-09-07T05:00:01-04:00MEET BOSTON TRASH ROCK BEDTIMEMAGIC<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d9f5118798a548ad335b2dc9b6c57b5a98e2ddaa/original/bedtimemagicstills-1-1-33.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;">"Sleep Together" is BEDTIMEMAGIC's third album, released by The Ghost Is Clear Records. The album explores the contrast between sleep's restorative qualities and its connection to mortality. The band departs from their previous melodic offering and aims for a grittier and more melancholic sound while maintaining their unique identity. Influenced by artists like Ministry and Today Is The Day, the record avoids a hopeful ending and instead delves into somber themes with a touch of dark humor. The album is produced by Alex Allinson and features cover art depicting conflicted relationships, reflecting the album's emotional depth. <i>Photo By Blake Bickel</i></span><br><br><span style="color:#000000;"><strong>How did the band form and what does the band name mean? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas: </strong>The band formed in later 2013. I'd put up an ad, had a few tryouts, and when Morgan showed up, I realized I knew him from a coffee shop I'd worked at for years. </span><br><br><span style="color:#000000;">Morgan came up with the name so I'll let him field that question. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> I had come up with the band name a few years before this band started, and had tried to get another band I was in to use it, but they all said, "No". Nicholas wasn't into the name at first, either, but we couldn't come up with anything better, so I ended up talking him into it. </span><br><br><span style="color:#000000;">I like it because it is pretty open for interpretation. Are we talking about wizards and witches, are we talking about sexy intercourse, are we just looking for a good night's rest? I don't know. There used to be a radio station that played smooth adult contemporary called Magic. They had a show at night called Bedtime Magic that played the smoothest of smooth adult contemporary. The music we play is sort of the antithesis of that. </span><br><br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas: </strong>I was in over thirty or forty other bands. Most were duds, didn't do all that much... a demo here, a compilation track there. I've always had music as part of my life... my sister was a radio DJ, my father had music on all the time. Later in life, my mom met her future husband, and he was crazy about music. Kinda was predestined. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> Music has always been a major part of my life. My dad collected records and played guitar...there was always all kinds of different music on in my house growing up. I've been in bands since I was 13 or 14, and I'm in my late 40s now, so I've been in a lot of bands in that time. A couple of them were pretty good, a couple of them were pretty bad. Oh well. </span><br><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas:</strong> I have trouble remembering whether it was Green Day & The Meices at The Hatch Shell (free!) or Mike Watt with Primus in Worcester. One or the other. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> I've been going to see live music since I was a little little kid. My parents would take us camping every summer at this bluegrass festival in upstate New York since I was an infant. I lived in Brooklyn when I was little so we would go and see music in Prospect Park. There was a lot of classic NYC hip hop going on then so I got to see some pretty crazy shows in the park. The first show I went to that was my choice -- like a band I wanted to see not just a band that my parents brought me along for -- was AC/DC on the "Blow Up Your Video" Tour. My older cousin brought me...I think I was about 10. A year or two later I went to see Metallica on the "And Justice For All" Tour. Queensryche opened and they sucked. Metallica was cool. I don't remember what was the first punk or hardcore band I went to see. </span><br> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<span style="color:#000000;"><strong>What's your writing process like? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas:</strong> It can vary. Sometimes we show up and the song writes itself. Sometimes we spend weeks, months, years on an idea. Most importantly is we try not to force it -- If the song makes sense, great, if not, we move on. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> Usually Nicholas has some ideas for riffs, he brings them in to practice, and shows them to me. Then I refuse to play them the same way and I nit pick all the little changes I want. Nicholas starts to cry. I laugh at him. I make up a little ditty to tease him based on the riff that he had originally. That becomes the new song. </span><br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span><br><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5y13c0OGk5WqGlzf1gpwR5?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </span><br><span style="color:#000000;"><strong>Nicholas:</strong> Funny you should ask...I actually do love The Meices record "Tastes Like Chicken". Could be from that concert, could just be they kicked ass. </span><br><br><span style="color:#000000;">Morgan has a great knowledge of music. He's always sharing bands I never heard or wouldn't have hear otherwise. He introduced me to Plate Six, which is a phenomenal defunct band from Alabama. They had a great first record, but really grew into their sound on their second one. </span><br><br><span style="color:#000000;">I personally wanted the band to sound like Man Is The Bastard and Deadguy when we started. Once we started jamming together, that sound made slightly less sense. We took on more of a back-and-forth chemistry, which I think is actually part of what makes us what we are. You're hearing that interplay of Morgan's technique and my technique. </span><br><br><span style="color:#000000;">We listen to a lot of Ol' Dirty Bastard, Run DMC, MF Doom...as a bass and drums band, it's hard not to feel the call of hip hop. Plus we grew up in the 80's and 90's, when hip-hop was growing up, too. That was what you latched onto back then if you wanted to feel the zeitgeist. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> This is the part where we give a shout out to all our friends' bands, or maybe we'll just list some bands that we think will make us look cool if people think we're friends with them. </span><br><br><span style="color:#000000;">Intercourse knows how to move some equipment even when they’re not playing. Bronson Arm will build you a pretty sweet guitar pedal if you ask nice. Miracle Blood will get you an opening spot on a sold out show. Mirakler knows where to get the best pickles. And Great Falls can be ex members of a million excellent bands and still make new records that are better than anybody else’s. All these bands put out rad records and are rad people. Your life will be better if you get acquainted with them. </span><br><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas: </strong>We used to think they had to be fairly symmetrical. I now know that was a lie we told ourselves. You have to make the record representative of the live show. In order to do that, it simply has to be different. The audience can't see you...The band has to do something that facilitates that live feeling but using just sound and nothing else. </span><br><br><span style="color:#000000;">Live, we follow the philosophy that short, fast, and loud are all the key ingredients. People want a show. They want a performance. You're not there for us -- We're there for you. We're the entertainment. </span><br><br><span style="color:#000000;"><strong>Morgan</strong>: Everything louder than everything else. </span><br><br><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows?worst shows? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas:</strong> Yeah we tour every year. We toured in our old bands, too, so it's kinda just how it is for us. We don't go out for long stints anymore...those just tire you out, break the bank, use up all the good snacks you brought from home. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> The best shows have less than four bands and end before my bedtime. I don’t know what the worst show would be, most of the time we are just psyched to be able to play. </span><br><br><span style="color:#000000;"><strong>What's up next for the band? </strong></span><br><br><span style="color:#000000;"><strong>Nicholas:</strong> I found a few ramen recipes I want to try. </span><br><br><span style="color:#000000;"><strong>Morgan:</strong> I’m pretty interested in eating those new ramen recipes that Nicholas is going to make. Also we have a new record coming out so we can look forward to that even if the ramen isn’t good.</span>
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</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><a class="no-pjax" href="https://linktr.ee/BEDTIMEMAGIC" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;">https://linktr.ee/BEDTIMEMAGIC</span></a></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72604272023-09-06T05:00:00-04:002023-09-06T05:00:01-04:00MEET ATLANTA GEORGIA PUNK ROCK N' ROLL BAND THE BARRERACUDAS<p><span style="color:#000000;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/50917c299a7f7bfcce004d6393b21ec8e16cf08e/original/m-g-t-g.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> The Barreracudas' are poised for big things! The band, also known as 'Cudas, is known for their brashness, as seen in their debut album "Nocturnal Missions" which showcased their unique style. Their quality output makes a significant impact. Their music is characterized by occasional appearances that remind listeners of their presence, and their charismatic frontman Adrian Barrera's confident claim that you'll likely love them. The Barreracudas offer playful, diverse tracks that capture the essence of rock 'n' roll, showcasing the band's versatility and keeping the genre's spirit alive. We caught up with them to find out how they got started and what inspires them: </span></p><p><br><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><span style="color:#000000;"> </span></div><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">Most of us sort of grew up together in Florida and either worked together in bands previously and/or just supportive admirers of each others work, so it was very natural. I approached them with a few songs and developed from there. As far as I know, Barreracudas doesn’t mean anything. It is a made up word, a portmanteau of my last name and barracuda- a type of scary fish, known to attack swimmers snorkeling in shiny jewelry. Lookout 2Chainz! </span></div></div></blockquote><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div></div></blockquote><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;">This is our first attempt at making music, none of us had ever even touched an instrument before we hit the studio. I am amazed it worked out. I think we did ok. Still, rumors persist on the internet mixing us up with lookalikes from bands like: The Hiss, Gentleman Jesse & his men, Those Darlins, BEAT BEAT BEAT, APA, Hankshaw, Scrotum Grinder, Ladrones, Stolen Hearts, and more keep popping up everyday! </span><br><br><span style="color:#000000;"><strong> First concert that you ever went to?</strong></span>
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<br><span style="color:#000000;">First concert I ever went to when I was 9 years old was Debbie Gibson/the Monkees at the Lowry Park Zoo. Also, Johnny Paycheck played a small stage earlier in the day because I remember hearing his classic, “Take this job and shove it,” still one of my favorite tunes. </span>
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<br><span style="color:#000000;"><strong>What's your writing process like?</strong></span>
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<span style="color:#000000;">I take this very seriously. I am a big fan of morning writing, especially using random prompts to “freestyle” write whatever comes to mind for a set period of time (say 15 minutes or a set amount of pages) to kinda dump your brain and wake up the lil songwriter that lives in all of our brains.But all of this is just like pumping iron so I can catch songs or inspiration throughout the day. Then the songs just flow out. </span><br><br><span style="color:#000000;"><strong> What other artists or songs inspire your music? </strong></span><br><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3UJtd37fUMIiTHfVHi6eSN?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </span>
</div></div></blockquote><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><span style="color:#000000;"> </span></div><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;">I’m inspired by so many artists it would be a shame to leave anyone out, but if I had to name 10 right now I’d say: RMBLR, our “brother” band, is constantly raising the bar for tuff and catchy classic rock and roll. High Vis is consistently coming out with powerful, high energy, and emotionally interesting HITS. GET WITH THIS is a new band on the scene from FL that is probably my favorite thing going right now. I had the enormous honor and pleasure to work with them last spring producing their “Love in your Lip” EP. For those that don’t know, they blend a loose Johnny Thunders kinda vibe with classic melodic British 90s ie Stone Roses, The Las, and angular punk like Drive like Jehu. The energy of 1970s French “plastic punk” such as The DOGS and more obscure acts like Les Marylenes is still so exciting to me after the thousandth time, I can’t get enough! And Barreracudas have always been inspired by classic American rockers like The Cars, Cheap Trick, Blue oyster cult, Tom Petty and Dwight Twilley! </span><br><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span>
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<br><span style="color:#000000;">I feel a Live performance should be visually interesting and Highlight the flow of energy in the music. Any other argument just seems philosophical and exhausting. There are as many performance styles as stars in the sky, but the only thing that really matters to me is if the performer(s) delivers it with truthful intention. There is no obligation to reproduce the music exactly as the recording. As a performer, I try to offer the things I want to see: a glimpse of personality, some humor, some vulnerability, and maybe some little surprises… even if they are only for me most of the time. Barreracudas are diabolical on stage, I sometimes write jokes, we throw in intentional “mistakes”—anything we can think of to try to make an interesting and fun night out for the audience. </span>
</div></div></blockquote><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span></div></div></blockquote><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><blockquote><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;" dir="auto">
<p><span style="color:#000000;">We have toured all over the world from Decatur Ga to Decatur AL. We have wild fans everywhere, so it’s always a party no matter where we go. </span><br><br><span style="color:#000000;"><strong>What's up next for the band? </strong></span><br><span style="color:#000000;"> </span><br><span style="color:#000000;">If I told you, I’d have to kill you.</span></p>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WKx5hsvTDsM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WKx5hsvTDsM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><a class="no-pjax" href="https://www.facebook.com/barreracudas" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><span>Facebook</span></span></a><span style="color:#000000;"> </span><br><a class="no-pjax" href="https://belugarecords.bandcamp.com/album/barreracudas-nocturnal-missions" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><span id="m_6667052230201805374gmail-docs-internal-guid-2a48ed38-7fff-fe80-a09f-302b6f4ae1c6">BandCamp</span></span></a></p>
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</div></div></blockquote><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><span style="color:#000000;"> </span></div><p><br><span style="color:#000000;"> </span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72604402023-09-05T05:00:00-04:002023-09-05T05:00:01-04:00WHAT'S IN OUR INBOX! NYOS, SPARATR, THE JOY FORMIDABLE, ELECTRIC SHEEP, ONSIE<p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week musically is a really interesting one. Nobody can accuse of only covering the main stream as this week feels like an odd one, some from the fringes of the indie scene. Won't you join us! If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Nyos</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong><span>“We're thrilled to finally be able to unleash the first taste of 'Waterfall Cave Fantasy, Forever', which for us has definitely been the most fun and upbeat record we've made. ‘Follow The Hawk Moth’ is one of the most intense tracks we've recorded and a track we already love to play live, so it felt like a great choice for the first impression of the album. We take a lot of inspiration from the diversity and vividness of the natural world and Tommi Niukkanen (aka Tommin Seteli) has cut a beautifully frantic video which captures that vibe perfectly.“</span></p><p><strong>What we say they sound like: </strong>Ok, first I'm going to say this track may not be for everyone but if you are into instrumental stuff that has JD Beck type drumming but with a chaotic edge and droney pulsing music you are going to dig this. Slightly repetitive for my tastes like around the 2 minute mark I'd love the build to come quicker or the background synth to push forward a little more. However this is one of those tracks you put on like a jazz record, to create a mood and ambience instead of something where it's in a short pop format that needs focus the entire time. The chorus, or what I refer to as the chorus where the buzzy bass comes in like a buzzsaw that adds nice juxtaposition when up against the more subtle verse. </p><p><strong>Song to add to your playlist: </strong>Follow the Hawk Moth</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IWnYe2P93KY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IWnYe2P93KY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>Separatr</p><p><strong>BMN Score: </strong>8.7/10</p><p><strong>What the band says: </strong><span style="color:#000000;">We're an indie pop/punk/pixie rock duo with vocals, guitar, and backing tracks like Sleigh</span> <br><span style="color:#000000;">Bells or The Kills. My partner Joe grew up in NJ, but we met and started playing music together in Washington State.</span></p><p><strong>What we say they sound like: </strong>Separatr has a fun garage rock vibe on this track, I can see The Kills, Sleigh Bells or Yeah Yeah Yeahs being a likely comparison. I'm not sure the vocal is as big and unique as those particle comparisons but it's enjoyable and fits musically. Newly relocated to the Asbury Park scene this fits well and already has an NJ vibe. What I find most interesting about this is musically it feels like its building the entire time, creating tension that never quite releases. I think typical music resolves, but this intentionally seems to avoid that and I admire when bands are not typical. </p><p><strong>Song to add to your playlist:</strong> Directionless</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="fZ_HDW6iU4s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/fZ_HDW6iU4s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>The Joy Formidable</p><p><strong>BMN Score:</strong> 9.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">Comprised of lead vocalist/guitarist </span>Ritzy Bryan,<span style="color:rgb(51,51,51);"> bassist/vocalist </span>Rhydian Dafydd <span style="color:rgb(51,51,51);">and drummer </span>Matt Thomas<span style="color:rgb(51,51,51);">, The Joy Formidable are originally from North Wales and currently split their time between there and Utah, “in the middle of nowhere” and the closest thing they could find in the USA to their home turf. "Cut Your Face" is the first release in a collection of three singles out this year and follows the band's 2021 acclaimed album </span><i>Into The Blue.</i></p><p><strong>What we say they sound like:</strong> I know of The Joy Formidable but I don't know if I ever sat down and listened. At moments the vocal in the verse of this has a little bit of Sneaker Pimps vibe. Even the synth parts in the verse take it a little bit into a trip hop vibe but the heavy buzzy guitar pull us away from that notion. The Chorus is a mix of guitars and synths that create a unique feel. I would have to say this is not a band that I can easily say are a specific genre or disciples of a particular band. The vocals fit the music perfectly and are the focal point among layers of melody. I'm pretty sure the other Joy Formidable stuff I had heard was nothing like this, but to me that's a good thing. I know this is odd but I always enjoy Welsh bands. Must be something in the water over there. </p><p><strong>Song to add to your playlist:</strong></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="aTKJ_JqgXYg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/aTKJ_JqgXYg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Electric Sheep</p><p><strong>BMN Score:</strong> 9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">The best kept secret of Chicago’s psych rock scene, Electric Sheep is the project of singer-songwriting collaborators Jonathan Extract and Devin Nolan. Rooted in the detailed song-craft and elaborate studio recordings of artists like the Beatles, Radiohead, and David Bowie, Electric Sheep’s sound is both innovative and nostalgic, intricate and pop, tender and groovy. Extract and Nolan are each unique and accomplished guitarists and vocalists. The duo’s iridescent collaboration has resulted in a catalogue of wholly original records overflowing with hooks. While Electric Sheep’s music can be intimate, the band is elevated by a tight high-energy rhythm section consisting of Leon Nguyen’s bass and Anthony Wojtal’s drums.</span></p><p><strong>What we say they sound like: </strong>This to me has a very Beck feel musically but vocally feels kind of different. Vocally it's chill and almost 70's in the vein of something like Stealer's Wheel. This is exactly the kind of band I'd want to see live at a cool little indie venue. This feels like a great band that really gels together making fun classic rock. Nobody shows off or does too much it, everything contributes to the overall song and makes it greater than the sum of its parts. </p><p><strong>Song to add to your playlist: </strong>Sunlight Switch</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=3441063932/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/track=2356648870/transparent=true/" seamless=""><a href="https://electricsheepchicago.bandcamp.com/album/trip-the-light-fantastic">Trip the Light Fantastic by Electric Sheep</a></iframe></p><p> </p><p><strong>Band Name: </strong>Onesie</p><p><strong>BMN Score: </strong>9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">As a genre bending catch-all project for timeless, obtuse guitar pop, Onesie remain difficult to categorize, but for those looking for a turbocharged testament to substance in an increasingly vapid musical landscape, here comes your band.</span></p><p><strong>What we say they sound like: </strong>To me this sounds like the 1990's power pop coming out of the New Brunswick NJ scene or even NYC's Lower East Side. This has a Fountains of Wayne & Weezer meets brit rock chord structures with a Stephen Malkmus meets They Might Be Giants vocal delivery. Lyrically it's right in line with Beck and Pavement. I swear that guitar line is Oasis that they sneak in throughout the song. It's like if you took every component of the band and picked a different 90's persona to replicate. I can't fault any musician for just being an amalgamation of everything they grew up listening to. This one will appeal to Gen X'ers who grew up in the 90's or fans of 90's alt rock. Saw a video of them covering My Bloody Valentine at their release show, that's pretty fucking cool. </p><p><strong>Song to add to your playlist: </strong>Another Day In The Experiment <br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="54kmH-8yy58" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/54kmH-8yy58?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72659572023-09-03T05:00:00-04:002023-09-03T05:00:01-04:00BMN & MINT 400 BOOKS PRESENT SUNDAY ART & COMICS (#1) <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f34ef91319178bdf9f9a7b92e7ee5dd1f33dbe69/original/bmn-comics.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><span style="color:rgb(0,0,0);">This new Sunday section is a new creative outlet for some talented people, we hope you enjoy it. We will be presenting long format comics one page at a time. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);">. </span><br><br><span style="color:rgb(0,0,0);">To View The Cover Art </span><a class="no-pjax" href="https://bloodmakesnoise.net/home/blog/7259213/coming-soon-sunday-comix-hosted-by-mint-400-books-a-division-of-mint-400-records" data-link-type="url"><span style="color:rgb(0,0,0);"><u>Click Here</u></span></a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d9c7aaa8265be5d8ad012c9007f6de6e8e328925/original/spore-001.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />SPORE, Page 1 by S.M. Vidaurri, Award winning author of<a class="no-pjax" href="https://www.amazon.com/Iron-After-S-M-Vidaurri/dp/193639328X" data-link-type="url"> Iron, Or The War After</a> & <a class="no-pjax" href="https://www.amazon.com/Iscariot-S-M-Vidaurri-ebook/dp/B017SK8ARO/ref=sr_1_1?crid=JBYQ77EAWIVV&keywords=S.M.+Vidaurri+Iscariot&qid=1693433667&s=books&sprefix=s.m.+vidaurri+iscariot%2Cstripbooks%2C71&sr=1-1" data-link-type="url">Iscariot</a><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0fc5d7a7cb7e6b34710126b265101175ab06b75b/original/bh2.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />THE BLACK HAT, Page 1 by Neil Sabatino, owner of the Mint 400 Records label and musician <a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url">https://www.instagram.com/nsabatinoart/</a><a data-link-type="url"> </a></p><p>This Weeks Soundtrack:</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8wPNhEl9rwc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8wPNhEl9rwc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72529902023-09-01T05:00:00-04:002023-09-01T05:00:01-04:00MEET MASSACHUSETTS ECLECTIC INDIE BAND KOOKED OUT<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2a6b48a373c903ef1f85c176830761cbdf163903/original/kooked-out-credit-christine-paige-photography.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span class="text-small"> Kooked Out is here for the good times. Emerging from the Massachusetts town of Stoneham, the band’s animated and eclectic rock and roll – a combination of indie, surf-pop, alternative, punk, reggae, and whatever else sounds good in the band’s musical cauldron – belies its sleepy small suburban town origins. With a tireless and ambitious live calendar, Kooked Out could as easily be found busking across the streets of Boston the afternoon before playing across the city’s rock club circuit by night. Their genre-spanning sound, drawing influences from the 1930s to now, has become a calling card, both on record and live on stage, appropriate for a creative outlet that cites its top influences as Chuck Berry, The Beatles, Jimi Hendrix, Dick Dale, The Black Keys, Cage The Elephant, and Blink-182. In 2022, Kooked Out self-released its emphatic debut album, Vis Viva. The record’s response – as well as the band advancing to the semis of the 2023 Rock And Roll Rumble, and a growing organic fanbase around New England – led to its re-release on cassette in Summer 2023. (<i>Photo Credit Christine Paige Photography)</i></span><br><span class="text-small"> </span><br><span class="text-small" style="color:rgb(0,0,0);"><strong>How did the band form and what does the band name mean?</strong></span><br><br><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: John started Kooked Out in 2013 and then I joined the band in 2014 for a Halloween show at The Middle East in Cambridge, MA. We’ve had various lineup changes since then but the core of it has always been the two of us.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: In 2013 a video interview of Kai the Hatchet Wielding Hitchhiker went viral. In the interview Kai says in reference to the story he’s telling, “Dude. That guy was fucking kooked out, man.” It sounded good and had a surfy undertone to it which seemed to encapsulate the sound and energy we were going for.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>Previous musical projects? </strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: I was playing in a band called Mojo Kick that I really loved that sadly disbanded in 2012. We put out one EP and had a couple decent tracks that I think are still on the internet somewhere, maybe on Spotify.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: Back in 2012 I was asked to fill in for a metal band called Willow and after a couple gigs with them I ended up joining the band. We didn’t really end up recording much but tracked a couple songs at a studio in Maryland, which was cool. The initial experience in that band led me to want to do more musically and when the other guys didn’t want to, I left in 2014. A couple months after John had reached out to me to ask about filling in for a Kooked Out show. He had come across a video of me playing on YouTube kind of randomly and that kicked it all off.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>How’d you first get into music?</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: One day my neighborhood friends and I were watching the drive-thru records DVD and talking about starting a band and who would play what instrument. I went home and asked if I could get an electric guitar which I got later that year on Christmas. Thanks mom and dad! I guess I thought everyone was serious when they said they wanted to start a band but that idea fizzled out pretty quickly when the other guys didn’t have instruments [laughs]. But I had the bug and that was it.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: Going to Warped Tour for the first time and feeling the energy of all the live performances helped me realize that I wanted to play the drums. I found myself always watching the drummers at every show I went to and was constantly tapping on shit at school and at home. I finally got an old beat up CB drum set and just totally fell in love with it.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>First concert that you ever went to? (Locally and National acts)</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: There was a spot in our hometown across from the town hall that would host local shows that would get pretty wild. The scene there was mainly pop-punk, hardcore, and metal bands and it was my first real exposure to seeing kids my age moshing and going nuts. Notably the band Transit starting off at these local shows and went on to get signed and tour the world. It was definitely inspiring to see. I think the first National act I got to see was Taking Back Sunday at a free show outside at Boston City Hall Plaza, it was killer. I’m still a big TBS fan.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: My first local show was probably a house show in a garage. I can’t really remember the bands that played but I still love playing a house show from time to time. The first national act that I saw was Lamb of God and As I Lay Dying at the House of Blues in Boston. It was awesome and I haven’t been to a crazier show since.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>What’s your writing process like?</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: John usually comes in with a guitar riff or song idea that we flush out. Other times we just jam on an idea until we hear something we like.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: Yeah, it’s definitely all random. Sometimes a cool phrase or song title can spark a bigger idea. Mainly, we just try to follow the inspiration and let the feel dictate whether or not we pursue the idea further. Our best songs tend to be the ones we’ve written in that way and not stressed too much about. It’s still something we’re trying to find the best way of doing that works for us.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>What other artists or songs inspire your music? </strong></span></p><p><span class="text-small"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4pB3EkCiJGYp6ZeAACLoAC?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p><p><span class="text-small" style="color:rgb(0,0,0);">Kooked Out: We’d have to start with The Beatles. The thing we admire the most about The Beatles is that they had many different styles, sounds and evolutions over the years and were never afraid to push the boundaries and change up their sound, all the while always sounding like themselves.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">In no particular order, next up would be Blink-182. The energy, the hooks, the nostalgia, the youthful feel and the replay value of their songs is so infectious. We try to mirror the way Tom and Mark switch off vocally and Travis is just a beast on the drums.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: In our opinion Chuck Berry is the real king of rock and roll, although we do love Elvis as well. Berry is a great story teller, he had great rhythm and rhymes in all of his songs. And helped pioneer rock and roll guitar. Me and every other guitar player out there have stolen a million Chuck Berry licks over the years. On our song “Like We’re 21” I played a riff inspired by Chuck in the chorus and infused it with Punk Rock.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">Chris Laskey: A band like The Zombies inspired our song “Crack Up” especially the drum hook and guitar tones. We wanted to emulate the groove in “Time of the Season” and put it to a very ‘60s riff that John had come in with.</span></p><p><span class="text-small" style="color:rgb(0,0,0);">John Fiore: I really started getting into Citizen Cope after hearing his song “Let The Drummer Kick” in the movie “Accepted.” I went back and listened to all the albums and loved his lyrics and flow. I’ve tried to incorporate and learn from his vocal nuances the best I could over the years.</span></p><p dir="ltr"><span class="text-small" style="color:rgb(0,0,0);"><strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">Kooked Out: Our live show is frenetic. For us it’s all about connecting with the audience and giving them a wild show. We like the live performance to be raw and a bit chaotic, we jump around a lot and get as kooky as possible. We never want to sound sterile in a live setting so we leave room for unpredictability while not diverting too far from the recorded version. We always want the audience to be able to recognize which song we’re playing so we try to hit the key parts of each song.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">Kooked Out: Yeah, we’ve toured a bit mainly short East Coast runs but we’re hoping to expand West and jump on a national tour. Recently, we played some shows down in Myrtle Beach, South Carolina, which was a lot of fun. We met a lot of cool people. One of the best shows on tour was at The Grape Room in Philly with another Massachusetts band The Rupert Selection, and at Don Pedro’s in Brooklyn – both small club gigs with a lot of energy. Our worst show was in the basement of a coffee shop in Brooklyn. The place was cool but we literally played for the four people in the other band. Those types of shows can be demoralizing but you just try to learn from it and keep pushing forward.</span></p><p><span class="text-small" style="color:rgb(0,0,0);"><strong>What’s up next for the band?</strong></span></p><p><span class="text-small" style="color:rgb(0,0,0);">Kooked Out: We recently released our debut album “‘Vis Viva” on cassette and we’re going to tour it a bit on the road before starting the recording process for our second record. We’re feeling very inspired and are looking to turn things up straight through the new year.</span></p><p><span class="text-big"><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=3214649416/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://kookedout1.bandcamp.com/album/vis-viva">Vis Viva by Kooked Out</a></iframe></span></p><div style="margin:0px;padding:0px;">
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<span class="text-small">Facebook: </span><a class="no-pjax" href="https://www.facebook.com/kookedoutmusic" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-small">https://www.facebook.com/kookedoutmusic</span></a>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72512102023-08-31T05:00:00-04:002023-09-04T12:33:30-04:00MEET LANCASTER PA INDIE PUNK DUO WITCH WEATHER<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0e4add9c56e21e7a89d7c77b493487450b71f879/original/witch-weather-2-1-40-1-50.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(55,65,81);">Witch Weather is an indie/punk trio based in Lancaster, PA, and Philadelphia. Their debut EP "New Moon," released on January 1, 2021, was created remotely during the summer of 2020 as a part of an independent study at York College of Pennsylvania. Lead singer and guitarist Kaitlynn started the project in 2013, refining her songwriting skills over the years. Joined by bassist Juliann Frances and former drummer K. Danée until January 2023, the band draws influences from a wide range of sources. The lyrics often reflect Kaitlynn's experiences as a trans woman, addressing themes of confusion, frustration, and self-identity, making their music relatable to many.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<strong> How did the band form and what does the band name mean? </strong><br><br>Kaitlynn: I had finally reached a point where I was ready to release some music after writing and recording music for about 6 or 7 years (I waited way too long I know). I got a few friends together to audition for our college's label, we came really close to getting signed but didn't, <br><br>Juliann joined shortly after the audition. That was in the fall of 2019 and now here we are. <br>The name is because I have an unhealthy obsession with Fall and Halloween and have always been really interested in witchcraft/spirituality in general. <br><br><strong>Previous musical projects? How'd you first get into music? </strong><br><br>Kaitlynn: I've just always been into music, I've been playing different instruments since I was about 9 and had always dreamed of writing my own and starting a band. <br><br>I don't really have any prior projects necessarily but I was recording my own music for fun since 2013. I had built a massive backlog of songs by the time the band has formed for real. Had also scored some short films for friends and done music for some other projects but I didn't start liking or being comfortable enough with myself to release anything for real until about 2019-2020. Then the pandemic happened which was super cool timing. <br><br>Juliann: Throughout some of middle and all of high school I was in a student rock band program which was really neat. We basically learned a bunch of covers and then they would get us like Sunday matinee shows at local venues. Then at some point in high school some friends and I tried to start a band called Jaguire but it didn't really last since bars and venues aren't too keen on having 17-18 year olds playing (hence the program I was in). Then right before my freshman year of college I was asked to join a band that had formed at the college already but needed a new bassist. I was in that band for a brief period in undergrad. That band shall not be named because ew gross and Witch Weather is way cooler and better and it would be an insult to have that band name in the same sentence as Witch Weather. <br><br><strong>First concert that you ever went to?</strong> <br><br>Kaitlynn: my first two shows were actually country shows at the county fair, and I had a great time. Although It might seem out of character I really love folk and country music and I blame it on growing up in YeeHaw-ville MD. I'm not going to say who they were because I have a strong suspicion that they're probably not the greatest people and I've stopped listening to them a while ago because of that soooo... I'm going to abstain from that one. <br> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">As far as local stuff goes I don't actually remember? So instead I'm going to shout out my favorite local band from when I had just started college who deserved more recognition. They were called Middle Kid, saw them a few times and I love them to this day. They're not together anymore but it would make me so happy to play a show with them one day. <br><br>Juliann: My family took me to a whole bunch of concerts growing up and there is a slight debate on what my first concert was. But we're pretty sure it was Poison and Cinderella at the Hershey Park stadium. But it could have also been the concert for that TV show that was on Spike called Rockstar Supernova. Also shout-out to Cinderella, they were super local to where I'm from. <br><br><strong> What's your writing process like? </strong><br><br>Kaitlynn: I tend to come up with the ideas or write out the song. Juliann will give input and write the bass line around it. We've been getting more and more collaborative as we go on. The melodies and lyrics normally come to me after slamming my head into a wall long enough to give myself blunt force trauma. <br><br>Juliann: On rare occasion I will give Kaitlynn a theme for a song and then write a bassline for it. When she asks what chords I want for it I go ¯\_(ツ)_/¯ and then she goes "noice" and then we finish the song. That's how Cassiopeia came to be lol. <br><br><strong>What other artists or songs inspire your music?</strong> <br><br>Kaitlynn: we're both really inspired by a lot of goth and new wave artists, both musically and fashion wise. I also always get super inspired by local bands that we play with so it's kind of impossible to represent every influence in one playlist. Specifically Marissa Paternoster of Screaming Females completely changed the way I play the guitar, she's my favorite guitarist of all time. And bands like the taxpayers really changed how I try to do my vocals in some cases actually I love the way they scream and how that sounds. <br><br>Juliann: Definitely agree with everything Kaitlynn just said. And as far as bass playing goes I tend to take inspiration from different artists at different times or utilize different elements I've learned from different artists for different songs. For example, my main bass playing inspirations tend to be Geddy Lee (Rush), Chris Squire (Yes), Gene Simmons (KISS), Flea (RHCP), Kris Novoselic (Nirvana), and Tim Commerford (Rage Against The Machine). Then when I'm writing a bassline for a song like "Blue Menace" or "3:58 AM" my Geddy Lee side comes out a little bit. But when I'm doing something like "Very Therapy" you get a sprinkle of Tim Commerford instead. <br><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing? </strong><br><br>Kaitlynn: NO I don't think it should be identical. We have to rearrange a lot of songs actually because we're a three piece live. My philosophy is to have as much energy as we can, have as much fun as we can, and really just try to be entertaining and let everyone enjoy themselves. <br><br>Juliann: Yeah definitely shouldn't be the same live. If anything, it should be better live. The recorded version is like our inner artistic vision. And then the live version is us as performers, it's a show. It's a different thing entirely. Like if I'm gonna do a backbend with no hands on stage the bass playing is gonna sound a little different from when I'm sitting in a chair lol <br><br><strong>Has the band toured? What has the touring experience been, best shows? worst shows? </strong><br><br>Kaitlynn: we like to say we're going on a long spread out tour currently, we play shows constantly just not traveling across the country quite yet if that makes sense. But I love playing so many shows it's one of the few things that truly brings me joy. I don't know about BEST shows but my favorites have probably been our two recent shows at Phantom Power in Millersville PA and all our pride festival shows. Our worst shows... Aren't real and never happened so if anyone says otherwise theyyyyyyre lying. <br><br>Juliann: We've actually never played a bad show in our life because we're perfect and nothing bad ever happens to us 🫠 <br><br><strong>What's up next for the band? </strong><br><br>Kaitlynn: SPRINTING back to the studio already. We have our full album coming out in October and would like to have another release lined up and ready to go for next year. Already a lot of songs happening for it as well. Also LOTS more live shows. <br><br>Juliann: We're gonna have a surprise version of one of the tracks off the October album that'll come out next year as well and I think that's pretty neat. <br><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=3160376475/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://witchweatherband.bandcamp.com/track/dont-need">Don't Need by Witch Weather</a></iframe> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><a class="no-pjax" href="https://witchweather.wixsite.com/">https://witchweather.wixsite.com/</a></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72512092023-08-30T05:00:00-04:002023-08-30T05:00:01-04:00MEET MIAMI INDIE ROCK BAND MUSTARD SERVICE<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/76d78997c15763f3694cc5112d1caa819f4440dc/original/pc-ionitstudios.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(55,65,81);">Mustard Service was born when an ambitious college dropout returned from Germany and penned the opening line for their viral hit "Taking up Space" in his Floridian backyard. With roots as sons of Latino immigrants, the five-piece band embraces their "zest pop" identity, blending indie rock, surf, funk, jazz, and bossa nova to represent Miami's alternative scene. From chaotic, energetic shows in Miami-Dade County to nationwide sell-outs and festival appearances, Mustard Service has garnered a devoted fan base seeking an escape through their warm, family-like stage presence. Now, they are preparing to deliver their third studio album, Variety Pack, this August via ONErpm.</span></p><p><span style="color:black;"><strong> How did the band form and what does the band name mean?</strong></span><strong> </strong><br><br><span style="color:black;">Marco: We used to go by the name Gorilla Grip but one day we were playing at a hot dog eating contest and one of the contestants would not gobble his glizzy unless it was first dunked in mustard. They had a specified mustard runner to refill his mustard silo but mid way through the competition the mustard runner slipped off the stage and broke his neck (he was ok). In an unprecedented burst of patriotism for this all American cultural phenomena hot dog eating contest Gorilla Grip took it upon themselves to run a relay and supply the contestant his mustard. He was able to gobble all the glizzies and win first place and so at the end he naturally thanked his “mustard Service” and the crowd cheered “MUSTARD SERVICE MUSTARD SERVICE MUSTARD SERVICE” so we decided that had to be the new name of our band, true story</span> <br><br><span style="color:black;">Nuchi: band name generator</span> <br><br><br><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><strong> </strong><br><br><span style="color:black;">Marco: We had never played in other bands before Mustard Service it is all we know</span> <br><br><span style="color:black;">Nuchi: We had a band back in 2014-2015 where Nuchi played guitar, Marco played bass, and Tuto sang. Our former drummer, Armando, was there and another guitar player called Gato. Leo and Adam grew up playing in a bunch of bands in Miami Beach.</span> <br><span style="color:black;">Adam: I’ve personally been in all kinds of music projects as i’ve been performing live since i was 13 years old. My dad is a music producer and as a kid, he would take me to studios with him and i was always fascinated by the drums so i decided to pick it up.</span> <br><br><br><span style="color:black;"><strong>First concert that you ever went to?</strong> </span><br><br><span style="color:black;">Marco: my first concert was the Red Hot Chili Peppers in 2011. John Frusciante had just left the band so I was sad I couldn’t see him play since he was the reason I picked up a guitar but it was still a good show</span> <br> </p><p><span style="color:black;">Nuchi: The first concert I went to was Iron Maiden at the Florida Panthers hockey arena in 2008 when I was in 8th grade.</span> <br> </p><p><span style="color:black;">Adam : warped tour in 2007</span> <br><br><br><span style="color:black;"><strong>What's your writing process like?</strong></span><strong> </strong><br><br><span style="color:black;">Marco: I tend to just sit in my room by myself and wait for songs to come. I find it tedious to sit down and think out a chord progression or melody out of thin air so I find it best to noodle around mindlessly untill a melody or harmony finds its way into the session and just kind of gravitate towards the part of it that feels good and away from the parts that feel bad. Lately more of us have been writing songs to bring to the group so every album has felt more collaborative since our first release.</span> <br> </p><p><span style="color:black;">Nuchi: Most of the songs come from voice memos Marco made where he’ll have a chord progression and a melody. Maybe a few lyrics. He brings it in and then we work on the arrangement, solos. Marco usually writes the lyrics after the arrangement is done.</span> <br> </p><p><span style="color:black;">Adam: Normally in the early days of the band, Marco will come up with the skeleton of a song and then we come in and add to his initial creation. Now it seems to be way more of a group effort with everyone involved, even other band members coming up with the skeleton themselves.</span> <br><br><br><span style="color:black;"><strong>What other artists or songs inspire your music?</strong> </span><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6AkBK6tLurOFQVUehT7fUO?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <span style="color:black;"> </span><br><br><span style="color:black;">Marco: lately we’ve gotten into a Charly García rabbit hole because he’s crazy and he’s a genius but we also love Jobim and Brian Wilson’s use of harmony. I personally love the beauty and simplicity of folk lyrics like Bob Dylan’s.</span> <br> </p><p><span style="color:black;">Nuchi: I think that we’ve been influenced by Bossa, 2010s garage and surf rock. We love new wave, a little jazz, 80s hits. The Beatles, video game music. Ride the Lightning by Metallica is why I started playing guitar but I still haven’t learned it. I wish I could’ve written What a Fool Believes by the Doobie Brothers</span> <br><br><br><span style="color:black;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><strong> </strong><br><br><span style="color:black;">Marco: the live show experience is something that I don’t quite have the words to describe. A live show is the purest form of preformed music; no second takes, just the magic of singular moments. Although we do love to be as tight to the recording as possible, we have to improvise here and there to continue to have fun with the music. We also like to rewrite parts not only for ourselves but for the people who come out to see us. You already have the studio version at the click of the button, I think it’s nice to hear something new when you come see it live</span> <br> </p><p><span style="color:black;">Nuchi: We follow the arrangements of the recorded songs pretty closely. Sometimes we’ll throw in a solo section that’s not on the record, but for the most part we follow the original structures. We let loose live though, we have fun.</span> <br> </p><p><span style="color:black;">Adam: Our live sets are definitely tons of fun. lots of push moshing, jumping and singing coming from the crowds and we definitely have a fantastic time as best friends doing our thing on stage. I think live performances should be very similar to the recording, but with its own taste to it. We will play the songs at the same tempo and same energy as the recording, but maybe add some stops or simultaneous “hits” in certain parts of the song. So you still hear the songs you know and love but also hear another idea for the same song that you might love too.</span> <br><br><br><span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span><strong> </strong><br><br><span style="color:black;">Nuchi: Touring is the shit. I think we sound better live than on the recordings. Shows in major cities are usually pretty crazy but I want to give a shout out to some of the more surprising shows in smaller markets for us like Des Moines, Chapel Hill, and Minneapolis.</span> <br> </p><p><span style="color:black;">Adam: Mustard Service has been touring since 2018. Our first tour started as us opening up for a spanish female band by the name of Hinds. Since then, we have headlined 5 US runs. Speaking for myself, I never want to go back home. I wish i could be on tour forever, it’s my favorite thing in the world. We really love playing in every city and everyone that comes out to our shows are so incredibly nice, cool, awesome and funny. Some of the best shows have honestly come out of Detroit (Ferndale) and San Fransisco so shout out to all of those wonderful Michigan and Californian residents!</span> <br> </p><p><span style="color:black;">Marco: the best show has probably been Zest Fest in LA, a fan threw a mustard bottle on stage and I got to squirt it into nuchis mouth (sorry if any got on you if you’re reading this). There’s no such thing as a bad or worst show, they’ve all been amazing</span> <br><br><br><span style="color:black;"><strong>What's up next for the band?</strong></span><strong> </strong><br><br><span style="color:black;">Marco: we have a full ass album coming out August 4th after 3 years and a little festival to go along with it on Aug 5th followed by a full US tour to play the album live. Come and party if you want to. If you don’t want to that’s fine too love u thank u</span> <br> </p><p><span style="color:black;">Adam: Brand new album comes out on August 4th! Very excited for everyone to listen and enjoy our babies, our songs. Now they’re your babies! Next thing on the bucket list is to perform outside of the country and to do a big festival run.</span> <br> </p><p><span style="color:black;">Nuchi: There’s a fat ass album dropping on August 4th. It’s called Variety Pack because the songs are all pretty different from each other. The musical decisions were all pretty democratic. We tend to take a vote on everything.</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WyQTHQ3gZ8A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WyQTHQ3gZ8A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;"><strong> </strong></span><a class="no-pjax" href="https://www.facebook.com/themustardserviceboys/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><strong>Facebook</strong></span></a><span style="color:black;"> // </span><a class="no-pjax" href="https://www.instagram.com/mustardservice/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><strong>Instagram</strong></span></a><span style="color:black;"> // </span><a class="no-pjax" href="https://twitter.com/mustard_service?s=21&t=fVrcGXms-LGaR7JcgqkYWQ" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><strong>Twitter</strong></span></a><span style="color:black;"> // </span><a class="no-pjax" href="https://www.youtube.com/@mustardserviceband?app=desktop" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><strong>YouTube</strong></span></a><span style="color:black;"> // </span><a class="no-pjax" href="https://www.mustardservice.com/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;"><strong>Website</strong></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72583722023-08-29T05:00:00-04:002023-08-29T05:00:01-04:00MEET COMIC BOOK ARTIST & INDIE FOLK SONGWRITER SHANE-MICHAEL VIDAURRI<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/0395133f481a34b917a8894c25edb299449fc05b/original/20210820-114904-0.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Shane-Michael Vidaurri has been working with Mint 400 Records for a decade now. Starting with The Ashes & The Old Glorys, then moving onto solo work, Vidaurri has moved from old time jazz, to folk, to punk and pop as well as adding poetry and hip-hop to their repertoire. Vidaurri's graphic novels won awards, and they continue to impress with their illustration and writing, adding narrative designer into their resume. Quarantine was tough, but Vidaurri returns to the studio with a new hopeful album built on friendship and collaboration. </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Making sure that your voice is authentic to you. Writing songs that come from deep within, not just what will sell. Some of the best songwriters I know barely have any followers. An audience is a great thing to have, but the first thing you have to be is you.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: What is the basis for writing attention-grabbing music in the year 2023?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>There's a commercial side to it, of course. A lot of produced music with trap beats. There's good stuff in there. But every genre kind of has its own crutches. I'm no different. So, I wouldn't know too much on this subject. I just try to write what would grab *my* attention, and let the chips fall where they may.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: What has it been like working with an indie record label as opposed to working on your own?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>It's nice to get some radio play. It's easier to get your music in front of people. That's a very valuable resource, so I'm Thankful to Neil and Mint 400.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>When I was young: Sublime, Operation Ivy, They Might Be Giants, The Slackers. All huge bands that influenced me greatly.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>When I grew up a bit, listening to all kinds of music. 60s stuff, old jazz, country, rap. Being less attached to how the music I listened to reflected on me. Nowadays im paying attention to what the cooks in the kitchen are listening to. Phones are nice for that kinda thing. You can find out what song is playing, throw it on a Playlist. Sometimes just being aware of your contemporaries. Some punk with a ukulele on the street playing Rancid. All of it is great stuff. </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Youth is amazing. Young people today are very funny. I know some people who only listen to video game soundtracks. People have very different relationships with music, and musicians. As far as young artists, I like the Suicide Boys. The Womack Sisters. Crazy and the Brains and Sammy K. Carly Rae Jepsen is amazing. So is Harry Styles. I'm a bit older now so young is relative to me.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: For your new album, what inspired the lyrical content, album title, and overall vibe?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>The vibe was friendship. To try to reinvigorate some relationships I had, some of which I'd neglected during my mental struggles through quarantine. So I reached out to Neil, and a few other friends, and asked them if they'd like to contribute to this album I was working on. I didn't get everyone on my list, but we have some heavy hitters, thats for sure.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>It was great reconnecting with Young Legs. We had made plans to collaborate at some point, but the time was never right. They put the boss in bossa nova.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Also Jess Thompson, they were in my ska band in highschool, The Mearkatz, and we had a lot of good times back then. I found out they were playing music with besthittv. Very cool NJ band. I reached out and we caught up. It was great to chat with an old friend.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Pat Byrne was also great. What a wonderful fellow. Truly he's like a light of sunshine in a person. I loved his take on my tune and was glad he got Jon Lango and Alec James to play. Good ringers to have in your corner.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: Do you find that you deliberate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>It really depends. I can't always remember stuff so great. Kinda a thing with me. Some old songs I have, I couldn't play with a gun to my head. So I usually try to record a demo so I at least have that. My last record, prodigal dogs, is filled with those demos. Im working on another album, a studio joint, and I'm hoping to get enough cash to finish it one day. I think it'll be special. But for the most part, I like to release stuff, or at least have it in the tank recorded for whatever self-release I feel like doing. I save the premium stuff for neil.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project? </strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Definitely worked on my communication skills. Rounding together half a dozen musicians is like trying to get cats to wear suits. Musicians are an ephemeral lot. We all have a million things going on, and are pulled in different directions. So making sure I didn't let my ego get in the way of that. It's tough, balancing being an advocate for yourself with being a pest. But I think I walked the tight rope. At least I tried lol. I had a great time, and I think everyone had some fun. That's all that matters, no?<br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1EsxeZuRgf0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1EsxeZuRgf0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><a class="no-pjax" href="https://en.wikipedia.org/wiki/Shane-Michael_Vidaurri">https://en.wikipedia.org/wiki/Shane-Michael_Vidaurri</a></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(38, 40, 42);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72511832023-08-29T05:00:00-04:002023-08-29T05:00:01-04:00MEET DELAWARE INDIE ROCK BAND BROTHER OF MONDAY<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ba6cba2c95e0843d66cda411aa8234523f30c854/original/0032954735-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(55,65,81);">Newark, Delaware's band, "Brother of Monday," released their eponymous debut album on July 21, 2023. Influenced by artists like R.E.M., Big Star, Superdrag, and Guided By Voices, the album presents a unique and unforgettable blend of grunge pop with soul and grit, enriched by psychedelic undertones and lo-fi production. The standout track, "Look It In," showcases the band's artistic brilliance with its wonderfully weird lyrics. Seamlessly weaving diverse influences, the album creates a mesmerizing and innovative sonic experience that lingers in the mind long after the music ends.</span></p><p><o:p></o:p></p><p><o:p></o:p></p><p><strong> </strong><span lang="EN"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span lang="EN">Brother of Monday started as a side project in the late spring of 2022. My brother had just died and it just inspired me to write a couple of songs, including “Bro Out” and “Ken Tremendous,” and then I became determined to keep writing and recording for a standalone, finished project that I could throw up on Bandcamp. My brother was definitely influential in my musical endeavors. Back in the early 2000s I had been writing and playing songs at home but he started hosting practices for my first band, Terminal Lunchbox, in his house. He would play drums and guitar but seemed to have some stage fright so he never played live with us. Later, we would use his house and drums to record for my other current band, Von Hayes. Probably our best song, “Mr. Guts,” was recorded there.</span><o:p></o:p></p><p><span lang="EN">When I posted the album in January, I had no expectation at all that it would be heard by anyone. But the very next day the author of an awesome blog called JanglePopHub grabbed it off Bandcamp and wrote up a very flattering review, and then conducted a lengthy interview. The next thing I know I’m connecting with Bas and Joep from Wilbur & Moore Records and we’re putting it out on CD. I can’t thank those guys enough for finding me, believing in the music and making this happen.</span><o:p></o:p></p><p> <span lang="EN">“Brother of Monday” is actually an unreleased Von Hayes song. I thought it would be kind of cool to have a band name and song be the same thing, like Talk Talk.</span><o:p></o:p></p><p><strong> </strong><span lang="EN"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span lang="EN">I grew up on MTV, so I heard cool stuff on there like Duran Duran and Devo, but was drawn more toward light and fluffy stuff like Huey Lewis, Bryan Adams and Def Leppard. I don’t consider that lame. There are some great melodies and musicianship in there. Two musical atomic bombs for me was hearing R.E.M.’s “Stand” at an eighth grade dance at the same time that some kid was getting beat up in the bathroom, and being handed Guided By Voices’ “The Grand Hour” EP while in college. Life changing stuff. As far as playing music, I got an acoustic guitar when I was 16 but I just fiddled with it, mostly just playing along to Beatles and R.E.M. chord books. One day I accidentally came up with a really catchy tune called “The Jessica Syndrome” that was just one chord shape where I moved my fingers like three times. It was a big hit haha. That was one of the tunes that ended up under the Terminal Lunchbox moniker. I used to just record dumb tunes like that on a karaoke machine, and then a Tascam 4-track, but then Terminal Lunchbox became an actual band with guys who were ten times more talented than me. The lead guitarist could play like Angus Young. We played shows and recorded songs as a sort of real band for two years but never released anything except for stuff on MySpace and a cover of Guided By Voices’ “Pendulum” that ended up on a comp somewhere.</span><o:p></o:p></p><p><span lang="EN">I’m currently still in Von Hayes, which has released four full-lengths and two EPs, and recorded about 50 other songs since forming in 2006. </span><o:p></o:p></p><p><span lang="EN">There’s also another really great side project I recorded with my Von Hayes partner called Players To Be Named Later. That’s maybe a top three favorite album I’ve ever been a part of.</span><o:p></o:p></p><p><span lang="EN"><strong>First concert that you ever went to?</strong></span><o:p></o:p></p><p><span lang="EN">I was at Great Adventure with my dad and a friend in sixth grade and we walked into a Missing Persons show because it was free. I remember how colorful and rad Dale Bozzio was, but can’t recall much about the music or what they played. They definitely played “Destination Unknown.” Wish I remembered more, because I’m a big fan now, especially their album “Spring Session M.” I also saw Genesis at Veterans Stadium on the “We Can’t Dance” tour. Phil Collins’ bald head was just a little tiny dot from my nosebleed seats.</span><o:p></o:p></p><p><span lang="EN"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span lang="EN">I don’t know about other makers of music but my experience is that as you get older the process gets slower. When I was in Von Hayes I would bang out a lot of tunes very quickly and record the demo on a hand-held tape recorder, and to my very stingy ears the batting average was decent. These days I’m more deliberate and take more time, maybe coming up with music for something one day and coming back to it a few times days later. Things can sit around for a while. The music to “Wickedy Splits” had been sitting in my voice memos since May 2022! I could probably force it and come up with more tunes but the batting average is lower. There would be lots of crap. I think that’s why new music by most older artists sucks. Rock and roll is a young person’s game!</span><o:p></o:p></p><p><span lang="EN">As far as the actual process, nine times out of ten I’ll come up with the music and record it on my phone. Not long after I’ll mumble out a vocal melody and sing that along with it. When it sounds good to me I’ll write lyrics and record it on the 4-track.</span><o:p></o:p></p><p><strong> </strong><span lang="EN"><strong>What other artists or songs inspire your music?</strong> </span><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/7jxX316WoIOWPhZ5T0b1mc?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><o:p></o:p></p><p><span lang="EN">A few years back I had given up on new music. I was old and jaded. One day I put on WVUD – the radio station at the University of Delaware – and they played like five new awesome songs in a row, and they were all female fronted alt and indie rock bands. Diet Cig was one of them. I couldn’t believe it. Since then I’ve been super into new female-led rock bands, especially Momma and Snail Mail. I took two of my kids to multiple shows, including my oldest daughter Lauren, who drew the cover to the album, and my middle kid Kit, who recorded back-up vocals for a song on the next album. (My son played the baritone on a Von Hayes song, so yeah I like to include the family.) Anyway, I just love the energy and spirit of these two bands. They know the classics – Liz Phair, Smashing Pumpkins, Breeders, Pavement, even GBV – and they write really great songs. The two songs I have here are easily my two favorites recorded in the last 20 years.</span><o:p></o:p></p><p> <span lang="EN">I left out a lot of my favorite bands and songs and tried to focus on what inspired me during this time. I’ve always loved The Raspberries and the driving guitars in “Tonight” were definitely in my head while writing and especially recording. You can hear it in “Stocker” and “Look It In.” </span><o:p></o:p></p><p> <span lang="EN">“In A Big Country” is my second alarm song in the morning (the first is “Don’t Walk Away Renee" by the Left Banke, in case you were wondering) and it just gets me so pumped up. I love the possibilities and optimism that comes roaring out of the late, great Stuart Adamson – such a tragedy that he couldn’t hold on to that positive vibe. “The Crossing” is a fairly flawless album.</span><o:p></o:p></p><p> <span lang="EN">I could have put any Beatles song on here, but Ringo’s self-titled solo album has been one of my favorites since I scooped it up on vinyl a few years back. All four Beatles are on the album, and Ringo, John and George are all on “I’m The Greatest,” which John wrote. “Ringo” brings me a lot of comfort and joy and I needed that in the period after my brother died. It definitely helped propel the songwriting for the album.</span><o:p></o:p></p><p> <span lang="EN">As recently as maybe four years ago, I used to wonder who could possibly have Aerosmith ranked as their favorite band? Then I started getting into “Rocks” and I totally understood. This thing rips, and it has been worn out on my stereo over the past few years. You won’t hear any Joe Perry or Brad Whitford licks on “Brother of Monday,” but you can bet your ass this album seeped into the spirit of what I was trying to do.</span><o:p></o:p></p><p> <span lang="EN">If you know Von Hayes or Brother of Monday, you know Guided By Voices is going to be on this list. I picked “Sot” because it’s got that warm, lo-fi sound I love and it features Tobin Sprout on his iconic Fender Telecaster. I was so stoked to have one of my brother’s guitars handed down to me, and even more excited when it was his Telecaster. That thing is all over the album, including the leads to “Look It In” and “Ken Tremendous.” I used my middle kid’s Tele on “Uncle Sprout.”</span><o:p></o:p></p><p> <span lang="EN">Any Big Star track would have done the job here, and there’s definitely tunes that I like better and are more important to me (“Life Is White,” “Way Out West,” “Stroke It Noel,” etc.) but my favorite song on “Brother of Monday” wouldn’t have happened without “She’s A Mover.” There’s a part after the chorus of “Look It In” that is more than a tip of the cap to Alex Chilton. </span><o:p></o:p></p><p> <span lang="EN">Even though I’m not the president of the Robyn Hitchcock fan club and don’t know all the words to half his songs, I absolutely love all of his work and he is one of the most influential artists on my music. I try to write like him and sing like him, and I am 100 percent aware of the fact that neither the songs or the vocals come out that way. A stone-cold genius of our time and criminally underappreciated. </span><o:p></o:p></p><p> <span lang="EN">R.E.M. is my favorite band of all time, and “The One I Love” was on my mind when I wrote “Ken Tremendous.” The album started with and is built around that song, so I would say you wouldn’t be reading this without this Berry, Buck, Mills and Stipe classic.</span><o:p></o:p></p><p><span lang="EN"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p><span lang="EN">I kind of don’t like playing live. I don’t really think I’m that great at it to be honest. I always would get up on stage intending to do something crazy at least once, like attempt a Pete Townshend windmill or do a jump to end a song and then I never do it. Because I’m not a performer. I can’t think of a single cool thing I ever did when I played out with Von Hayes, except maybe steal a power strip from the band playing ahead of us because they were a-holes. One time we busked outside the Khyber because our set got cut short and we felt cheated on time. But again, rock is a young person’s thing. Unless you’re a top-shelf artist who can mesmerize a crowd, like Peter Gabriel or Lucinda Williams or Bruce Springsteen, I don’t see the point. </span><o:p></o:p></p><p><span lang="EN"><strong>Has the band toured? What has the touring experience been, best shows? </strong></span><o:p></o:p></p><p><span lang="EN">Brother of Monday hasn’t toured. There are no plans to do so at the moment. If I was asked I would play a show but it would probably just be me, as I don’t have a band. I used to play out with my other band, Von Hayes. The best show was at this combination bar/restaurant/bowling alley in New Jersey called Finnegan’s. Our drummer used a high chair for a snare stand and we covered “Hurts So Good” by John Cougar Mellencamp. The worst was easily at The Church, a funky little venue in Brooklyn that was attended by people from super influential, mega-cool radio station WFMU and maybe even industry types. We somehow got really inebriated really fast. I think someone spiked our drinks. We kicked off the show with “Don’t Fear The Reaper” and do not remember a single thing about it so you can imagine how they rest went.</span><o:p></o:p></p><p><span lang="EN"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span lang="EN">I’ve been recording the next album, which will also be out on Wilbur & Moore Records. I have a few songs in the can already. On the self-titled album I played everything, but on this one I’m trying to bring in as many guests as I can. As I mentioned earlier my kid Kit is on at least one track and I’ll probably get them to play guitar and sing on at least one more. My long-time buddy Nathan Henry, who was in the original lineup of Terminal Lunchbox, played bass on another finished song. In addition to Brother of Monday I’m also working on a new album with Von Hayes. </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="x9P_gWCrBD4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/x9P_gWCrBD4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://brotherofmonday.bandcamp.com/album/brother-of-monday">https://brotherofmonday.bandcamp.com/album/brother-of-monday</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72511712023-08-28T05:00:00-04:002023-08-28T05:00:02-04:00MEET ITALIAN DREAMPOP BAND SIX IMPOSSIBLE THINGS<p dir="ltr"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8a1f1f85becfd7f7f9c313301cd43d58b6f1a50e/original/unnamed-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <span style="color:rgb(55,65,81);">Italian Dream Pop duo, Six Impossible Things, takes a significant stride forward, incorporating two new members to form a full band and enriching their familiar style with elements of dream pop, emo, and post-rock. Their latest single, "Twenty Something," from the upcoming EP "The Physical Impossibility of Death in the Mind of Someone Living," showcases their enhanced sound while maintaining the intimate, confessional essence of their music. Written by guitarist and vocalist Lorenzo Di Girolamo, the song nostalgically reflects on his twenties. The EP, set for release in September, was co-written and produced by Nicky and Lorenzo, with contributions from musicians associated with Italian Post-Hardcore bands What We Lost and Sittingthesummerout.</span></p><p dir="ltr"><span style="color:#222222;"><strong>How did the band form and what does the band name mean?</strong></span></p><p> <span style="color:#222222;">We met back in the summer of 2014 thanks to some common friends. After the night we met we almost immediately started this band. We spent the next few days trying to find something we had in common and ‘Alice in Wonderland’ was the first thing that came to mind. The name is a quote taken from ‘Alice Through The Looking-Glass’ by Lewis Carroll. </span></p><p dir="ltr"><span style="color:#222222;"><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span style="color:#222222;">I can’t remember when I started singing, joining the church choir is the first memory I have. My dad introduced me to music with Bruce Springsteen and stuff like that, then I grew up listening to Avril Lavigne at school and Mina (an italian singer) at home. I joined a country band when I was in high school, then I discovered Julien Baker and I fell in love with alternative music. </span></p><p><span style="color:#222222;"><strong>First concert that you ever went to? </strong></span></p><p> <span style="color:#222222;">My first concert was a punk show in Lodi, my hometown, where my friends’ hardcore band was playing. The first international act I saw was The Gaslight Anthem in Milan.</span></p><p><strong> </strong><span style="color:#222222;"><strong>What's your writing process like? </strong></span></p><p><span style="color:#222222;">I always have a poetry book near me, especially Blake, so I personally prefer to start with the lyrics when it comes to write a song. Then I add the music with my keyboard and finally record a demo on my iPhone so I can send it to Lorenzo (the guitarist). We always work together on every single song before heading into the studio. </span></p><p><strong> </strong><span style="color:#222222;"><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4iASMFudjXIIL3mN956ury?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p> <span style="color:#222222;">I can say that Ethel Cain was my muse for this new record. When I first listened to her music I was amazed by her voice, she can sing in a very low range and I never heard anything like that before. I used to sing in a medium/high range but, with these new songs, I tried to sing like her and I was positively surprised by my voice. </span></p><p dir="ltr"><span style="color:#222222;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p> <span style="color:#222222;">I think playing live is completely different from being in the studio. Sometimes you don’t have the chance to reproduce your music the way you recorded it and sometimes you don’t want to, it depends on a lot of things. Live music is based on feelings and human interactions that are things much more important than sounding exactly like the record. </span></p><p><span style="color:#222222;"><strong>Has the band toured? What has the touring experience been, best shows? </strong></span></p><p><span style="color:#222222;">Yes, we toured Europe in 2019, just before the pandemic. I had never been on tour before, it was the first time for me while Lorenzo had already toured Europe with another band back in 2013. Every place was special for us, we met a lot of people and we enjoyed every show. I will never forget those days. </span></p><p><strong> </strong><span style="color:#222222;"><strong>What's up next for the band?</strong></span></p><p dir="ltr"><span style="color:#222222;">Our new EP will be out September 27th and we’re gonna play a record release show in Milan on October 7th with some friends’ bands. We are planning to play as many shows as we can to promote this record and then who knows, maybe start writing a full length? </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="-5HyD2sRoG4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/-5HyD2sRoG4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <a class="no-pjax" href="https://siximpossiblethingsvi.bandcamp.com/track/twenty-something">https://siximpossiblethingsvi.bandcamp.com</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72511732023-08-25T05:00:00-04:002023-08-25T05:00:01-04:00MEET JERSEY CITY NJ'S BEST INDIE JAZZ FUNK BAND THE FUNKY JC'S<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2fbc25afb255ac6ee6af227b3897de2ad63d1dc6/original/img-0340.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(55,65,81);">Hailing from "The Heights" section of Jersey City, NJ, The Funky JC’s, comprised of Michael Advensky (drums, percussion), Arthur Rodriguez (guitars), and Mike Todd (bass, keys), have a profound connection through their shared background, influencing their distinctive songwriting and improvisation style. After 35 years of playing together in various musical settings, they finally released their debut album, "07307," in 2020, and being signed to Mint 400 Records in 2021 spurred them to create more music. Their second album, "Greetings from The Funky JC’s," slated for release TODAY! August 25th, features 8 songs with guest performances from various artists, each track paying tribute to a location or experience in Jersey City, reflecting the city's cultural diversity. Their music embodies the essence of the Jersey City streets, capturing decades of cherished memories and experiences.</span></p><p><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:black;">Our band formed in 2019 after many years of playing with each other in different musical situations. We all grew up playing funk, jazz, and rock and wanted to create a project that was musically satisfying and original with a nod to our roots. The band name includes the initials of Jersey City, the city that is the heart and soul of our band. The name is also a wink to some great bands we used to listen to like <i>Booker T. and the M.G.’s </i>and <i>The J.B.’s</i> (James Brown’s band).</span><br><br><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:black;">Michael Advensky (drums) and Arthur Rodriguez (guitar) played in a band in the 1980s and 1990s called “<i>Invisible Culture</i>” that was signed to a major label for a time. Michael played with Mike Todd (bass) in the 1980s and 1990s in a jazz fusion band called “<i>Swivelhead</i>” that played in all the original bars in Greenwich Village, NYC. Arthur first got into music listening to the piano of his classically trained grandmother. Five-year-old Michael’s mind was mesmerized by the great Keith Moon from THE WHO that was often played on his older brother’s turntable. Mike was drawn to music by the sing-songs his Northern Irish family would have on weekends as well as hearing his father and mother playing the records of Little Richard, Johnny Cash, Tom Jones, and The Platters.</span><o:p></o:p></p><p><span style="color:black;"><strong>First concert that you ever went to?</strong> </span><o:p></o:p></p><p><span style="color:black;">Michael’s first concert was a Who tribute band called Dr. Jimmy and Mr. Jim. Mike’s first concert with his parents was Johnny Cash, but his first concert unsupervised was Bryan Adams in 1985 with Fiona as the opener. Arthur’s first concert with his parents was watching the Boston Pops Orchestra playing the music from Star Wars, but his first one on his own was in 1985 seeing Ozzy Osbourne featuring guitarist Jake E. Lee with Motley Crüe opening.</span></p><p><span style="color:black;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:black;">We all write the basic forms of our songs together during rehearsals. Usually, we just jam and see what comes out and often take the most interesting ideas and develop them. Sometimes one person might bring an idea to the group that we will then develop together.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>What other artists or songs inspire your music?</strong> </span><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/74C5dDHbVkow0hmhhZ8fQ2?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><o:p></o:p></p><p><span style="color:black;">Lou Donaldson’s alto sax playing is a major influence on the band. His blues leaning jazz lines always seemed magical yet earthy to us. Jaco Pastorius is one of our major influences as well, especially the way that his playing and compositions blended so many styles such as jazz, funk, rock, Afro-Cuban, and rock. The fire of Elvin Jones’ drumming, especially when he worked with John Coltrane and Larry Young helped us learn about passion and power in jazz music. Another major influence is rock, blues, and country music like Willie Nelson and Albert King. Everything that was on the radio in the late 1970s and 1980s had a way of seeping into our collective consciousness as well.</span></p><p><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p><span style="color:#1D2228;">Our goal is to play loose and have fun. Norms can change and shift with the times, but we try to stay true to ourselves and what we believe in musically. Also, if you’re enjoying yourself on stage then people will feed into that. We try to engage the audience with as much interaction as possible such as having the audience clap with us and getting them to feel the rhythms and vibes that we are providing. </span><o:p></o:p></p><p><span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span><o:p></o:p></p><p><span style="color:black;">We have not toured as The Funky JC’s but we have done some tours individually in different projects. Touring was always difficult for us because we have 11 children between the three of us ranging in age from 10 to 30 years old. Some of our best shows have been at Pet Shop in Jersey City, Stosh’s in Fairlawn, and Shawn’s Crazy Saloon in North Arlington.</span></p><p><span style="color:black;"><strong>What's up next for the band?</strong></span></p><p><span style="color:black;">We hope to keep playing and recording. It’s a privilege to be able to be creative and original and work with friends who we respect and value. </span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="7K6v-pyG4lQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/7K6v-pyG4lQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:#1D2228;"> </span><a class="no-pjax" href="https://linktr.ee/thefunkyjcs?utm_source=linktree_profile_share" target="_blank"><span style="color:#196AD4;">https://linktr.ee/thefunkyjcs?utm_source=linktree_profile_share</span></a><o:p></o:p></p><p> <o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72511232023-08-24T05:00:00-04:002023-08-24T05:00:02-04:00WHAT'S IN OUR INBOX! 3LH, BROKEN RECORD, TWO-MAN GIANT SQUID, SOLENE, THE 3 CLUBMEN<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>3LH</p><p><strong>BMN Score:</strong> 8.7/10</p><p><strong>What the band says: </strong>Frontman Rafa Heredia says, “This is a song about self reflection after having maybe a pint too many at your favorite divey hole in the wall, it’s a callback to tracks like “Alabama song (Whisky Bar)” by The Doors - the song lends itself to telling a fun twisted story while not taking itself too seriously.”Taking inspiration from 60’s surf, fuzz, punk and reverb-filled guitar tones, 3LH bring a sense of newness to a classic sound.</p><p><strong>What we say they sound like:</strong> Do you remember how the Stray Cats did that throwback rockabilly sound better than anyone else? This kind of has that 60's country blues feel but with some modern production. It's got a dark gypsy punk think going as well, a little bit Gogol Bordello-ish. Would have liked to have heard something like this played with more vintage gear and little more reverb soaked and through fuzzed up 60's amps, but alas, it aint bad. </p><p><strong>Song to add to your playlist: </strong>Blue Collar Blues</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="o8u04CmNMxg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/o8u04CmNMxg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Broken Record</p><p><strong>BMN Score:</strong> 9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Gigantic, fuzzy choruses bring to mind the most triumphant singalongs of 90s indie rock. Soaring vocals and tasteful theatricality demonstrate an unabashed affinity for radio-ready emo acts of the early 2000s like Bayside and Taking Back Sunday. The result is a record that is far beyond the sum of its parts, delicately balancing each element in perfect harmony. Whether it’s in the bending, shoegaze-informed riffs or the propulsive, power-pop refrains, Nothing Moves Me deftly maneuvers the razor-thin tightrope between experimentation and cohesion.</span></p><p><strong>What we say they sound like:</strong> This is indie with a little bit of a punky emo edge. It kind of reminds me of if The Get Up Kids were putting out records 20 years later than they did. This has ‘ Something To Write Home About’ vibes all over it. I actually really dig this, it's like The Get Up Kids yes, but with a lot less of that Matt Pryor-ish whining removed. I'm liking this, it's a great update of an old sound. </p><p><strong>Song to add to your playlist:</strong> See It Through</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="F06Zo2r82hg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/F06Zo2r82hg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Two-Man Giant Squid</p><p><strong>BMN Score:</strong> 9.9/10</p><p><strong>What the band says: </strong> <span>an ode to the DIY roots that catapulted the band a year ago. It showcases the band's depth as they move from dance-punk freakouts to slow-burn emotional payoffs. The album's lead track, "The Opposite" explodes into a full dance-rock party that stamps the band's place as a party band for a new generation of city kids…There is one thing that is certain about the depth, energy, and emotion of this album: Two-Man Giant Squid doesn't let the darkness of their sound get in the way of a good time.</span><o:p></o:p></p><p><strong>What we say they sound like:</strong> When I think Brooklyn bands I don't think of something this cohesive and well written, usually it's weird shit. I was pleasantly surprised as this has a great oldschool NYC sound like Lou Reed meets The Strokes, and lots of other cool indie things thrown into a bunch of these songs. I can hear the influence of contemporaries like Dead Tooth, maybe they inspire each other, which is a great thing. Nods to bands like LCD Soundsytem on the new albums opener “The Opposite”. Energetic punkiness on tracks like “Progress”. These guys do it all and I'm here for it. </p><p><strong>Song to add to your playlist: </strong>Cold Fingers, Progress, The Opposite</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1frGP2DPIqA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1frGP2DPIqA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong> Solene</p><p><strong>BMN Score:</strong> 6.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">listeners are invited to explore a more vulnerable side of the band. Deep lyrics, which portray emotional experiences, are enriched by musical arrangements that create a melancholy and touching atmosphere. This subtle and artistic transition of the tracks shows Solene's unique ability to reinvent itself, revealing different facets of its musical identity.</span></p><p><strong>What we say they sound like:</strong> Gotta be honest, the inbox was a little barren this week and I normally wouldn't cover this style. This isn't really something I enjoy usually, it's well produced, it's catchy, it's got a main stream feel but whereas bands like Motion City Soundtrack and Say Anything hit the mark for this style of music, this feels closer to that second wave of stuff like Hawthorne Heights and Simple Plan and that kind of stuff. I just feel like it's been done to death but hey at least they are doing it very well. (To the band, I'm sorry I couldn't give you a pull quote from this blurb, I really tried. I'm sure more reputable places than here love you.)</p><p><strong>Song to add to your playlist:</strong> P.S. You Saved My Life</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="BIcsl6vvX7s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/BIcsl6vvX7s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><br><strong>Band Name: </strong>The 3 Clubmen</p><p><strong>BMN Score:</strong> 9.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">The 3 Clubmen is the culmination of a decade of antics from these longtime collaborators (all part of the Lighterthief label family tree) - with the writing and recording of this material starting years ago. While each artist has worked with the others in some form since 2008, This is the first time that Stu, Andy and Jen have combined forces as a trio, an inevitable partnership once described as “a three-headed Frankenstein's monster dancing at a neurodivergent singles club”.</span></p><p><strong>What we say they sound like:</strong> When I heard a member of XTC was part of this I had to listen as I love their early records. This has a very interesting vibe to it, I'd say Indie Pop is my best estimation although it feels at some moments to almost have a reggae or Latin influence to. The song has grown on me with multiple listens and it actually has some interesting musical elements that I'd expect to hear from veteran musicians. The production and seamless mesh of styles makes this something the band should be very proud of. </p><p><strong>Song to add to your playlist:</strong> Look At Those Stars</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Rlm-6byol9s" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Rlm-6byol9s?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72605182023-08-23T05:00:00-04:002023-09-07T08:19:09-04:00BOSTON INDIE ROCK BAND AIR TRAFFIC CONTROLLER: BMN EXCLUSIVE TOUR DIARY<p><o:p></o:p></p><p><span style="color:black;">Boston based Indie Rock band Air Traffic Controller wrapped up a 13-date tour (their FIRST in nearly four years) in July in support of their most recent self-released album, <i>DASH. DASH </i>was recorded during the Covid-19 pandemic and released in November 2022. While on the road, Air Traffic Controller showcased songs off the album. The band is back home resting before their upcoming shows. In the meantime, you can get familiar with the band as ATC frontman, Dave Munro is giving fans and Blood Makes Noise readers a glimpse of what their first tour post-lockdown was like.</span></p><p><span style="color:black;"><strong>Upcoming ATC shows:</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Sat. 8/26/23 - Salisbury, MA - WXRV Riverfest opening for Ripe </strong></span><a class="no-pjax" href="https://theriverboston.com/attend/2023-riverfest-salisbury-beach/" target="_blank" title="This external link will open in a new window"><span style="color:#1155CC;"><strong>https://theriverboston.com/attend/2023-riverfest-salisbury-beach/</strong></span></a></p><p><span style="color:black;"><strong>Fri. 9/8/23 - Cambridge, MA - The Sinclair presented by WERS</strong></span><o:p></o:p></p><p><a class="no-pjax" href="https://www.axs.com/events/488900/air-traffic-controller-tickets" target="_blank" title="This external link will open in a new window"><span style="color:#1155CC;"><strong>https://www.axs.com/events/488900/air-traffic-controller-tickets</strong></span></a><o:p></o:p></p><p><span style="color:black;"><strong> </strong></span><o:p></o:p></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e91c31d1c359dbb1a25dab35391c1f3c5004e628/original/yxxs702c.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:black;">Getting back on the road was so important to ATC, we actually booked our own tour. It was hard work finding venues, openers, good routing, but our team efforts paid off and it’s finally happening! For me, signing up for a tour is more than committing to the actual tour dates. The days leading up to it are exciting, but the scramble, anxiety, guilt, the post tour runaround, that’s all part of the deal. I’m not going to sugarcoat this, this is my diary dammit, so in ATC fashion, I’m going to do my best to just tell it like it is. As Tenacious D says, “The road is a be-a-itch my friend, but it's the only fuckin' road I know”. </span></p><p><span style="color:black;">I figured I had time before the tour to get things ready, spend quality time with my loved ones, make a music video…whoops, yes we did that right before leaving, which I now realize was poor time management, but I’m still glad it happened. Our crew was about to spend every waking moment together on tour, we didn’t plan for the video to be that too, but again, I am so glad it turned out that way. As you’ll read here in my diary, I love this band, a lot. </span><br><br><span style="color:black;">We all met up with our “EZbreezy” music video director, Jasper Hamilton to basically have a good time on a boat on Boston Harbor. My wife Sarah was along for the ride as well. </span><o:p></o:p></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e44b3d2ec752c467daba8a5b5bdfa8a45d229f68/original/pu0ugsqi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><o:p></o:p></p><p><span style="color:black;">Jasper’s instructions were “EZ” - pretend I’m not here, have fun on this boat and it’s going to be awesome. So we did just that. (and it is awesome. “EZbreezy” video is out now!)</span><o:p></o:p></p><p><o:p></o:p></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5c30965d005e761464aa117fa4c54958dd225b36/original/bzq1ubx0.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><o:p></o:p></p><p><span style="color:black;">We zoomed all over Boston harbor, passing islands, lighthouses, the beautiful skyline, planes landing overhead, we even pulled up to the seaport and grabbed sandwiches for everyone, we all got the Rueben at Tony’s C’s, it was worth writing about. Ok, that’s all I will write about it. </span><o:p></o:p></p><p><span style="color:black;">The boat captain, Brad and his first mate Alli, brought us to an area of the harbor where the streetlights shine on the water, apparently that makes a great fishing spot. It took about ten seconds for them to prove it. We each got to immediately reel in our own striped bass. A couple of them were huge enough to keep, so our drummer boy Adam Salameh took some home. Yes, he’s leaving behind a freezer full of fish while heading out on this tour. Pretty sure he said his girlfriend Chrissy doesn’t eat fish. </span><o:p></o:p></p><p><o:p></o:p></p><p><a class="no-pjax" href="https://www.dropbox.com/scl/fi/nxkmd67irjulmip4v7psk/4Adam_Fish.HEIC?rlkey=1bgtgp5dya9j4d2w0mb5rb8sz&dl=0" target="_blank" title="This external link will open in a new window"><span style="color:#1155CC;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/69c93444d7ee64881fec35bfacad80db18086674/original/u34plmue.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></a><o:p></o:p></p><p><span style="color:black;">I’m leaving behind two small children, one of them turning 5 just a few days after the tour starts. The guilt is real. I arranged for an early bday party a week ago, rented an inflatable obstacle course, he was thrilled, I felt a little better, but his birthday is still his birthday and missing it seemed unforgivable, which is why I also had to give him a new scooter right before leaving. He loved it! </span></p><p><span style="color:black;">The band met up at my place, where I had consolidated 7 boxes of ATC shirts into just 3 plus a Tupperware drawer situation that was going to change our merch hustle forever. We packed and boarded our Greenvans rental, a beautiful new Ford Transit, and headed toward Buffalo NY. </span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a64b818329e70796ab14a5e5544e90e08dc1696e/original/fazvgtgs.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ae762d76f446a5d767fc9f8e46543193e2e17760/original/byn0rchk.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:black;">Our first tour meal together was at Excelsior Pub, a classic dive in Albany, with an awesome mural of a beast warrior outside, which Adam named “Joe” after our bassist, Joe Campbell. Most of the band ordered Beef on Weck, which Adam repeatedly referred to as a “Hyper-Regional Sandwich”. I ate a Garbage Plate. Yes, that’s the actual name of this meal, basically macaroni salad and home fries topped with 2 burger patties, and smothered in chili. Looks like complete garbage but it was absolutely delicious!</span><o:p></o:p><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/88cfb6da49b69a4bf880e37f9e18b09525b43886/original/ll-thkaq.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/6b2fb23158bcb5d2f35c94cca42b6d1b49d07f28/original/afdhnk1e.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;">Next day we were off to the Chicago area where my step sister Sue was letting us crash in her beautifully finished basement. On the way, we witnessed the first of several amusing tour purchases by our vocalist/keytarist Emi McSwain. She walked out of the gas station with a plastic egg full of slime that looked just like a real egg, sunny side up. She insisted we all touch the slime. I refused. Maybe I’ll touch it later when there’s a sink and soap nearby.</span><o:p></o:p><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/18a832344e6c4330196738749e1340212edb2757/original/mbdlrgaa.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:black;">We ate at a diner in South Bend IN where none of us liked our food, and we’re not very picky. We won’t name this place, but we hope they get their shit together. </span><o:p></o:p><a class="no-pjax" href="https://www.dropbox.com/scl/fi/unhs2bx16r1n0vc786r9b/12JoeBobDiner.JPG?rlkey=1bqm6j4hubgqg0ak2vqnbmeoq&dl=0" target="_blank" title="This external link will open in a new window"><span style="color:#1155CC;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/59110159d197997f31ccecc7b4067fe5763654d6/original/dgqz7i8a.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></a></p><p><span style="color:black;">The first time we entered Iowa, it was great (stay tuned, there will be a lot more Iowa). We hit the World’s Largest Truck Stop, which was like a mall for truckers. Joe bought a camouflage hat, the boys started state magnet collections, and we saw two full size tractor trailers inside the store. Yes, right there beside all the shirts, was a friggin Mack truck. We got in and took pictures, as you do. </span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/91cc695051c97c772a06c9689dcb7e47b5499a4e/original/4t1hdmbo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5a2d715a8fbbbf9226079eddd12c83e8fb30c124/original/9l4nf6yi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;">Our first show was Lincoln, NE. Yes, we drove from Boston and our first show was in Lincoln, NE. That’s what happens when you book your own tour. </span><o:p></o:p><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/b15740ec471c0681c3dcfface909920bcc001c2d/original/z3ahj9r8.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><o:p></o:p></p><p><span style="color:black;">After the show we wanted to drive a few hours toward Denver. I spent those few hours trying to find lodging for the night, but every hotel I called was booked up. How does this happen in the middle of Nebraska, you ask? A Taylor Swift concert. That is how. We finally found a motel on the route and we were exhausted, but NOT too tired to skip our usual bed bug inspection. Sure enough, Joe turned over a pillow and found a text book “bed bug”. We had to find another place to stay. Lucky there was vacancy at a motel pretty much next door. You can trust, they got a thorough inspection before we finally shut our eyes for the night. </span></p><p><span style="color:black;">We played “Rocky Mountain High” loud in the van as we rolled into Denver, then realized there were hardly any mountains visible from the traffic we were in. I had to quote <i>Dumb and Dumber</i> - “Man, that John Denver is full of shit.” My wife’s cousin, Jennifer, heard we were coming and insisted on buying us dinner. So we met up with her at a Mexican place Adam was all excited about. As we were ordering, Jen asks for a steak quesadilla with just cheese nothing else in it, that is all, so basically a steak and cheese. We all look at her and she says “What, I don’t like Mexican food!”. She had us cracking up from that moment, until we got back in the van. My mother in law always said “Jennifer is a hot ticket”, but I was unprepared. I’m so glad we’re related and I get to hang with her again someday.</span><o:p></o:p></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/21b22ff87444ad6825c99e4a6ec5208626e437ba/original/xllyxkxq.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><span style="color:black;"> </span><o:p></o:p></p><p><span style="color:black;">During dinner I got a call from the event coordinator of our show the next day in downtown Cheyenne WY. I had emailed her asking if there was any chance we could check into our hotel one night early. This would save us time and money and make our next day so much easier. She called with the good news - we could have the rooms one night early, no problem. We all stood up in the restaurant and started hugging, we were so happy to be spending two nights in one place. After soundcheck, we hit a few shops around the venue. Emi came out of a thrift store with a shirt from a legendary BBQ place in Boston, Blue Ribbon. Wicked awesome.</span></p><p><font face="arial, sans-serif"><span>Not to toot our own horn, but our Denver show was amazing. We originally had 3 acts on this bill but one of the bands literally broke up days before the gig. Our one opener, Tireshoe (sounds like “tie your shoe”get it?) absolutely killed it. There were a lot of people there reminding us how important it was that we came to their city, which feels so good to hear. They also warned us that their city’s pizza is terrible, however, it was very late and there was pizza right across the street, we didn’t have a choice but to try it. Our fans were right, Denver pizza is not great. Emi gave our food to some guys that, to her surprise, were literally peeing in the street. They were psyched about the pizza though.</span></font><br><br><font face="arial, sans-serif"><span>We got to Cheyenne in the middle of the night, and spent a while finding the right tree to “tour-park” our van. Tour-parking is when you back the van into a position where no one can break into the rear door because it’s simply blocked by a pole, tree, wall, etc. Our lead guitarist Bobby Borenstein is becoming a professional tour parker. The event coordinator gave us 4 separate hotel rooms. This is rare, as we’re used to sharing rooms, and beds even. I woke up and had a much needed FaceTime call with my family who were swimming at a friend’s house. Their smiles recharged me for the rest of the day, which I needed because Cheyenne was a big one. I’m the only one in the band who doesn’t drink coffee. I keep telling them I’m going to drink some when the tour is over in case it freaks me out. </span></font><br><br><font face="arial, sans-serif"><span>Emi recently nicknamed Bobby “Meredith” for no reason at all. I ordered at Starbucks and gave them the fake name “Meredith” so when they called it out loud, everyone would laugh. It worked.</span></font><br><br><font face="arial, sans-serif"><span>As we loaded in for Fridays on the Plaza we could see a crowd already forming. Emi and I met one of the dudes from the headlining act 3OH!3. I must say, for someone who wrote songs like “DON’TTRUSTME”, “Dirty Mind”, “Touchin’ On My”, he could not have been a nicer guy. We waited a while for a very threatening storm to pass around us and finally made it onstage to soundcheck.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bd2c9a32618f2c8e6759661a65bf935c73c1bae1/original/6w2h0hp0.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><font face="arial, sans-serif"><span>However, our soundcheck ended as soon as it began. They announced to the crowd that a storm producing nickel sized hail was coming any minute, and that everyone could squeeze under the vendor tents for shelter. Our most important show of the tour, appeared to be doomed. I thought, even if the storm passes quickly, most of these people are getting the hell out of here and not coming back. But that wasn’t the case at all. I didn’t see hail, but it poured, and people hardly took shelter. Many of them just stood there getting soaked with smiles on their faces. What is up with this place? Cheyenne, you are cool.</span></font><br><br><font face="arial, sans-serif"><span>The storm passed and as we finally took the stage, security informed us that we were about to play for about 8,000 people. Our smiles were glued on for the entire show, the response was amazing! Experiencing this one event with this band, especially with our first timers, our “tour-tadpoles”, Bobby and Emi, made this whole tour for me. </span></font><br><br><font face="arial, sans-serif"><span>This was our first time in Wyoming and apparently, they loved us. The crowd roared as the set ended with our big closer “Bad Axe, MI”, I dragged my stuff off stage and ran to the merch area where I saw the biggest line of customers ever. Well, most of them were customers. Many wanted us to sign their phones, some people even asked us to sign their 3OH!3 shirts…haha… ok! </span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/7d161c55c10d1e3dabe4e1217cef2a89d91a2ddf/original/fhnd1b-y.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><font face="arial, sans-serif"><span>There were a lot of folks there who said they drove hours to see us. I remember one young woman saying our music “saved her life”, I nearly starting crying when I hugged her. We then proceeded to have “a night” in Cheyenne as we headed to a nearby saloon with a dance club in the basement. When we were about ready to leave, Emi asked the DJ to play our song “Hurry Hurry”, and he actually did! We all hit the dance floor for our song before heading back to our lovely lodging situation.</span></font><br><br><font face="arial, sans-serif"><span>The next morning we walked around downtown before getting back on the road. I really like Cheyenne, it’s like the old west, but with really good smoothies. Emi disappeared and returned with an original painting she bought directly from the artist. </span></font><br><br><font face="arial, sans-serif"><span>Fort Collins - I knocked on the door of our old friend, house concert host, Pete, while the band was sprawled out across his lawn. He answered with a smile, said we could jump in the neighborhood pool but it was momentarily shut down due to another potential storm. There are so many good reasons to play house concerts on tour. It’s the best fan builder you can ask for. The people that host these events are our champions. They pack the house, everyone buys merch, then they tell everyone about the unique experience. We honestly make a lot more fans and money at people’s houses than we do at normal club dates. </span></font><br><br><font face="arial, sans-serif"><span>Pete’s friend Mike Woodard opened the show with an awesome performance. He and a bunch of guys that work at the nearby New Belgium Brewery explained to me, first hand, why the ever popular Fat Tire Ale changed its recipe and branding. Interesting story, Google it! By the time the show was over the kegs were empty, which is probably a good thing because we had a very long drive ahead. We wanted to get a few hours closer to the next venue in Council Bluffs Iowa. Someone gave me a large bottle of beer from UT that I planned to savor at some point rather than chugging it before our drive. So I stashed it in a cupholder in the back of the van. Did I mention I like beer? I often climb into the mountain of stuff back there and dig around. The band refers to that as “Dave rummaging”.</span></font><br><br><font face="arial, sans-serif"><span>Taylor Swift must’ve been back in our area again because all we could find for lodging was this scary motel in Nebraska, right out of a movie. There was a note on the office door that said - ring the buzzer and then wait 5 minutes. This old woman came out of a sliding glass door within her promised timeframe, but then it took her like 20 min just to hand me the keys. This gave me time to ponder the late 80s decor and the awards on the wall calling this place the best hotel in the county or something. I’m sorry, but it must be the only hotel in the county to be considered the top one…this place was from another era. No bugs though.</span></font><br><br><font face="arial, sans-serif"><span>Woke up to Joe flossing and Bobby saying it was time to hit the road and I just disagreed. It couldn’t be..we just got to sleep. But no, seriously, we need to be out of here in 5 min. Okay then I’m taking a 1 minute shower. I closed the bathroom door and sat with my face in my hands for a good 15 seconds. I didn’t cry, I just wanted to. I stepped into shower for literally 1 minute, just long enough to wash my important parts and wake up. I think every tour I feel like this for at least one moment, where I didn’t get enough sleep and have to power through. I got creative in the van and caught a wink on this stretch of more Nebraska and even more Iowa. Bobby snoozed too.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/92e99eef295ba89697630236a53bbe679bcc7123/original/iispz9cw.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>Council Bluffs - we met Emi’s friend Josh and his band, our openers - Beachmont. Incredible. Follow them. After soundcheck we ordered salads at a nearby restaurant that is probably great, but is really bad at making salads. Guys, not all salad ingredients belong together. Emi showed us how she makes and drinks mustard water. Then we had a fun show with the good people of Iowa. </span></font><br><br><font face="arial, sans-serif"><span>One guy, an Iowa tractor mechanic, drove over 4 hours to see us, he was the loveliest fan of the tour. I snagged an ATC show poster off the bathroom wall and we all signed it for him.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bf20f20d31539375ac97a5dc53abc5265a4b181b/original/pegtavsm.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>The bartender, also a total sweetheart, is an aspiring standup comedian on the side, and her husband is a skateboarder with a popular YouTube channel. We checked them both out online while eating Canes Chicken, first time for me, love it! We also realized Joe and Post Malone might be the same person.</span></font><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e2fb61e11d091026d7ca3d9981d6a9739a436bf8/original/wsknopww.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><font face="arial, sans-serif"><span>We snapped this glorious photo of Adam outside our Iowa hotel. Notice the bolo tie. He usually puts that on whichever bandmate is driving the van. He also let me wear it onstage a few times. My guy!</span></font></p><p><br><font face="arial, sans-serif"><span>We cracked open those beers and had one before bed, which I never do anymore because I suffer from silent reflux. Then Emi bursts in with a bag of beef jerky and a jar of Tostitos cheese. No one was interested, until of course she started dipping the jerky in the cheese and air planing it into peoples mouths. Bobby still wasn’t interested but he was force fed the cheesy jerky. I thought I was going to be sick. One of the worst smells - someone else’s beef jerky. (Another worst is someone else’s tuna) I don’t hate it, but when I’m not eating it, I can’t stand the smell of it. Emi had mercy on me, god bless her.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c9aaaeb8a5dae738d2fdbd39064f83e6fdbe04ed/original/fg-lgrzw.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>Adam’s favorite venue is miniBar in Kansas City. Their NPR station TheBridge909.org has been rotating our song “20” and met us at the venue for an interview and performance taping. The interviewer, Jon Hart, was such a pro, really good conversation. We’re psyched this session now lives on their website. We got to eat some insanely good barbecue at “Joe’s”, which is a restaurant and gas station. You would never expect to have one of the best meals of your life there but…we did.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ff17162bf3ab920fa5f6178111a2757a005ad5d5/original/d4l8tebi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><font face="arial, sans-serif"><span>We also had to overcome a puddle situation that can only be told by the video we posted on Instagram @atcmusic. Spoiler - Emi is still with us, alive and well. Before the show we browsed a record store, Adam and Emi drove motor scooters all over KC, I called home, and Joe and Bobby took a nap in the van. </span></font><br><br><font face="arial, sans-serif"><span>As we took the stage Emi held out a pack of processed cheese offering me a slice. No, but thank you, Emi. </span></font><br><br><font face="arial, sans-serif"><span>This was our last show with our new pals, Beachmont. Afterward, we hit the road hard again for another long stretch north toward Minnesota. Since we can’t seem to go anywhere without passing through the great state of Iowa, we spent the night there.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1c81df3c2ea14a27b668f10676b922519b3fe3e7/original/1skkzsnu.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><font face="arial, sans-serif"><span>Turf Club in St. Paul, Minnesota is one of my favorite venues and this time I got to meet up with some friends. After soundcheck, a quick Thai meal next door, and an outfit change in the van, my friend Tim arrived. We caught up while I organized our merch table, then I showed him the Clown Bar in the basement. Creepiest bar ever, clown portraits on the walls, horror movie playing on a projector. I could have stayed down there all night, but I wanted to see the openers.</span></font><br><br><font face="arial, sans-serif"><span>Adam also changed in the van.</span></font><br><br><font face="arial, sans-serif"><span>Bobby disappeared.</span></font><br><br><font face="arial, sans-serif"><span>Let’s Be Kids and Colin Bracewelll were both fantastic. This was a killer night! My dear friend, and talented radio personality Kendall Stewart, also showed up. I’ve known her since her college days when she was a Music Director at the best college station in the country, WERS. She was one of the few believers wielding the power to break ATC into the Boston airwaves when we truly needed it. I am indebted to this girl for believing in our music, getting us off the ground and still spreading ATC love everywhere she goes. After the show, she and her friend begged us to come dancing. We wanted to go badly, but already planned to crash at Tim’s. We did the math for our minimal sleep and maximum drive time to get us to our next stop, and there was literally no time to squeeze in dancing. I congratulated Kendall on her new radio position and life she created in MN, she’s also a traveling party DJ for Gimme Gimme Disco. I know we’ll meet again and I know there will be dancing. </span></font><br><br><font face="arial, sans-serif"><span>We got to Tim’s and did have time for a beverage on his driveway. His neighbor heard us and came over with some Spotted Cow beer only available in Wisconsin. Good to know, as that’s our next tour stop. Tim lives on a lake and offered us all a ride on his boat in the morning before leaving. Everyone chose sleep, except me. It was worth the early wake up. Got a glimpse of Tim’s chill life on this gorgeous lake. Very inspiring. Someday I hope to have a boat, and a lake, and a house, maybe not in that order. The band van pulled up to the lake just as we got off the boat. We said our goodbyes and were on to the next one.</span></font><br><br><font face="arial, sans-serif"><span>Madison - A couple hours into the drive we were stopping for gas and I noticed the sign said Eu Claire. That’s where Bon Iver is from, it’s also where my old friend singer songwriter Beth Jean lives. Like ATC, she recorded albums with Bleu and Ducky Carlisle. She was recently nominated for an Emmy for children’s music, and getting married any day now. I had to let her know we were about to stop for gas in her town. She answered – “I live a minute from that gas station, I’m coming say Hi to you guys.” By the time I finished pumping gas, there was Beth for a quick - Hi, hug, hello to the band, this is our van, have a wonderful wedding, hug, bye Beth. Literally!</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/cbeab0f5ad6e64372d05031df2ea65c2e94b3370/original/j9qoq-fk.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>Joe’s beer or choice in Madison WI, was Spotted Cow of course. Our opening act was Meggie Shays. She was unbelievably talented and so kind, she invited us to crash at her place, however there was a catch. She would not be there, but… the people who would be there are totally cool and would not mind at all. I locked eyes with Adam, and knew exactly what he was thinking, and I agreed completely. If we did this, it would probably the weirdest night of the tour, and something to laugh about for years, but not tonight. Let’s just go to bed. What about Karaoke Meggie and friends asked? No, just… no. Let’s find a hotel and save ourselves for Chicago. We booked a hotel using a discount, but it was after midnight, so it actually booked for the following day. I called to correct this and it’s normally an easy fix, but long story short, they couldn’t help me, I either had to pay full price which was twice as much, or wait til 3am and they’d call it an “early check in” for next day. This night was going south. We actually considered driving south to my sister’s in Naperville a night early but she was asleep, and we couldn’t just waltz in this late. Emi said jokingly, let’s go tell the girl at the hotel we’re checking in right now! That was actually our best option, but I decided I will beg the girl instead. We drove to the hotel, I told the band to wait outside while I sort this out. I finally convinced the girl to help us. She did this by closing the hotel’s books for the night earlier than usual and treating us like a next day check in right away. It took a while but I finally got the keys and ran back to the van. Everyone was laughing and Emi was dripping wet. What the hell happened? The sprinklers. </span></font><br><br><font face="arial, sans-serif"><span>Chicago - We woke up in Madison with just enough time for a quick swim in the hotel pool. Only Emi was game. This pool was shallow and hardly for adults, but we got in some laps before hitting the road. First order of business in Chicago - eat something good! Adam’s friend suggested a place that was on a short list of the best Cubano sandwiches in the world. We verified this claim.</span></font><br><br><font face="arial, sans-serif"><span>We went to a vintage store, Ragstock, and decided we’d all buy matching clothing in red. Adam’s choice was only partially red, but what it lacks in red it makes up for in elegance.</span></font><br><br><font face="arial, sans-serif"><span>Our final show of the tour was a lot of fun, but we can’t take all the credit. Our opener CXPITAL was awesome, and the show’s photographer was dancing all over the room excitedly snapping these photos. This guy, Zachariah, kept our energy up all night, maybe we should bring him on the next tour. Final order of business was Chicago hotdogs. Adam describes these beautifully in his “jumping into tour” video on Instagram @atcmusic. There was only one place open and it did the thing. Off to my sister Sue’s house once more.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f6f38b139173325e649d4b8fe394c89dff852816/original/mi-0ugj4.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>-heading home, almost</span></font><br><font face="arial, sans-serif"><span>We woke up to another delicious breakfast with Sue’s family when she told us about the community pool nearby. A celebratory soak before hitting the road sounded good to everyone.</span></font><br><br><font face="arial, sans-serif"><span>South Bend Indiana redeemed itself with a much better meal, this time at Perkins Restaurant. Much better than the diner we hit here previously. Emi did a somersault on the dining room floor, no one was looking, thank god. I did not want to get kicked out in the middle of my celebratory steak! We explained to the old lady at the register that we are in a famous band. She promised to watch us on YouTube.</span></font><br><br><font face="arial, sans-serif"><span>At a gas station we started cleaning out the van. Joe threw out Emi’s gigantic Rice Krispy Sheet we have been picking at for a week. It was sad, but it had to go.</span></font><br><br><font face="arial, sans-serif"><span>We almost got through the whole tour without getting in any trouble, but then Emi climbed into this ice box and we were asked to leave.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9020a749cfbd4fe4806d647616a2c157ee8ac95a/original/gewlqcgo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font><br><br><font face="arial, sans-serif"><span>I talked to Bobby during one of our final pit stops. He explained how it was Adam who started calling Emi and him "tour tadpoles" and "taddy-daddies". Before the tour, Adam expressed so much excitement in getting the chance to witness them on the road for the first time. Bobby went on - Adam prepped me for all the delirious late night car rides through the exorbitant amounts of corn in the Midwest, and all of the region-specific meals we were going to try to cram into these stops. About 3 days in, after 2 nights of very little sleep and 500 miles of driving a day, I looked at Adam and asked "am I supposed to feel like I'm a totally different person on the road?" Adam promptly responded "oh yeah, you just become a weird lil feral nomad out here" and honestly, that couldn't have been more true. We became the STRANGEST lil dudes. And I wouldn't have had it any other way. </span></font><br><br><font face="arial, sans-serif"><span>Gotta love Bobby. So genuine, hardworking, and talented. I’m honored to be part of his first tour experience.</span></font><br><br><font face="arial, sans-serif"><span>-Boston arrival</span></font><br><font face="arial, sans-serif"><span>Getting back was not that simple. We had to drop everyone off in town then Joe and I went back to my house another hour away, where his car was. We unloaded the rest of the stuff, I ran inside to kiss Sarah, then had to drive to Greenvans in Providence, another hour, to drop off the van. My cooler than cool stepbro Ricky met me there and took me home, another hour. I quietly crept into the house around midnight and saw my 7 year old daughter walking to the bathroom half asleep. She was surprised to see me, but I needed her to stay quiet and not wake anyone so I just gave her a big long hug and then walked her to and from the bathroom and then tucked her back into bed. It was so nice to finally be able to say, I’ll see you when you wake up. And it sure was sweet to do just that.</span></font><br><br><font face="arial, sans-serif"><span><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3ec1d3dd49c0ff30b098005047833d14b928e8b1/original/i1zkoldu.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></font></p><p><o:p></o:p><o:p></o:p></p><p><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="YEjvEf1Wf2Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/YEjvEf1Wf2Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><a class="no-pjax" href="https://www.airtrafficcontrollermusic.com/" target="_blank" title="This external link will open in a new window"><span style="color:#0B35FF;">Website</span></a><span style="color:black;"> </span><br><span style="color:black;"><i>DASH </i>on: </span><a class="no-pjax" href="https://open.spotify.com/album/64Br7GMiheOBMDWixzQcZy?si=oKfTE1ptRJWmZYFhiQdDzQ&nd=1" target="_blank" title="This external link will open in a new window"><span style="color:blue;">Spotify</span></a><span style="color:black;"> | </span><a class="no-pjax" href="https://music.apple.com/us/album/dash/1646589566" target="_blank" title="This external link will open in a new window"><span style="color:blue;">Apple Music</span></a><br><span style="color:black;">Social Media: </span><a class="no-pjax" href="https://www.facebook.com/atcmusic" target="_blank" title="This external link will open in a new window"><span style="color:blue;">Facebook</span></a><span style="color:#500050;"> | </span><a class="no-pjax" href="https://www.instagram.com/atcmusic/" target="_blank" title="This external link will open in a new window"><span style="color:blue;">Instagram</span></a><span style="color:#500050;"> | </span><a class="no-pjax" href="https://twitter.com/atcmusic" target="_blank" title="This external link will open in a new window"><span style="color:blue;">Twitter</span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72499722023-08-23T05:00:00-04:002023-08-23T05:00:03-04:00MEET NORTH CAROLINA SINGER SONGWRITER JAMES SARDONE<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9ed0cd6a3ef0a875ffb601d56bc21917f8464f17/original/james-sardone.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(55,65,81);">James Sardone has been leaving his mark on indie rock for over a generation, taking us on a musical journey from the Appalachians to the eastern seaboard. Starting with the irreverent noise of Brickbat, a post-punk trio that once toured with Jawbox, The Jesus Lizard, and The Jon Spencer Blues Explosion, he later explored genres from country-tinged hard rock with Burnley Brothers to rockabilly vibes with The Jimmy Nations Combo, and now delves into electronica-infused, 80s pop-inspired solo work. With his solo debut EP, Colors, Sardone, a guitar virtuoso hailing from Wilmington, North Carolina, displays his mastery as a pop songwriter, solidifying his position as a versatile and captivating artist.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;">
<p><br><strong>How did the band form and what does the band name mean?</strong></p>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">This particular craftwork sprang out of the isolation of Covid. The band I was in fizzled out to no activity & no live shows, we had all been working on other things by the time the biz began to open up again. During this time, I’d go to my band room alone, experiment with keys & electronic instruments, create backgrounds to sing and play guitar over. Sometimes I’d have my friend Travis over to jam - we actually came up with two of the songs that Fort Lowell Records released on the <i>This Water Is Life</i> split 12inch.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">I would video myself/us playing over these soundscapes and post on Insta & FB once a week; began to get positive comments, interest, and making new fans (these are still up on my Insta page). I kept writing, jamming, videoing at the rehearsal space and recording at my friend Ian Millard’s studio to work out ideas; sometimes going in with barely an idea and out game a song.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">For the first recordings as “James Sardone”, I didn’t do it alone. Ian had a crucial part in drum programming and played on it. I would tap other trusted friends to help: Lincoln Morris, Tracy Shedd, James Tritten, Travis Rayle, and Chuck Spry; It was a total “Little Help From My Friends” situation!</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">But back to the question! I needed to put a band together for the <i>This Water is Life, Volume I</i> release party, so we came together for a one gig, but stuck around for the kicks. Next effort will feature the whole band; We call the live band “the Sardines” - a play off my last name. <br><br><strong>Previous musical projects? How'd you first get into music?</strong>
</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">The main previous bands would be Brickbat, Burnley Bros, Jimmy Nations Combo, Loose Jets, and quite a few bands in-between that didn’t go anywhere, but helped in development.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">What started me up when I was a young teenager was listening to my sister’s and cousins’ rock records, My cousin Pat played me "Black Dog'' by Zeppelin and it freaked me out in a good way, you should put on headphones and listen to that one. Been a die- hard Zepp fan ever since. The production is superb. I tapped my Dad’s Jazz & Blues records, too. Soaked up Nat King Cole, Big Joe Turner, and Sinatra. (later I would become a hard core Bebop fan). At 13, I commandeered my sister’s acoustic guitar, took some intermediate lessons and self-taught the rest. I don’t like to, but I can read music. The best musicians play by ear, in my opinion, because it’s wired in their brain.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">I played trumpet in junior high concert band, then in high school marching band, I played the electric bass (don’t ask me how that was accomplished!) but I stopped because I didn’t want to spend summers marching up and down a field in the heat of the summer – I had other goals in mind. I joined the Jazz Band in HS but left after a year - the band director didn’t know much about real jazz or guitar and couldn’t teach me anything I was interested in. I quit to spend my time working on forming a band; I would jam and put together various groups. I continued this through college and had a couple popular bands that played on campus, parties, and local venues - and kept on that trajectory.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Once out of school I moved to Wilmington, North Carolina, met and put together the noise rock trio Brickbat. We played hundreds of shows, just on our own, grass roots, no representation. We achieved some marks of distinction by being the opening act for The Jesus Lizard - on opening night of the current location of the Cat’s Cradle, Chapel Hill, NC. It was a magical event. After our set, JL bassist, David Wm. Sims offered to record us at Steve Albini’s home studio in Chicago, of course we said yes!</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>First concert that you ever went to? (Locally and National acts)</strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Technically Cheech & Chong in the mid 70s at a theater in Hampton Roads, Virginia, but the real, real is David Bowie, 1978 at the Capital Center in Maryland. My sister Pam took me. I was in awe. That show opened my eyes to what was possible with music.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>What's your writing process like?</strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">I usually start out with the music first, then start working with lyrics/melody. I think this may be a bad way to do it, every time I’ve done it the other way, it’s much better, haha. For the band, I present ideas to the band and we flesh them out at rehearsal. In the studio, sometimes I write in the studio and don’t know how it will sound until the final mix.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>What other artists or songs inspire your music?</strong></div>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1hRtOZVBpHqYN7CGqVde0A?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Early on, I was very much into the usual suspects of 50s/60s/70s rock. Later on in 1979 and forward, I was really into Echo & The Bunnymen, Souxsie and the Banshees, U2, The Cure, New Order, The Smiths, but also into Captain Beefheart and Ralph Records’ outsider bands like MX-80 Sound, The Residents, Snakefinger.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">In college I had a 4-hour free form Radio show on Monday nights called the New Music Show (WWCU) that I inherited from the previous DJ who was graduating as we like the same music. I made a good friend, Mark Erdody (who later formed Kudgel and now with Black Helicopter) who was from Boston and exposed to more bands and records than me in the isolated mountains of NC. He used to listen to my show, make suggestions, and bring his records for me to play and that opened my ears to so many bands that I never heard of and was missing out on. I would start to play the Dead Kennedys or The Cure and Mark would say, check this out instead, they're called the Replacements. It changed me. The show became so much better after I met Mark. I did that for all 4 years of college. It was then I started to write more and try to come up with a signature sound - influenced by all those records my buddy brought me.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>For my Spotify Playlist (James Sardone’s Most Influential Artists): </strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">There’s a mix of new, established, and outsider music. Some Highlights: Charlie Megira “Alligator Man”, sort of a dark surf song. I only discovered him a few years ago, after his death; the last couple of years he has remained on my playlists.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">The Dukes of Stratosphere’s first record 25 O’Clock blew my mind when it came out, it’s really XTC in disguise as a 60s psychedelic band. Blown away by the production, did I hear a rumor Todd Rundgren produced it? Not sure if that’s accurate.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Over the Rainbow by Gene Vincent - this version makes me well up inside. THE Rockabilly King.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Dinosaur’s (Dinosaur Jr.) first record was a game changer. I love how there was no subtlety in the mix, solo comes in from the start cranked to eleven.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Richard Thompson was another influence in my lead playing, I’ve included this Richard and Linda Thompson song everyone should know “I Want to See the Bright Lights”.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">I put a Sparks song in there because I feel that they are very unique and intelligent writers, still wrapping my head around them. “This Town Ain’t Big Enough…” def speaks to my competitive nature.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Minutemen’s History Lesson Part 2 is included; that song sums up my experience in the beginning of Brickbat. Minutemen was one of the bands we emulated. Very nostalgic for me to listen to them.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">I have the Replacements’ Skyway in there, love this sentimental piece from a rough and ready band. </div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">A few bands included are recently discovered or re-discovered. Sunflower Bean, Shopping, Ezra Furman, I’m a fan of outsider music and have included a biting number by Jandek as well as a soul ripping version of Lord Randall (traditional song) by Abner Jay. It was hard to stop adding music to the playlist. I’ll have to make more, I guess. There’s so much.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">My live experience is always good because the musicians were always top shelf. I’ve always attracted amazing musicians to perform with - whether it was 90s post punk noise rock of Brickbat, Rockabilly and Honky Tonk of Burnley Bros / Jimmy Nations Combo, or the 70s glam sound of Loose Jets –My experience playing in front of audiences has always been rewarding. <br> </div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Regarding playing the song “exactly like the record”, I’ve always rearranged and played my songs live differently from the record. I’ve always loved the way Bob Dylan never did that same version of his songs over and over, he changed the rhythms and melodies on the spot, his band had to be good to keep up with him, never knowing what he’s going to do. Sometimes you don’t even recognize a song until it’s half way through, haha. I like this way of playing live, it keeps it fresh for the band as well and the listeners; we have a high amount of improv in every set.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">This band (The Sardines or as James Sardone) has only played regionally at this point, but in the past Brickbat did two tours with The Jesus Lizard, also with other bands on that bill - Blues Explosion, Brainiac, Kepone, Dead Moon and others I just can’t remember, haha. The Jesus Lizard guys asked if we wanted to tour as opening act and we burned up the road with them for two tours; precious memories, we love those cats, still keep in touch, and have played together a few more times since then, in various projects. David Sims would sneak us rough mixes (on cassette) of their new songs; we were like “wow, we are allowed to listen to these secrets”?! We were amazed at the dead simple production, nothing coloring the sound, just the actual sound of the band and they were/are a force! Loud as hell, too!</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">The Jesus Lizard put out an autobiographical book a few years ago, and they included some snapshots of us from backstage, goofin’, of course. They were an inspiration to us baby rock kids. We put out our first record on David’s label, Torsion Records, and then went back to record Brickbat II with Steve Albini, who was super gracious to us and it was an awesome experience. This second one was put out by local impresario Kenyatta Sullivan on his Opulence! Label. Both of these records are on spotify, etc.</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">Great first big tour experience, sometimes a struggle for an example, slamming the drummer’s hand in the van door right before the set, a car wreck in the middle of a cornfield, breaking down in the desert and being so late getting there, just throwing the gear on stage, and playing immediately - those show usually were the best performance-wise. Breaking Steve Albini’s coffee pot and not having the money to go buy him another one - or food for that matter. Yeah, being poor and starving when touring and then coming back home to being poor and starving. Good times. Haha. We have fun performing, get some brain exercise, make fans happy, and that’s what it’s all about</div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;"><strong>What's up next for the band?</strong></div>
<div style="margin:0px;padding:0px;"> </div>
<div style="margin:0px;padding:0px;">We have this wonderful EP entitled Colors that came out on Fort Lowell Records July 21. Hoping this one strikes a chord with listeners, keep us going, but immediate plans are to keep on writing, recording, and playing. I’m becoming more and more interested in scoring & getting my music on film & tv. We are playing the Hopscotch Music Festival in Raleigh, North Carolina on Saturday, September 9th at Crank Arm Brewery. The show never stops!</div>
</div></div></div></div><p><iframe style="border-width:0;height:120px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=2444211182/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="https://fortlowell.bandcamp.com/album/colors">Colors by James Sardone</a></iframe> <br> <a class="no-pjax" href="https://fortlowell.square.site/product/james-sardone-colors-/81" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://fortlowell.square.site/product/james-sardone-colors-/81</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72608662023-08-22T05:00:00-04:002023-08-22T11:36:52-04:00BMN EXCLUSIVE PREMIERE: SODA SUN "The Ghost Plant At Blood Run" (FORT LOWELL RECORDS)<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f14dbf7f710ca746624c9e9fe4f9e2b6a048dc97/original/s1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p>
<div style="outline:none !important;"> </div>
</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>In late 2017, John Goraj left the Los Angeles hustle for Tucson’s contemplative desert beauty. Seeking an artistic revival, it wasn’t long before the ex-folk troubadour joined forces with local musicians Johny Vargas (guitar) and David Foley (drums), as well as then bassist Derek Cerretani, to form Soda Sun. <br> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>"The Ghost Plant at Blood Run", Soda Sun's latest digital single, is a spectral ballad, deftly painting the Southwestern landscape in a palette of sonic hues. The song’s namesake is a stunning, all white plant that derives its energy solely from fungi in the soil, not from the sun. Lead singer and songwriter, John Goraj saw the plant with his son in a boggy forest along the Sioux River in South Dakota where he grew up. Goraj couldn’t help writing about the strange fungi-dependent plant and the stark contrast to the desert where he lives now. The song then becomes a reflection of both places: a dark, wet, spongy forest and a sun-soaked desert. <br><br>Blending introspective lyricism with a resonant sense of homecoming, the song reaches into the desert's heart, unearthing gold from its dust. The journey from sunrise screams to twilight whispers is a testament to Soda Sun's evocative storytelling and the intimate sense of family throughout their work. “The Ghost Plant at Blood Run" is a poetic dance with nature and the kaleidoscopic colors of the desert.<br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/dea329f3868d809c172c473d7ad83bec89bc348f/original/flr063.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><div style="outline:none !important;">Click here to re-save Soda Sun “The Ghost Plant at Blood Run": <a class="no-pjax" href="https://orcd.co/flr063" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>https://orcd.co/flr063</u></a>
</div></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><p><br>Hailing from Tucson, Arizona, Soda Sun quickly made their mark in the 2020s with a unique combination of atmospheric melodies. <i>Stay Here</i> (Fort Lowell Records), their 2021 debut album which was mixed by Larry Crane (Sleater-Kinney, She & Him, Elliott Smith), earned critical acclaim. Soda Sun's organic instrumentation and authentic narrative have cultivated a dedicated fanbase, both locally and internationally. <br> </p></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Today, Blood Makes Noise is excited to share with you the official World Premiere of Soda Sun's brand new digital single, "The Ghost Plant at Blood Run". Fans of other artists such as Bonnie Prince Billy, Cotton Jones, Damien Jurado, Lambchop, Phosphorescent, and Songs: Ohio will enjoy Soda Sun's music. Click the link below to listen to "The Ghost Plant at Blood Run" by Soda Sun now.</div><p><iframe style="border-width:0;height:820px;width:700px;" src="https://bandcamp.com/EmbeddedPlayer/album=2309333416/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/tracklist=false/tracks=3772939271/esig=1f23634092580e4798646d2ea5ade5b8/" seamless=""><a href="https://fortlowell.bandcamp.com/album/the-ghost-plant-at-blood-run">The Ghost Plant at Blood Run by Soda Sun</a></iframe></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72470532023-08-22T05:00:00-04:002023-08-22T05:00:06-04:00MEET NY STATE ROCK BAND THE DIONYSUS EFFECT<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/280cff5b5b284cafe8c757874e3fdd70d0fbec65/original/0027831339-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">
<span style="color:rgb(55,65,81);">The Dionysus Effect is a rock band that seeks to capture the energy of Dionysus through their music. Led by Christoph Paul on lead vocals and bass, the band's sound, often called "Cocaine Rock," combines captivating guitar melodies and rhythmic drum beats to create an intoxicating experience for listeners. Their songwriting process is intuitive, with Christoph letting the music dictate the lyrics that flow from his subconscious. As a trio, including Sean Quinn Hanley on guitar and backup vocals, and Brett Petersen on drums, they aim to tour the world and release more albums, driven by their passion for rock music. We caught up with the band </span><br><br><strong>How did the band form and what does the band name mean?</strong>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">I love playing with Sean, our guitar player. That dude is special, so I've been jamming with him throughout the years, but when I found Brett, I knew we had a real band. Finding a good drummer who loves your songs is the holy grail of starting a band.</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">I really loved Nietzsche's idea of Dionysus and Apollo energy (what about Dionysus & Apollo energy?) and I wanted a rock band that was full of Dionysus energy. I think Nietzsche would think our band is cool. </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">
<br><strong>Previous musical projects? How'd you first get into music?</strong>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">I was in a band called The Only Prescription that was the seed that grew into this band. Before that, my very first band was a shitty punk band in high school. I was into putting melodies together from the get go. </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong> </strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong>First concert that you ever went to?</strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">I saw Paul McCartney with my parents when I was like 6 and it was special but I still liked The Rolling Stones more at the time and to this day. (I would mention your dad taking you to Korn— that’s a lot more interesting) </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">
<br><strong>What's your writing process like?</strong>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">There are two styles: sometimes I wanna explore and just groove out on the bass till something clicks and a melody comes, other times it's having intention and a vision of the type of song I want to write. </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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<strong>What other artists or songs inspire your music? </strong><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6m272XElJDBTbETF1uq48p?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </div>
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<div style="margin:0px;padding:0px;" dir="auto">For this album, it was my love for grungy 90s alt rock and indie sleaze and wanting to put those vibes together. I wanted rawness and emotion with sleaze and hooks. Bands like The Toadies, Stone Temple Pilots, & QOTSA and also The Yeah Yeah Yeahs, TV On The Radio, The Kills, Wet Leg, and NEW Eve 6 which is good Cocaine Rock not like the heart in a blender song.</div>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">Fun! Playing live has to be fun and about connecting to the audience but we also wanna be tight and do these songs right. We try to play how we <span>sound</span> on the record but still have room to improvise and add, we did that with Stars and it's so epic live.</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">Not yet, but planning one this Fall. The best show was a Super Dark show at Desperate Annie's. There was a freaking professional hockey team who were drunk on winning and bourbon, and those dudes went wild during a set. A surreal and fun as hell time. </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">Worst was a show in New Paltz, I had to drive 4 hours from New England to play at midnight. It was pretty dead and the people there just wanted to drink and be sad. Not fun, but at least we got paid. </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong>What's up next for the band?</strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><strong> </strong></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto">Our debut album and we’re gonna play shows to promote. Got more songs to record with the second album close to being fully written. All are welcome to Dionysus Summer</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(69, 69, 69);font-family:UICTFontTextStyleBody;font-size:17px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LDkHSu_FpF0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LDkHSu_FpF0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div><p><a class="no-pjax" href="https://thedionysuseffect.bandcamp.com/">https://thedionysuseffect.bandcamp.com/</a></p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72469812023-08-21T05:05:00-04:002023-08-21T05:20:02-04:00WHAT'S IN OUR INBOX! DANELLO, MUSTARD SERVICE, THE BARRERACUDAS, BROTHER OF MONDAY, BEDTIMEMAGIC<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week we take quite a trip through a few different genre's I really love, from light and loungey to grindy thrash. Won't you join us! If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Danello</p><p><strong>BMN Score: </strong>9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">It is a doowop-surf-garage track about despair. Hope you enjoy it!</span></p><p><strong>What we say they sound like: </strong>This track starts off as doo-wop light indie pop but when the fuzz kicks in it has strong Weezer, Ultimate Fakebook vibes. The mixing of classic 50's in the vein of the Everly Brothers or Buddy Holly paired with a modern fuzzy chorus really puts this track at another level. Production could be better but the song itself slays. Looking forward to more from this artist. </p><p><strong>Song to add to your playlist: </strong>O. Lovely World</p><p><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=2691041477/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://danello.bandcamp.com/track/o-lovely-world">O, Lovely World by Danello</a></iframe><br><br><strong>Band Name: </strong>Mustard Service</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Sons of Latinx immigrants from Uruguay, Mexico, Cuba and Argentina, the five-piece kick-started in 2015 and has become the perfect representation of Miami alternative.</span></p><p><strong>What we say they sound like: </strong> This is particular track is a great mix of indie pop and hip hop. So far everything I have heard by this band is awesome. The rap parts have amazing flow and the sung parts are just as catchy. The overall aesthetic for this band is perfection. Seeing videos of these guys making this music as a band shows why they are such a huge step above bands that use samples. They have such a cool vibe in their live videos, it's lounge, it's chill, just perfect. The recorded tracks are great but the live clips will make you a hardcore fan. </p><p><strong>Song to add to your playlist: </strong>VCM</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="qYVqCgvR9FY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/qYVqCgvR9FY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>The Barreracudas</p><p><strong>BMN Score: </strong>9.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Somewhere between the Heartbreakers (Petty) and the Heartbreakers (Thunders), the Barreracudas find a shallow well of inspiration just deep enough to produce one of the biggest foot-tappers of that year. “Nocturnal Missions” manages to blend elements of dirty '70s Glam and the radio-friendliness of Dwight Twilley and Phil Seymour. The hooks in these songs are more infectious than encephalitis. It's even got a sweet cover of Cheap Trick's "Come On, Come On."</span> <br><br><strong>What we say they sound like: </strong> This music is pristinely early 70's glam rock. This has a great Elvis Costello meets Cheap Trick and other 70's glam acts vibe to it. It perfectly captures that aesthetic they are going for, somewhere between Tom Petty's Heartbreakers and Johnny Thunder's Heartbreakers. Very cool concept for a band, at moments its got the bounce of the Ramones but mixed with the NY Dolls and a splash of Bowie and T. Rex. </p><p><strong>Song to add to your playlist: </strong>That Girl Means Nothing To Me, Feet, Numbers</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eZq4xPz2v7Y" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eZq4xPz2v7Y?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>Brother Of Monday</p><p><strong>BMN Score: </strong>8.5/10</p><p><strong>What the band says:</strong><span style="color:#000000;"><strong> </strong>"The album creates an auditory experience that evokes a longing for the tactile sensations of the past, providing a contrast to the perceived clarity of modern digital music. We can hear the analog tape head limiting and compressing each note and cymbal hit, creating a sense of urgency and criticality that is not always present in modern music. The singer/songwriter's urgency to express their ideas and feelings is palpable through the sound." - Michael Harvey</span></p><p><strong>What we say they sound like: </strong> The meek vocals in the vein of The Weakerthans is what makes this. The lo-fi recording quality gives this a very 60's vibe. It's a little folky but has a Byrds / Mammas & The Pappas feel but mixed with Pavement if you can imagine that. The lo-fi quality really is the only drawback to this track, I just want to turn the treble down in the vocal, aside from that a great track. </p><p><strong>Song to add to your playlist: </strong>Ken Tremendous</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="x9P_gWCrBD4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/x9P_gWCrBD4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>BEDTIMEMAGIC</p><p><strong>BMN Score: </strong>9.9/10 </p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">We've been around for about 10 years, are a two-piece (Morgan plays drums, does vocals as well, and plays organ with his foot), and have our third LP coming out on The Ghost Is Clear Records in the Fall.</span></p><p><strong>What we say they sound like: </strong> Fuck and Yes are what comes to mind when I hear this. It makes me want to break shit. Self proclaimed Trash Rock this is equal parts grind, minor threat hardcore, doom sludge and some John Zorn ‘Naked City’. It's loud driving energetic primal music that sounds like the soundtrack to a Tuesday night Fight Club meeting in some dive bar's dirt floor basement. I'm on board, this is perfect NJ driving in traffic music. I'm still in awe this is created with just a bass and pedal organ along with a drummer. This can be owned on “piss colored" vinyl. I have to say this band knows it's branding and we're here for it. </p><p><strong>Song to add to your playlist: </strong>Overslept, Keep Dreaming</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=1047485624/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://bothdogs.com/album/sleep-together">Sleep Together by BEDTIMEMAGIC</a></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72592132023-08-20T05:00:00-04:002023-08-20T05:00:04-04:00COMING SOON: SUNDAY COMIX (HOSTED BY MINT 400 BOOKS, A Division of Mint 400 Records)<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2a974a83832fe1275aac85f20e31c5bce41d0610/original/m4rbooks-logo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">Mint 400 Records is a record label that has over the years enjoyed coverage from BloodMakesNoise.net. Recently award winning comic book artist S.M. Vidaurri came up with a concept to revive a subdivision of Mint 400 Records called Mint 400 Books. Originally Mint 400 Books was for audio books and was gearing up for publishing of other materials. This was put on hold due to Covid and other issues. Mint 400 Books now is being revived as a Sunday Comix series that exists to support unique creative voices. The label hosts many fine musicians who also have talents that lay in the visual arts. Two of those artists will kick off this weekly series, S.M. Vidaurri (The Ashes/IRON: OR, the War After) is publishing the sci-fi tinged SPORE along with Neil Sabatino's (</span><a class="no-pjax" href="https://www.instagram.com/nsabatinoart/" data-link-type="url"><span style="color:rgb(0,0,0);">https://www.instagram.com/nsabatinoart/</span></a><span style="color:rgb(0,0,0);">) upending of the superhero myth, THE BLACK HAT. They intend to bring the same passions and dedication they have for music to comics. These 2 series will begin in September, updated every Sunday, it will be a destination for great artwork you won't want to miss! In the future this space will also feature other artists from the Mint 400 Records roster. This as well can serve as a space for guest artists. If you'd like to see your work published here please send an email to </span><a class="no-pjax" href="mailto:info@bloodmakesnoise.net"><span style="color:rgb(0,0,0);">info@bloodmakesnoise.net</span></a><span style="color:rgb(0,0,0);"> . </span></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/97e7b19d3c362674d6de63d9e4f2c53733ff9ac3/original/spore-00.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a2259f937f367ad070c4e986a662d263bedec6dc/original/bh1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>This Weeks Soundtrack: </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="jtSovZk2PoM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/jtSovZk2PoM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72591792023-08-19T05:00:00-04:002023-08-19T05:00:03-04:00WEATHERVANE MUSIC'S OPEN SESSIONS SERIES PRESENTS THOSE LOOKS<p dir="ltr"> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8b8b0cc5a2ee24cd5e0b1f8c8a5ea2ba20adc473/original/those-looks-july-2-band-5-color-matched.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p dir="ltr"><span style="color:#000000;">Those Looks is an indie pop four-piece from Lambertville, New Jersey. The band formed in 2018 and self-released their first EP, <i>Come Unto Me</i>, in the summer of 2019. Their debut full-length album, <i>Cults Near Me</i>, was released by Mint 400 Records on November 11th, 2022. With <i>Cults Near Me</i>, Those Looks grew into a wider sonic range that includes the velvety, surfy pop of their early days, a grungier 90s-influenced rock element, a healthy dose of dreamy three-part harmonies, and just a touch of country. The band consists of Kelly Bolding (vocals/guitar), Sylvia Barrantes (lead guitar), Randall Newman (bass), and Shaun Ellis (drums). </span></p><p dir="ltr"><span style="color:#000000;">On August 18th, 2023, Those Looks released their newest single, "Laundry and Taxes," as the inaugural episode of Weathervane Music's </span><a class="no-pjax" href="https://weathervanemusic.squarespace.com/open-recording-sessions"><span style="color:#1155cc;"><i><u>Open Sessions</u></i></span></a><span style="color:#000000;"> series. Produced and engineered by Brian McTear and Amy Morrissey at Miner Street Recordings in Philadelphia, <i>Open Sessions</i> is the follow-up to the long-running </span><a class="no-pjax" href="https://weathervanemusic.org/shakingthrough/episode-index"><span style="color:#1155cc;"><i><u>Shaking Through</u></i></span></a><span style="color:#000000;"> series (2009-2019), which featured acts such as Big Thief, Waxahatchee, and Sharon Van Etten in their early days. The track will be released, along with video posts, some documentary-based footage from the session about the band, their story, and the recording session.</span></p><p dir="ltr"><span style="color:#000000;">We got a chance to talk with Shaun Ellis, drummer for Those Looks, on the band, their influences, and their collaborative songwriting process.</span><br><br><span style="color:#000000;"><strong>Q: In your opinion, what are the essential qualities that make a “good songwriter”?</strong></span></p><p dir="ltr"><span style="color:#000000;">A good songwriter is someone who can consistently write songs that resonate with people, so we try to think about what people are going to connect with when we write. A good songwriter will convey universal experiences through their own lens and by using language in a unique and surprising way – and it’s really challenging to not fall into everyday language or cliché. Almost as important as the lyrics are the vocal melody and harmonies as the human voice is what most people tend to focus on. Finally, music has the incredible power to change a room, and we get super excited about creating a “vibe” together that fits the topic of the song.</span></p><p dir="ltr"><span style="color:#000000;">The songwriting process for us can be as varied as revisiting a riff or a phrase we came up with during a creative session to one of us bringing a song, usually half finished, to the table. Then we work out the details as a band and are not territorial about instruments – Sylvia (lead guitar) has written drum parts, I’ve written lead parts, Kelly’s (vocals/guitar) omnichord makes occasional appearances – you get the picture.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: What is the basis for writing attention-grabbing music in the year 2023?</strong></span></p><p dir="ltr"><span style="color:#000000;">We honestly don’t know other than just writing the best music you can and doing it over and over until people start to listen. Some of the artists who grabbed our attention in 2023, like The Beths, Frankie Cosmos, and Pearla, are simply writing tight, catchy indie pop songs and delivering great performances. We just want to make sure all our shows are a fun and memorable night out for our friends and fans. </span></p><p dir="ltr"><span style="color:#000000;">Of course, collaborating with trusted creators with track records like Weathervane is one way to gain more attention. There is also a </span><a class="no-pjax" href="https://i.kym-cdn.com/entries/icons/original/000/044/281/cover2.jpg"><span style="color:#1155cc;"><u>popular meme called “Laundry and Taxes”</u></span></a><span style="color:#000000;"> from the movie<i> Everything, Everywhere, All at Once</i> that could help grab attention for this track, so there’s that.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: What has it been like working with an indie record label as opposed to working on your own?</strong></span></p><p dir="ltr"><span style="color:#000000;">Working with Mint 400 Records continues to be a great experience. Mint 400 may not have as many resources as some of the bigger labels, but they have the resources and guidance that are right for us at this moment. They are very focused on what is best for the artists’ careers, and our new single, “Laundry and Taxes” is a perfect case-in-point. When Brian McTear invited us to work on this single, Mint 400 recognized what a great opportunity it was and allowed us to release it on McTear’s label, Weathervane Music, even though they could have easily refused based on the terms of our contract. Mint 400 also does a great job of connecting artists on the label, and you end up with a great scene where everyone is helping each other out and all boats rise on the success of others. It’s like you always have someone on your side, which is not the case when you’re working on your own, and is often not the case when you’re signed to a major label either! We’re very excited about the Mint 400 artist 90s compilation album coming out this Fall. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: Can you pinpoint some specific songs and songwriters that changed the way you write music?</strong></span></p><p dir="ltr"><span style="color:#000000;">We’ve been influenced by great songwriters like Bob Dylan and Leonard Cohen. Their lyrics have the power to completely gut you. Cohen’s “I’m Your Man” is quite possibly the sexiest song ever written – just pure desire for and submission to a lover. You can’t help but feel that song. But then you look at a songwriter like Tom Petty, whose lyrics are much simpler but still incredibly powerful – and maybe it's his brevity that charges them so much. In a country incarnation of Those Looks we call Those Boots, we do a cover of “Walls,” an absolutely beautiful Petty tune. We were also inspired by Angel Olsen and Hand Habits’ version. </span></p><p dir="ltr"><span style="color:#000000;">We also focus on “vibe” because of our love for Chris Isaak, Warpaint, and Phantastic Ferniture (Julia Jacklin’s first band). Bands like Wet Leg remind us not to take ourselves too seriously. </span></p><p dir="ltr"><span style="color:#000000;">I’ve been inspired by the infectious songs of Liz Stokes and Jon Pearce, the songwriters for The Beths. “Expert in a Dying Field” starts out describing a career that is slowly turning into a dead end, but then you start to realize that it’s about a relationship that may also be dying. It describes what happens when you make a life-long commitment to something that changes out from under you and you question the wisdom of your life choices, and think that maybe it’s all a lie. Come to mention it, in “Laundry and Taxes,” Kelly ponders whether or not she cares if it’s all a lie!</span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: Do you find it hard to be inspired by artists that are younger than you, or are you motivated by their energy? Can you name any new artists you find inspiring?</strong></span><br><br><span style="color:#000000;">It’s not hard at all! New music inspires us. And young people are making some incredible music. In fact, one of the most inspiring moments for us was when we saw a video of Ace, a 16 year old artist from Lambertville, learning the guitar part to our previous single, “Hymnal.” For Shaun, that was the definition of success as a band. We all remember how it was to be 16 and how much music meant to us, so it was wonderful to see that spark in a young artist.</span></p><p dir="ltr"><span style="color:#000000;">I think each member of the band finds their own inspirations from youth. </span></p><p dir="ltr"><span style="color:#000000;">Sylvia has literally traveled across the country to see Tchotchke, an all female group that may not be old enough to get into bars. Randy (bass) grew up on a steady diet of R.E.M., but these days he’s into artists like Allah-Las, Merce Lemon, and Japanese Breakfast. Kelly asked me to send a shout out to Echo Plum (and their moms!), one of the most amazing and refreshing young bands we’ve had the opportunity to play with. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: For your new song, what inspired the lyrical content, song title, and overall vibe?</strong></span></p><p dir="ltr"><span style="color:#000000;">Nietzsche, <i>Everything Everywhere All At Once</i>, Country Music, and a wedding. Taking inherited institutions and re-imagining them. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Q: Do you find that you deliberate over writing songs and hold on to them for a long time before including them on a record? Or do you prefer to write them, release them, and be done with them? Do you ever re-visit old material to do a re-write or once it’s done it’s done?</strong></span></p><p dir="ltr"><span style="color:#000000;">Our last album had some songs that we had been working on for over a year. Often we will sit on a riff for months, or just rework things until they fit for us. We have been considering re-recording some of the songs on our first EP, since we’ve grown so much as musicians and it was really more of a demo. The experience at Weathervane Music really stretched us in a good way though, since “Laundry and Taxes” was only half finished and we had less than a week to pull it together, record, and mix it. On top of that our electricity went out and we couldn’t hear it with drums until the night before the session. Even though it made me nervous going into the studio, that turned out to be a positive because it forced us to focus on the harmonies, a highlight of the song, and a staple of our sound. </span><br><br><span style="color:#000000;"><strong>Q: Were there any lessons you learned in the writing and recording process for your current release that you will take with you into your next project?</strong></span></p><p dir="ltr"><span style="color:#000000;">We learned how fast we can actually work. To write, record, and mix a song in under a week, let alone in front of a studio audience, was unthinkable to us before. Brian McTear (producer) and Amy Morrissey (sound engineer) were simultaneously efficient and casual, never hesitating to answer a question in-depth or go off into a relevant story. In fact, education for musicians is part of the mission of Weathervane. Watching them mix the track was such a treasure of knowledge. The good news is that anyone can </span><a class="no-pjax" href="https://weathervanemusic.squarespace.com/open-recording-sessions"><span style="color:#1155cc;"><u>buy a ticket to watch an Open Session</u></span></a><span style="color:#000000;">! Do yourself a favor and go to one.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="KNUU6VMRUR0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/KNUU6VMRUR0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/thoselooks/">https://www.facebook.com/thoselooks/</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72401022023-08-18T05:00:00-04:002023-08-18T05:00:02-04:00MEET BROOKLYN POST PUNK INDIE ROCK BAND TWO-MAN GIANT SQUID<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/820fe18ebce7c8a7da9160a789bf394d9574051c/original/tmgs-promo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><o:p></o:p></p><p><span style="color:#000000;">Two-Man Giant Squid is a Brooklyn based post-punk 5 piece. They are aiming to capitalize on the success of their debut EP which Sam Sumpter of WFUV & Bands Do BK named best EP of 2022. Their upcoming new album is positioned to ignite the buzz they've spent the last year cultivating. </span><br><br><span style="color:#000000;"><strong>How did the band form and what does the band name mean? </strong></span><br><br><span style="color:#000000;">The band formed as a result of request to go out and play the first EP live. The band name means 2 guys who are standing on eachother's shoulders to create the image of a Giant Squid. The weirder the better I guess? </span><br><br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music? </strong></span><br><br><span style="color:#000000;">I had been creating music by myself when I was first living in New Jersey. I soon began to take it more seriously and put out a project I had been working on. I sent it around to some Brooklyn blogs and was surprised at the responses I was getting. Thats when I decided to make the band ~a thing~ </span><br><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span><br><br><span style="color:#000000;">The first concert I went to when I moved to brooklyn was a show at ECONO Lodge. This is a small DIY house venue and I just remember thinking it was so cool that this type of thing exists. The first concert I went to when I was a kid was an Eagles concert that my dad took me to. Both very different. </span><br><br><br><span style="color:#000000;"><strong>What's your writing process like? </strong></span><br><span style="color:#000000;">Every song is a little bit different. But I usually start playing around on my guitar until I start singing something that clicks. Some songs take months/years to come about this way, but some take like 30-40 mins and then they are done. Those are the ones that I usually feel best about. </span><br> </p><p><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><span style="color:#000000;">One of the bands on that playlist is Harlem. They were a band out of Texas in the 2010s. I really latched onto their simple but infectious garage rock sound when I tried writing some of these songs. Another one is New Order. I like to include synths in our songs and I think New Order became masters of exploring the edges of what's possible with synths in Rock & Roll. </span><br><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5NQXQUwdI4YhfN3pEuFVWo?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </span><br><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><o:p></o:p></p><p><span style="color:#000000;">We try to make our live experience as high energy and memorable as it can be. Like, we know you arent coming out to see a band with a catalog you've listened to all your life, most of local live music is about discovery, so we try and make sure you are getting a little extra in terms of performance to walk away with. I am a firm believer that things should sound different live. The process is totally different in creating studio sounds so why shouldnt the two sound different also? I like to make everything super wide and separated on the record but when it comes to live, I think good rock and roll should just hit you square in the face. </span><br><br><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span><o:p></o:p></p><p><span style="color:#000000;">No tour yet but we are working on expanding to some east coast cities such as Philly and DC </span><br><br><span style="color:#000000;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:#000000;">We have a full album dropping on 8/18 and then a big album release show at Babys All Right on 8/31. See you out there!</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="K-XRN8eS9W8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/K-XRN8eS9W8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:#000000;"><strong>Band Links:</strong></span><o:p></o:p><br><a class="no-pjax" href="https://www.instagram.com/twomangiantsquid/?hl=en" target="_blank" title="This external link will open in a new window"><span style="color:hsl(210,75%,60%);">Band Instagram</span></a><o:p></o:p><br><a class="no-pjax" href="https://open.spotify.com/artist/5VKm0Y0YdwuMBi4JJdUqmF?si=UofehF30T-CbXaWl_sPlhw&utm_medium=share&utm_source=linktree&nd=1" target="_blank" title="This external link will open in a new window"><span style="color:hsl(210,75%,60%);">Band Spotify</span></a><o:p></o:p><br><a class="no-pjax" href="https://linktr.ee/twomangiantsquid" target="_blank" title="This external link will open in a new window"><span style="color:hsl(210,75%,60%);">Band Linktree</span></a></p><p><span style="color:#000000;"> </span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437892023-08-17T05:30:00-04:002023-08-17T05:40:03-04:00MEET GERMAN POWER POP PUNK BAND THE MELMACS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d464e8e75915bcce3dbf8c2617d3d364c5e7f4ec/original/the-melmacs-credits-gossenpoet.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">The Melmacs give you top notch PowerPop-Punk, combining jab jab guitars with a jub jub keyboard, pow pow drums and a boom boom bass that will butter your parsnips! A terrific potpouri, very nice, very evil, stabbing you in the back, blowing out your earwax, rising the sun with it‘s bare hands. Helmets and slippers required – Welcome to Planet Melmac!“</span> <i> (In case you can't tell, these guys are German and wrote their own press release apparently, just joking, this is a fun interview though, for real!)</i><br><span style="color:rgb(0,0,0);"> </span><br><span style="color:rgb(0,0,0);"><strong>How did the band form and what does the band name mean?</strong></span><br><br><span style="color:rgb(0,0,0);"><strong> Max: </strong>The Melmacs formed on a hot summer night in November 2017. We were hanging out and goofing around with the idea of forming a band. Somehow we made it to the rehearsal room and started covering a few songs from bands we liked. We started with songs that featured a very deep voice because our singer Bimmi didn't know how to sing at first, but after a while she became more confident in what she was doing. She was also the one who brought her ferocious Roland keyboard to our rehearsal lair to spice up our sloppy music. As soon as we were done with a few songs, we invited some lovely schmucks to listen to the stuff we were cooking up, and that was when our bass player Remo joined us.</span><br><br><span style="color:rgb(0,0,0);"><strong> Bimmi: </strong>Our band name was chosen by our shaggy manager Alf, who wanted to honour his exploded home planet with it. </span><br><br><span style="color:rgb(0,0,0);"><strong>Alf: </strong>Hey Rhonda!!! If you're reading this! Please come and pick up my band and me, yeah?</span> <br><br><span style="color:rgb(0,0,0);"><strong>Previous musical projects? How'd you first get into music? </strong></span><br><br><span style="color:rgb(0,0,0);"><strong>Max: </strong>Connie, Remo and Me played in a band together before, but it's better to keep it a well-kept family secret what it was called. (No gatekeeping here, but in retrospect it was lousy music by a couple of young bloody freaks). Remo used to play guitar in a band called Strg+Z, who we shared the stage with last year. Their style is very captivating! Listen to them and shake your head to their punk/wave sound! </span></p><p><span style="color:rgb(0,0,0);"><strong>Max: </strong>Some of us had the opportunity to start making music at an early age, some didn't but nevertheless we all have music in our bones since childhood. Whether we were shaking our butts to "Dj Bobo" in the sandbox in the 90s or subtly nodding our heads to "Eminem", discovering rock music from the German Democratic Republic in our parents' record collections or later going crazy for "Die Ärzte" - things really took off when we were 13 or 14. The first „rock“ instruments were bought to emulate the „heroes“, although we didn't really achieve anything more than annoying our parents with crooked sounds. Then, at some point, the first band experiences and then, at a later point, The Melmacs. Only Bimmi's path was a little different. </span></p><p><span style="color:rgb(0,0,0);"><strong>Bimmi: </strong>Things started early for me at the Bautzen District Music School. I played the Itsy-Bitsy Spider song on the flute, then I had piano lessons for years until I wanted to learn drums. But that didn't work out due to my weird neighbours. Many friends were in punk bands and played guitar, bass and drums. I sat in front of my bookshelf and my keyboard, which nobody needed in punk at the time. At concerts, I just played music in the audience until my voice was hoarse. It took some time till I was convinced to try to sing in a band. Max: And we are very happy you tried it out! </span><br><br><span style="color:rgb(0,0,0);"><strong>First concert that you ever went to?</strong> </span><br><br><span style="color:rgb(0,0,0);"><strong>Max:</strong> Hmmm, I certainly went to a few concerts when I was a kindergarten kid, but I can't remember one in particular. The first concert I remember was when my dad took me to a Motörhead show when I was 12, it was a pretty sick experience back then. We were in the front row, my dad had his arms around me to protect me from the pogo dancers. Haha, it was loud! Either this concert or a Bonnie Tyler concert in a small town somewhere in East Germany, I don't know which was first! </span><br><br><span style="color:rgb(0,0,0);"><strong>Bimmi:</strong> I smuggled myself into the Chemiefabrik in Dresden for my first concert. I went there secretly by train, three local punk bands were playing. That same year, I went to a concert by the band DIE ÄRZTE, who are probably the most classic funpunk band you can get into the scene with here. And ok, I almost went to see the Rolling Stones. But just before that, of course, Keith Richards fell off a palm tree and the tour was cancelled. I financed it mostly by collecting bottle deposits. You get 25 cents for most plastic bottles here if you take them back to the supermarket. That didn't pay for my Stones ticket, but it did pay for a few secret tours to Dresden and Leipzig haha. Connie: I can't remember the very first concert, there were too many local shows. but the first big concert was in Dresden in 2006, when the backyard babies played </span><br><br><span style="color:rgb(0,0,0);"><strong>What's your writing process like/What other artists or songs inspire your music? </strong></span></p><p><span style="color:rgb(0,0,0);"><strong>Max: </strong>Someone has an idea, maybe a vocal line or a riff on bass or guitar. Then I try to do some kind of pre-production, get a rough feel for how the song should be, and usually send it to Bimmi, with whom I always play songwriting ping-pong. "What do you think of this?", "I had to change this, what do you think?", "Let's put an organ solo in here", "This part is boring, let's throw it out and try something else". When we're done with that, we show our Frankenstein to Remo and Connie, who always come up with their ideas to give the songs their own spin. There are a lot of artist I love and feel inspired by! I always do go trough phases, whats super cool today might not be able to float my boat a day later. I’m a very mood based writer and I’m constantly trying to improve my guitar writing. It’s mind boggling how some artist are able to write music that stays the same over their whole career. Nothing bad to say about it though, I just couldn’t do that! I’m just going with the flow not restricting myself too much. Sure I won’t release a Jazz album - at least not any time soon haha.</span></p><p><span style="color:rgb(0,0,0);"><strong> Bimmi: </strong>That's a question I find difficult to answer. I'm always doing something, and I'm sure it's subconsciously inspired by my 362 favourite bands, but more by the mood those bands put me in. I don't have any direct role models and just go for it. I get about 15 ideas a day popping into my head and some of them I forget after 3 seconds. The ones I still have in my head after half an hour I sing into my phone, which at first sounds like I'm trying to beatbox after drinking 8 Gin and tonic. After that, I usually try to throw something together on the organ and sing along to it in fantasy language so you get a better idea of the song. After that, I look for comparative pieces to show Max how it should go in terms of drive and mood." I have 568 of these snippets on my phone and most of them come to me when I actually have 26 other things to do. Nevertheless, here is a list of some influences: </span><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2UrxRhQVHT5b6Th01Y5DXr?utm_source=generator&theme=0" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span style="color:rgb(0,0,0);">Biters - Well, the Biters were a love that struck like lightning!</span> <br><br><span style="color:rgb(0,0,0);">The Hellacopters - There's always something nice to steal from these guys!</span> <br><br><span style="color:rgb(0,0,0);">Caesars - What a crazy vibe! A perfect mix between melancholy and euphoria. They are proof that you can travel millions of miles with the guitar as a "texture giving element"!</span> <br><br><span style="color:rgb(0,0,0);">Abba - Well ... I guess we don't have to tell you anything about them.</span> <br><br><span style="color:rgb(0,0,0);">Baboon Show - THESE GUITAR ARANGEMENTS!</span> <br><br><span style="color:rgb(0,0,0);">The Speedways - Powerpop heaven! Oh, and Adrian is one of those poor guys who gets asked when we're not sure if our English is correct. Haha Thanks Adrian!!!!</span> <br><br><span style="color:rgb(0,0,0);">Thin Lizzy - vibe, voice and guitar licks for daaaaaaays! There's something special about old Philo pouring his heart out and singing. Rudi - The whole Belfast punk scene of the 70s is a real diamond treasure. Check out the film "Good Vibrations". <3</span> <br><br><span style="color:rgb(0,0,0);">L.A. Witch - Moooooood! Sade Sanchez's guitar playing is so gritty and twangy, Let's drown in that reverb!</span> <br><span style="color:rgb(0,0,0);">Praying Mantis - Heavy metal has always been a big one in our musical ball park. Praying Mantis are the perfect mix of hard rocking and power popping! </span><br><br><span style="color:rgb(0,0,0);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong> </span></p><p><span style="color:rgb(0,0,0);"><strong>Max:</strong> Ha! You really got us with that one! Well, I'm a sound engineer myself and I love recording MILLIONS! of overdubs, but we can only play one guitar live and we don't want to go that "half-playback way", so Remo always reminds me to keep it simpler when I'm climbing the tower of Def Leppard guitar productions. I don't mind if it's completely different live, as long as the voice convinces me and the hooks are the same. </span></p><p><span style="color:rgb(0,0,0);"><strong> Bimmi:</strong> I would add that live is of course a different thing, because we really put a lot of energy into it, there is more pressure in the music and we also let ourselves be carried away by the audience and our gigs are therefore energetically a different thing, but we also don't intend to sound 100 per cent like we do on record.</span> <br><br><span style="color:rgb(0,0,0);"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong> </span><br><br><span style="color:rgb(0,0,0);"><strong>Bimmi:</strong> We totally like to hang out after concerts and get to know people better. For us, the title of "best show" doesn't depend on the size of the venue or the number of people, but rather on the environment: how does the audience accept us, do people get carried away, do we have fun after the show, how is the crew, are the other bands fun, etc.? For us it's important that we feel comfortable on a social level and that everyone appreciates each other and has fun. Those are usually the best shows. We were on the road a few times, but never really on tour. The longest leg we had was 3 shows in a row. We usually always meet great people on the road who are very grateful and generous. Thank you to everyone who has hosted us in the past and will continue to do so in the future! <3 Max: We’d love to play some more shows outside of germany in the future! Mixing holidays and playing in a band sounds like a crazy thing!</span> <br><br><span style="color:rgb(0,0,0);"><strong> What's up next for the band?</strong></span><br><br><span style="color:rgb(0,0,0);"><strong> Max:</strong> Playing shows, some festivals over the summer, writing and recording new songs - lets see?! </span><br><br><span style="color:rgb(0,0,0);"><strong>Bimmi:</strong> And always enough Pizza and Pets to pet in the backstage!</span> <br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="l3xdE_xCtVw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/l3xdE_xCtVw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://themelmacs.bandcamp.com/%E2%80%A8Instagram:" target="_blank" rel="noopener noreferrer">https://themelmacs.bandcamp.com/</a> <br><a class="no-pjax" href="https://www.instagram.com/themelmacs/%E2%80%A8Youtube:" target="_blank" rel="noopener noreferrer">https://www.instagram.com/themelmacs/ </a><br><a class="no-pjax" href="https://youtube.com/@themelmacs%E2%80%A8Facebook:" target="_blank" rel="noopener noreferrer">https://youtube.com/@themelmacs </a><br><a class="no-pjax" href="https://www.facebook.com/TheMelmacs/" target="_blank" rel="noopener noreferrer">https://www.facebook.com/TheMelmacs/</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437842023-08-16T05:15:00-04:002023-08-16T05:20:05-04:00MEET BROOKLYN GRUNGE SHOEGAZE BAND GLIMMER<p><span class="text-big"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c0a3eb0f763cfc4c5452580edf48b5b11a38c82b/original/glimmer.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><span style="color:rgb(0,0,0);">Formed in February 2023 by cousins Jeff and Jaye Moore, Glimmer is a Brooklyn / Hudson Valley-based grungegaze band that pairs layers of heavy guitars with dreamy, swirling reverb. The band came together at warp speed: after taking a nearly two-year hiatus from music and then releasing the self-recorded home demo ‘Breathe’ under the name Glimmer, Jeff realized that writing and playing music was crucial to his mental health and was ready to put a new band together. In only eight weeks’ time, Glimmer was a fully functioning four-piece, with Jaye on drums, additional guitarist Johnny Nicholls, and bassist Kevin Dobbins. They played their first show after only six short practices together, but their instant chemistry and explosive on-stage energy was palpable. Their debut single “Self Destroyed” was recorded the following week.</span> <br> <br><strong>How did the band form and what does the band name mean?</strong></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;">
<p style="margin:0px;padding:0px;"><span class="text-big">The idea for the band was something I came up with after over a year of self-imposed exile from music. I wrote a song called ‘Breathe’ and recorded a home demo of it that I wanted to release. I put it out under the name Glimmer, though I don’t recall thinking too hard about the name. Flash forward about a year later, which was this February, I had finally decided to play music again seriously and form an actual band. I got my cousin Jaye to play drums and recruited my friends Kevin and Johnny to play bass and guitar. As far as a meaning to the name, I can only attribute that after the fact but suppose it has something to do with endless possibilities. </span><br><br><span class="text-big"><strong>Previous musical projects? How'd you first get into music?</strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">I’ve played in many bands over the years and all of them with my cousin Jaye on drums. Like a lot of people, I heard the Beatles or something as a kid and got a hold of a guitar. From there my fate was sealed. </span><br><br><span class="text-big"><strong> </strong></span><br><span class="text-big"><strong>First concert that you ever went to? </strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">First local show was maybe this band called Rein Sanction, a lesser known Sub Pop band. National act was probably Iron Maiden. I don’t really remember, but those were definitely early on. </span><br><br><span class="text-big"><strong>What's your writing process like?</strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">I’ll usually pick up my acoustic guitar but for this band I wrote a lot on my Jaguar. I’ll mess around with some chords or a riff and sing some nonsense over it until something interesting happens. It doesn’t most of the time, but when it does I’ll pursue it and try and form a song. Then I’ll demo it on this Tascam 24 track recorder I have. Drum machine, guitars, bass etc., then I’ll bring it to the band and we flesh it out. That’s pretty unique to this band though as I didn’t always make demos, but I’m really into it now. </span><br><br><span class="text-big"><strong>5. What other artists or songs inspire your music? </strong></span></p>
<p><span class="text-big"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0wRjYyBhI3TAMpf3juCBBs?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p>
<p style="margin:0px;padding:0px;"><span class="text-big">As I mentioned I totally cut myself off from music during the pandemic. But after awhile I’d find myself checking out different clips on YouTube. Studio sessions of the band Nothing, Nirvana Live at the Paramount etc. and it really got me amped to start making music again. Even though it took awhile for me to get things going I was really starting to revisit a lot of 90’s stuff I’m into (Pumpkins, Hum) as well as some new bands I hadn’t really heard much of (Superheaven, Drab Majesty). So all that stuff really sparked my desire to create again. </span></p>
<p style="margin:0px;padding:0px;"><span class="text-big"> </span></p>
<p style="margin:0px;padding:0px;"><span class="text-big"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">I don’t really have a philosophy on playing live except that I enjoy it and I try to go out and put on the best show I can. I don’t think it has to sound identical but it also depends on the kind of band you’re in. People expect certain things from a song and I think it’s important to deliver that. </span><br><br><span class="text-big"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">We haven’t toured yet as we are super new. In fact we’ve only played a handful of shows, but we plan on changing all of that very soon. </span><br><br><span class="text-big"><strong>What's up next for the band?</strong></span><br> </p>
<p style="margin:0px;padding:0px;"><span class="text-big">Another single later this year, more shows, touring, SXSW next year and a full length when it makes sense. All the things. </span><br><br><span class="text-big"> </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="x0QrBBAk7hc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/x0QrBBAk7hc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="http://instagram.com/glimmerisaband" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big">instagram.com/glimmerisaband</span></a></p>
</div></div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437642023-08-15T05:00:00-04:002023-08-17T10:58:47-04:00MEET LOS ANGELES INDIE POP ARTIST ELLE BELLE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/35490c540d212e0acbb22d3c2518da21051db405/original/press-photo-c-casey-curry.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(55,65,81);">Los Angeles-based band Elle Belle is set to release their new album, "How Do I Feel?" on September 1 via Little Record Company. The album follows their 2020 release, "Post Everything." The band has shared the first track, "Gone Are The Days," which offers a heartfelt and nostalgic journey through time, touching on disillusionment, war, and aging. The album was created during a challenging period for Christopher Pappas, the mastermind behind Elle Belle, involving health struggles, a cancer scare, his mother's heart attack, and the loss of a close friend. Despite the hardships, the album explores the complexity of human existence and emotions, serving as a profound reflection on life. While Pappas doesn't provide a definitive answer to the album's title question, the experience led him to realize the resilience and power of simply continuing to move forward each day.</span></p><p><strong>How did the band form? </strong> <br><br>Elle Belle is a project I started right after I couldn’t finish the second album of my other solo project Miracle Parade. I had hit a sort of creative dry spell and decided to change it up with Elle Belle.</p><p><strong>What are your previous musical projects? </strong><br><br>How'd you first get into music? I’ve had a ton of projects, some current ones are a jangly power pop band called The Everyday Visuals, and a lo-fi duo with my friend Jon called DBL DRGN. My father was a musician so music was always around in my house growing up. I recorded some of my first songs on my father’s reel to reel 4-track. When I was in 7th grade, I started a band with my friend, and my dad let us play in between his band’s sets at the local bar in town. I remember the day after our first show, I was out with my mom and a guy stopped us and asked, "Hey, are you the kid that played last night? You were great!" and I remember thinking, "This is the coolest thing that’s ever happened to me."</p><p><strong>First concert that you ever went to?</strong> </p><p>My first local concerts were probably my dad’s band Rasmyth! They were an acoustic trio, so I grew up with a lot of CSNY and America in the house. The first "big" concert I went to was when I was nine years old, I went to The Beach Boys (Mike Love unfortunately, not Brian Wilson). Funny story: Chicago opened, and during their set, there was this guy walking around with a tray of sodas, and he was accidentally spilling them on people. Thinking he was being "wild" at a concert (think like when athletes spray champagne on themselves), I joined in and threw my soda on his back. But as soon as it hit him, he turned around, furious, and I instantly knew I had messed up. I felt so terrible. As a side note - during that time, the Satanic panic and idea of "hidden evil messages" in music was really prevalent, so in my little kid brain, I thought that maybe Chicago’s music had made me evil and that’s why I threw the soda. The picture of me at nine years old, stressing out that Chicago had turned me evil as Peter Cetera sang "Glory of Love" is a really hilarious scene. I was an anxious child.</p><p><strong>Can you explain what your writing process is like? </strong><br><br>"The writing process" is really another way to say work flow, and my philosophy is that work flow should change based on the goals and project. When collaborating, the song can live or die by how adaptive you can be in "your process". My work flow with Elle Belle has evolved and changed over the years, but the constant has been that it most always starts with a melody. My iPhone notes are filled up with mostly humming, sometimes I’d sing an odd lyrical idea here and there. But the common thread is that there’s always a melody.</p><p><strong>What other artists or songs inspire your music? </strong><br><br>Too many to unpack here! Nirvana, Sonic Youth, R.E.M. are the big ones from my childhood that made me want to be a songwriter. For the past several years, afro-pop and Ethiopian jazz have been dominating my playlists. In fact, I’m not sure I would have made it through the pandemic if it weren’t for Ethopiques, an anthology of wonderfully curated playlists. Those playlists turned me on to so many artists that I went deep down the rabbit hole with. I’m also lucky to have incredibly talented friends - a new band I’m obsessed with is Tragic Magic, I’d put them on this playlist - but they’re working on recording their first EP now. I’ve been fortunate to be in the studio with them and the songs are killer! Also, my friend (and collaborator/producer/engineer!) Pierre is working on some new stuff that sounds incredible. It’s been a while since he’s released something and he hasn’t missed a beat creatively.</p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/61jhqBtLJmuBaH4Xj1RQAo?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><strong>What's the live experience like, and your philosophy on playing live? </strong><br><br>Do you think the music live should be identical to the recorded version or should it be its own thing? I’m at my happiest when going off-script. I love winging it. Perhaps I’m a bit lazy and just don’t want to rehearse. I think those unrehearsed, off-the-cuff moments are where you really connect with the audience and yourself. I have a tendency to overthink things, over prepare, etc, so I love that in live music, there’s no second take (or third… or fourth… or "okay last one"… or…). I’ve actually tried to make my recordings MORE like my live shows. I recently wrote and produced a jam band record - for a great up and coming band called Dogs in a Pile - and the jam scene’s view on recording and live performance was something that I ended up taking a lot of inspiration from. There is an absolute commitment to improv and making every show unique. You can imagine that mentality can be anathema to attempting to get the "best take" of something while recording. Ultimately, there is no "perfect version" of the song, so the only goal should be to try and create a moment that’s worth capturing.</p><p><strong>What has your touring experience been, best shows? Worst shows? </strong><br><br>I haven’t toured since the world shut down, and I’m really looking to get back to it since I love it. I’ve played so many fun shows, Opening for Jenny Lewis comes to mind, the crowd was so warm and welcoming. My friend in SF Steve hosts these house shows that I’ve had the fortune of playing a few times, and they’re always so magical. I love house shows a lot for their intimacy. My worst show was in Brooklyn - I remember there were like 4 people there and one of them fell asleep during my set. I don’t blame them - I was awful that night.</p><p><strong>What's up next for the band?</strong><br> <br>I’ve got nearly a whole record’s worth of new songs that I’m dying to start recording - but I guess I should really focus on releasing this record first.</p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LGOR1-_479o" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LGOR1-_479o?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://ellebellenosignal.bandcamp.com/">https://ellebellenosignal.bandcamp.com/</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437422023-08-14T05:00:00-04:002023-08-14T05:00:05-04:00MEET WASHINGTON DC INDIE ARTIST SOFT PUNCH<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/436e4d117dd20de5bf49e0d9685835200cdfa498/original/softpunch-by-micahewood.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:#000000;">Washington D.C.-based musician Rye Thomas, under the moniker Soft Punch, is set to release their album "Above Water" on September 15 via Bad Friend Records. The album showcases bold and multidimensional arrangements, drawing influences from artists like Björk, The Beatles, Frank Ocean, and Elliott Smith. "Above Water" revolves around the theme of coping with loss and finding beauty in unexpected places. Soft Punch has released the single and video for "Here / Now," a song that explores the tension between nostalgia and being present in the moment. </span></p><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>How did the band form?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto">
<br><span style="color:#000000;">Soft Punch has is an ongoing solo project of mine, and it's existed for a pretty long time. At some point, there may be a steady live band, but that has not yet come to pass!</span>
</div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>What are your previous musical projects? How'd you first get into music?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;"> </span><br><span style="color:#000000;">I think I came out of the womb pretty obsessed with music. I was always in choirs and church bands growing up. My first "real" band in college was a post-punk group called Pash, on Exotic Fever Records. I was the bassist, and we played a lot of shows in DC and NYC in the early aughts. After we parted ways, I started a weird rock band called Tereu Tereu that went through a couple different line-ups. We played with both Dischord-inspired dissonance and poppy hooks, which probably confused a lot of people.</span>
</div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>First concert that you ever went to</strong>? </span></div><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;"> </span><br><span style="color:#000000;">The first concert I ever saw was Pearl Jam, with Mudhoney opening, at an amphitheater in Virginia Beach. I went with my dad and my best friend, the night before my first day of high school. Is there anything more '90s than showing up to Freshman year wearing a shirt from the grunge show you just saw?</span>
</div><div style="margin:0px;padding:0px;" dir="auto">
<br><span style="color:#000000;"><strong>Can you explain what your writing process is like?</strong></span>
</div><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;"> </span><br><span style="color:#000000;">It's all over the map! It could start with a weird sound on my laptop or a guitar riff or a little vocal melody. I generally write lyrics to suit a musical idea, because I haven't had much success doing the reverse. I usually have to work out the basic structure of a song on a guitar or a keyboard, but the final, recorded arrangement could land just about anywhere.</span>
</div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>What other artists or songs inspire your music?</strong></span></div><p><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5xd71VfTmRPNuDIoLDgYTM?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">I've always enjoyed listening to the most minute details of a great record. As a kid, I'd press my ear against the speaker to try and hear all the guts of a song--to get inside of it. Sonic magic is almost as exciting as songwriting magic to me.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">I started my playlist with Björk because she really captures that adventurous spirit. She writes pop hooks, yet she surrounds her voice with the most wild sounds. Ger albums create entire worlds worth living in.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">The Microphones (Phil Elverum) also created a whole world with The Glow, Pt. 2. Phil writes more direct tunes now--which can be stunning in a very different way--but I really love getting lost in that Microphones album.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">The first time I heard The Marble Index, it stopped me in my tracks. I was struck by the cold solitary beauty of these songs Nico wrote alone with a harmonium. There's nothing else like it!</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">I consider Arthur Russell my guiding light. There's a certain integrity and mysticism to his music; it feels so pure. He explored a lot of territory, but it always sounds like him.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">I once had the unbelievable good fortune to join Cat Power, Sky Ferreira, WHY?, and others for an Elliott Smith tribute concert. I chose to play the song St. Ides Heaven, because it take a sort of unremarkable experience (walking around a 7-Eleven parking lot with cheap malt liquor & meth) and elevates it to such great metaphysical heights. </span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">The Phoebe Bridgers train was just beginning to really take off when I hopped on board. I'm glad to see her gift for intimate storytelling really find an audience. I think she and her boygenius kin challenge me to write with sharper images.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">I've been listening to David Bazan, as Pedro The Lion & solo, since I was in high school. He's got a knack for creating more with less; with only a few notes & lyrics, he can create a complex moral tale, and I've always admired that.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">Is there a more aching, yearning, immediate opening in pop music than the "ah" that kicks off "Crimson & Clover"? The three shimmering chords that follow only heighten the desire. It goes straight to the heart, and what more could you ask for?</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">Baths is the perfect modern songwriter. His stuttering beats and classically trained piano chops could only be contemporary. This collaboration with Lala Lala does something I especially love--the song centers on her repeating vocals but pushes them further by changing the chords beneath them.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">OK, I just said Baths was the perfect modern songwriter, but maybe that's only because Frank Ocean hasn't put out a new album since 2016. Blonde sounds fresher now than it did when it came out, if that's even possible. "White Ferrari" delicately captures that "drop your love off at the airport" feeling, which would be a real achievement for anyone. But somehow Frank takes it further with a subtle Beatles interpolation and his cosmic/existential lyrics. It's truly the work of a master, and it moves me every time I hear it.</span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">The stage and the studio are two very different places. What works in one space does not always work in the other. </span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">Some albums translate to the stage pretty naturally, others require a lot of reinterpretation & rearrangement. The most important thing to me is that an artist uses each space as well as possible, whatever that looks like in practice. </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>What has your touring experience been, best shows?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto">
<span style="color:#000000;"> </span><br><span style="color:#000000;">Health issues have prevented me from playing live for quite a while now. My last show was in 2015. </span>
</div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">But back when I was able to tour? I just loved how a band gets tighter each night, and I always wanted to stay on the road longer. Even bad shows, where I had a fever or a stomach flu, seem precious to me now.</span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"> </span></div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;"><strong>What's up next for the band?</strong></span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">Well, the album comes out on September 15. I'm trying to record some performances at home, both solo and possibly with a full band, to share the music with people in multiple ways. If my health ever adequately improves, I'll play some live shows.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">After that, I've already got another album started. It'll be a sort of sister album to Above Water. I've got a bunch of songs and ideas for arrangements waiting for me. I hope to record and release it pretty quickly.</span></div><div style="margin:0px;padding:0px;" dir="auto"> </div><div style="margin:0px;padding:0px;" dir="auto"><span style="color:#000000;">But after *that*, there's no telling. I might pull a Nico and record a solo harmonium album. Or work with a string quartet. Or only use analog synths. The future is wide open!</span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" dir="auto"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="KRuHltTg3jA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/KRuHltTg3jA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://softpunchmusic.bandcamp.com/music"><span style="color:#000000;">https://softpunchmusic.bandcamp.com/music</span></a><span style="color:#000000;"> </span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437262023-08-11T05:00:00-04:002023-08-11T05:00:02-04:00MEET JERSEY CITY INDIE ROCK ARTIST CHRIS GENNONE OF CR & THE NONES<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;" id="SafeStyles1689705136"><div style="margin:0px;padding:0px;" dir="ltr">
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<div style="margin:0px;padding:0px;"><span style="color:rgb(55,65,81);">Jersey City guitarist and songwriter Chris Gennone's band CR and the Nones have released their second album, "The Ghosts Are Coming Home," which showcases a combination of expansiveness and introspection reminiscent of The War on Drugs or early My Morning Jacket. With soulful vocals, driving hooks, and a sincere and heartfelt sound, the album captures the essence of Garden State guitar music and conveys themes of journeys and forward motion. Despite personal struggles and the challenges of lockdown, the album radiates joy and reflects the band's positive energy during the recording process. We caught up with Chris Gennone to chat about the above and more!</span></div>
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<span style="color:rgb(0,0,0);"><strong>How did the band form and what does the band name mean?</strong></span><strong> </strong><br> <br><span style="color:#000000;"><font face="Helvetica Neue">The band first came together as CR and The Degenerates in 2016, then backed by James Abbott on lead guitar, Max Rauch, and Keith Williams of LKFFCT on drums and bass. Later, we solidified a core with James, John Dewitt on bass, Harrison Bieth on synth, and Evan Luberger of Rosey Bengal on drums. And following the release of our last record in 2020, I formed a new lineup known as CR and The Nones with James and John, and we added James's wife, Nicole on synth and vocals, and Tom Barrett on drums. </font></span>
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<br> <span style="color:#000000;"><font face="Helvetica Neue">My buddy Dash actually suggested the name, The Nones, as a play on my last name, Gennone. But I learned that The Nones are actually a real group of people that have no religious beliefs or affiliations. And I kind of connected with that belief, not just with religion, but sort of not belonging in society in general. </font></span>
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<span style="color:rgb(0,0,0);"><strong>Previous musical projects? How'd you first get into music?</strong></span><strong> </strong><br> </div>
<div style="margin:0px;padding:0px;"><span style="color:rgb(0,0,0);">I had a band with my pal Andrew Merclean called Tribal Days that played around from 2010-2015. I started another band called Winnebago around 2011 that still gets together and plays from time to time. And then the CR stuff started in 2016. </span></div>
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<br><span style="color:rgb(0,0,0);">I've always been into music, riding around in the car with my dad, who introduced me to a lot of 60s-70s stuff. But I became obsessed with Neil Young and CSNY in high school and I started playing harmonica. I don't know why, I just wanted to. And I learned everything I could, all of Neil Young's harmonica parts, Bob Dylan's, Springsteen's. Then I bought a cheap acoustic guitar and started writing songs. </span>
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<span style="color:rgb(0,0,0);"><strong>First concert that you ever went to?</strong> </span><br> </div>
<div style="margin:0px;padding:0px;"><span style="color:rgb(0,0,0);">First show I ever went to was Matchbox 20 at PNC when I was a kid. Wasn't very memorable, but I remember having that album of theirs on cassette. I don't remember what it's called. </span></div>
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<br><span style="color:rgb(0,0,0);">Can't remember the first "local" show I went to, but I went to a lot of basement shows in New Brunswick a while back and met some good friends in that scene that I'm still close with today. </span>
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<span style="color:rgb(0,0,0);"><strong>What's your writing process like?</strong></span><strong> </strong><br> </div>
<div style="margin:0px;padding:0px;"><span style="color:rgb(0,0,0);">I don't really have a process. I kind of just wait for things to come to me, whether it's melodies or words and phrases. It gets frustrating at times when I want to write, but nothing's coming. But you can't force it. I might sit and strum some chords, see what happens, but that's about it. </span></div>
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<br><strong> What other artists or songs inspire your music? </strong>
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<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0RdEuGw65eg0OKLvhCmdfg?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p> Well I'd add some Neil Young but he's not on Spotify. But I'm a big Jason Molina fan. His voice, lyrics, imagery, and sounds with Songs: Ohia and Magnolia Electric Co. are so moving and heartbreaking. Tom just got me into Sparklehorse and I love It's a Wonderful Life. I just love the vibes and the tenderness of that album. Always been a big Wilco fan, mostly everything pre-Sky Blue Sky. I love Silver Jews and everything David Berman does. His lyrics are unmatched. Being from Jersey, I naturally love Bruce. Gram Parsons and Gene Clark are two of my favorite songwriters, both with incredible voices. And I've been a fan of Kurt Vile and The War on Drugs for years. I love the sounds and the vibes of those guys. </p>
<p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing? </strong><br> <br>I think the live experience should be different than what's recorded or else it's really boring. I've seen so many bands that play the songs exactly how they sound, and that's cool but it's never memorable. We play the songs a little differently live, whether it's a harmony, tempo, or something else, the songs evolve live. And that's the exciting part. That's what makes live shows exciting, playing every show just a little differently, having a different experience each time. </p>
<p><strong> Has the band toured? What has the touring experience been, best shows? worst shows? </strong><br> <br>Yea we've toured regionally a little bit. We toured with our buddies Joy Cleaner down to Richmond, DC, and Philly. We toured with LKFFCT through New England, and I went on a week-long solo tour down south to Georgia and Nashville. </p>
<p> DIY touring has definitely been a mixed bag. We've played shows that had two people there, and played a packed college house where you couldn't move. One thing that was constant though was the hospitality of so many people in different places. No matter where you came from or how many people showed up, mostly all of the hosts were so nice and gave us a place to stay and some money to get to the next gig. </p>
<p> Best show was definitely at this college house in Richmond called Carpet Palace with Joy Cleaner. It was so crowded that people were bumping into us while we were playing and actually knocked Kyle's bass out of tune in the middle of his set. I think Kyle and I agree that we're still chasing the high from that show. </p>
<p>Worst show was probably at this place in Cambridge, MA next to the Middle East with LKFFCT. It was the last show of the tour, no one was really there, and we were hungover and exhausted. And Evan had a cold and I started feeling sick before the show. We drove home from Boston at 2 am and all went to work that day. It was pretty miserable. </p>
<p><strong>What's up next for the band? </strong><br> <br>We have another single coming out soon and our new record is coming out September 8th on Magic Door! We have a couple shows coming up in Jersey City on 9/7, and we'll be playing in Brooklyn 9/22 and more this fall. </p>
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</div></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="-IgS6mKuPdk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/-IgS6mKuPdk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/cr_nones/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/cr_nones/</a> <br><a class="no-pjax" href="https://crandthenones.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://crandthenones.bandcamp.com/</a> <br><a class="no-pjax" href="https://www.facebook.com/crandthenones" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.facebook.com/crandthenones</a> <br><a class="no-pjax" href="https://twitter.com/crnones" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://twitter.com/crnones</a> <br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72552872023-08-11T04:00:00-04:002023-08-11T04:00:02-04:00INTERVIEW WITH THE DEAD DAISIES ABOUT THEIR “MAKE SOME NOISE” VIDEO<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f828a10e91b5416bc5ed3f9c20515c09930650ff/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><o:p></o:p></p><p><i><span>Legendary hard rock supergroup The Dead Daisies recently celebrated ten years as a band by releasing their “Make Some Noise” music video. BMN had the pleasure of interviewing vocalist John Corabi (The Scream, Mötley Crüe) who has rejoined the band. The interview can be read below.</span></i><o:p></o:p></p><p><span><strong>What was behind the scenes for “Make Some noise” like?</strong></span><o:p></o:p></p><p><span><strong>John Corabi: </strong>It was fun!!!! We had one month to write, record, and mix that record. So, it was a bit crazy, and there were long days…but we had a blast the entire time!!!</span><o:p></o:p></p><p><span><strong>What inspired you to make “Make Some Noise?”</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>We wanted to do something in all honesty, that was a simple crowd participation song, reminiscent of Queen’s “We Will Rock You!!!”.</span><o:p></o:p></p><p><span>I think it turned out great considering it’s always been a crowd favorite!!!</span><o:p></o:p></p><p><span><strong>How does it feel celebrating your 10th anniversary?</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>It’s been a great ride thus far!!! And hopefully, it’s onward and upward from here!!!!</span><o:p></o:p></p><p><span><strong>How do you want fans to feel while listening to “Make Some Noise?”</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>Just have fun and enjoy the music!!! Kick off your shoes, pour yourself a cocktail, and dance around your house like you haven’t a care in the World!!!</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="zZWrvzTvQOk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/zZWrvzTvQOk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><o:p></o:p></p><p><o:p></o:p></p><p><span><strong>How long does it take you to practice and record a song?</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>Well, we usually take about a month to five weeks, to write, record, and mix an entire record…??? </span><o:p></o:p></p><p><span><strong>How do you come up with such powerful chords and beats?</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>I can’t explain that…It just happens…It’s a gift from the UNIVERSE.</span><o:p></o:p></p><p><span><strong>What's your favorite song from your 2016 album?</strong></span><o:p></o:p></p><p><span><strong>JC: </strong>Probably “We All Fall Down!!!” I just love the lyrics…</span><o:p></o:p></p><p><span><strong>Is there new music fans can look forward to? </strong></span><o:p></o:p></p><p><span><strong>JC: </strong>I hope so…I can’t tell you because it’s TOP SECRET, and I’d have to kill ya…lol</span><o:p></o:p></p><p><span><strong>Follow The Dead Daisies:</strong></span><o:p></o:p></p><p><a class="no-pjax" href="https://thedeaddaisies.com/"><span>https://thedeaddaisies.com/</span></a><br><a class="no-pjax" href="https://www.facebook.com/TheDeadDaisies"><span>https://www.facebook.com/TheDeadDaisies</span></a><span> </span><br><a class="no-pjax" href="https://twitter.com/TheDeadDaisies"><span>https://twitter.com/TheDeadDaisies</span></a><span> </span><br><a class="no-pjax" href="https://www.instagram.com/thedeaddaisies/"><span>https://www.instagram.com/thedeaddaisies/</span></a><span> </span><o:p></o:p></p><p> </p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72408752023-08-10T05:05:00-04:002023-08-21T11:21:14-04:00MEET NEW ENGLAND INDIE POP SINGER SONGWRITER DEREK SMITH<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/31cb76d2e76e18c3d30b4aff5f183ca48508b979/original/derek-smith-bandcamp.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="outline:none !important;"><div style="outline:none !important;">Derek Smith is an up and coming force in the northeastern US music scene. In addition to being the front-man and primary songwriter for The Cosmic Vultures, he writes and records solo material. His first release for the label was a wildly successful single, "Fire in the Forest", which has over 25,000 plays to date. The corresponding album <i>Rubedo</i> only fueled the demand for more music and lucky for his fans, Derek is a prolific writer. His next album, <i>Obscura</i>, is due to be released on July 12.</div></div><div style="outline:none !important;"><div style="outline:none !important;"> </div></div><p><strong>How did this project come about?</strong></p><div style="outline:none !important;">Derek Smith: As just a solo artist, I decided to take the approach to work and write by myself for a number of albums and singles. I’m the frontman of The Cosmic Vultures and now my solo work will be listed under my name Derek Smith and will also have a backing band called Derek Smith & The Sparrows.</div><div style="outline:none !important;">
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<div style="outline:none !important;"><strong>Previous musical projects? How’d you first get into music?</strong></div>
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<div style="outline:none !important;">I made my own little solo albums from 2006-2009. Most of the material is unreleased. In 2012 I formed a band that eventually became The Cosmic Vultures. But I first got into music because of my parents: my father is a bassist that has played with a lot of top notch bands and singers and my mother is a piano teacher. I used to wake up, go downstairs and see my dad painting and listening to The Beatles. It just became embedded into my DNA.</div>
<div style="outline:none !important;"> <br><strong>First concert that you ever went to? (</strong>
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</div><p>The Monkees in 1997. My sister and I used to watch the show and listen to the CDs we had of them. My mom won tickets on the radio. It was such a cool experience for me. Best concert I’ve ever been to was Grizzly Bear in 2012. They blew me away. <br><br><strong>What’s your writing process like?</strong></p><div style="outline:none !important;">
<div style="outline:none !important;"> Usually just grabbing my guitar and start noodling. Then I start singing and improvising. If I like it, I’ll keep crafting it. Sometimes my wife will give me a “ooo what’s that!?” That’s how I know if it’s tasty haha. <br> </div>
<p><strong>What other artists or songs inspire your music? </strong></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4jdeWBg8wXCdaZodyWgTjG?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br>I sound like a broken record when answering this haha, but The Beatles are the reason why I write music. They’ll always be my biggest influence. It’s amazing how in 2023, they still feel fresh. There is so much I am influenced by: Frank Zappa, Steely Dan, Bob Dylan, Grizzly Bear, Stevie Wonder, Pink Floyd. I could make a list a mile long. I am also massively influenced by show tunes and Broadway. I am a massive fan of musicals. <br><br> <strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></p>
<div style="outline:none !important;">Live music is so important. It’s a different avenue than recorded music. I love seeing different versions of songs live. Zappa had this super cool theory on live music where he would play a different solo for every song every night. So that the people watching get an exclusive show. It’ll only happen that way, that one night. If people want to hear the music exactly the same, just stay home and play the records! <br> </div>
<div style="outline:none !important;"><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></div>
</div><p>As a solo performer, I’m still getting used to playing by myself. It’s very foreign. I’m used to being able to turn to a bandmate next to me for reassurance. One of the best shows I’ve ever played with my band The Cosmic Vultures was Middle East: Downstairs in 2018. I can’t think of any shows I would label the worst. I guess whichever ones I wasn’t feeling well during. That’s always the worst. But as a solo artist, I plan to play a lot more with and without my backup band The Sparrows - stay tuned for dates!</p><div style="outline:none !important;">
<div style="outline:none !important;"><strong>What’s up next for the band?</strong></div>
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<p>Well for me, it’s more LPs, EPs, singles. The sky is the limit. I’ve been dumping music out to the public since 2017. Whether it be solo or with The Cosmic Vultures. As long as I’m breathing, I’ll be releasing music and playing out where I can!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="OBHYB82Taa8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/OBHYB82Taa8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="outline:none !important;">
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<div style="outline:none !important;">Facebook: <a class="no-pjax" href="https://www.facebook.com/profile.php?id=100063733160337" target="_blank" rel="nofollow noopener noreferrer"><u>https://www.facebook.com/profile.php?id=100063733160337</u></a>
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<div style="outline:none !important;">Oak Honest Artist Page: <a class="no-pjax" href="https://oakhonestrecords.com/derek-smith/" target="_blank" rel="nofollow noopener noreferrer"><u>https://oakhonestrecords.com/derek-smith/</u></a>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437672023-08-09T05:00:00-04:002023-08-09T05:00:02-04:00MEET TEXAS DARK SYNTH POP BAND NIGHT DRIVE<div style="margin:0px;padding:0px;">
<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/320c09524460e431a89959bc7fc4f9239f1b97ea/original/night-drive-by-robert-maccready.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p>
<p><span style="color:#000000;">Texas-based dark synth-pop band Night Drive is set to release their EP "Position II" on August 4 via Chicken Ranch Records. They have shared the first single, "Summerwaves," along with its accompanying video. The track captures a sense of freedom and nostalgia, drawing inspiration from the coastline. Night Drive formed after meeting in Mexico City, bonding over their love for synth soundscapes. The band's upcoming album reflects the uncertainties and emotions of modern times, exploring themes of longing, hope, and discovery. With infectious melodies and pulsing dance beats, Night Drive's stylish and energetic sound has earned them recognition in film, TV, and radio. They have toured with notable acts such as Crystal Castles and CHVRCHES, showcasing their captivating live performances.</span></p>
</div><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>How did the band form?</strong></span></div><div style="margin:0px;padding:0px;">
<br><span style="color:#000000;">We met in Mexico City, at a movie screening. The movie was Beyond the Black Rainbow, which has become a sort of aesthetic cornerstone for the band. One of the songs on our first album is called Arboria, which is named after a character in that movie.</span>
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<br><span style="color:#000000;"><strong>What are your previous musical projects? How'd you first get into music? </strong></span>
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<br><span style="color:#000000;">Rodney was previously in a band called Motel Aviv, and Brandon was previously in a band called Glasnost. These bands had both broken up shortly before we met, so circumstances just happened to be arranged right for everything to come together. Rodney has been involved in music most of his life, and Brandon got into making music after college, pretty much by accident.</span>
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<br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span><br> </div><div style="margin:0px;padding:0px;"><span style="color:#000000;">Rodney's first concert: Bel Biv Devoe</span></div><div style="margin:0px;padding:0px;"><span style="color:#000000;">Brandon's first concert: Dinosaur Jr</span></div><div style="margin:0px;padding:0px;">
<br><span style="color:#000000;"><strong>Can you explain what your writing process is like? </strong></span>
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<br><span style="color:#000000;">The process can take many forms, but it generally starts with Brandon composing an instrumental piece. Rodney then takes it and constructs vocal melodies and lyrics, which influences the further development and arrangement of the song. We both work on the arrangement, which can really go in any direction from there. We kind of see the vocals as one chemical and the instrumentals as a separate chemical, and when they're dropped into the beaker it's unknown what the resulting mixture will be. </span>
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<br><span style="color:#000000;"><strong>What other artists or songs inspire your music?</strong> </span><br><br><span style="color:#000000;">Wild Nothing, Black Marble, and Part Time - We own pretty much the entire catalog of these three bands, they're all different musically but capture certain feelings that we're very in sync with / The David Byrne song was added because its vocal harmonies were partially an inspiration for one of the songs in the upcoming EP, it's the first Night Drive song with a three-part vocal harmony / Crystal Castles - Empathy: we went on a brief tour with these guys but I don't recall them ever playing this song, which is one we really vibe with / French Films - this is a band that our drummer Nick introduced us to, they have a great energy and a surfy kind of sound / On the Beach - The Chameleons: for the obligatory 80s song we included this band because they had a unique sound but never had the US following that they should have / Steve Moore is an ambient artist whose excellent analog synth sounds create a great otherworldly mood / Eyedress and Enjoy are just bands that start with E that we're really digging at the moment</span>
</div><p><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/66ZTzlhef4OkA9tvj3Xg3X?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p><div style="margin:0px;padding:0px;">
<br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing? </strong></span>
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<br><span style="color:#000000;">Playing live is a pretty great thrill and since we're not really a "jam" type band, for the most part we try to capture the recorded sound when performing. However that's not an unbreakable rule, as the longer we play the songs live, the more they change. When we play Drones (our first single) live, it has additional melodies and fills and harmonies that aren't in the original recording. Those changes are just as much for us as they are for the audience. We think there are no rigid unbreakable rules about how music should be written, performed, or consumed. That is one of the great things about music, it is the most abstract of the art forms and defies all attempts to be confined by intellectual boundaries. </span>
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<br><span style="color:#000000;"><strong>What has your touring experience been, best shows? Worst shows? </strong></span>
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<br><span style="color:#000000;">We're fortunately not yet at the "burned out on touring" phase, we still enjoy it and it's been a fun experience overall. We can't think of a best show right now, but the best moment right before a show would be our first time in San Francisco. We were crossing the golden gate bridge at sunset, listening to Roxy Music -The Thrill of it All, it was one of those profoundly surreal moments where you feel like you're in a movie. Worst show would probably be a certain music festival where our previous drummer didn't show up and we had to play the show with no drummer. We fired him.</span>
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<br><span style="color:#000000;"><strong>What's up next for the band?</strong></span>
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<br><span style="color:#000000;">We're releasing all the music that's been simmering in the vault for the past few years, it's been ready to go but we just needed the right team to get behind us. Mike at Chicken Ranch Records has been a great help and we're really glad to have those guys on board.</span>
</div><div style="margin:0px;padding:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="o7YbtvLUkko" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/o7YbtvLUkko?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://nightdrivemusic.bandcamp.com/"><span style="color:#000000;">https://nightdrivemusic.bandcamp.com/</span></a><span style="color:#000000;"> </span></p><div style="margin:0px;padding:0px;">
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</div><p><br><span style="color:#000000;"> </span></p><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"> </span></div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400962023-08-08T05:20:00-04:002023-08-08T05:20:02-04:00MEET KENTUCKY ALTERNATIVE ROCK DUO FERAL VICES<p><o:p></o:p></p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4aece60111b13342218cb5593985fd9e265dedeb/original/fv-ms-4-12-23-7-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:#000000;">As a two-piece alternative rock band out of Louisville, KY, Feral Vices has created a sound and feel all their own. Drawing from influences ranging from Queens of the Stone Age to Refused to The Jesus Lizard and even The Dillinger Escape Plan, lead singer and guitarist Alexander Hoagland and drummer Justin Cottner bring a feel to the world of two-piece bands not yet well tread. </span><br><o:p></o:p></p><p><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:#000000;"><strong>Alexander:</strong> It's actually a funny story. Technically, Justin never actually joined the band. My previous band needed a drummer for a show and I asked Justin to fill-in and after that show I ended up basically kicking everyone else out of the band and then just kept asking Justin if he wanted to practice. Eventually we just became a two-piece because we never bothered to add anyone else. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:#000000;"><strong>Alexander:</strong> I've been in a few different bands, some hardcore, a pop band, and the 3 projects that slowly evolved into each other and then into this band. I got into music through church and my family being a really musical family. My church needed someone to play guitar for the youth group and someone to play bass in the main service and I figured, "how hard could it be?" And here we are. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin:</strong> I got into music by playing drums for my youth group band in highschool. It evolved into playing in different projects with my brother and friends and has lead me to this project years later. </span><br><br><span style="color:#000000;"><strong>First concert that you ever went to?</strong> </span><o:p></o:p></p><p><span style="color:#000000;"><strong>Alexander: </strong>This is going to be a deep cut for the Christian kids, but my first concert was the Christian group FFH. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin:</strong> First concert was probably a Winterjam haha. </span><br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:#000000;"><strong>Alexander:</strong> We usually jam out a bunch of songs or pieces of songs and then I started coming up with melodies based upon those and tweak to music to better suit the melody if it doesn't totally work, then words come in and I tweak the melodies and music again based upon that. THEN we go into the studio and do a lot more adjusting with the producer and just being in that zone changes how you feel about things or the tones you get at the studio can change the feel of a song and you have to rework it. </span><br> </p><p><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><span style="color:#000000;"><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4Z3qknbZyleW3YUakbJWLA?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></span></p><p><span style="color:#000000;"><strong>Alexander:</strong> For me, the biggest influence for the band is Refused. From there, I have a a ton of bands that influence me in a lot of weird ways from music to lyrics so here's a quick little list: Dillinger Escape Plan, Queens of the Stone Age, Starflyer 59, Pedro the Lion, Stavesacre, Neon Horse, Failure, Further Seems Forever, the Jesus Lizard, Muse, Nine Inch Nails, Rage Against the Machine, Sunny Day Real Estate, and White Lies. Probably even more than that too. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin:</strong> Them Crooked Vultures have been a huge inspiration to me personally. I just love how they have a raw rock sound and that’s something I strive for us to create. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin: </strong>With us just us just being a two-piece band, I think we both agree on what you hear on the record, is what you’re going to hear live. We experimented on this record with adding additional guitar but our goal is to not play with tracks live. </span><br><br><span style="color:#000000;"><strong>Alexander:</strong> For sure, we do want the live show to be a bit more of an experience so sometimes we'll change something up a little bit or if we find something a little cooler, we might do that, but the goal is for the record to sound like us live. Best case, we sound great recorded and even better live. </span><o:p></o:p></p><p><br><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows? Worst Shows?</strong></span></p><p><span style="color:#000000;"><strong>Alexander:</strong> We have! We didn't really get any chance to tour the band early on with us really starting right before COVID so we haven't toured as much as we'd like to. Post-COVID the touring world is just an entirely different animal and it can be hard for bands to tour because there are so many new bands, a lot of venues closed, and people are a little tighter with money these days. That said, we're doing a lot of touring and will keep doing more and more as we can!</span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin:</strong> Our best show is definitely opening up for Four Year Strong, Microwave, and Save Face. Microwave is one of my favorite bands so having the opportunity to open for them was very exciting and I am very thankful for that.</span></p><p><span style="color:#000000;">Worst show? I’m thankful we haven’t had too many “bad/worst” shows. We’ve definitely played a handful of shows to 1-2 people in the room but we always have a good time talking to other bands and whoever is running sound/door. We try to make the best out of a worst situation because at the end of the day, I just enjoy playing music. </span><o:p></o:p></p><p><span style="color:#000000;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:#000000;"><strong>Justin:</strong> A lot of touring. We are in the process of finishing up booking for this year, and I’m getting ready to start routing for 2024. </span><o:p></o:p></p><p><span style="color:#000000;">Make sure to follow us on all socials @feralvices to keep up to date with all of our shows and new music!</span><o:p></o:p><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1EblO07eUgs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1EblO07eUgs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.feralvices.com/">https://www.feralvices.com/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400952023-08-07T05:00:00-04:002023-08-10T15:06:22-04:00MEET UK INDIE GARAGE ROCK BAND THE NOW<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2ab7dab97add4b4e9b37a976fafc47a8d5711b16/original/band-table.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:black;">The Now is a projectile missile targeted for the ear drums of the masses. There’s 4 of us, we play loud, edgy songs that’ll make your knees shake like Elvis on ket!</span><o:p></o:p><o:p></o:p></p><p><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:black;">The Now is actually an acronym for all our middle names.</span><o:p></o:p></p><p><span style="color:black;">Will </span><span style="color:red;">T</span><span style="color:black;">homas </span><span style="color:red;">H</span><span style="color:black;">arold Scott </span><o:p></o:p></p><p><span style="color:black;">Jay </span><span style="color:red;">E</span><span style="color:black;">dward </span><span style="color:red;">N</span><span style="color:black;">igel Evans </span><o:p></o:p></p><p><span style="color:black;">Shane </span><span style="color:red;">O</span><span style="color:black;">wen O’Callaghan</span><o:p></o:p></p><p><span style="color:black;">Callum </span><span style="color:red;">W</span><span style="color:black;">illard Bromage </span><o:p></o:p></p><p><br><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:black;">Shane and Callum met in an open mic night and formed the band from that night. A few members came and went until Jay and Will joined.</span><o:p></o:p></p><p><span style="color:black;">Jay was in a band called Upbeat Sneakers who were a ska pop band known for supporting Madness and other leading ska acts.</span><o:p></o:p></p><p><span style="color:black;">Will was in a band called The Sandinistas and was the touring drummer for Peter Andre back in 2015.</span><o:p></o:p></p><p><span style="color:black;"><strong>First concert that you ever went to?</strong> </span><o:p></o:p></p><p><span style="color:black;">We’ve all been to so many concerts over the years but the most important one would’ve been the recent Vengaboys gig. We’ve realised how important it is to look as cool as them so in our next gig we’ve decided to wear leather hot pants and take our tops off like our heroes!</span><o:p></o:p></p><p><span style="color:black;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:black;">It’s a very organic process. We lock ourselves away, sit in a circle, hold hands and pray to the gods of music to bless us with the gift of song, and just like that they fall from the sky into our laps. </span><o:p></o:p></p><p><span style="color:black;">Other times we just bring ideas and let it transition naturally into a song but we prefer to hold hands!</span><o:p></o:p></p><p><span style="color:black;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><span style="color:black;">We are all huge fans of Huey Lewis and The News. Their early work was a little too new wave for my taste. But when Sports came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humor.</span><o:p></o:p></p><p><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><o:p></o:p></p><p><span style="color:black;">We have the ideology that the live performance should be a “performance”. No one wants to go to watch a band stand still and go through the motions. We do like to try and stick to what the songs sound like on the actual recording but we are loud, in your face and like the musical equivalent of Magic Mike! </span><o:p></o:p></p><p><span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span><o:p></o:p></p><p><span style="color:black;">We have toured but not to the extent that we want to get. The best shows we have done have to be the many festivals we’ve previously played, however we just sold out a local homecoming show which was the best to date.</span><o:p></o:p></p><p><span style="color:black;">The worst shows are most probably the ones that all bands “have” to do when you’ve travelled 4 hours to play in front of 4 people who are too busy watching the football in the background. </span><o:p></o:p></p><p><span style="color:black;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:black;">We are releasing our 3rd single from our debut album in the coming weeks. We have just played the Isle of Wight festival too and gigging here, there and everywhere! </span><o:p></o:p><br><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iPqkzaWorfM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iPqkzaWorfM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><blockquote type="cite">
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<div class="" style="margin:0px;padding:0px;"><a class="no-pjax" href="http://thenowuk.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">thenowuk.com</a></div>
</blockquote><p><o:p></o:p></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400912023-08-04T05:00:00-04:002023-08-04T05:00:03-04:00MEET INDONESIAN INDIE PUNK TRIO GRRRL GANG<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/832fc7a9b366ec670e776fca989b09772443cb44/original/2-press-shot-rude-awakening-left-to-right-akbar-rumandung-angeeta-sentana-edo-alventa-photo-by-tiny-studio-square.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><o:p></o:p></p><p> </p><p><span style="color:rgb(0,0,0);">Indonesian trio Grrrl Gang builds on their considerable worldwide buzz with Spunky!, their full-length debut album out September 22 via Green Island Music in partnership with exclusive licensees Kill Rock Stars (United States), Trapped Animal Records (United Kingdom) and Big Romantic Records (Japan and Taiwan). The band has already released an exciting array of connected video content and today we caught up with the band to hear more about their roots and songwriting. </span></p><p><span style="color:black;"><strong>How did the band form?</strong></span><o:p></o:p></p><p><span style="color:black;">It was waaaay back when we’re still in college. We studied in the same university and organized lots of gigs and parties in the local scene. Decided to form a band because we don’t have anything else to do. </span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>What are your previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Akbar:</strong> Use to play in a twee pop band from Yogyakarta called Talking Coasty and this shoegaze band called Annie Hall</span><o:p></o:p></p><p><span style="color:black;"><strong>Edo: </strong>Started a country pop duo called Backyard Lullaby way back in 2014 with one of my best friends.</span><o:p></o:p></p><p><span style="color:black;"><strong>Angee:</strong> My high school friends and I made a band to play at our prom back in 2016.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>First concert that you ever went to?</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Akbar:</strong> Avenged sevenfold </span><o:p></o:p></p><p><span style="color:black;"><strong>Angee:</strong> The first concert I went to was Santana in Jakarta with my parents. My dad is a really big fan of him.</span><o:p></o:p></p><p><span style="color:black;"><strong>Edo: </strong>Honestly don’t really remember, however the earliest memory I have at a concert is most probably Shaggy Dog; A local, kind of a big deal band from Yogyakarta. </span><o:p></o:p></p><p><strong> </strong></p><p><span style="color:black;"><strong>Can you explain what your writing process is like?</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Angee:</strong> I take a lot of inspiration for the lyrics from my diary entries. I feel like that’s where I am most vulnerable.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2hWAAkusvjW6e111L4XPjK?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:black;"><strong>Akbar:</strong> Not exactly a band/musician but I am highly inspired by Sarah Records and its rosters. In my opinion, their attitude and point of view shows that playing music is not only about “the music”. I read all of Sarah records’s manifesto during college years and it was a life changing moment. </span><o:p></o:p></p><p><span style="color:black;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Akbar: </strong>DISAGREE! It is two different kinds of things with two different approaches. </span><o:p></o:p></p><p><span style="color:black;"><strong>Angee: </strong>It most definitely should be its own thing so that we can give the audience a whole different experience.</span><o:p></o:p></p><p><span style="color:black;"><strong>Edo:</strong> Performing live in general is a whole other beast when compared to the record, where our approach mainly is to transmit our energy to the audience and works both ways. </span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>What has your touring experience been, best shows? </strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Angee:</strong> Our touring experience has always been a blast. Best show we had, in my opinion, was when we played at this little town, called Purwokerto, and everyone there was so excited to see us live. It was great, because we didn’t expect anyone to show up.</span><o:p></o:p></p><p><span style="color:black;"><strong>Edo:</strong> When we played at Bone (Sulawesi), and not one person knew our song but everyone (including us!) had fun so I think that’s probably one of my favorite shows yet. </span><o:p></o:p></p><p><span style="color:black;"><strong> What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:black;"><strong>Angee:</strong> If everything goes smoothly, a tour could happen.</span><o:p></o:p></p><p><span style="color:black;"><strong>Akbar: </strong>Agree with Angee, tour is coming, and a second album maybe? :)</span><o:p></o:p></p><p><span style="color:black;"><strong>Edo:</strong> AGREED! </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5ZN9y0z5Cc0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5ZN9y0z5Cc0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400892023-08-03T05:00:00-04:002023-08-03T05:00:01-04:00MEET SWEDISH INDIE PUNK BAND THE HOLY GHOST<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d3acf25dea6c23de80c3617460297dac2d102444/original/337256635-755257026239468-5988643344492348130-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(0,0,0);">The Holy Ghost is a Punk Indie Rock band from Stockholm, Sweden. Its members have been active in the underground music scene since the late 80’s, playing in bands like Ashram, Entombed and Trapdoor Fucking Exit to name just a few. Some of them also play in current bands like Haystack, Formications and Eye Make The Horizon. The Holy Ghost consists of four middle aged music fanatics who appreciate all sorts of music, and the band lets all of it seep into its sound. However, to define them more closely, one might mention bands like Hüsker Dü, Dinosaur Jr, The Replacements and Rites Of Spring as major influences. They carry on a post-hardcore tradition musically, including having something to say lyrically.</span></p><p> </p><p><span><strong>How did the band form and what does the band name mean?</strong></span></p><p><span>It started as a project with me and Thomas, the bass player. The first recording was just us two, I did everything but play the bass. It became a band a year after that, we’ve had a few different line-ups and made two records, ”The Southpaw Trail” which is streaming only and ”Mountain Street Songs” which we released on vinyl ourselves. On the latter, I’m not the vocalist. That line-up ended a few years ago and we were back to where we started, with just me and Thomas, no band. But you can’t let that stop you, so last year we went into the studio and recorded 7 of the songs that last band had been working on. This is the mini album ”Ignore Alien Orders” that comes out this fall. In March of this year, we put a new band together and here we are.</span></p><p><span>The band name is my small, personal attempt at taking back the concept of spirituality that organized religion has hi-jacked for its own purposes. It’s also a reference to saxophonist Albert Ayler, whose music I really love. The name has a few more layers and connotations to it, but I’ll leave it at that.</span></p><p><br><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span>We’ve all been in bands since our early teens. Me and Thomas were in Ashram (1988-95), Java (1996) and Trapdoor Fucking Exit (1999-2007). Uffe was a founding, long-standing member of Entombed and has played / is playing with Haystack, Ledfoot, Disfear, Morbid and many others. Niklas has played / is playing with Rock Out, New Rose, Woodlands, Eye Make the Horizon and countless others.</span></p><p><span>I can’t remember a time when I wasn’t into music, if that’s what you mean. As a child, it was my parents records. The good stuff I still listen to - the Beatles and the Stones, Patti Smith, Miles Davis, Bob Marley to mention a few. The bad stuff I’d rather forget about. I got into Kiss at around 7 or 8, they were the first band I discovered on my own. Some friends turned me onto Punk and Hardcore when I was 12, and that opened up a whole new world for me. Even though my current band may not fall into that category, or at least not only that category, I still identify as a punk. I’ve never been close-minded about music, but discovering the Hardcore Punk scene was such a mindblow for me that it was my main focus for many years, until my late teens / early twenties when I started broadening my horizons and got into Jazz, Funk, Reggae / Dub, Hip Hop, Psychedelia and the almighty Black Sabbath and so on.</span></p><p><br><span><strong>First concert that you ever went to?</strong> </span></p><p><span>The chronology gets a bit blurry due to the fog of old age, but I think the first Swedish band I saw was Ebba Grön in 1981 or maybe 82. They were a Punk band, but at 6 or 7 years old, I obviously had no grasp of what that meant. I do, however, think something about my future was kinda decided then and there. Around the same time, my mom took me to see The Rolling Stones. Again, pretty pivotal. They remain one of my favorite bands to this day.</span></p><p><br><span><strong>What's your writing process like?</strong></span></p><p><span>I sit on the couch and play acoustic guitar, without any pretense of trying to DO anything, most of what I play is useless and hackneyed but once in a while, something good comes along. It can be a riff or a chord sequence or a melody line. Sometimes that thing will suggest another thing that should follow it, and it turns into a whole song, but that’s kinda rare. Mostly it’s just loose riffs. Whatever it is, I always record it on my phone, since my memory is fucking terrible. I just put bits together to see what works, in endless permutations, usually. When the song is finished I make a demo of it. It’s the same with words. I write down thoughts and ideas or themes for lyrics all the time, just bits and pieces. I never write words with a particular song in mind. When I have a bunch of instrumental songs I need lyrics for, I sit down with my notebook or scraps of paper and finish a whole bunch of lyrics all in one burst. Then I try to pair them with songs and edit them to make them fit the meter and come up with a vocal melody. A lot of times, it starts with a song title I like, which is attached to a specific idea that seems worthwhile to sing about and I write about that. Often, phrases and lines come to me while I’m out walking in the city. Again, the phone comes in handy.</span></p><p><br><span><strong>What other artists or songs inspire your music?</strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4LkFs3BKSGI2nbPwYTNLVu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span>Well, first off, plenty of music which did not make the playlist inspires me. It can be anything, really. A Coltrane piece may inspire a melody line, that’s really direct and obvious. Any song may inspire me, but what comes out on the guitar is something else entirely. Anyway, the list consists of bands I consider huge influences, music I’ve listened to so much that it has formed a kind of template for what I’m trying to go for with my band, whether I’m conscious of it or not, which I guess is this Post-Hardcore, Indie Rock thing - loud, powerful and melodic guitar music. Rites Of Spring is definitely one of those bands, as are Hüsker Dü, Dinosaur Jr, Sonic Youth etc. I’ve always had a soft spot for melancholy, minor chords and beautiful melody combined with the power and intensity of Punk Rock. Rites Of Spring impress me by being vulnerable and non-macho in a scene often very opposite to that, as well as crafting completely great melodic Punk with a frenetic energy, barely in their twenties. Motorpsycho is Norway’s foremost gift to the world, always brilliant. My favorite of their many phases is this Indie Rock phase they went through around 1995-1997. Swervedriver do serious magic with their guitar work, listen in headphones, it’s meticulous and thought out in a stunning way. Dinosaur Jr is just hands down one of the best bands there ever was, and is. J Mascis is a genius maker of riffs and his way of stacking his songs with parts has influenced me a lot. He’s also known to bust out a decent solo now and again. Hüsker Dü seem like the architects of this sound I’m talking about, there’s so many classic songs it’s not even funny anymore, and that goes for Bob Mould and Grant Hart both. Sonic Youth taught me to embrace the weirdness. I don’t use alternate tunings at all, but their approach to guitar and their angular, dissonant riffs and general songwriting tricks are key to me. My love for The Replacements and Paul Westerberg came later in life and I consider him one of the greatest American songwriters of all time. Again, SO many fucking hits. Fugazi is on the list for always being inventive and adventurous, committed to never repeating themselves. Very inspiring in more ways than only musically, too. The Van Pelt is a band I feel we have something in common with, and that I love, rather than them being a huge influence. Lastly, Buffalo Tom are kind of the descendants of many of the aforementioned bands. Awesome shit.</span></p><p><br><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p><span>Well, this line-up hasn’t played live yet! But it’s gonna be what we always do; just go up there in our street clothes and just play the songs. There’s no big to-do or presentation or show business to it. When I’m making a record, I do think about not putting a bunch of stuff on it that we can’t reproduce on stage later. There’s some of that, an overdub or three, but I try not to do too much because I feel that maybe then something you or someone else likes about the song might get lost, you know? When it comes to bands I go see live, it’s usually not something I care about. I try to appreciate the music however they want to present it. I certainly don’t have any rules about that sort of thing.</span></p><p><span><strong>Has the band toured? What has the touring experience been, best shows?</strong></span></p><p><span>Not yet. The Holy Ghost has only played a handful of shows in Stockholm, our home town. My touring experience in earlier bands has been strictly on the European DIY Punk circuit. You get food, beer and a place to sleep and not a lot of money. I like the hospitality, integrity and honesty of that world. I’ve always been crammed in a van or a car and it’s never been a fucking vacation. I guess the best shows are always the ones where I feel we connect with the crowd, go over well and people enjoy themselves and the worst ones are when none of that happens. I’m not a fan of playing last on a bill of 18 other bands who somehow feel they all must play every song they know and they’re doing it on our drum kit so we can’t leave, haha.</span></p><p><span><strong>What's up next for the band?</strong></span></p><p><span>The record comes out on September 22nd and we’ll try and do as many gigs as we can. I have all the songs for the next record ready, so I imagine we’ll start working on them in the practice space, hone them into shape for going into the studio sometime next year, probably. Aside from that, I don’t know. But that’s what living is for, to find out.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="JaZQ2rrLJ58" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/JaZQ2rrLJ58?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/theholyghoststhlm?mc_cid=7914b74a6b&mc_eid=UNIQID" target="_blank" rel="noopener noreferrer">https://www.facebook.com/theholyghoststhlm</a> <br><a class="no-pjax" href="https://www.instagram.com/theholyghoststhlm/?mc_cid=7914b74a6b&mc_eid=UNIQID" target="_blank" rel="noopener noreferrer">https://www.instagram.com/theholyghoststhlm</a> <br><a class="no-pjax" href="https://theholyghost1.bandcamp.com/?mc_cid=7914b74a6b&mc_eid=UNIQID" target="_blank" rel="noopener noreferrer">https://theholyghost1.bandcamp.com/</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72394462023-08-02T05:00:00-04:002023-08-02T08:45:31-04:00MEET NJ SINGER SONGWRITER DON RYAN AS HE GETS READY TO RELEASE PART 3 OF EPIC TRILOGY <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bc11228e5256f9f35e2b97fc5dc9cc74638dda0f/original/don-ryan-abandoned-house-press-photo.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#36281A;">Don Ryan is a singer/songwriter whose compositions are delectable cocktails of ageless beauty and gritty discord — a hypnotizing blend of classic Americana and gypsy jazz with a more modern, psychedelic-folk sound. This is a brand new spin on old music. <span>Ryan’s</span> landscape of jagged sound stands out against the airier tones of the NYC/NJ folk scene in which he thrives; but as dark as his jumbled and oft-foreboding lyrics can be, his melodies are every bit as resonant. Pre-Pandemic Ryan had planned to release his 3 part epic ‘Warwalking’ consecutively months apart but as we all know, plans change. The epic three part trilogy will conclude with ‘Warwalking, Pt. 3’ on August 4th, 2023 and we can tell you it was worth the wait. </span></p><p><span style="color:#1D2228;"><strong>How did the band form and what does the band name mean?</strong></span><strong> </strong><br><br><span style="color:#1D2228;">Well, these days I'm pretty much entirely a solo artist. But for this current release, I had a great backing band called The Blank Canvas Movement, which featured some of the best musicians I've ever played with.</span> <br><br><span style="color:#1D2228;">The band name can actually be taken a few different ways. On the one hand, it's a cynical joke. I, like many others, had noticed that the world of visual art is so totally full of shit. I went to the MOMA and saw literal, actual blank (or mostly blank) canvases being hyped up as some of the greatest works of art the world has ever known. It was such a joke. So I thought of naming the band The Blank Canvas Movement out of sheer tongue-in-cheek irony, especially when I saw more than a few very popular bands in the world of music who kind of had that same style-over-substance thing going on.</span> <br><br><span style="color:#1D2228;">But on the other hand, The Blank Canvas Movement could be seen in a very positive light. I look at my songwriting as a completely open experiment at any given time, and I don't view it through the lens of "rules", like "My solo music has to sound precisely this way or that way". So in that respect, I really do approach my art as a blank canvas.</span> <br><br><span style="color:#1D2228;">So the interpretation of the band name is really just a matter of perspective on any given day.</span> <br><br><span style="color:#1D2228;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:#1D2228;">I actually started out as a metal guitarist when I was 12 years old. After seeing my teacher, Dennis Kimak, play for the first time, I was just hooked. And that feeling is still really strong within me to this very day.</span> <br><br><span style="color:#1D2228;">I've had a ton of musical projects over the years. I'd say my two favorites from the past are a metal band called Sellout that I formed in the early aughts, and then I took a total 180 turn in the late aughts with a psychedelic group called A Color Engine.</span> <br><br><span style="color:#1D2228;">It's great to be able to express myself on multiple different levels. Recently, I've even begun a metal project that's separate from my solo music, and it's an amazing feeling. Kind of like rekindling an old love affair. </span> <br><br><br><span style="color:#1D2228;"><strong>First concert that you ever went to?</strong> </span><br><br><span style="color:#1D2228;">Ok. Well, I have two answers to the question of what my first show was. The slightly reluctant but totally honest answer was that I saw Debbie Gibson on her Electric Youth tour when I was 7 years old. But after all the laughter that the true story elicits, I usually tell people about my first official show, which was Aerosmith on the Get a Grip tour. In all seriousness, I do really consider that one my first real show. I was much older and able to appreciate the musicianship, and I can vividly recall being absolutely blown away. That was around the time that I started attending shows regularly.</span> <br><br><br><span style="color:#1D2228;"><strong>What's your writing process like?</strong></span><strong> </strong><br><br><span style="color:#1D2228;">My writing is usually a bit strange, especially when it comes to writing lyrics. As far as the chords or riffs or melodies are concerned, I'll usually just grab my guitar and play around until something catches my ear, and then fine-tune it by recording it into my phone and listening for bits that I think could be improved.</span> <br><br><span style="color:#1D2228;">Now, that's the normal part of my process. I think many, if not most, songwriters do something along those lines.</span> <br><br><span style="color:#1D2228;">Where things get odd for me is that I consider myself a lyrical collage artist. My lyrics are very unconventional, and often quite trippy. My lyrical process is basically this: I keep a note on my phone wherein I write down anything interesting that I hear or read. Sometimes it's just a word, but most often it's just a little phrase. It could be something I overhear on a bus or on the street, or it could be something a friend happens to say, something I hear on a tv show, or it could just be a quick phrase or two that I've read in a book.</span> <br><br><span style="color:#1D2228;">And then what I do is just piece together these little phrases in a way that fits the melody and vibe of the song I'm working on. If the song feels like it needs trippy lyrics, I'll kind of scour my notes for more psychedelic-sounding phrases. If a song needs lyrics that are extremely dark, I'll look around for the darker lyrics.</span> <br><br><span style="color:#1D2228;">One would think that this would just lead to pure lyrical chaos, but what actually happens almost all of the time is that there's a lot of meaning conveyed in cobbling lyrics together in this way like a collage. I'm often shocked when I read back my finished lyrics, because they almost always convey what is actually, truly on my mind better than if I had said, "Ok, I'm going to write a song about subject x or subject y." It's very strange and satisfying.</span> <br><br><span style="color:#1D2228;">I also just love the art of collage in general. Always have. For the past few years I've actually been doing tons of collage art as a hobby. So I guess my oddball approach to lyricism was just meant to be.</span> <br><br><br><span style="color:#1D2228;"><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6OQAH6kdDR1yyJjmkxMAsu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:#1D2228;">Wow. This is always such a tough question, because there are just so many to choose from. Oddly enough, a lot of the artists that have the greatest influence on my solo music is stuff that sounds nothing like my actual music. Stuff like Pantera or Alice in Chains, which are two of my all-time favorites. Lyrically, there's a shocking degree of overlap between my lyrics and some very extreme metal bands. But because I'm usually singing more sweet, smoother melodies, almost no one ever picks up on those influences. It's really pretty hilarious the looks I get when people will see me play an acoustic show and I tell them that the impetus for a given song is some insanely brutal Pantera tune.</span> <br><br><span style="color:#1D2228;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><o:p></o:p></p><p><span style="color:#1D2228;">Well, at the moment I'm actually taking a hiatus from playing live and just concentrating on making albums. I'm looking to get into music production as a career, and I figure what better way to really learn the craft than to produce a ton of your own music, as well as the songs of clients.</span> <br><br><span style="color:#1D2228;">At some point, I'll definitely make a return to the stage, but for now I'm looking at all my music as more like a Beatles kind of thing. Solely studio projects.</span> <br><br><span style="color:#1D2228;">As far as the second question about the philosophy of playing live, that's a really tough one. I think it really depends. Sometimes things need to be extraordinarily tight. Not necessarily identical to the recording, but really, really tight. If I go to see Meshuggah and it's not airtight, it's just going to sound weird and probably awful. But if I'm going to see Queens of the Stone Age, and there's a looser, stonier vibe, then that can be perfect.</span> <br><br><span style="color:#1D2228;">Some of the best shows ever have sounded nothing like the recordings. Very late Elliott Smith performances come to mind. He was creating these extraordinarily baroque, layered albums, but was playing them acoustically live. And he was also slowly killing himself with heroin, which is very sad, of course. But in a strange way, the fact that he was falling apart physically and mentally while also singing these songs about falling apart physically and mentally made for some of the best, most heartbreaking and haunting performances I've ever seen.</span> <br><br><br><span style="color:#1D2228;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span><o:p></o:p></p><p><span style="color:#1D2228;">I've toured a bunch of times, mostly just in the tri-state area. I'd take a week where I'll play shows from New Jersey to New York to Connecticut and back.</span> <br><br><span style="color:#1D2228;">The only time I did a more national tour was a few years back when I played South By Southwest. That was an absolute blast! There were some shows that didn't go over incredibly well along the way down there, just because I was playing down south as a "New Yorker". Apparently everyone from the Northeast is a New Yorker to a lot of Southerners! But even those tough audiences could be won over relatively easily by hitting them with a country tune or two. I love David Allan Coe, and boy do they love David Allan Coe down south!</span> <br><br><span style="color:#1D2228;">As far as the best shows I've ever played, there are so many fun ones it's hard to choose. The first show I ever sang in public was at CBGB's, just before it closed. That was a trip! I only played Maxwell's once, just before that closed as well. That was such a great night, but it's occurring to me that I may be the kiss of death. Attention all club owners: don't let me play at your venue because I'm probably going to close the place down!</span> <br><br><br><span style="color:#1D2228;"><strong>What's up next for the band?</strong></span><br><strong> </strong><br><span style="color:#1D2228;">Well, right now I'm putting out Warwalking Part 3, which feels great to finally get out there! I'll be releasing some singles for that record.</span> <br><br><span style="color:#1D2228;">And I have another solo record in the works. It'll be a very stripped down, exceedingly depressing record. I was in the darkest place possible when I wrote it, so it'll feel incredible to finally get that one out of my system as well. And then I have some plans for another solo record that's quite different from anything else I've done, so hopefully that'll work out as well as I hope!</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="XO2Tb6XW1r8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/XO2Tb6XW1r8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.youtube.com/DonRyanMusic"><span style="color:hsl(210,75%,60%);">https://www.youtube.com/DonRyanMusic</span></a><span style="color:hsl(210,75%,60%);"> </span> <br><a class="no-pjax" href="https://www.facebook.com/don.ryan1"><span style="color:hsl(210,75%,60%);">https://www.facebook.com/don.ryan1</span></a> <br><a class="no-pjax" href="https://www.instagram.com/instagrampadon/" target="_blank"><span style="color:hsl(210,75%,60%);">https://www.instagram.com/instagrampadon/</span></a> <br><a class="no-pjax" href="https://www.donryanmusic.com/"><span style="color:hsl(210,75%,60%);">https://www.donryanmusic.com/</span></a><span style="color:hsl(210,75%,60%);"> </span></p><p><br><br><o:p></o:p></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400842023-08-01T05:00:00-04:002023-08-01T05:00:01-04:00MEET NJ SONGWRITER AND PRODUCER TYLER ELDEN<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/b2ac3da98fb58b812ec18976a73b9025e8c7e70b/original/tyler-elden-lighthouse-press-photo-1.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:black;">Tyler Elden is a songwriter & producer hailing from New Jersey. Elden’s music incorporates elements of folk, indie rock, and post hardcore. His latest single “Lighthouse”, provides a glimpse into the challenge of self-preservation amidst the loss of one’s support system. </span></p><p><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span style="color:black;">This solo project started last year when I decided that I wanted to spend a lot of time out on the road, and the most practical way to do that was to use my own name. I have used monikers in the past where my collaborative lineups would vary, but I knew for the majority of these shows I would be on stage performing alone.</span><o:p></o:p></p><p><span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p><span style="color:black;">I’ve been in a few projects, but I’ve always been the primary songwriter. “Tyler Elden” is just the latest version of my musical output. </span><o:p></o:p></p><p><span style="color:black;">I have been into music for as long as I can remember. I had a ukulele, toy piano, and toy drum set at a very young age that I couldn’t be separated from. One year I received an 8 track digital recorder for Christmas. From then on, most of my time was spent alone in my room experimenting with recording techniques and arrangements. I look back on that period with such fondness as it was very pure. I often wish I could go back to knowing so little. The lack of self-consciousness you have as a beginner allows you to really enjoy exploring every creative impulse.</span><o:p></o:p></p><p><span style="color:black;"><strong>First concert that you ever went to? </strong></span><o:p></o:p></p><p> <span style="color:black;">I believe the first show that my parents took me to was Raffi. My first arena concert was Tom Petty & The Heartbreakers in Philadelphia.</span><o:p></o:p></p><p><br><span style="color:black;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span style="color:black;">The latest material was created in a pretty isolated manner. I’ll go to a proper studio to get a good drum recording and then take those tracks back to my home studio. I experiment with the arrangement on my own time. It’s a lot of adding and subtracting parts to see what is emotionally resonating. The majority of my upcoming releases were created utilizing a similar process. Lately I have been really keen on going into the studio and tracking live with other musicians in the room to shake things up. I am looking to create in a more immediate manner. Sometimes I find I get too precious about the recordings when left to my own devices, and they end up taking longer than I would prefer to finish.</span><o:p></o:p></p><p><span style="color:black;"><strong>What other artists or songs inspire your music? </strong></span></p><p><span style="color:black;">Over the past year I have been really into Bat for Lashes. I love when an artist creates an entire world around their work, and Natasha always seems to have something fascinating visually that adds to the overall impact of her music. I also just saw The Cure and will be seeing Peter Gabriel in a few months. They have been influences of mine for a very long time. I also included the National’s album opener from their latest release, “Once Upon A Poolside”. I am always a fan of lyrics vague enough that allows the listener to emotionally place themselves in a space to draw from their own experience. </span><o:p></o:p></p><p><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><o:p></o:p></p><p> <span style="color:black;">I always try to give one hundred percent of myself to performing as well as I can. I came up playing a lot of pretty intense shows with a band. It took a lot out of me physically and emotionally. They were very loud, and taking the stage often felt like getting on a rollercoaster. I usually would enter this headspace where I was almost outside of my body. I’d have to get some air and have alone time for a few minutes after those sets. These days I am playing these super stripped down shows with less bombast and movement, it’s a different kind of intensity. </span><o:p></o:p></p><p> <span style="color:black;">Whether or not the live shows should perfectly reflect a record depends on the band. A lot of acts I love don’t improvise or change arrangements. The Mars Volta will often double the length of a song just jamming and I am totally into that. I will say when I see an artist for the first time and want to hear the classic arrangement of a tune, if they perform a different interpretation it can be a bit of a bummer. At the same time I respect the artist’s decision to change up their own song, especially one they may have been playing exactly the same for a decade or more. I doubt if PJ Harvey comes to the United States this tour she will be performing the 90s material in the same fashion. I have so much respect for her drive to constantly change and challenge herself. </span><o:p></o:p></p><p><span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows?</strong></span><o:p></o:p></p><p> <span style="color:black;">I did a cross country tour last year that was somewhat transformative for me. I really loved traveling and getting to play music every night. I feel like it’s becoming more enjoyable than recording for me these days. Musicians often spend so much time in the rehearsal room and studio trying to get their work to a level that they are pleased with, it’s so easy to lose perspective of the big picture. I find it so inspiring to get out of your own head and in front of an audience. </span><o:p></o:p></p><p> <span style="color:black;">I really enjoyed a show I played in Sioux Falls, South Dakota at Full Circle Book Co-op. A really great community came out to the show, and they had some sweet literature pins! I hesitate to really call any of the shows I have played “bad”. A lot of the DIY arts community across the country is really doing it for the love of the music. I mostly just feel privileged when I get the opportunity to be welcomed into a space that many folks go for genuine connection.</span><o:p></o:p></p><p><span style="color:black;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p><span style="color:black;">I will be doing a few East Coast dates this Summer, with some more shows to come in the Fall. </span><o:p></o:p><o:p></o:p></p><p><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=1486218351/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://tylerelden.bandcamp.com/track/lighthouse">Lighthouse by Tyler Elden</a></iframe></p><p><a class="no-pjax" href="http://www.instagram.com/mrtylerelden" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">www.instagram.com/mrtylerelden</span></a><o:p></o:p><br><a class="no-pjax" href="https://www.facebook.com/mrtylerelden" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.facebook.com/mrtylerelden</span></a><o:p></o:p><br><a class="no-pjax" href="https://twitter.com/mrtylerelden" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://twitter.com/mrtylerelden</span></a><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400812023-07-31T05:00:00-04:002023-08-06T17:35:23-04:00 Oh Bummer! (aka Tanner Houghton) Opens Up About His Latest Single And It's Personal Connection<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/77d61ee45131e3bbe90b50126a637bde1d24f78f/original/d9pxg2hc.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Oh Bummer! is the new solo endeavor of Seattle-born, LosAngeles based singer/songwriter Tanner Houghton. BloodMakesNoise fell in love with the artists music a while back and has consistently tried to cover everything Tanner has done. His newest single though, was concerning as it skewed into darker territory than other tracks. It discussed the passing of Tanner's father from cancer and we thought it'd be cathatric for the artist to give us the full story on how he turned such a sad event into an indie pop song: </p><p><i><span>"I’ve gotten many concerned DM’s after posting snippets of songs where I’m diving into particularly heavy or sad topics. Discussing traumatic things that happened to me or struggling to feel excited about being alive. I’ve had to explain over and over again that even though I just wrote this depressing ass song, that doesn’t mean I’m currently living in that state. I’ve also had conversations with other song writers who struggle to write songs when they are feeling happy, healthy, and stable. When they’re so used to drawing from a current source of drama or hurt, it can be harder to express strong emotions in the absence of turmoil. In response to these DMs and conversations I always say that I would never survive living in this pain and hurt every second of every day, so I’ve had to compartmentalize and develop boundaries with myself.</span></i><o:p></o:p></p><p><i><span>I can reach down and find a dark, sad memory and put myself back in that place while I’m writing. You don’t need to constantly live in that sadness to be able to write about when you were living in it. More than just the experience, I remember the feeling the experience gave me. So when I’m circling a topic or memory that hurts, my heart instantly recognizes the feeling and it seems easier to elaborate in song. But it nearly always starts with a guitar part, then humming a melody, then freestyling over it until I feel like something could work. If the guitar progression isn’t right for me, the melody I sing over it won’t feel authentic, and the words that follow won’t either. </span></i><o:p></o:p></p><p><span style="color:black;"><i>Trying to make some of the most painful parts of your life easily accessible and relatable for public consumption seems like a daunting task- but I have a belief that no matter what people experience in their lives, at the end of it we’ve all felt the same things. I love trying to express feelings like hurt, grief, confusion, self-doubt, and longing in the catchiest way possible, because the poppier it is, the more people will hear it, and the more people will know they aren’t alone. "</i> </span></p><p><span style="color:black;">-Tanner Houghton</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iQDajae1N4Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iQDajae1N4Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.ohbummermusic.com/">https://www.ohbummermusic.com/</a> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72400062023-07-28T05:00:00-04:002023-07-28T05:00:03-04:00WHAT'S IN OUR INBOX! DEREK SMITH, ELLE BELLE, TABITHA BOOTH, GLIMMER, VELCROS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Just so readers of this blog are aware, we comb through hundreds of emails to bring you what we consider the cream of the crop, hence why most of the stuff we put in our singles column has a high grade on it. This week is no exception, everything from indie folk to heavy alt rock but it's all great. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Derek Smith</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(0,0,0);">This record is very 'glass half empty'. I have that specific outlook on life. But I am not always a pessimistic person. I get into my mood and then I write. I don't think I know how to write a song in a good mood. But I asked myself how I could tell a story with songs without having a linear storyline. I just wanted songs to fill gaps. If my brain was a puzzle, I needed to find the right pieces to make it feel like one complete thought. That is </span><i>Obscura</i><span style="color:rgb(0,0,0);"> in a nutshell.</span></p><p><strong>What we say they sound like:</strong> Derek Smith has a style that is a chilled out mix of soul and R&B but still feels like it falls under the indie umbrella. It feels simple and classic as everything for the most part happens over just two chords with slick 70's jazzy guitar licks. It's really refreshing to hear artists that understand what “Less is More” means and how to implement that into their overall sound. There is no bridge, not really a chorus, the only key change is at the end under the guitar solo but this song works as something I could definitely listen to over and over again. </p><p><strong>Song to add to your playlist: </strong>Everyday</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="DxzSIypk1rQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/DxzSIypk1rQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong> Elle Belle</p><p><strong>BMN Score:</strong> 9.8/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(51,51,51);">“In a way,” he says, “I was less concerned about the answer, and more concerned about the importance of asking myself the question, trying to grab ahold of this wild ride that I was on and exert some sort of control. Like, I haven’t lost a parent and I brushed up against it—I got a little taste of it and it didn’t feel the way I thought it was going to feel.”</span></p><p><strong>What we say they sound like:</strong> Lo-Fi drums with jangly guitars and great synth/organ tones kick off the track before the low key vocals kick in. The song structure and overall feel are similar to Lucy Dacus or Phoebe Bridgers but with a male vocal and it's just really nice without an ounce of anything abrasive. It's a warm recording with a genuine singer/ songwriter who has crafted an indie pop gem. It's got the feel of something like The Shins but more pop. I can't say enough good things about it, really digging this artist. </p><p><strong>Song to add to your playlist: </strong>Gone Are The Days</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LGOR1-_479o" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LGOR1-_479o?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> <strong>Band Name: </strong>Tabitha Booth</p><p><strong>BMN Score:</strong> 9.5/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:black;">Inspired by artists Portishead, Bjork, Florence + The Machine, Booth’s original songs showcase a confident freedom in melody and timing. Booth also understands control. She studied with a linguist before performing Ukrainian traditional “In A Glade,” a song recorded to honor the people of Ukraine. The time-bending album features lyrics from the poetry book, Wisdom Lines. The author Paula Patrice, her grandmother, was present to experience 50 year old poems musically come alive. Booth is heavily influenced by metal.</span></p><p><strong>What we say they sound like:</strong> This recording is live so it gets bonus points for that. It's haunting and has a very Florence & The Machine meets Tori Amos feel. I would say the dark chord progression at times feels Radiohead-ish but the moody smokey vocals give the overall tone and feel to the song something that is darker than most indie folk. The exquisite violin playing adds to the gothic vibe. An interesting and unique artist, looking forward to checking out more from the album. </p><p><strong>Song to add to your playlist: </strong>Curiosity</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NorgIkYZ8x4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NorgIkYZ8x4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Glimmer</p><p><strong>BMN Score:</strong> 9.2/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(0,0,0);">Formed earlier this year by cousins Jeff and Jaye Moore, Glimmer is a Brooklyn / Hudson Valley-based band that plays grungy shoegaze, pairing layers of fuzzed-out guitars with dreamy, swirling reverb. </span> <br><span style="color:rgb(0,0,0);">The band came together at warp speed: after taking a nearly two-year hiatus from music and then releasing a self-recorded demo called "Breathe" under the name Glimmer, Jeff realized that writing and playing music was crucial to his mental health, and was ready to put a new band together. In only eight weeks’ time, Glimmer was a fully-functioning four-piece, with Jaye on drums, additional guitarist Johnny Nicholls, and bassist Kevin Dobbins. They played their first show after only six short practices together, but their instant chemistry and explosive on-stage energy was palpable. Debut single “Self Destroyed” was recorded the following week. </span> <br><br><strong>What we say they sound like:</strong> The intro starts with a guitar tone pretty similar to Foo Fighters “Everlong” and it kicks into a wall of guitars as well that is reminiscent of the Foo Fighters with a vocal that is kind of Dave Grohl-ish. However by the chorus it breaks into more of a traditional Power Pop sound with just a hint of Americana style. It's hard to pigeon hole the group based off this song because I would guess they just have similar influences to Foo Fighters, like Sunny Day Real Estate, My Bloody Valentine, I think I might hear a little Failure, even some Soul Asylum thrown in. It's a good mix of cool 90's influences that I'm sure any fan of 90's Alt Rock will definitely dig. It has it's Shoegaze and Dream Pop elements too which I think bodes well for them with more modern audiences. </p><p><strong>Song to add to your playlist: </strong>Self Destroyed</p><p><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=1023976632/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://glimmerisaband.bandcamp.com/track/self-destroyed">Self Destroyed by Glimmer</a></iframe></p><p><strong>Band Name: </strong>Velcros</p><p><strong>BMN Score:</strong> 8.8/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(34,34,34);">“<span lang="en-US">Spit Takes” brings five songs that burst with energy, enthusiasm and creative exuberance. Take “Secret State”, the fast-paced opener with breakneck drums, relentless downstroke guitars and an irresistibly catchy chorus, merging Tom Petty’s charisma with the Wipers’ raw energy. Or the mid-tempo track “Bad Device”, fusing garage spirit with Beatles-inspired songwriting, balancing the band’s melancholic undertone with fiery aggression and sizzling guitar solos. Or finally, the hypnotic fade-out ending of “Astronomical”, which combines Thin Lizzy-esque twin guitars and the lighthearted pop appeal of Wavves.</span></span></p><p><strong>What we say they sound like:</strong> This track has a cool feel to it and a really great video. The driving bass and drums playing sort of a gothy progression give it a sort of Gang Of Four meets Interpol type sound but the jangly guitars that are not angular at all kind of yank it out that genre. The vocal is a higher register almost nasally tone with a melody that is catchy and memorable. The melody has a haunting quality to it. The driving pulse of this track is </p><p><strong>Song to add to your playlist: </strong>Secret State</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iYCpKR7lVio" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iYCpKR7lVio?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72388362023-07-27T05:00:00-04:002023-07-27T05:00:03-04:00MEET NJ SONGWRITER SARA ABDELBARRY AKA TEEN IDLE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/67ac646d5bf479ee71d6330ad4a188eea9dea2f1/original/teen-idle-photo-credit-samantha-abdelbarry.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(29,34,40);">Teen Idle is the musical moniker of NJ-based songwriter, producer, and multi-instrumentalist Sara Abdelbarry. In middle school, Sara was convinced she would become a cardiac surgeon – conveniently, her craft still gets to the heart, just with sound instead of a scalpel.</span> <span style="color:rgb(29,34,40);">Growing up in an Egyptian-American family, Arabic music was always playing around the house during her childhood, whether on an 8-track or just from her parents and grandparents singing in the kitchen. </span> <br><br><span style="color:rgb(29,34,40);">Meshing the heartfelt nature of influences like Stevie Nicks and Lindsey Buckingham with the grittiness and abrasiveness of grunge and the lovelorn tendency of '60s acts like The Ronettes, Teen Idle makes emotional rock music with a statement (and a cinematic tendency).</span> <span style="color:rgb(29,34,40);">In 2020, Teen Idle's first EP, Insomniac Dreams, was released on NYC indie label Green Witch Recordings. Sara is set to release her debut LP Nonfiction on indie label H1 Massive, distributed via The Orchard.</span></p><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<strong>How did the band form and what does the band name mean?</strong> <br> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> Sara Abdelbarry: Teen Idle is a solo project, or call it what you will, that I started in the summer of 2018, when I was going into my last year of college in New York City. I saw that one of my favorite artists challenged herself to write a song every day for a month, inspired by that, I wrote a song every day for a week and put it up on Bandcamp as an album of demos called July. That was the first Teen Idle release. I’ve had the band name in my back pocket since high school and swore that when I started a band it had to be called Teen Idle. The name comes from a song by Marina and the Diamonds, but the funny thing is I hadn’t even listened to the song until last year. I just liked how the name rolled off the tongue.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Previous musical projects? How’d you first get into music?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Teen Idle is the first band I’ve ever started. I used to take music lessons as a kid and teenager and eventually did a music program that was like School of Rock where I was in group music classes with other kids and we’d perform at local venues like the Stone Pony or the Asbury Lanes. I initially became obsessed with music when, in 2nd grade, I’d always bring my CD player with me so I could listen to new pop music on the bus rides to school. The stuff I was into as a kid was Kelly Clarkson, Gwen Stefani, Eminem, whatever was on MTV. Every day when I’d come home from elementary school, back when I still lived in Queens, NY, I’d go to my neighbors house and we’d just watch MTV music videos for hours and hours.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>First concert that you ever went to? </strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Hillary Duff! Somewhere in New Jersey.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>What’s your writing process like?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>I tend to start with an instrumental, usually guitar or a piano, or even some weird sound I’m playing around with. And then I hum a melody over that and let whatever syllables I sing guide me to writing a melody that fits within that. I’d say more often than not that’s how I write. But there have been songs I’ve written that have started with a line of poetry I wrote in a notebook or a phrase I saw somewhere.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>What other artists or songs inspire your music? </strong></div><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/434Q1CKkE1V1a4THPQeO7F?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> I always struggle to answer this because I feel like even the stuff I’ve listened to as a kid that I don’t like anymore has influenced me. The pop punk and pure pop stuff I listened to as a kid has definitely shaped my ear for melody. But in terms of actual songwriting, the reason I wrote my first finished song was because I heard “Rhiannon” by Fleetwood Mac for the first time and was mesmerized by it. From there on out, I feel like I started expanding my musical palette in college. </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Artists who excel building a story or world within their songs are definitely my biggest influences. For me, this is artists like Wolf Alice, Japanese Breakfast, Sharon Van Etten, St. Vincent, and the War on Drugs. My time in the jazz band in college also made me heavily influenced by the sounds of Miles Davis and other jazz greats like Stan Getz and João Gilberto. Perhaps not sonically necessarily but definitely in terms of dynamics and structure. There are certain Middle Eastern and North African artists who also mean a lot to me because of my heritage, like Fairuz.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it’s own thing?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>I like this question and think about it often. When I go see a concert, I definitely have the expectation and hope that the artist is going to perform the songs as closely to the record as possible, so that’s something I’ll always try to do live. That being said, a lot of my songs have so many tracks on them that can’t be totally replicated with only 5 musicians on stage, so I pick and choose what the most important ones are.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>For songs that have room for improvisation, I definitely try to make them as grand and wild as possible on stage so that everyone has fun. I do like to rock out and just play lead guitar too, so the songs with an extended instrumental outro are the perfect opportunity to experiment and let loose. The shows where we’ve done that have been our best ones yet.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>We haven’t toured yet just because life has been busy and touring is expensive and difficult to plan. I don’t know if I’m ready to tour the entire country yet unless some crazy opportunity came up, but I plan to hopefully do seven a small East Coast tour supporting the upcoming record.</div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><strong>What’s up next for the band?</strong></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<p>I’m releasing my debut LP this fall at the end of September! It’s an exciting year and I don’t think people will expect a lot of what’s to come. There will be a lot of video content in addition to the music, and I can’t contain the excitement. <br> </p>
<p><iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=3984959333/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://h1massive.bandcamp.com/track/birthday-cake">Birthday Cake by Teen Idle</a></iframe></p>
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</div><p><i>Photo Credit Samantha Abdelbarry </i> <br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72346202023-07-26T05:00:00-04:002023-07-26T05:00:04-04:00MEET NJ INDIE ROCK BAND ABOVE THE MOON<p style="text-align:center;" dir="ltr" id="docs-internal-guid-5b6594c2-7fff-59e6-a673-2840b7fe7cd9"><i><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1f4353519bbba81ced17bfec8be19436cbec2d05/original/abovethemoon-45.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span>Above the Moon (ATM) is Kate Griffin, Shawn Murphy, Kyle Griffin and John Gramuglia.</span></i></p><p dir="ltr"><span>ATM have been creating alt rock they want to hear since 2016. Incorporating a diverse group of influences from singer-songwriter and rock, to shoegaze and pop, the band has carved out a distinctive sound that is authentically them. The band’s vibe is characterized by Kate's powerful vocals, which range from soulful and introspective to gritty and aggressive. Her lyrics touch on loss, relationships and everyday life.</span></p><p dir="ltr"><span>2023 ushers in a new era of Above the Moon. Only dropping EPs and singles until now, this year the band released their debut full-length record. Recorded by the band, for the band, “Mine Again” was a labor of love and learning over the past year. Completely done start to finish at Bottle Hill Recordings – Shawn ran the board and engineered all of it from the band’s homebase in Madison, NJ. The LP captures the DIY, raw energy the group brings to their live shows. </span> <br> </p><p dir="ltr"><span><strong>How did the band form and what does the band name mean?</strong></span></p><p dir="ltr">Kate: We came together in late 2015 as a result of Craigslist! Shawn had an ad out looking for an original band, and I answered it. Shawn and John were friends from a previous job, so he came in on drums. We’ve had a few guitar/bass lineup changes, but in 2021 my brother Kyle joined us on bass to finalize our current lineup.</p><p>No one can really remember where the name came from. I had a song called Moon, written way back in 2007, which was one of the first songs the band played as a group. It didn’t make it onto the first EP (it’s on our second), but when we finished recording the first EP, we had to come up with a name. We were sending out different “moon” themed names and phrases, and this one stuck. </p><p dir="ltr"><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p>Kate: I played clarinet and then piano in elementary school, but started playing guitar in 2000 after watching a group of boys completely massacre Come Out and Play by The Offspring at my 8th grade talent show. Since then I’ve been in bands or music projects consistently for 23 years. Some bands were Ado Famous, Threeve, Future of the Party.</p><p>Shawn: I started playing guitar in middle school and have been in bands ever since. When I first joined Above the Moon I was playing bass and when our guitarist left I took that opportunity to move over to guitar, which I love. I’ve played in numerous unknown bands but this is by far the longest running and most enjoyable project I’ve ever been a part of.</p><p>John: Typical story…started banging on couch cushions and pots with wooden spoons. Got a toy drum set when I was three. Did the school band thing for years, open mic nights in bars while I was a teenager, was in a bunch of different rock bands…and here we are!</p><p>Kyle: I tried to learn guitar when I was in elementary/middle school but I quit that pretty quickly (too hard on the fingers). Near the end of middle school my two good friends made a band and needed a bassist, so they encouraged me to try it and it stuck. I have been playing ever since. Beyond my first band, Stonehenge, and Above the Moon, I have played in cover bands and open mic Blues bars around New Jersey. </p><p><br><span><strong>First concert that you ever went to?</strong></span></p><p>Kate: ‘N Sync was my first real concert. Not at all ashamed, and still hoping for a reunion tour. Locally, it’s too hard to remember, but I spent a lot of time in high school going to see The Escape Engine at NJ VFW’s and KOC’s. My cousin Amanda played bass for them and I traveled all over NJ every weekend to see them play. Through them I discovered a whole slew of local bands and venues.</p><p>Shawn: My first concert was Foo Fighters at Roseland Ballroom in NYC in 1995. I still have the ticket stub! It completely changed things for me and made me want to form a band and play shows.</p><p>John: Scorpions/Motley Crue when I was 15. Game changer. </p><p>Kyle: I cannot remember my first concert, but my favorite would be the Presidents of the United States of America at the Stone Pony. The venue was small, the band was personable, and they sounded exactly like the record. They just loved playing and you could see and feel it. The intimacy of the venue made the experience a special one for me.</p><p><span><strong>What's your writing process like?</strong></span></p><p>Kate: Usually I will come up with the skeleton of a song - melody, lyrics, chord progression and send it to Shawn to see if it’s worth pursuing. Or sometimes Shawn will send a riff for me to build off of. We send ideas back and forth and if we think it’s something viable we’ll send a rough demo out to everyone to try it at practice. That’s where John and Kyle play a huge role in developing the mood of the song. Everyone plays a pretty big role in what ends up as the final product.</p><p> <br><span><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2EfbCzkiOPlb1KsFGi8vfZ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br>Bayside - Tall<br>KT Tunstall - Dark Side of Me <br>The Beths - I’m Not Getting Excited<br>Superdrag - Keep it Close to Me<br>RHCP - Minor Thing<br>Eliza & The Delusionals - Save Me<br>Snarls - Marbles<br>The Beths - When you know you know <br>Blly - All I Do <br>Foo Fighters - Under You </p><p>Kate: KT Tunstall is an artist I continually return to because she’s just incredibly talented both as a musician and a lyricist. Her sound has evolved a lot, but she’s rooted in great songwriting, so whether I see her solo or with a full band, I’m always impressed. Bayside has been my favorite band since high school, and they have an aggressive energy that I really relate to, which sneaks into a lot of our stuff. </p><p>Shawn: This is a hard one! While recording our latest album, Mine Again, the two artists I put on the playlist really inspired me over the course of those sessions. Superdrag is one that I come back to often. They were kind of a one hit wonder in the 90s but their albums have a ton of bangers including Keep it Close to Me which I added to this list. I also was inspired by the DIY nature of The Beths. Like me, their guitarist records all of their records and he was a major inspiration for me to take the plunge into recording. He also is a super nice guy and has provided me a ton of advice about mics and plugins on his Discord channel.</p><p>John: I would’ve put Bayside on the playlist, but Kate did already haha. But…the way Chris Guglielmo from Bayside lays down drums speaks to me. Plus he has the GLI thing going on in his last name like me. We often joke at practice how ‘this is the Bayside part’ and so on. Imitation is the sincerest form of flattery!</p><p>Kyle: It is hard for me to choose just one artist or song. I consider my musical influence very expansive (from ‘50s blues to modern indie). From BB King and Cream, to the Foos, RHCP, and the Beths, I look to enjoy all sorts of rhythms and sounds depending on my mood and feeling in the day. My style has been heavily influenced by all of these artists and I try to incorporate those playing mechanics into our songs.</p><p><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p>Kate: Playing live makes me very nervous, because I’m a perfectionist and I identify as more of a songwriter than an entertainer. When you record you can re-do things until you’re happy, but playing live you get one shot, so it’s important to me that we’re really well rehearsed. If I can get through a whole set and have it be super close to what’s on the album, then to me, that’s a great show. </p><p>Shawn: Playing live is a lot of fun but also nerve wracking like Kate said. While we try to keep things close to the recordings it’s not a goal of mine. We have layers of guitars and vocal harmonies that could only be recreated if we had a choir so as long as the tones and balance are right we’re in good shape in my opinion.</p><p>John: Oh man. I love getting in there and letting it rip. On stage, behind the drums is my happy place. I love to bring the energy myself, and also riff off the band and anyone who might be feeling it in the audience. When that happens, it’s incredible. I think, as long as we are tight as a four-piece and we nail transitions, breaks and so forth in songs, it’s a win.</p><p>Kyle: Like Kate, I also get very nervous before shows. Not only do I want to play well for the crowd, but for myself and my bandmates. We all work very hard so I want to ensure I do my part to help our sound be its best. While I hope we recreate our recordings live well for the people, I love to riff and inject new fills/add-ins to my playing of songs live. I do this to enhance the experience for those listening (to get a unique experience of a song we recorded) and for myself to have some fun with it. Playing music should be an enjoyable experience for all involved.</p><p><span><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></span></p><p>Kate: We haven’t toured, and while the idea is fun to think about, from day one we agreed that this is a serious hobby, and our families and jobs come first. We’re at a point in our lives where old school touring just isn’t a reality, but we do play out as often as we can in the tri-state area and are always looking to play in new places or with bands/musicians we’re fans of. </p><p> Our best shows are probably the ones where a lot of our friends and family come out - it’s always nice to play for people who genuinely want to see you do well. We recently played a great show atCrossroads in Garwood- we love it there. And in 2018 we played Maplewoodstock, which was awesome in that it’s probably the largest show we ever played, and was super fun.</p><p dir="ltr">I can only recall two “worst” shows, and at both we were on super late, and it was just us and the sound guys. Playing in an empty room is somehow more nerve wracking than a huge crowd. It was a bummer. We sounded great, though!</p><p><span><strong>What's up next for the band?</strong></span></p><p>Kate: We’re already writing new stuff! Before Mine Again even came out we wrote and started playing a brand new song, Kid Gloves, at shows. Since we recorded the LP all ourselves we kind of opened a new can of worms where now we can record anything and everything whenever we want. We’ve got a few new ideas in the works already, so most likely what’s next is more shows and even newer music.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="LOEDb6h0iSw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/LOEDb6h0iSw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span>Instagram - instagram.com/abovethemoonmusic </span> <br><span>Facebook - fb.com/abovethemoonband</span> <br><span>Website - abovethemoonmusic.com</span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72346212023-07-25T05:00:00-04:002023-07-25T12:51:05-04:00MEET ITALIAN GARAGE PUNK TRIO SLOKS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e0dc209b83c53ee006f162ae7f77a4b51ce76ba1/original/0025887892-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span>SLOKS!!!! </span>Rawpower, super primitive garage punk, desperate no-wave, trashed out rock’n’roll combo, based in Turin/Italy. Tony Machete on drums, Ivy Claudy screaming and snare, Buddy Fuzz at strings. These guys run straight with hard and tense songs, a dirty sound and lo-fi noise excursions. Weird r’n’r made up of an abrasive and sick voice out of control. Delirious and strong. They performed all around Europe, from Italy to Serbia, including Spain, France, Germany, Belgium, Switzerland, Slovenia and Hungary, venues and festivals as well.</p><p><span><strong>How did the band form and what does the band name mean?</strong></span></p><p><span>SLOKS: </span>The band formed in Turin Italy in 2015 in the basement of a church where we used to rehearse. In 2016 Ivy Claudy joins, who took the place of the singer who moved to Berlin (Turin is a very tough city). <br>Now the stable lineup since 2019 is Ivy Claudy voice and extra flor tom, <br>Tony Machete drum, Buddy Fuzz guitar.</p><p>The name of the band Sloks is taken from the first film by John Landis, Slok, a 1973 film. The film narrates the story of a primate in small-town America, a bizarre retelling of King Kong.<br><br><strong>Previous musical projects? How'd you first get into music?</strong></p><p>Tony: Since the beginning of the new millennium i started to play drums and then the bass guitar with The Kelvins. A few years later I started playing bass with Ponches. Now, in addition to the Sloks, I play drums with Surfoniani.</p><p>And the passion for rock 'n' roll, surf music and the Ramones led me by chance to find myself in the rehearsal room playing with drums.</p><p>Buddy: This is my first serious project, I started playing guitar after listening to the Oblivians album "Soul food". I remember that I decided to buy a guitar and started terrorizing and raping the ears of my neighbors… ahahahaha.</p><p><br><strong>First concert that you ever went to?</strong> </p><p> Tony: I too, like Buddy, probably saw my first concert in my parents' town in southern Italy: I think it was Zucchero or Pino D'Angiò hahaha! The first concerts I consciously attended were many punk and hardcore bands in occupied houses - squat - in Turin, especially at El Paso Occupato, Delta House and Prinz Eugen.</p><p>Buddy: I don't remember my first concert, it was probably in the summer in the south of Italy an Italian singer-songwriter probably Loredana Bertè ahahahaha but I remember very well when I first saw Jon spencer blues explosion in a club Il Bloom in Mezzago, it was a revelation, a bomb exploding ... fantastic. And then many others but that one stayed in my head and I still remember it very well today.</p><p><strong> What's your writing process like?</strong></p><p>Sloks: The song writing process comes from an idea that comes to one of us, then we develop it in the rehearsal room, usually the guitar and the drums, we play it to Claudy who usually distorts them... ahahahaha anyway it's a work done together and very direct</p><p><strong> What other artists or songs inspire your music?</strong></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1z54fIYckqNOTZphKc3wIt?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><br>Buddy: One above all, The Beguiled band on Cript records for the sound and atmosphere they managed to create.</p><p>Tony: The Cramps, Oblivians, Gories, Monsters, Jon Spencer, and Bo Diddley are my bible, my guide to help me improve my creativity.</p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></p><p>Buddy: I think Sloks are mainly a live band. For us live shows are the lifeblood of the group. During live we try to communicate all our energy through the sound of the band and Claudy's vocal and physical performance. I think live music shouldn't be the same as the album, when you record you're very focused on getting everything right, while live is more animalistic and original where you get sucked into it. Each live is one thing to itself, and we try to give our best every time, at least we try... ehehehehe</p><p>Tony: Ooh yes, Buddy, you're right haha! I think exactly like you!</p><p><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></p><p> Sloks: The band is touring a lot, especially in Europe, we also did a Japan tour in the autumn of 2019 where we played seven dates supported by the fabulous King Brothers and played at the Halloween ball with Mummies, Guitar Wolf Phantom Surfers, and many others, for me the most beautiful tour. The best show maybe we have yet to do but last week we played in Amsterdam at Bone Fest and it was fantastic. While in 2020 before Covid we were on tour in Serbia Hungary and Slovenia and in a place in Serbia at one point they cut off the power so suddenly, it was the police who made us stop because a boy had died the night before in the same club...<span> </span></p><p>Then on tours, you meet a lot of friends and I find it very stimulating, so anything can happen on tours. Love and hate...</p><p><strong>What's up next for the band?</strong></p><p>SLOKS: Certainly a new album that we are working on and we will soon go to record it, there will be something new that we don't want to say yet... and then live show and live show ahahaha </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="qJfaeQXDBB4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/qJfaeQXDBB4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/sloks_band/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>Instagram</strong></a><br><a class="no-pjax" href="https://www.facebook.com/SLOKSBAND/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>Facebook</strong></a> <br><a class="no-pjax" href="https://sloks-voodoorhythm.bandcamp.com/album/a-knife-in-your-hand" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><strong>Bandcamp</strong></a><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72454092023-07-24T05:30:00-04:002023-07-24T05:40:02-04:00ON THE BANKS OF THE PASSAIC RIVER STANDS A BEACON OF LIGHT! JULY 2OTH SHOW REVIEW: PROTOTYPE 237 PATERSON NJ BY DENNIS KING<p dir="ltr"><span style="color:rgb(0,0,0);"> </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4513b4a8b5228090dd5e3038fd4f4da16b7489da/original/prototype237-07202023-2.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />In the heart of Silk City along the banks of the Passaic River, <strong>Prototype 237 </strong>towers above the old garment section in Paterson NJ. This one time warehouse is now a beacon for creativity: an art house, live music venue and creative co-living space, which has hosted some of the most inspiring music and bands traveling through the metropolitan area. Thursday night's show was no different and featured Asbury Park's Renee Maskin, Albany New York’s, E.R.I.E., and local North Jersey’s Wizard Brain. </span><br><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/838c0256e6f89792f15e789415001926e63546da/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Kicking things off was prolific singer-songwriter <strong>Renee Maskin</strong>, who delivered a captivating performance, occasionally supported by <strong>“Tuck”</strong>, Prototype's caretaker and all around amazing dog. With a bank of songs at the ready, Renee introduced a new tune called <i><strong>Nashville</strong></i>. It’s both catchy and timely, authentically Renee, fun with a melancholic dose of reality. Additional standout songs included “<i><strong>Horses </strong></i>“ and the most recent <strong>Mint 400 Records</strong> single release, <i><strong>Scrimshaw.</strong></i> If you haven’t watched the short film version of <i><strong>Scrimshaw, </strong></i>see link below.<i><strong> </strong></i>The video was directed by the gifted filmmaker and photographer from Asbury Park, John Decker. The stunningly shot footage was captured in super 8 film, which reflects the tone and tenor of the song. </span><br><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/83667f63ff444caa6be35d816bf5b752ca212983/original/thumbnail-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="vimeo" data-video-id="810314976" data-video-thumb-url="" type="text/html" src="https://player.vimeo.com/video/810314976" frameborder="0"></iframe></div><p dir="ltr"><span style="color:rgb(0,0,0);">Turning things way up!<strong> </strong>Albany New York’s <strong>E.R.I.E </strong>took the stage with an energetic blast of rock and roll meets Jawbreaker punk! The band was firing on all cylinders and having a damn good time. It’s hard to believe this was the first night of their tour in support of their <strong>Mint 400 Records</strong> release, <i><strong>Suburban Mayhem.</strong></i> At times, the warm crowd was compelled to dance and shout along, whoa! whoa! whoa! Stand out songs were <i><strong>World is on Fire, Suburban Mayhem </strong>and <strong>The Motions. </strong></i></span> <br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4f75cabf9bd131c83c924bfed269b24b7a9ca8c1/original/thumbnail-4.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/0UuHdjYNpiGOC7kwiICEmW?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </p><p dir="ltr"><span style="color:rgb(0,0,0);">Northern New Jersey’s <strong>Wizard Brain </strong>quietly took the stage and treated the intimate crowd with a brand of garage-jangle rock and roll. Instantly, Bobby Kirner’s singing tone respectfully grabbed the audience by the throat to pay attention. As the song, <i><strong>Happy Soul/Keep On Groovin</strong></i> continued, we found ourselves swaying along with the band, not wanting it to end. The other standout moment was the slightly more quiet tune called <i><strong>Pale Blue Dots. </strong></i>It was a nice touch of dynamics in the middle of the set and showcased Bobby’s fantastic songwriting. </span><br><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2bb2d47960efd732f58e7f7ac51570114c5f91d9/original/thumbnail-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/3zsLFbKjlTg7Cua7pedAz9?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><br><span style="color:rgb(0,0,0);">Apparently and with pictures to prove it, more went down. After all, it is <strong>Prototype 237 </strong>and anything goes on any given night. Ladies and gentlemen, from the swamps of New Jersey and the ghost of Hound Dog Taylor….<strong>Pappa Reese Van Riper</strong>! I heard he stomped his way through some of his classics and new tunes alike. Moral of the story, don’t sleep on this beacon of light, <strong>Prototype 237(</strong></span><a class="no-pjax" href="https://www.prototype237.com/" target="_blank" rel="nofollow noopener noreferrer"><span style="color:rgb(0,0,0);"><strong><u>https://www.prototype237.com/</u></strong></span></a><span style="color:rgb(0,0,0);"><strong> ). </strong></span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72346222023-07-24T05:00:00-04:002023-07-24T05:00:03-04:00MEET BROOKLYN SHOEGAZE INDIE ROCK BAND PLIGHT<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c7750179ea973cd5baf24b8d05b57ca77053e091/original/main-photo-1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(33,33,33);">Brooklyn-based four piece Plight has spent the last five years making a name for themselves in New York City, cultivating their own brand of alternative over the years. Now with their debut LP on up-and-coming imprint à La Carte Records, the sound of Plight has evolved into a concoction of chunky power-pop anthems, wall-of-sound shoegaze, and morose slowcore ballads</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><span><strong> How did the band form and what does the band name mean?</strong></span></p>
<p><span style="color:black;">Plight began in 2017 through a series of Craigslist encounters in Brooklyn. Matt found Anthony and they bonded over a love for slowcore bands like Low and Bedhead; Anthony found Andy and bonded over a love for Tom Petty and Motley Crue. I think our bass player at the time oozed up from the ground and won us over with his ridiculous tone. </span></p>
<p><span> </span><span style="color:black;">The band name means what the word means - a shitty situation. </span></p>
<p><span> </span><br><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p>
<p><span style="color:black;">We were all dumb little high school emo kids and have been in and out of bands since then. We’ve been in many previous bands, everything from punk/hardcore/noise rock to indie and pop punk. One of us rapped in High School and another had dreads, we won’t say who. </span></p>
<p><span style="color:black;">We all got into music in the late 90s. Third Eye Blind, Deftones, Korn, Blink-182, Smashing Pumpkins, Weezer. All that major radio rock stuff from that era got us hooked. I remember listening to Mellon Collie everyday on the bus to middle school and thinking I was a vampire bad-boy and nobody was ever going to understand me. I think I still have part of that in me. </span></p>
<p><span style="color:black;">MTV and early music video streaming like Yahoo was also huge for us. As was having cooler older cousins who would sneak us burned copies of things like Chocolate Starfish and the Hot Dog Flavored Water.</span></p>
<p><span> </span></p>
<p><span><strong>First concert that you ever went to? (Locally and National acts)</strong></span></p>
<p><span>The Bled, Underoath and Thrice at The Warfield in 2005.</span></p>
<p><span> </span></p>
<p><span><strong>What's your writing process like?</strong></span></p>
<p><span>Usually one of us will come in with a riff or two and we will jam on it for a bit to get the feel and direction we want the song to go. We take the democratic approach to the song and all contribute ideas to the arrangement and then vote on what we feel is best. We usually play the parts a few different ways to map out our options before we vote to make sure it sounds good to us all. We then do a phone recording of the song to take it home and listen for more refinement and repeat the process until we have something we all feel is the best song it can be for our band.</span></p>
<p><span> </span></p>
<p><span><strong>What other artists or songs inspire your music?</strong></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2dGkr4v3mP8yPGQ3aPYstQ?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span>Hum, Smashing Pumpkins, Deftones, Cloakroom, Title Fight and Drug Church to name a few.</span></p>
<p><span><strong> </strong></span></p>
<p><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p>
<p><span>The live show for us should always be better than the record. It’s important to us to have fun and be real people when we play live so we like to play things a little different from time to time to keep it fresh. A live show is a moment in time that will never happen again. It's important to cherish and enjoy the experience with everyone around you because in the end, music brings us all together. </span></p>
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<p><span><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p>
<p><span style="color:black;">We’ve toured a bit, mostly in the east coast region. Touring has always been a learning experience, and things have only gotten better with time as we figure out what the best way to book shows outside of NYC is. I’d say the best show on our last tour was Philadelphia at Ortlieb’s which was a lot of fun to play. Some shows are worse than others but every show has its ups and downs and honestly we feel excited to play anywhere fun that is full of cool people. </span></p>
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<p><span><strong>What's up next for the band?</strong></span></p>
<p><span style="color:black;">Continuing to promote the Plastic Sun record is top of mind. We are all super proud of this record and excited for everyone to hear it. After this summer tour we’ll likely hunker down and begin the writing process again. Hopefully tour some more this fall as well.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9tR52eQJR4E" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9tR52eQJR4E?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span><strong> </strong></span><a class="no-pjax" href="http://plightnyc.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>plightnyc.com</u></span></a><span> | </span><a class="no-pjax" href="http://facebook.com/plightnyc" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>Facebook</u></span></a><span> | </span><a class="no-pjax" href="http://instagram.com/plightnyc" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>Instagram</u></span></a><span> | </span><a class="no-pjax" href="http://twitter.com/plightnyc" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>Twitter</u></span></a><span> | </span><a class="no-pjax" href="https://plight.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>Bandcamp</u></span></a><span> | </span><a class="no-pjax" href="https://open.spotify.com/artist/4HyYe8J4kYrwSGqQ8ZxzqP?si=gXl0Qf-WQ3y_VXRaT9A7jA" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span><u>Spotify</u></span></a></p>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72437862023-07-21T05:00:00-04:002023-07-21T05:00:02-04:00MEET INDIE POP ARTIST LILY TAYLOR <p><br><span class="text-big" style="color:rgb(55,65,81);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/771b8836d20c9649d6edd1622150dd8cb7055b71/original/lily-taylor-by-daven-martinez.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><span style="color:#000000;">Dallas-based vocalist and experimental-pop artist Lily Taylor has unveiled "Ever New," the final pre-release single from her forthcoming album "Amphora," set to be released on July 21. The track, a collaboration with Black Taffy, offers a meditative experience that captures the essence of expansive ideas and new perspectives. Lily Taylor's enchanting vocals and the ambient soundscape provide a calming and grounding effect. "Amphora," produced by a talented team including Black Taffy and Alex Bhore, explores themes of duality, time, and introspection. Lily Taylor's captivating performances have made her a prominent figure in the Dallas music scene, and her new album promises to be a masterful collection of ten original songs.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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<span class="text-big" style="color:#000000;"><strong>How did the band form?</strong><span><strong> </strong></span></span> <br><br><span class="text-big" style="color:#000000;">I can't remember a time when I didn't sing along with everything.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>What are your previous musical projects? How'd you first get into music?</strong></span> <br> </div>
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<span class="text-big" style="color:#000000;">I have always been singing and making up little songs in my head. I ended up studying Contemporary Music at the now closed College of Santa Fe, and then moving to San Francisco, CA where I started to perform solo and with other music projects like singing in Karina Denike's band, and briefly with a Turkish folk band. I then moved to Denton and now Dallas, TX to be part of the vibrant music, art, and culture scenes around the DFW Metroplex.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>First concert that you ever went to?</strong></span> <br><span class="text-big" style="color:#000000;"><strong> </strong></span>
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<span class="text-big" style="color:#000000;">My first big-deal concert was Steve Miller at the then StarPlex in Fair Park, Dallas, TX. My mother had a black and white photo of the two of them dancing at a sock hop in the 1950s. That photo got us backstage to meet the band. It was thrilling. I was maybe 13? I grew up with a lot of music, but that's the first big concert I remember.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>Can you explain what your writing process is like?</strong></span> <br> </div>
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<span class="text-big" style="color:#000000;">My writing process differs per song. Sometimes it's the limits of the equipment that I'm using that help me make decisions about what happens, sometimes it's an idea I can get out of my head, sometimes I am able to come up with something right on the spot. That's rare though. Spending time learning other songs can help generate ideas, so can exploring different scales or chord progressions<span><strong> </strong></span>than you typically gravitate towards.<span> </span></span> <br> </div>
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<br><span class="text-big" style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span>
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<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3JQV7zEOkAKWjXXGFskhwu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
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<span class="text-big" style="color:#000000;"><strong>Jay Clayton</strong><span> </span>- I was able to take an online workshop with Jay Clayton through the California Jazz Conservatory, her diverse arch of work is simply inspiring. I chose this track for the Spotify playlist because it also includes Joan LaBarbara who hosted the vocal master class workshops at my college along with the other vocal coaches like Mirabai, whom I studied with more intensively. Both Clayton and LaBarbara worked with Steve Reich who wrote this particular piece.<span> </span></span> <br> <br> </div>
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<p><span class="text-big" style="color:#000000;"><strong>Drumming:</strong> Part II - Extract</span> <br><span class="text-big" style="color:#000000;">Performed by Ben Harms Bob Becker Cornelius Cardew Glen Velez Jay Clayton Joan La Barbara Russ Hartenberger Steve Chambers Steve Reich Tim Ferchen</span> <br><span class="text-big" style="color:#000000;">Written by Anonymous Steve Reich</span> <br> </p>
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<span class="text-big" style="color:#000000;"><strong>Emotional Indulgence</strong><span> </span>- I love this act. Formerly known as Ethereal and the Queer Show, they are beloved in the DFW area. I think their latest album might be their last, sadly, it's called Pan Cyan. I love the innovative hooks and textures throughout the songs. We've performed many times together and I feature their music on my radio show.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>SRSQ</strong><span><strong> </strong></span>- Formerly of Them Are Us, Too, SRSQ is a powerful act of lushious pop music composed and performed by Kennedy Ashlyn. I absolutely adore her soaring vocals. She is a great performer as well. I try to feature her music regularly on my radio show.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>HIQC</strong><span><strong> </strong></span>- I first heard about this act when I lived out in California. As soon as I moved to Denton, I invited her up from the Austin area to do a show and since then have tried to keep up with releases and performances over the years. We've been on a bunch of bills together, and I love to see / hear it every time.<span> </span></span> <br> </div>
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<div class="gmail_default" style="margin:0px;padding:0px;"><span class="text-big" style="color:#000000;"><strong>Mattie</strong><span><strong> </strong></span>- I first met Mattie when she was performing with the Mystics. I remember a particular performance on the main stage of the Deep Ellum Arts Festival that was incredibly inspiring. We've been part of similar creative circles around the DFW area. It is always very special to catch her performing live. We also both work with producer and musician Black Taffy in the Elmwood Recording studio, in different ways, but we've all definitely inspired each other.</span></div>
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<span class="text-big" style="color:#000000;"><strong>Black Currants</strong><span> </span>- Formerly of Native Naive, musician and producer Kelly Martin is an innovative songwriter without going too far out. She has been based in NY as well as on the West Coast in Oregon and California. This latest release is on repeat in my car.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>Kate Bush</strong><span> </span>- The Dreaming remains my favorite album that Bush wrote. I especially enjoy the production and vocal effects on 'Leave It Open'.<span> </span></span> <br> </div>
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<div class="gmail_default" style="font-family:arial, sans-serif;margin:0px;padding:0px;"><span class="text-big" style="color:#000000;"><strong>Laurie Anderson</strong><span> </span>- I first heard Anderson's music when I was very young. 'O Superman' was played from time to time on television throughout the 1980s. I had a professor in college who gave me that album, and I dove into a different way of listening to the production, song structure, and storytelling. I enjoy most everything I hear by Laurie Anderson and I recommend seeking out her lecture videos online.<span> </span></span></div>
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<span class="text-big" style="color:#000000;"><strong>Karina Denike</strong><span><strong> </strong></span>- I still collaborate with Karina, though I used to perform with her more regularly. I first met her at a Jazz gig in North Beach. She and the band let me sit in for a song, and we hit it off. Soon after I joined her singing harmony on many of her original songs.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>Dorian Wood</strong><span> </span>-I first heard about Dorian Wood during a streaming event hosted by Howl Space during the earlier days of the pandemic. I was then able to see them in Austin, which was incredible. Such a voice!<span> </span></span> <br> </div></div>
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<br><span class="text-big" style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><br> </div>
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<span class="text-big" style="color:#000000;">I find live music thrilling, either listening or performing. I love to hear how artists reinterpret what was generated in or for the studio<strong>,</strong><span><strong> </strong></span>and I try to make each performance a little unique to make everything as special and authentic as possible.<span> </span></span> <br> </div>
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<br><span class="text-big" style="color:#000000;"><strong>What has your touring experience been, best shows? Worst shows?</strong></span><br> </div>
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<span class="text-big" style="color:#000000;">I have had the great fortune of being able to travel around over the years and perform in different places to different audiences in California, New York, New Mexico, and Texas. The nature of live performance is to expect the unexpected. I once had to compete with a golf tournament on the television at a bar venue. Folks applauded in the middle of song after song for every successful drive. I mean, at least they weren't telling me to turn down.<span> </span></span> <br> </div>
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<span class="text-big" style="color:#000000;"><strong>What's up next for the band?</strong></span><br> </div>
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<span class="text-big" style="color:#000000;">I am releasing the album<span> </span><i>Amphora</i><span> </span>in July 2023 and performing in Austin, TX for Nite School at Cheer Up Charlie's as well as the Outsound New Music Summit in East Bay, California for an improvised set using my cymbal and my voice. I host a radio show every second and fourth Tuesday 7-8PM, CST on KUZU LP 92.9FM Denton, TX<span> </span></span><a class="no-pjax" href="http://kuzu.fm/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span class="text-big" style="color:#000000;">kuzu.fm</span></a><span class="text-big" style="color:#000000;">, and I am working on the audio / visual duo called LOCATIONS @dronelocations with my husband, video artist and educator Sean Miller. I hope to continue to perform and record further developing my projects and ideas. Keep an eye out for Bay Area and DFW performances this fall! </span>
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<div class="gmail_default" style="font-family:arial, sans-serif;margin:0px;padding:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nh7FKEwUlNU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nh7FKEwUlNU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://linktr.ee/lilytaylormusic">https://linktr.ee/lilytaylormusic</a></p>
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</div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72346232023-07-21T05:00:00-04:002023-07-21T05:00:02-04:00MEET NYC POST PUNK INDIE ROCK BAND FRUIT DAWG<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ff62bde24b5706115b2d238cfcc48a5f6e376992/original/fd02-3x2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Fruit Dawg began as a pandemic project for frontman Christian Cabatu releasing singles and EPs throughout 2020. In 2022 he assembled a full band line-up that began playing shows all around NYC. In addition to Cabatu this iteration of the band consists of Daniel Rentzer on lead guitar, Nelson Kelly on bass & synth, and Luke Nelson on drums. They released their first single as a four-piece titled "Big Baller" on June 23rd. Drawing influence from punk, emo and shoegaze the band is self described as music for when you don't know if you want to die or dance. Recommended for fans of Title Fight, Nothing, Fleshwater and Greet Death. <br> </div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span style="color:rgb(26,26,26);"><strong>How did the band form and what does the band name mean?</strong></span></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p> <br>CHRISTIAN: The band name means melancholy. Fruit as in melon, Dawg as in collie. Not a Smashing Pumpkins reference, no relation to Snoop. Dawg spelled like that to be cool I guess. The band was initially my solo project to get through COVID dread. It was something I always wanted to do but never had the time or motivation. From 2020 to early 2022 it was just me in my basement in Jersey self producing everything. I’ve known Nelson since childhood but I met Dan and Luke when I moved to Brooklyn.</p>
<p>LUKE: Christian and I worked in the same facility and I said what’s up to Christian because he was wearing a Turnstile shirt in the office one day. He mentioned that he was looking for a drummer and we ended up jamming with Nelson a few days later. Everything fell into place after that.<br> <br><strong>Previous musical projects? How'd you first get into music?</strong></p>
<p>LUKE: I was in a ska band in North Carolina that toured around a little bit called Corporate Fandango at least a decade ago. We played shows opening for bands like Balance and Composure, Arrogant Sons of Bitches, Fireworks and The Wonder Years before they all blew up. Christian mentioned The Wonder Years on the day we met and they were probably my favorite band when I graduated high school so I thought If Christian is into that shit then there might be some real musical chemistry here. I played in bands throughout high school and college in a bunch of different genres but stopped playing drums for something like 8 years before I started playing with Fruit Dawg.</p>
<p>NELSON: When we were kids Christian played at a party that my whole family was at which made my Dad buy his own son’s guitars so we’ve been playing together for something like ten years now.</p>
<p>DAN: My Dad is a guitarist so I picked it up as a hobby from him and just having guitars around the house. I wasn’t really into guitar based music until I started playing.</p>
<p><strong>First concert that you ever went to?</strong> </p>
<p>CHRISTIAN: First show I ever saw was with Nelson, Trans-Siberian Orchestra at the Prudential Center.</p>
<p>NELSON: Mine was Def Leppard and Bryan Adams at Coney Island.</p>
<p>DAN: Not sure of the first local show I was at but the first big show I ever remember going to was Ozzy Osbourne at Madison Square Garden with my Dad when I was 10 or something like that.</p>
<p>LUKE: I saw Elton John when I was 5. My family was at the fair and he was playing at the coliseum next door so as we were supposed to be leaving my parents randomly bought four tickets from a scalper in the parking lot. Some of the earliest shows I remember going to on my own accord were things like Green Day, Taking Back Sunday and My Chemical Romance. In my small hometown in North Carolina they used to have punk shows at the Christian summer camp in the off season and I think going to those shows in middle school is what made me want to start playing music.</p>
<p>NELSON: I didn’t start going to local shows until I was in college but when I was at The College of New Jersey they had a bill with Dads and a local New Brunswick band called The Moms opened up. The Moms were fucking awesome.</p>
<p> </p>
<p><strong>What's your writing process like?</strong></p>
<p>CHRISTIAN: It either starts with a riff or I lock myself in a room and write a full song before bringing it to rehearsal. Dan and I also link up to flesh stuff out before it gets to the rest of the band a lot too.</p>
<p>LUKE: It’s pretty much always music before lyrics.</p>
<p>CHRISTIAN: Once we start working on a song at practices there’s always a good amount of changes to try and keep it interesting. That’s where our progressive influence comes in. My favorite band when I was 14 was Dream Theatre so that’ll make you do some kooky things.</p>
<p> </p>
<p><strong>What other artists or songs inspire your music? </strong></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6kbu0wlADosrZbfRFu1CiW?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p> </p>
<p>LUKE: When Dan first showed us the main riff for “Big Baller” I immediately thought of Balance and Composure. So they were a big influence for me on the drums for that track specifically. Fleshwater also has a massive drum sound that I’m trying to emulate. I was obsessed with Blink and Travis Barker when I started playing drums too so there’s always a bit of him in there I can’t seem to shake. My favorite drummer of all time is Levon Helm though.</p>
<p>NELSON: The first song I threw on the playlist is “Ornament” by Screaming Females. They were one of the other first local bands that I saw and I was like “Oh my god, rock isn’t dead its just in a basement now.” They’re the best live band of all time. Their bassist has the best tone I’ve ever heard and he writes bass lines that fit so well in the pocket which is a big influence on me. I also chose a song by our buddy Yahya who Christian and I play live with. He’s just an awesome rapper. Learning to play his songs is changing the way I think about writing bass parts.</p>
<p>DAN: I chose “Ghost” by Chon because I’m always drawn to two guitarists harmonizing with each other. Their guitar work is inspiring to me because it’s both very emotional and progressive. I also chose “Thrive” by The Contortionist for similar reasons. I’ve always liked the combination of emotional and intricate.</p>
<p>CHRISTIAN: I think it’s satisfying to hear stuff that has a lot of finesse but is also very musical and pretty. The two songs I picked are “You’re Gonna Hate What You’ve Done” by Greet Death and “Settle the Scar” by The Hotelier. I saw Greet Death open for Foxing last year which was one of the loudest shows I’ve ever seen. I was just starting to get into heavier shoegaze stuff and I thought Greet Death was the best band I’ve ever seen in my life. They have some “dad-rock” solos going on which I think is so sick. “Settle the Scar” is one of the first songs I learned in an open tuning which helped me learn how to play with other tunings. We included songs by our friends GAL and The Telling Time as well because they’re just two of the first bands that we befriended playing shows.</p>
<p>LUKE: They fuck with us.</p>
<p>CHRISTIAN: And we fuck with them.</p>
<p>LUKE: They’re inspiring because they’re just out there getting after it like us and it’s always nice to get positive affirmations from your peers.</p>
<p>CHRISTIAN: It’s really great when people you know make music that doesn’t suck so you don’t have to pretend to like it.</p>
<p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></p>
<p>CHRISTIAN: I don’t think the music live should sound like the recording. I think the music recorded should sound like it’s live. If you’re going to do something crazy production-wise know how to emulate it live or know how to produce it. We try to have the same energy in both cases.</p>
<p><strong> Has the band toured? </strong></p>
<p>LUKE: No touring experience for this band yet. We’re just focused on launching the band in NYC right now but will probably play some out of state shows before the end of the year and might try to do some short touring stints next year.</p>
<p>CHRISTIAN: My favorite show was definitely the Brooklyn Monarch side room with GAL, Ramona Lane and Chenoa Tarin. The original venue we were supposed to play flooded, then we got pushed to a later time and we started like 2 hours late. We went on at like 1am and some of my closest friends were there and it was awesome for people to stick around so late.</p>
<p> LUKE: We played recently on the infamous Canadian wildfire smoke day in New York where the sky turned red and shit. We played great but obviously no one really showed up given the circumstances.</p>
<p> </p>
<p><strong> What's up next for the band?</strong></p>
<p> LUKE: We’re currently tracking an EP that will release towards the end of the year.</p>
<p> CHRISTIAN: The first single “Big Baller” is streaming everywhere now and we’ll have another single out in a few months as well.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="GSn7ES8HEeM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/GSn7ES8HEeM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Instagram - <a class="no-pjax" href="https://www.instagram.com/fruitdoggydawg" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/fruitdoggydawg </a>
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<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Spotify - <a class="no-pjax" href="https://open.spotify.com/artist/0fQJyx4hUWAujBCpVfIXWo?si=295guuLgTaWu64h0af61WQ" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://open.spotify.com/artist/0fQJyx4hUWAujBCpVfIXWo?si=295guuLgTaWu64h0af61WQ</a>
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<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">Bandcamp - <a class="no-pjax" href="https://fruitdawg.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://fruitdawg.bandcamp.com</a>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72346242023-07-20T05:00:00-04:002023-07-20T05:00:03-04:00WHAT'S IN OUR INBOX! FERAL VICES, YES YES A THOUSAND TIMES YES, WORRIERS, THE MAKE THREE, EVERYONE ASKED ABOUT YOU<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. Pretty interesting mix of music today that runs the gamut from screamy to delicate. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Feral Vices</p><p><strong>BMN Score: </strong>8.2/10</p><p><strong>What the band says: </strong><span style="color:#000000;">Lead vocalist and guitarist Alexander Hoagland says, "'Lock & Key' is about the abusive religious systems that I think a lot of us grew up in where leaders were taking advantage of their positions for money, power, sex, or some combination of those. Being in that world, you're taught that this is a blessing or that is a blessing when in reality you're being taken advantage of and are forced to experience the evils of it alone because once you start tugging at the strings of that, the whole system falls apart. It's a very hard and lonely place to be even though you're surrounded by people and I think that makes it even harder to get out of or acknowledge the reality of. So, this song was my way of talking about that and processing it for myself."</span></p><p><strong>What we say they sound like: </strong> This has a great groove to it, almost a Rage Against The Machine mixed with the bluesy-ness of Black Keys in the verse but then it explodes into more of Linkin Park type chorus. Overall it has a late 90's vibe / early 2000's aesthetic. It's a song that feels heavy but I could picture it being much heavier live. It's almost like it was subdued for the purpose of recording something polished. By songs end the screaming is reminiscent of Refused, hence the comment. I like this, it's interesting enough to keep my attention. </p><p><strong>Song to add to your playlist: </strong>Lock & Key</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="1EblO07eUgs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/1EblO07eUgs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Yes Yes A Thousand Times Yes</p><p><strong>BMN Score: </strong>9.7/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);"><i>Supertinyinfinitedans </i>is a document. Better yet, it’s a time capsule. Most of Yes Yes a Thousand Times Yes’ sophomore LP has existed, in some form or another, since 2014. In that way, it’s almost a time machine, a look back into songwriter Dan Hagendorf’s life and mindset nearly a decade ago. At that time, cuts like the anti-social media ender “The Movies” and eat-the-rich anthems “Dead Eyes, Clapping in Unison” and “Numb Sum” might’ve sounded hyperbolic; in 2023, they seem prophetic. Hagendorf says their goal on <i>Supertinyinfinitedans </i>is to “vindicate its listeners in saying you are justified in feeling angry and desperate, but also challenge them in saying hope is not mutually exclusive.”</span></p><p><strong>What we say they sound like: </strong> This band kind of took me by surprise because they consider themselves part of the emo revival but are much more eclectic than anything in that genre. This release has so many interesting musical parts and feels like some very well seasoned musicians. Every song has kind of a different vibe and feel but it's all so fucking good! This band would be at the top of my list of a band to try to catch live. So Yes Yes A Thousand Times Yes by the album, catch them live!</p><p><strong>Song to add to your playlist: </strong>Buzzing Still // Cousin's House, Two Birds, One's Stoned, Realizing You're Everywhere</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=520705695/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://yy1kxy.bandcamp.com/album/supertinyinfinitedans">Supertinyinfinitedans by Yes Yes A Thousand Times Yes</a></iframe></p><p><strong>Band Name: </strong>Worriers</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong>This is some of the most fun I've ever had writing and recording a song, so I wanted the video to come from an equally fun and joyous place. The song is meant to celebrate learning to trust your intuition and advocate for yourself and your own time, even in the face of being told that everything is fine. I thought it would be a good match for the video to be an interpretation of Empire Records where we're saving a queer bar instead of a record store - just a fun way to claim space and community and see yourself in something when outside forces are working against you. Queer interpretations are some of my favorite things to talk about, and I'll never turn down a chance to incorporate queer joy into our work!</p><p><strong>What we say they sound like: </strong> I like this sound, as it's somewhere between Suzi Quatro and the Go Go's. It's a very interesting mix of tones for a band that definitely branded as more indie rock. I hear such a love for pure 80's pop in this track. If you told me this track came out in 1986 I would completely believe that and that's not a bad thing, it's instant classic sounding. </p><p><strong>Song to add to your playlist: </strong>Trust Your Gut<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="VCYkt34y4f0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/VCYkt34y4f0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>The Make Three</p><p><strong>BMN Score: </strong>9.5/10</p><p><strong>What the band says: </strong><span style="color:#222222;">The band embraced a DIY approach for recording their debut album You, Me & The Make Three which yielded surprisingly polished results . The process saw them tracking the record in an empty beach house the week after Christmas. “That wasn’t the initial plan, but you know, money. Or rather, no money”, states Lardieri. “In the end, it ended up being a DIY project in every sense, but we don’t believe that a record made at home has to sound ‘homemade’. Not that I don’t appreciate that aesthetic. It just didn’t fit with what we’re doing”.</span><o:p></o:p></p><p><strong>What we say they sound like: </strong> Do you remember bands like The Smithereens and Dramarama just had this thing about them that was so New Jersey. I would say exactly the same thing about The Make Three. It's a great mix of Lemonheads and Guided By Voices among other very cool 90's indie alt stuff all mixed together into a great indie rock package played by scene veterans who are perfect in their musical execution. The record is polished and perfect which makes you wonder why any bands pay thousands for a studio when this was recorded as a home DIY project. Can't say enough good things about this band and how they along with their label mates San Tropez give these bands with scene veterans a very good name. A really exciting record from start to finish!</p><p><strong>Song to add to your playlist: </strong>Emily Strange</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9XggjoZb_-8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9XggjoZb_-8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Everyone Asked About You</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong>Penned between heated sessions of MarioKart64 and Goldeneye, Little Rock high school quartet Everyone Asked About You developed their own take of the emo sound that was sweeping the midwest in the late-‘90s. Built around the twin guitar attack of Chris Sheppard and Collins Kilgore, the band was held together by drummer Lee Buford’s pulverizing drums and dusted with Hannah Vogan’s twee-adjacent vocals. Channeling Rainer Maria’s earnestness, the Promise Ring’s knack for melody, and the Rentals’ penchant for synth, Everyone Asked About You the biggest secret to come out of Arkansas since Whitewater.</p><p><strong>What we say they sound like: </strong> I love everything about this from the jangly guitar not being perfectly played to the honest and genuine vocals. My big question is from everything I know about Arkansas why would a Queer Tweemo band like this live there instead of moving to an indie rock city like Seattle, Minneapolis, NYC where they are destined to be huge stars. This seriously is so good. The little touches like flute and toy piano, the feeling like this is an outpouring of pure emotion by young musicians. It's perfect in it's imperfect state. </p><p><strong>Song to add to your playlist: </strong>Sometimes Memory Fails Me Sometimes</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="c1tNsLdWfYQ" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/c1tNsLdWfYQ?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72325892023-07-19T05:00:00-04:002023-07-19T05:00:01-04:00MEET EAST LA INDIE ROCK BAND EAR RINGERS<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/30d6738df21313f24b57880464f4165a34eeb241/original/img-1130.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:black;">Ear Ringers are an Indie rock band from East Los Angeles, California established in 2017. The band consists of lead singer/rhythm guitarist Miguel Estrada, lead guitarist Jesus Mendoza, keyboardist Daftnet Mendoza, drummer David Bravo, and bassist Daniel Romo. A mutual interest in various styles of music led to their first musical collaboration with the end result being the release of their debut EP, “First of All'' in the fall of 2017. The band continued to make music and gig locally for years to come and eventually signed with LA based label My Grito Industries in September of 2021. Ear Ringers released their debut record “Heart Therapy '' on October 7th, 2022 produced by Jonathan Mireles at Audiomech Productions.</span></p><p> </p><p start="1" type="1"><span style="color:rgb(33,33,33);"><strong>How did the band form and what does the band name mean?</strong></span><strong> </strong></p><p start="1" type="1"><span style="color:black;">The band met in highschool and we all went to a performing arts academy that was very small. Everyone knew each other and knew that we all played instruments that filled a role in a band setting. We befriended each other and realized that we all had similar musical tastes. When we got together to jam for the first time it seemed right and we never looked back. The name came to us during a rehearsal in my (Daniel) house. We used to crank our amps to 11 and play without ear plugs. One day I complained that my ears were ringing and the name came to be a couple days later.</span></p><p start="1" type="1"><strong>Previous musical projects? How'd you first get into music?</strong></p><p start="1" type="1"><span style="color:black;">I was in no projects before Ear Ringers and Miguel was actually the first person I ever played with outside of home. The rest of the guys were in some rock bands before Ear Ringers and some played at their local church every week. My sister introduced me to all my early music inspirations. She wanted someone to play guitar with her so she encouraged me to pick up the bass so we could jam on some Green Day tunes.</span></p><p start="1" type="1"><br><span style="color:rgb(33,33,33);"><strong>First concert that you ever went to?</strong></span></p><p start="1" type="1"><span style="color:black;">The first band I ever saw was Rush on their R40 tour. I went with Miguel and my sister and it was a surreal experience because they were one of our biggest inspirations during that time. Learning their songs really helped us advance on our own instruments quickly because their music was more difficult than the average rock song. I remember them being crazy loud and is to this day the loudest concert I've ever been to.</span></p><p start="1" type="1"><span style="color:rgb(33,33,33);"><strong>What's your writing process like?</strong></span><strong> </strong></p><p start="1" type="1"><span style="color:black;">Today, we really like to get into our lockout and jam some small ideas out into full length songs. Miguel usually comes in with a chord progression or a melody that still needs the rest of the band. We’re at a point where we can trust each other to figure our individual parts out and figure out ways to make it work with the initial idea. We each hear our own thing and if it fits then great but if not we can also be honest with each other about tweaking a certain part.</span></p><p start="1" type="1"><strong>What other artists or songs inspire your music? </strong></p><p start="1" type="1"><span style="color:black;">We’re definitely inspired by bands like Two Door Cinema Club, Wallows, and No Vacation. We like that indie rock/indie pop style these bands bring to the table and is music that people can dance to. Songs from these bands are very catchy, upbeat, and fun. We aim to have the same effect with our own music.</span> <iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/47YZ5v1bc9HFKJqh1oOW7s?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p start="4" type="1"><span style="color:rgb(33,33,33);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><strong> </strong></p><p start="4" type="1"><span style="color:black;">I think playing live is an opportunity to expand on some songs in ways you didn’t on the recorded version. You can add a bit more “flash” to each song because the live setting is much more exciting. Adding some cool intros or outro’s, playing some parts a little differently, and hitting a couple different notes are all ways to add to the live experience for the audience. It also keeps the songs interesting for us to play night after night.</span></p><p start="4" type="1"><span style="color:rgb(33,33,33);"><strong>Has the band toured? </strong></span></p><p start="4" type="1"><span style="color:black;">We haven’t toured yet but we are in the planning process with one and look forward to getting on the road for the first time.</span></p><p start="4" type="1"><span style="color:rgb(33,33,33);"><strong>What's up next for the band?</strong></span><strong> </strong></p><p start="4" type="1"><span style="color:black;">Other than the tour we are planning, we are working on recording some new music. It has been coming along well and hopefully we can get these tunes out sometime in the near future.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9uoYjGWIy5g" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9uoYjGWIy5g?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;">IG : </span><a class="no-pjax" href="https://www.instagram.com/ear.ringers/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(15,84,204);"><u>https://www.instagram.com/ear.ringers/</u></span></a> <br><span style="color:black;">YT: </span><a class="no-pjax" href="https://www.youtube.com/@ear.ringers/featured" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(15,84,204);"><u>https://www.youtube.com/@ear.ringers/featured</u></span></a><span style="color:rgb(15,84,204);"> </span><br><span style="color:black;">Tw: </span><a class="no-pjax" href="https://twitter.com/earringers_?lang=en" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(15,84,204);"><u>https://twitter.com/earringers_?lang=en</u></span></a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72325792023-07-18T05:00:00-04:002023-07-18T05:00:02-04:00MEET AUSTRALIAN SHOEGAZE DREAM POP BAND FUTUREHEAVEN<p> </p><p><span style="color:rgb(0,0,0);"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/5de438689f93654cdd801eb9bfb8195003b0fcca/original/fh.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Futureheaven are a 5 piece shoegaze/dream pop band from Sydney, Australia. Formed in 2018 and drawing from a variety of influences Futureheaven look to write music that mixes melody with atmosphere. Futureheavens debut EP ‘Colourwaves' (Produced, mixed and mastered by Elliott Gallart @ Chameleon Studios) is out now on all streaming platforms and can be downloaded for free from bandcamp. With an additional stand-alone single soon to be released plus a second EP in the final stages of production it’s set to be an exciting year of new music.</span></p><p><span><strong>How did the band form and what does the band name mean? </strong></span></p><p><span>- The band started around 2018 with Charlie and Kit deciding to demo out some ideas for a new musical project, Harry then joined shortly after and finally Bridie and Giles completed the line up. We just thought the band name sounded cool and fit the vibe of the music we were trying to make</span></p><p><br><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span>- Most of us played in punk/hardcore/metalcore bands before Futureheaven, however we all have quite a diverse number of personal influences that we try to bring to the band. </span> <br><br><span><strong>First concert that you ever went to?</strong></span></p><p><span>- Bridie = Robbie Williams </span></p><p><span>- Charlie = The Rolling Stones</span></p><p><span>- Giles = Lamb of God</span></p><p><span>- Kit = Millencolin </span></p><p><span>- Harry = Lamb of God</span></p><p><span><strong> </strong></span><br><span><strong> What's your writing process like?</strong></span></p><p><span>- Charlie & Kit usually come up with a demo on GarageBand, the song is then brought to the rehearsal space where it’s fleshed out before we look to try and record it.</span> <br><br><span><strong>What other artists or songs inspire your music?</strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/75jrQ2zNe0dxB0QjAfRxsD?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span>- We have all selected two songs for the playlist of bands that influence us individually for Futureheaven, however as a unit our main influences would most likely be Slowdive, Smashing Pumpkins and Nothing.</span> <br><br><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p><span>- We love to play live and try to create a washed out atmospheric vibe, we don’t think that the live experience should be the same as the record version, we want the live experience to be its own unique thing</span> <br><br><span><strong>Has the band toured?</strong> </span></p><p><span>- We have never toured, however we would love to start doing some shows around Australia</span> <br><br><span><strong>What's up next for the band? </strong></span></p><p><span>- We have a stand-alone single that should be out soonish then another EP that is getting mixed and mastered that we would like to release this year at some point</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="kjj5Mvr2EqY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/kjj5Mvr2EqY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/futureheaven_/">https://www.instagram.com/futureheaven_/</a></p><p><br> </p><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72325772023-07-17T05:00:00-04:002023-07-18T14:31:38-04:00MEET LOS ANGELES POST PUNK BAND GLASS GENERATION<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/69312a5d4b563fb54e1ee4dcb4fb8d61a999bec4/original/bmn.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p dir="ltr"><span style="color:rgb(34,34,34);">Coming together in 2019, Glass Generation is made up of guitarist/vocalist Stefan Kennedy, drummer/vocalist Lo Kuei Na and his brother Yu Cheng on guitar, and Samuel Pacheco-Villegas on the bass. The band </span><span style="color:rgb(32,33,36);">concomitantly uses modern and nostalgic sounds to become a new face in the new surge of punk. Taking influence from 90s alternative and pop-punk, and the emo revival. </span><span class="text-small" style="color:rgb(32,33,36);"><i>(</i></span><span class="text-small" style="color:rgb(0,0,0);"><i>photo by Katherine Seibert)</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>How did the band form and what does the band name mean?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>I (Stefan) met Lo through bandmix in the summer of 2019; we were jammin with a buddy of mine named Liam <span>from high school </span>playing blink, nirvana, rage, and muse covers in Lo’s garage. Then he brought Sam to a practice one day and Cheng joined when Liam had to leave the band.</i> <i>There’s no real meaning behind the name of the band, we honestly just thought it sounded sick.</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Lo: </strong>I was never in anything serious, mostly cover bands and high school clubs.</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Stefan: </strong>This is the first band that I’ve been in, but music was always around in my family. My great-grandpa is the late rockabilly artist Johnny Powers, so growing up I’d always hear stories about him coming up in the music industry, touring, and whatnot. Plus there never wasn’t music in the house. I have cousins, aunts, and uncles who all either play instruments or are heavy into punk and alternative music in general. Plus both my parents are into pretty much anything, so there was always something playing in the house growing up. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Cheng: </strong> I started playing the piano when I was 5, but it never felt like it was the instrument for me so in high school I started learning the guitar and taking classes. I wasn’t in a band but my guitar teachers would orchestrate recitals which is where I got my first live-playing experiences. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Sam: </strong>I was never in a band prior to Glass Generation; I always loved music and played/studied music classically. It wasn't until Lo asked me to come out to practice in that I started playing with an actual band</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>First concert that you ever went to?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Stefan: </strong>My first concert-concert I went to was Maroon 5 in like 2004; I was like 7 so I don’t remember most of it (partially because I fell asleep during it). My first local show was this local punk band called PISS at a dog park in San Pedro.</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Sam: </strong>My first big act that I saw was Polyphia in LA last October. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Lo: </strong>My first concert that I went to was Green Day at the Rose Bowl</i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i><strong>Cheng: </strong>My first concert was the Who. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>What's your writing process like?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>There’s really no set process, a lot of our songs are either written by one or two of us entirely, we just jam something out and work it into a song, or we take some bare-bones idea to the studio and refine it. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>What other artists or songs inspire your music?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>Bands like blink-182, Green Day, Joyce Manor, and the Descendents really inspired us and our sound. We love bands that can make something so emotionally charged but can still play fast and heavy. Like pent-up emotion finally being released into something that leaves us feeling content. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>For us, we value the energy of an audience. We absolutely love feeding off an audience and going fucking crazy with them. So with that we don’t necessarily try to sound identical to our recordings. However, one thing we do prioritize in our rehearsals is keeping our instruments in tune and singing in tune. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><strong>Has the band toured? What has the touring experience been, best shows? Worst shows?</strong></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>We did a tour at the beginning of the year; it was a completely DIY thing and it holds some of the best memories we have as a band. The best show on the tour was this house venue we played in Mesa, Arizona. They easily packed between 60-80 kids in a tiny living room, everyone showed up and went nuts for every band. We even had people singing along with us. </i></span></p><p dir="ltr"><span style="color:rgb(34,34,34);"><i>The “worst show” was at this skate shop we did about halfway through the tour. And this isn’t a complaint about the crowd, space or the bands we played with. But it was during the rainstorms California was facing; so the wind was freezing the spot and everyone inside, so it was tough to have a good time.</i></span><br><br><span style="color:rgb(34,34,34);"><strong>What's up next for the band?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><i>We wrapped up our EP Never Better” with Alex Estrada a few months ago; that comes out September 22nd with a few singles on the way between now and then. In between we’re just gonna keep building connections with our audience and supporting our homies in the scene.</i></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="C3m3Grb7Qag" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/C3m3Grb7Qag?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span style="color:rgb(0,0,0);">Instagram: </span><a class="no-pjax" href="https://www.instagram.com/glassgenerationca/?igshid=YmMyMTA2M2Y%3D" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(17,85,204);"><u>https://www.instagram.com/glassgenerationca</u></span></a><br><span style="color:rgb(0,0,0);">TikTok: </span><a class="no-pjax" href="https://www.tiktok.com/@glassgenerationca" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(17,85,204);"><u>https://www.tiktok.com/@glassgenerationca</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72408732023-07-14T05:05:00-04:002023-07-14T05:20:05-04:00(BMN EXCLUSIVE VIDEO PREMIERE) Greg Hoy “Comfort Vendetta” <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/47c2075c5e4b09d2d0f7da126d513181ca71c35f/original/354223349-742369377894597-7995734452047233976-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:#222222;"><i>BloodMakesNoise.net is proud to host the exclusive online world premiere for the Greg Hoy “Comfort Vendetta” music video!</i></span><o:p></o:p></p><p><span style="color:#222222;">Operating under a slew of alternating monikers over the past few decades, rocker/singer-songwriter <strong>Greg Hoy</strong> is taking his birth name for a spin this time around. After over a decade in Brooklyn, NY, Hoy relocated to the San Francisco Bay Area as a part of the 2010's tech boom. Relentless with his prolific music output, Hoy's experiences working there informed his music with a rising consciousness of the triumphs and woes of mankind's progress. Yet with over 30 albums released, Hoy can tackle any imaginable topic with his candid lyricism and authenticity of sound. Whether blowing out amps or intimately ballading over a piano, Hoy never fails to inject his voice into the hearts of his listeners, who (funnily enough) end up being the ones feeling "heard" through his genuine homespun tunes. With his most recent album, <i>Yay For Effort</i>, Hoy lends his humor, wit, talent, and sincerity to contemplating modern societal woes, like climate change, the pandemic, love, and mental health. Check it out and catch him live this summer as he tours the Northeast with his rock trio Greg Hoy + The Boys.</span><br><br><span style="color:#222222;">An upbeat track from his recent album <i>Yay for Effort</i>, <strong>"Comfort Vendetta"</strong> is Greg Hoy's fuzzy, 90s-inspired reflection on dating an emotionally unavailable partner. The song launches out the gates with a sunny synth motif over a guitar and bass strutting in parallel. With the strain and grumble of his voice, Hoy brings to life the agony of constantly stretching out a compassionate arm to a partner in continuous withdrawal. Despite its difficult topic, the song begs to be sung and danced along to—a product of a skilled songwriter balancing emotional tension with infectious musical energy.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="hpdQ7lxi3qE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/hpdQ7lxi3qE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:#222222;">See life after lost love in the "Comfort Vendetta" music video directed by Hoy and starring Anna Copa Cabana. In the video, we encounter Anna post-breakup, realizing she won't get the connection she needs from her ex. Instead, she takes her stuffed ducky Gordon (aka her inner child) out for a day of exploration around Brooklyn. Their adventures together shine like the bright synth motif, hinting at the growth and positive self-awareness that can emerge after escaping a doomed relationship. This is what makes Hoy special—synthesizing an entire personal journey into a cheery four minutes of pop-rock reflection and capping it with an engaging video. Lucky for newcomers to Hoy, there's always more to discover.</span><o:p></o:p></p><p><span style="color:#222222;"><strong>Follow Greg Hoy:</strong></span><o:p></o:p><br><a class="no-pjax" href="https://www.thegreghoy.com/" target="_blank"><span style="color:#1155CC;">https://www.thegreghoy.com/</span></a><br><a class="no-pjax" href="https://youtube.com/GregHoyOhYeah" target="_blank"><span style="color:#1155CC;">https://youtube.com/GregHoyOhYeah</span></a><br><a class="no-pjax" href="https://www.facebook.com/greghoyandtheboys" target="_blank"><span style="color:#1155CC;">https://www.facebook.com/greghoyandtheboys</span></a><br><a class="no-pjax" href="https://twitter.com/thegreghoy" target="_blank"><span style="color:#1155CC;">https://twitter.com/thegreghoy</span></a><br><a class="no-pjax" href="https://www.instagram.com/thegreghoy/" target="_blank"><span style="color:#1155CC;">https://www.instagram.com/thegreghoy/</span></a><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72325702023-07-14T05:00:00-04:002023-07-14T05:00:01-04:00MEET NJ INDIE ROCK BAND FURIOUSBALL<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/7cbd4b7151b12143e183cab47a4274dfd7759e64/original/img-0188.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:#000000;">The Last Music on Earth by furiousBall will be available everywhere on August 4th. The first single “What if We Lost the Moon?,” a song about two astronauts falling in love and getting lost in space featuring a guest vocals from Adam Dickinson (A Halo Called Fred, The Freaky Mutant Weirdo Variety Show), and additional guitars from Anthony Ilczuk (Bionic Rhoda, Bunt, Soft Rock Renegades) - is available now for streaming. The album combines eclectic alternative pop a lá Odelay-era Beck, with the playful chaos of WoweeZowee-era Pavement.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>How did the band form and what does the band name mean?</strong></span></p>
<div style="margin:0px;padding:0px;"><p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">furiousBall came from a pregnancy website when my ex-wife and I were pregnant with our son (who is now 22 years old), it read - “right now your child is a furious ball of dividing cells.” That idea stuck with me as the image of furiously trying to grow and evolve connected with me as a human and as an artist.</span><br><br><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>Previous musical projects? How'd you first get into music?</strong></span></p></div>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">I really started writing seriously as a two man acoustic act in Atlanta called Ill Gotten Booty with one of my favorite human beings of all time, PJ Newcomb. After that, spending time in 13 Stories (also in Atlanta) as their lead guitarist was where I really grew as a songwriter. I really started learning the most about DAW/home recording through a late friend, Michael Johnson while living in Austin, Texas. We went on to make music as Spiral Galaxy Collision with another equally weird musician, Kingo Sleemer of Halaka fame/infamy.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>First concert that you ever went to? </strong></span></p>
</div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div><p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">My first concert was Kiss at the Spectrum in Philadelphia, PA with my dad. I was in third grade, and could not wait. We were in the last row of the arena and I was absolutely 100% committed to one day growing up to be Ace Frehley. Still working on the smoke bombs in the pickups…</span><br><br><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>What's your writing process like?</strong></span></p></div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div><p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">It’s always loops that I come up with playing by myself as the starting point. One exception was Minstrel Mistral Mistrial from “The Last Music on Earth” I wrote that while sitting in bed recovering from Covid. I added the filtered cicada audio recordings from my backyard later.</span><br><br><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>What other artists or songs inspire your music?</strong> </span></p></div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1RVWJiSMyUrSdeZX8WSfaH?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">I have pulled so much inspiration from using two of Pavement’s tunings (CGDGBE and DADABE), Bob Mould/Sugar are always close to my writing, and Beck is a pretty easy inspiration to recognize, but I really think that my Beck-ish tendencies actually come from my favorite musician of all time, Prince.</span></p>
<p dir="ltr"><br><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p>
</div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">I haven’t been touring as furiousBall, but do play live shows with Camino Sound, and at least once a year with the Soft Rock Renegades. I think you can decide if you want to match the recordings or not, but if it feels like a tether, that’s time to let go. Make the song as great as you can, whatever the presentation - recording or live.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>Has the band toured? </strong></span></p>
</div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">I have not toured as furiousBall. Unless you count the numerous appearances I make in my home studio for my pitbulls, Pig and Tuna. They fucking love me.</span></p>
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69"><strong>What's up next for the band?</strong></span></p>
</div></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;">
<p dir="ltr"><span id="gmail-docs-internal-guid-26fde99d-7fff-b05d-640b-b15af0557c69">I think I’m going to do a remix/rerecording EP/LP. There are a handful of tunes that really deserve another look. I’ve learned so much about recording, since the stuff I was putting out even two years ago. I really have a lot of gratitude for two guys that have given great mix consultations: Jeff White and Rory Hinkel. That remix idea should be out soon, like before the end of the year, for sure.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="UXiI-2FMlRk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/UXiI-2FMlRk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://furiousball.bandcamp.com/album/the-last-music-on-earth">https://furiousball.bandcamp.com/album/the-last-music-on-earth</a></p>
<p> </p>
</div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72305642023-07-13T08:00:00-04:002023-07-13T08:00:03-04:00MEET LA MATH ROCK DUO STANDARDS<div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><div style="margin:0px;padding:0px;">
<p> <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/9d0a4b8005b1754916c7ec139a11c8c9e194bce1/original/screenshot-2023-05-22-at-10-25-38-am.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p>
<p><span>Led by exuberant guitarist Marcos Mena, standards is a math rock duo all of its own. Rounded out by Moises Popa on drums, the pair boast a fruitful combination of musical chops and catchy guitar-driven melodies which has garnished popularity among fans who laud standards for their uniquely danceable brand of complex instrumental rock. For almost five years, their instrumental compositions have captivated audiences all over the world as well as in their hometown of Los Angeles, California. Proclaimed as an interesting, new talent by Guitar World magazine, standards is poised to have their biggest year yet after signing with indie label Wax Bodega. As the band enters this new chapter, there is little doubt that they will continue to defy expectations of what an instrumental rock duo is capable of. </span><br> </p>
<p><span><strong> How did the band form and what does the band name mean?</strong></span></p>
<p><span>standards was a name that was a bit of a joke. A jazz standard is a tune a jazz musician should know. We originally thought it would be funny to make a band called standards but not play any jazz standards. Also standards is an album by tortoise that we really liked. </span></p>
<p><span> </span></p>
<p><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p>
<p><span>My first instrument was piano at age 5. Then I played violin when I was 8. Once I got my first guitar at 11, I really got into that. I started playing in lots of punk and metal bands in high school and then started really doing session work to try and further my musical experience. </span></p>
<p> </p>
<p><span> </span></p>
<p><span><strong>First concert that you ever went to? (Locally and National acts)</strong></span></p>
<p><span>I first went to see a family friend’s band at a venue called Chain Reaction. It was hard to hear anything and it wasn’t the best show. After that I saw Slipknot and that was incredible. </span></p>
<p><span> </span></p>
<p><span><strong>What's your writing process like?</strong></span></p>
<p><span>I usually come up with most of a song and then send it to Moises (drums) for tweaks. Once we get a foundation, I might go back and tweak layers but try to keep things in line with the drums as much as possible. </span></p>
<p><span> </span></p>
<p><span><strong>What other artists or songs inspire your music? </strong></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/7oxmdkFnA5qc6tVgMTIF4B?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span>When I first started the band I was really into a lot of math rock staples. These included Hella, toe and TTNG. I also really liked the midwest emo sounds of American Football and Tiny Moving Parts which inspired me to change the tunings of my guitars. Moises and I both really like fusion music like Return To Forever and by extension Chon. Something that I’m more into is video game and chiptune inspired music like Snail’s House or Ben Rosett. I think at this point we are trying to play catchy riffs and grooves while also having fun production from those influences. </span></p>
<p><span> </span></p>
<p><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p>
<p><span>I think a live show should be a fun experience. I don’t like when people are standing still and just keeping to themselves. I think people should express themselves outwardly and have fun. I don’t think it should be just as it is live for us, but maybe for other bands. </span></p>
<p><span> </span></p>
<p><span><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span></p>
<p><span>We try to tour 3-4 times a year. Touring is always great! Never had too many bad shows except in the early days. We once played a desert festival for old people on our second ever tour, didn’t go so well. Everyone was on drugs and it was hot. </span></p>
<p><span> </span></p>
<p><span><strong>What's up next for the band?</strong></span></p>
<p><span>New vinyl pressings and new music that is going to be our best yet! </span></p>
</div></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="l5E_4URQ5_Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/l5E_4URQ5_Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;"><span>instagram: </span></span><a class="no-pjax" href="https://www.instagram.com/wearestandards" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:black;"><span><u>https://www.instagram.com/wearestandards</u></span></span></a><br><span style="color:black;"><span>tik tok: </span></span><a class="no-pjax" href="https://www.tiktok.com/@standardsband" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:black;"><span><u>https://www.tiktok.com/@standardsband</u></span></span></a><br><span style="color:black;"><span>youtube: </span></span><a class="no-pjax" href="https://www.youtube.com/@standardsvideos" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:black;"><span><u>https://www.youtube.com/@standardsvideos</u></span></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72305662023-07-12T05:00:00-04:002023-07-12T05:00:01-04:00MEET FRENCH INDIE POP DUO TYPICAL LIGHT<p><span class="text-small"><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2ff8e96cc69bc2447ff26833873ddf669320a1fa/original/0020499926-10.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span><span class="text-small" style="color:#000000;">Boston MA USA: record label H1 Massive will release the first full length album from Typical Light. Hailing from Paris, France, the duo creates dream like, cinematic synthpop. In 2020, Hélène (vocals, synthesizer) and Hakim (vocals, guitar, bass, drums, synthesizer) joined forces over their mutual love of indie pop, rock, and shoegaze. Their first EP SWEET was noticed immediately by French magazine KR Home Studio, because of their catchy melodies and the way Hakim and Hélène weave their silky vocals together. Typical Light have picked up the baton from French synth pop compatriots M83, and taken it in their own direction. We caught up with the band to find out more!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="IwjpOedEWqU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/IwjpOedEWqU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>How did the band form and what does the band name mean?</strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6">At first, Typical Light was kind of a joke. As for me, I (Hélène) had just quit a job that I didn’t like and I wanted a new challenge. We both had time to focus on music and we decided to give it a try. We started to share our ideas and inspirations and we realized that we matched on everything. Hakim is a great musician and composer. We mixed all of our ideas and by the time, we created our own style and identity.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6">We chose Typical Light as our band name because we wanted something both catchy and smooth. Typical Light sounds like something that comes from nowhere when you don’t expect it. It is very positive. </span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Previous musical projects? How'd you first get into music?</strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hélène : </strong>I am not a musician but I have always listened to a lot of music. Music has always been a part of my life. I went to a lot of gigs and I worked as a musical journalist for several years. Being in a band was kind of a fantasy. Thanks to Hakim and his experience, my dream came true. He gave me the confidence to express myself.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hakim : </strong>I've been playing in bands since I was 16. Guitar player for a while in several projects and i play drums with another band now.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>First concert that you ever went to? </strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hélène : </strong>I grew up in a little town where there weren't a lot of musical events. I am ashamed of it but the first band I saw on stage was Manau. They were playing in Limoges, a small city located in the south-west of France. I was 13 years old. The band doesn’t exist anymore. I moved to Paris when I was 18 and then I discovered all the musical life that the city offers and I really enjoyed it. Thanks to Paris, I enriched my knowledge of music.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hakim : </strong>My first concert was Michel Fugain, a french singer. It was at l’Olympia, a famous concert hall in Paris. I was 8 or 9 years old.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>What's your writing process like?</strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6">Most of the lyrics of the album have been written during the pandemic period. We imagined the album as an introspective journey. As we couldn’t go outside safely, we had time to explore our inner world and all of our feelings were more intense. We tried to express it. More often, the lyrics are based on emotions and feelings about our daily lives and our relation with other people. Indeed, sometimes it is kind of difficult to have a place in this crazy world.</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>What other artists or songs inspire your music? </strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hakim : </strong>For me Kazabian and Slowdive. These 2 bands have inspired me for a long time. The sound of the Kazabian s first album is magical and i love the guitar on Slomo (Slowdive)</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>Hélène : </strong>Slowdive, Beach House and Chairlift have been big influences for the album. I discovered Slowdive thanks to their last album and I immediately fell in love with them. Beach House is one of my favorite bands. Their songs are both smooth and dreamy. “Bruises” from Chairlift really inspired us. I’d love to compose such a hit! Depeche Mode is also a big influence. I love the fact that their songs are timeless. I am also a big fan of the Kills. I love their energy. Alison Mosshart is my rock n’ roll queen! Etienne Daho is an iconic French singer. He is an eternal pop dandy who travels through all generations. And he is a very good writer. His music touches me</span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6"><strong>What's up next for the band?</strong></span></span></p><p><span class="text-small" style="color:rgb(0,0,0);"><span id="gmail-docs-internal-guid-790d8b90-7fff-d870-3737-b1ec30aeefe6">We haven’ t been on stage yet but we are very excited to. We imagine our live set as a dreamy and immersive experience with a beautiful light game. On stage we will be joined by a drummer and a bass player. We want people to escape from reality and offer our audience a unique experience</span></span></p><p><span class="text-small"><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=91289266/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://typicallight.bandcamp.com/album/sweet">Sweet by Typical Light</a></iframe></span><br><br><a class="no-pjax" href="https://h1massive.com/artist/typical-light/"><span class="text-small">https://h1massive.com/artist/typical-light/</span></a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72305152023-07-11T05:00:00-04:002023-07-11T05:00:02-04:00WHAT'S IN OUR INBOX! FUTUREHEAVEN, STANDARDS, PLIGHT, HAHA, OH BUMMER!<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. We mostly hover around the Shoegaze and Indie Pop genre's this week but that's ok because the music is stellar. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Futureheaven</p><p><strong>BMN Score:</strong> 9.8/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(0,0,0);">Futureheaven are a 5 piece shoegaze/dream pop band from Sydney, Australia. Formed in 2018 and drawing from a variety of influences Futureheaven look to write music that mixes melody with atmosphere.</span></p><p><strong>What we say they sound like:</strong> Ok, you're gonna get me everytime you play a song that sounds like something that could have been on MBV's ‘Loveless’. I'm just going to love it and not be able to say anything about it except for it covers all the hallmarks of the pioneers of shoegaze. It's a light airy reverb soaked voice over melodic guitars as part of a wall of delay and atmospheric tones. Part of this nostalgic trend is making your video look like it was shot on VHS tape and I love it. There is nothing I don't love about this. I literally had to google the band to make sure they weren't one of the pioneers of the genre that I hadn't heard about, if that tells you anything. </p><p><strong>Song to add to your playlist: </strong>tides</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="t4AuqzrISgg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/t4AuqzrISgg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong> Standards</p><p><strong>BMN Score:</strong> 9.7/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(0,0,0);">the pair boast a fruitful combination of musical chops and catchy guitar-driven melodies which has garnished popularity among fans who laud standards for their uniquely danceable brand of complex instrumental rock.</span></p><p><strong>What we say they sound like:</strong> This band looks like they are 16 and when the song started I was thinking ok, any minute a whiny emo-ish voice is going to come in and ruin this song. Then something magical happened, no vocals, and it's just this grooving fun jam. The video makes it look like it's going to be some typical California bullshit we usually get and I was pleasantly surprised because I feel like this band has so much more potential. It has elements of everything from Trip Hop and Jazz to Pop Punk. Would love to hear more from this band. </p><p><strong>Song to add to your playlist: </strong>Cloudberry</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="l5E_4URQ5_Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/l5E_4URQ5_Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Plight</p><p><strong>BMN Score:</strong> 8.9/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(38,36,36);">The track hearkens back to the classic 90's sound honed by acts like </span>Duster<span style="color:rgb(38,36,36);"> and </span>Smashing Pumpkins<span style="color:rgb(38,36,36);"> mixed with the contemporary sensibilities of </span>Title Fight<span style="color:rgb(38,36,36);"> and </span>Nothing<span style="color:rgb(38,36,36);">. With the single, Plight delivers a music video with footage of them that could have easily been ripped right from </span><i>120 Minutes.</i></p><p><strong>What we say they sound like:</strong> This has a very cool shoegaze vibe but with an added element of 90's alt rock. It has come very cool elements of bands like Hum, Weezer, My Bloody Valentine but also has a little bit of some of the late 90's over the top power pop elements. The wall of sound makes this band something I'm sure is fun live. The warm fuzz of the power chords is enough to get any 90's alt fans interested. </p><p><strong>Song to add to your playlist: </strong>No Outlet</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9tR52eQJR4E" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9tR52eQJR4E?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>HAHA</p><p><strong>BMN Score:</strong> 9.7/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span>“We came together on what became this cohesive vision almost by accident, after years of being friends. A seemingly endless feedback loop of inspiration followed, and we were jumping over ourselves to get ideas down. These songs seemed to take on their own respective shapes and identities, likely in ways we never would have discovered on our own or with anyone else. This song started the fire and so it only seemed right to give it air before the others..”</p><p><strong>What we say they sound like:</strong> This is a really great pop song that has potential to make HAHA a well known name. The band features <span style="color:rgb(15,15,15);">Maria Taylor (Azure Ray) and Mike Bloom (Jenny Lewis, Julian Casablancas, Richard Edwards). I can definitely hear elements of the other artists they have played with. It's fun male/female vocals layered on top of each other like Mates Of State but with a more polished 80's pop aesthetic. This has all the elements for me that make a hit song like The Weeknd's “Blinding Lights” or something like that, and for anyone nostalgic for 80's pop like The GoGo's or The Bangles is going to be right at home. </span></p><p><strong>Song to add to your playlist: </strong>Only Gets Better</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="sBIQmQobz6A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/sBIQmQobz6A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Oh Bummer!</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span lang="EN-GB"> </span><span style="color:rgb(0,0,0);">It’s a summery vibe, but the lyrics are about losing his father to cancer at age 35… really fitting of the name OH BUMMER!</span></p><p><strong>What we say they sound like:</strong> Oh Bummer! has a new track that's kind of a bummer. I love the song but lyrics about losing your father to cancer is for the most part hard to make into a fun pop song out of but somehow he does it. The music is so light and loungey and is everything I have loved about this band and all their previous singles. The added info is pretty heavy for your average indie pop song but that's what makes it genuine and something worth listening to. It's odd that my only gripe is there is too much substance behind this, which really isn't a gripe at all. I'm still not sure why this guy isn't an indie national treasure. </p><p><strong>Song to add to your playlist: </strong>Listen Up</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iQDajae1N4Q" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iQDajae1N4Q?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72285912023-07-10T05:10:00-04:002023-07-10T11:08:05-04:00MEET NJ SINGER SONGWRITER TABITHA BOOTH<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1a5ab63ea0fdd8909c2aae6e9aeae2f908ce64ee/original/2tabitha-copy.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span lang="EN">Tabitha Booth is an eclectic singer-songwriter artist, multimedia artist, and award-winning music video producer. Equal parts artist to musician, she is a woman of many hats. Booth’s latest release, Wolf Moon, is a culmination of skill, vulnerability, and compassion. The album is an ambitious success, having been recorded at Cocoon Studios to a live audience. As a TV and movie set designer, the journey sings from a set design of her own making. Booth’s voice is uniquely strong and ethereal while soaring above basso profuno harmonies, violin, upright bass, and piano. Booth has been a student of shamanism since 2018, and her studies have driven her towards unrelenting mindfulness. She hopes her music is a space for people to grow more mindful towards others.</span></p><p><br><span lang="EN"><strong> How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p><span lang="EN">Well, the Goddess said, let there be light, and 6 planets formed under a full moon. It’s all recorded on Wolf Moon. We kept my name, Tabitha Booth, because my father is famous. It’s pure nepotism.</span><o:p></o:p></p><p> </p><p><span lang="EN"><strong>Previous musical projects? How'd you first get into music? </strong></span><o:p></o:p></p><p><span lang="EN">Altered States, my first album, is my favorite. It’s 10 ambient guitar tracks. I recorded it on a cherry red finish Epiphone through a Peavey and Randall head. My boyfriend at the time, turned some dials and this album ended up being released a few years later. I learned a lot about the mixing process at Water Music in Hoboken. They’re closed now but those sessions changed my perspective on being involved as a musical artist, being hands-on. I completed the music program at County College of Morris. Total music theory nerd. At that time, though, I had massive stage fright and singing was not something I did until years later, moving to Portland, Oregon and literally finding my voice with the help of a mentor, RIP Wally.</span><o:p></o:p></p><p> </p><p><span lang="EN"><strong>First concert that you ever went to?</strong></span><o:p></o:p></p><p><span lang="EN">My mom was an audiophile and ran a radio show at her nursing school over at Seton Hall. When we were kids, she took us to see David Bowie and Nine Inch Nails. I could barely comprehend it at the time; I think I was 7 years old. Somehow, I remember the lighting design. When I was 22, I saw a singer-songwriter perform on her guitar at a local community space. She was really good. I remember feeling envy. Picked the guitar up after that and took it way more seriously to learn guitar chords and continue songwriting.</span><o:p></o:p></p><p> </p><p><span lang="EN"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p><span lang="EN">Usually, I start two songs at the same time. It’s sort of like nuclear diffusion. I might be in the basement or on a bench at a bridge or in a vehicle. I don’t like anyone seeing or hearing me during my writing process; it just sounds like a mess. About 4-5 months later, everything falls into place. Usually, it’s when I have a lot to say and can’t or won’t speak on it. It comes out through the guitar, piano, vocals, percussive rhythms. I just have to play and get it out. When I hear a sweet spot, I stick with that and run through a few times before recording it on my phone and writing down the chord progression with a first lyrical draft of verse and chorus; or just the bridge.</span><o:p></o:p></p><p> </p><p><span lang="EN"><strong>What other artists or songs inspire your music?</strong></span></p><p><strong><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0x2Rz6J8Qckr1E00fJW5IY?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </strong></p><p><span lang="EN">My first vocal inspiration in any serious was was Beth Gibbons, frontwoman of UK downtempo duo, Portishead. I was infatuated with her control, timbre, the way she evokes somber emotions. Memorized every song, every line and emulated her, including following her breathing mechanisms. Geoff Tate, frontman of Queensryche is notorious for the power behind his voice, his breath control. As well as charisma. Ultimately, it all comes down to the flow of the breath and standing in one’s power and practice. Through their albums, Beth and Geoff have pretty much taught me everything I know about how to be a frontwoman. Part of the job is knowing yourself and your audience. I like songs that evoke something, a story, a mood, intelligent and thoughtful. I like to feel and for it to be validated through song. Another song I like is “What Else is There?” by Royksopp. It is very moody and has a poignancy to it in the sound design and digital orchestration.</span><o:p></o:p></p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong><o:p></o:p></p><p><span lang="EN">For me, playing live is like putting together a birthday party. Everyone who is invited is there to participate. When I was a kid, my grandmother would ensure that I would say hello to everybody. So, I still do that. In some ways, I’m doing that less as I focus more on precision with my stage performance, so that the takeaway experience comes more from the performance and less from the handshakes and hugs. Being said, it’s important to me that the audience knows that they are part of it. Seen, heard and appreciated. Between live and recording, cables are being set up, mics being placed. There are crews that handle all of this to ensure it’s optimized for whatever the goals are. No, I don’t think that recording and live shows should be identical. That makes sense for Johann Bach and any modern contemporaries who align with replication as pristine. I’ve never resonated with that, personally. I like organic breakaways that cannot be replicated for it is unique. Impermanent. As is life, no?</span><o:p></o:p></p><p><strong> Has the band toured? What has the touring experience been, best shows?worst shows?</strong><o:p></o:p></p><p><span lang="EN">We are excited to say that touring is on the horizon for us. I’ve been on a bunch of tour buses growing up because my dad tattooed a bunch of heavy-hitter rockstars while they were touring the US, and I have high hopes for my band. We’ve gone down the musical theatre road a bit with an original Greek mythology project; but in the meantime we are focusing on Wolf Moon and re-releasing it with new artwork with an incredible artist from Copenhagen. Honestly, Wisdom of the Wolf Moon this past January really was our best show to date.</span><o:p></o:p></p><p><strong>What's up next for the band? </strong><o:p></o:p></p><p><span lang="EN">We have just been signed to Mint400 Records which is a huge step for us. I would be amiss not to credit my band. Tory Anne Daines on Electric Violin, Edwin Lopez Villada on piano, Naomi Smith on Upright Bass, Raphael Ribot on harmony-fugue vocals; and Tommy Riley on drums. This is a working band and each member is involved with many incredible music projects of their own. Look them up and follow on social for more!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="NorgIkYZ8x4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/NorgIkYZ8x4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Ez4Df8AoZcc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Ez4Df8AoZcc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span lang="EN"><strong>Website: </strong></span><a class="no-pjax" href="https://tabithaboothstudios.com/"><span style="color:#1155CC;"><span lang="EN">https://tabithaboothstudios.com/</span></span></a> <br><a class="no-pjax" href="https://www.facebook.com/TabithaBoothOfficial"><span style="color:#1155CC;"><span lang="EN">https://www.facebook.com/TabithaBoothOfficial</span></span></a> <br><span lang="EN">Instagram: @TabithaBoothOfficial</span><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72269672023-07-07T05:00:00-04:002023-07-07T05:00:01-04:00MEET PITTSBURGH PSYCH ROCK BAND MELT<p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/404262081964a2bcd6e1bd34458bf228aede1f87/original/05-melt-promo-chris-sprowls.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><br> <span style="color:rgb(0,0,0);"><span>Melt, formed by Joey Troupe, James May and J.J. Young, is a fuzzy-heavy psych rock collective based in Pittsburgh, Pennsylvania. Their music traverses genres ranging from stoner and psychedelic rock, to '80s-era thrash metal, and touches everything in between. To date, Melt has headlined shows across the region, been named the WYEP Artists of the Week, held a featured spot on the Deutschtown Music Festival mainstage, and opened for Silver Synthetic of Third Man Records. Their second studio album, </span><i><span><strong>Replica of Man</strong></span></i><span>, will be released July 7, 2023.</span></span></p><p><span style="color:rgb(0,0,0);"><strong>How did you find your way to music?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Joey: </strong>My parents raised me with music (they have great taste, so it was good music), and I was constantly surrounded by it. Whether it was the cassette deck and my dad’s box of late 70s and 80s cassettes that I played to destruction, the nearly ubiquitous presence of MTV in my household, my first CD player and the resulting towers of CDs that we accumulated, or classic rock radio in the car any time the ignition was sparked, there was always music at nearly all times of my youth. When I began taking piano lessons around age 9, I very quickly wanted to move away from classical music and into Elton John, Billy Joel, and the Beatles. When my piano teacher was reluctant to take my instruction in that direction, I stopped playing music until one day I decided to teach myself guitar. Not long after, I started writing my own songs, primarily inspired by Jack White. </span></p><p><br><span style="color:rgb(0,0,0);"><strong>James: </strong>Some of my first memories are listening to 45s in my childhood living room with my Mom and Sister. It’s always been something I have needed for existence. Always will be. Not very long after getting my first bass I found very quickly that there is no other feeling on this planet than making music in a group.</span></p><p><br><span style="color:rgb(0,0,0);"><strong>JJ:</strong> My family is filled with big classic rock fans. My Uncles Larry and Bruce both influenced me with some of the best of the best. The first time I heard Led Zeppelin or The Beatles were with them. When I was in 6th or 7th grade I bought all the Beatles CDs, and my Uncle Bruce burnt me CDs with tons of mp3s that I would eventually fill my iTunes with. Jethro Tull, Rush, Rolling Stones, The Who, Deep Purple, etc. All thay stuff was shown to me by my family in my early teenage years. I get my pop affinity from my mom who was always singing around the house when I was a kid. Anything from Diana Ross to Mariah Carey to Whitney Houston to Madonna. I took those influences and ran with them, and in high school turned it into what would be my own taste, an amalgamation of catchy pop stuff and groovy and heavy classic stuff.</span></p><p><br><span style="color:rgb(0,0,0);"><strong>Previous musical projects? </strong></span></p><p><span style="color:rgb(0,0,0);">Joey (lead guitar/vocals) has played in various bands around the city since 2007, including Blackbird Pie, The Electric Pear, and Paddy the Wanderer — which released several LPs and EPs, toured regionally, and had a song featured on a Netflix series. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">James (bass/vocals) started Aberrant Kingdom in 2008 and has also played with Spare Arrows.</span></p><p><span style="color:rgb(0,0,0);">J.J. (drums/vocals) has played in or appeared with over 10 different musical projects, including Fortune Teller, Daisy Chain, and his own solo project, BITE. He is also a co-founder of Steel City Death Club, a Pittsburgh music multimedia collective. </span></p><p><br><span style="color:rgb(0,0,0);"><strong>First concert that you ever went to? </strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Joey: </strong>The first BIG concert I ever went to was Van Halen (Van Hagar at the time). I grew up going to see my parents' friends in classic rock cover bands, totally blown away by their ability to sound like Styx, REO Speedwagon, Boston, and all the bands I had heard on WDVE. This planted the seed that it is possible to be just a guy from nowhere and make cool music (even if these were covers). Also, it always looked like these guys were having so much fun. </span><br><br><span style="color:rgb(0,0,0);"><strong>James: </strong>First concert that wasn’t Marty Lawrence at the Cambria County fair? Or the first concert I wanted to go to which was Weezer at Mellon Arena in 2002. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>JJ:</strong> My first concert was Paul McCartney with my mom in 2009. It was the peak of my Beatles phase and it was a borderline magical experience. To be in the same airspace as someone who has changed my life so much with their music was indescribable. Few shows Ive been to since have passed that experience. </span> </p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What's your writing process like?</strong></span></p><p><span style="color:rgb(0,0,0);"><strong>Joey:</strong> I generally start with a musical idea that comes from noodling on the guitar. I like to sequence riffs together, and then I present them to the band. Together we create the skeleton for the song, and then I write lyrics and a vocal melody to accompany the music. The genesis of all my ideas for Melt come from a deep, primitive, spinal feel. If I don’t feel something nasty and righteous, I put it aside. </span><br><br><span style="color:rgb(0,0,0);"><strong>James: </strong>I hear tunes all day and write a lot in my head. I normally don’t put anything to paper until I’ve taken those mental melodies and played them 1,000 times alone. At that point, I take them to the band for refinement. </span> </p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>J.J.:</strong> I thrive off of a collaborative process. Most of my ideas come through when we're all in a room talking things out. Lyrics and story narratives can come more independently, but in a band setting, us all working together and putting our thoughts out there tends to yield the best results for me.</span></p><p><br><span style="color:rgb(0,0,0);"><span><strong>What other artists or songs inspire your music? </strong></span></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3yQa1ZMKBuU27jqHbQzSNI?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><br><span style="color:rgb(0,0,0);"><strong>Joey:</strong> Black Sabbath, King Gizzard and the Lizard Wizard, Ty Segall, Fuzz, Sleep, ZZ Top, Thin Lizzy, UFO, Kyuss, Uncle Acid and the Deadbeats, The Sword, Wolfmother, Leaf Hound.</span></p><p><span style="color:rgb(0,0,0);"><strong>James:</strong> Les Claypool, The Hives, Death From Above 1979.</span></p><p><span style="color:rgb(0,0,0);"><strong>J.J.:</strong> Specifically on my additions to the playlist, I found Ty Segall’s Fuzz before I found sabbath and it was kind og my gateway drug into music that’s new and also heavy and poppy like the classic stuff I had gotten into. Pop melodies, heavy riffs. Rival Sons I chose because their use of groove and space has heavily inspired me recently. And Jay Buchannan is probably my favorite singer and has inspired me the most as a vocalist. I chose the Wand tune because on that record specifically their walls of sound are so mighty, but they do a nice job toeing the line between straight psych and straight doom. </span><strong> </strong></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Joey: </strong>If I’m having a great time playing our songs, chances are the people watching me are having fun too. I’ve been inspired by seeing indie/on-the-rise bands I love play in front of like 13 people and still play their hearts out. It has convinced me that the fun and the energy in the music is 100% contagious. Our songs are visceral; I want the people seeing and hearing them to FEEL them. I want them to move their head and their feet. I want them to walk away thinking, “that was something.”</span></p><p><span style="color:rgb(0,0,0);">James would echo these sentiments</span></p><p><span style="color:rgb(0,0,0);"><strong>JJ: </strong>Like Joey said, our energy and intensity is something that not a lot of bands bring to the stage. For me personally, I am always physically spent and soaked with sweat after a Melt show, no matter what time of year it is. I want to bring that type of catharsis to our music and have people feel the release that I’m feeling. I come from the world of Zeppelin, and those dudes messed with their music quite a bit live, and I like that aspect. We’re the same band as the one on the record, but I like the idea of tweaking small things and keeping things fresh and our audience on their toes. </span></p><p><span style="color:rgb(0,0,0);"><strong>Have you toured? What has the touring experience been? </strong></span></p><p><br> <span style="color:rgb(0,0,0);"><strong>Joey: </strong>I have played regionally throughout PA, WV, OH, and some parts of upstate NY. I’d like to tour more. </span></p><p><br> <span style="color:rgb(0,0,0);"><strong>James: </strong>Similar experience to both of us. </span></p><p><br> <span style="color:rgb(0,0,0);"><strong>JJ:</strong> I also have played very minimal dates outside of western PA, but very much want to get out and see more and play for more people. Experiences have been limited, and somewhat hit and miss. Playing in Morgantown is always a good time. </span></p><p><br><span style="color:rgb(0,0,0);"><strong>What's up next for you and your music?</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Joey:</strong> We are proud of what the Melt universe can bring to the stage. We want as many people to take the cosmic ride with us, and our goal is to open for national acts that we love, play big stages, go on tour, and get our music in front of as many eyes and ears as possible.</span></p><p><br><strong> </strong><span style="color:rgb(0,0,0);"><strong>JJ:</strong> The sky’s the limit. I think our next move is to capitalize on our experience over the past year since I joined the band. We started writing ROM right when I sat down behind the kit for Melt, so now that we've been together for over a year, I think our comfort with each other and our chemistry will translate into a ton of new and technical work for the band in the future. To date, I haven't been in a band that has had more than two albums, so I’m very much looking forward to Melt breaking that streak with Melt LP III. </span></p><p><br><span style="color:rgb(0,0,0);">Melt will be releasing <i><strong>Replica of Man</strong></i> Jul 7, 2023 to all major streaming platforms, with vinyl available later in the year. Additionally, they will be releasing several videos, holding featured spots at a number of festivals and performing around the region. Follow @abandcalledmelt on Instagram to stay up-to-date.</span></p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="fwXPzJq9U24" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/fwXPzJq9U24?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span style="color:rgb(0,0,0);"><span>Melt on Bandcamp: </span></span><a class="no-pjax" href="https://abandcalledmelt.bandcamp.com/" target="_blank" rel="nofollow noopener noreferrer"><span style="color:rgb(0,0,0);"><span><u>https://abandcalledmelt.bandcamp.com/</u></span></span></a> <br><span style="color:rgb(0,0,0);">Melt on Instagram: </span><a class="no-pjax" href="https://www.instagram.com/meltyourself/?hl=en" target="_blank" rel="nofollow noopener noreferrer"><span style="color:rgb(0,0,0);"><u>https://www.instagram.com/meltyourself/</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72263472023-07-06T05:00:00-04:002023-07-06T05:00:03-04:00JATK SHARES INFLUENCES BEHIND HIS NEWEST '90S ALT ROCK HOMAGE<p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/37e9e293af1717ade794004e30f00a6d55338c63/original/95ue59ya.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br> We’ve covered the music of JATK quite a bit here at Blood Makes Noise, so when the band released new single “Ana” on June 16, we wanted to take a peek behind the creative curtain of multi-instrumentalist and songwriter Matt Jatkola. Described as an homage to geek rock, “Ana” shares a lot of sonic DNA with ’90s-era alt-rock and power-pop, and even shouts out in the lyrics fashion relics of the era, like JNCO jeans and wallet-chains. But the true core of “Ana” is a love-letter to the music that Jatkola fell in love with as a teenager, so we asked him to compile a list of bands and songs that helped shape his latest single. He did not disappoint in his playlist efforts. Check it out below.</p><div style="margin:0px;padding:0px;">
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<strong>1. "Susanne" - Weezer </strong><br>There are a handful of "Susanne"-inspired musical and lyrical moments I nod to in JATK's "Ana," specifically the line, "you're all that I wanted of a girl." This song is a B-side from Weezer's debut single "Undone - The Sweater Song" and also appeared on the Mallrats soundtrack. It was recorded in a separate session from the Blue Album and it sounds rawer, which I really like. Sonically, I'm still a sucker for raw, unpolished Weezer. We got a lot of in the early era of the band but haven't had much of since.</div>
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<strong>2. "I Just Threw Out The Love Of My Dreams" - Weezer </strong><br>Probably my favorite Weezer B-side! Featuring lead vocals by Rachel Haden of that dog., this song was supposed to be part of the Songs from the Black Hole concept album, which was eventually scrapped, with certain songs salvaged to make their sophomore album, Pinkerton. The marriage of these vocals and the bendy synth parts scratch every pop music itch I've ever had.</div>
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<strong>3. "Barbara Ann" - The Beach Boys </strong><br>When I first heard Weezer in middle school, to me they sounded like The Beach Boys with distorted guitars. "Barbara Ann" is such a cool, fun song about a girl - a trope Weezer also borrowed from The Wilson Family & co. It makes you wish you knew someone named Barbara Ann... because you definitely don't!</div>
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<strong>4. "Jamie" - Weezer </strong><br>This is the B-side that first hooked me as a tween with a wallet chain. The acoustic and fuzzy guitars paired with the mostly understated vocal delivery really do it for me. Supposedly, it's about Weezer's lawyer. Which brings me to...</div>
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<strong>5. "Please Let That Be You" - The Rentals </strong><br>Also inspired Jamie Young, their aforementioned lawyer, Weezer's bassist Matt Sharp titled early versions of this song "Mrs. Young" before it transformed into "Please Let That Be You," which appears on the debut Rentals album Return of the Rentals. All wrapped in the artifice of vintage monosynths, a bouncy rhythm, and a somewhat deadpan delivery, I think it's actually one of the most beautiful Rentals songs.</div>
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<strong>6. "Devotion" - Weezer </strong><br>I was aware of this song back in the day, but it didn't actually connect with me until way later. What a complicated love song. This features a lyrical theme of love as devotion, also present in "Ana."</div>
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<strong>7. "Peggy Sue" - Buddy Holly </strong><br>The most classic song ever named after a girl? Yes.</div>
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<strong>8. "Crazy One" - Rivers Cuomo </strong><br>Wow, what a demo! The Home Recordings of Rivers Cuomo is really interesting to listen to as a songwriter. Classic Beatle-esque verse-verse-bridge song structure. The feeling of longing in this song cuts straight to my heart. It feels beautifully incomplete but I also don't think anything can improve it, which perhaps is why they've never recorded a full band version of it.</div>
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<strong>9. "Ms. Wrong" - that dog. </strong><br>Eric Sheppard, who plays synth and provides backing vocals on "Ana" is a big that dog. fan, as am I. This song perfectly kicks off their quintessential album Totally Crushed Out. I learned vocal harmony from listening to that dog. and wishing I could sound like them. Still chasing it.</div>
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<strong>10. "Waiting On You" - Weezer </strong><br>It's in 6/8 time with thick distorted guitars and a simple, straight-sung top melody line. Musically, "Ana" has this song written all over it. Also originally from Songs from the Black Hole, it ended up as a European B-side of "The Good Life."</div>
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<p><strong>11. "Hotel California" - Eagles </strong><br>If you listen to the exclusive Bandcamp maxi-single of "Ana" you will know why this song is on the playlist. In short, an alternate mix reveals the original placeholder bridge was indeed... "Hotel California." In fact, the basic chord changes, bass, and drums still retain that original feel, I just rewrote a new bridge (vocals, guitars, keys) around it. A keen listener may still detect the Eagles' DNA in the final version, but if not, it's blatant on the original mix. What a nice surprise! Bring your alibis...</p>
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<strong>Bandcamp</strong>: <a class="no-pjax" href="https://jatk.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://jatk.bandcamp.com/</a> <br> </div>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72372942023-07-05T16:48:17-04:002023-07-05T16:48:17-04:00The Feelies ‘Offshoot’ Re-emerges for First Show in 5+ Years at Paterson’s Prototype 237<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/1f322b89db8df54a4c72846c85099ea6f8060079/original/thumbnail.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p dir="ltr"><span style="color:rgb(0,0,0);"><i>Saturday’s historic performance by local indie legends Speed The Plough and Young Wu — their first in Paterson</i> <i>— will feature several unreleased tracks</i></span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">Historic. Legendary. Unprecedented. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">We feel no hesitation whatsoever using these words to describe Saturday night’s show at North Jersey’s best-kept secret: </span><a class="no-pjax" href="https://www.prototype237.com/" target="_blank" rel="nofollow noopener noreferrer"><span>Prototype 237</span></a><span style="color:rgb(0,0,0);">.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Sharing members and decades of rock history, Speed The Plough and Yung Wu will join forces for an epic evening right in the neighborhood where their legend was born.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Not only is this bill filled with members and offspring of iconic hometown acts The Feelies and The Trypes — early pioneers of American indie rock in the ‘70s and ‘80s — but it’s also their first time playing since the pandemic <i>and</i> first time playing their local stomping grounds of Paterson as modern incarnation STP.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">From neighboring Haledon, The Feelies would heavily influence the band R.E.M. and eventually open for them on their first full tour of Europe.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">For STP co-founder and Yung Wu keyboardist John Baumgartner, the historical significance and local roots extend even further — to our warehouse’s industrial origins: “It’s a full-circle thing for me and Paterson,” says Baumgartner, whose mother worked in factories adjacent to our warehouse at the Manhattan Shirt Company as a seamstress in Paterson’s 50s, 60s and 70s heyday.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">While half of STP’s set will span their vast catalog, the balance will feature new, unrecorded songs that have rarely been performed — including a recently unearthed 40-year-old unrecorded Trypes song that’s only been performed once before. In addition to the co-founding Baumgartners, STP’s current lineup includes their son Michael and nephew John Demeski, founding member Marc Francia and his son Dan, and Glenn Mercer of The Feelies.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Whatever you do, just don’t confuse STP’s public absence with dormancy: they were extremely productive during the pandemic, recording at home and producing an album. Though performing after an extended absence is “both exciting and scary,” admits STP co-founder Toni Baumgartner, “we’re happy to share our new vision of our material with an audience.”</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">And we are extremely honored to be hosting this fabled reunion — technically brewing since some of the bands’ members first visited while attending fellow veterans The Royal Arctic Institute’s second show in March and “were overcome with a warm sense of community and hospitality,” according to their </span><a class="no-pjax" href="https://www.njarts.net/speed-the-plough-yung-wu-will-team-up-for-july-8-show-at-prototype-237-in-paterson" target="_blank" rel="nofollow noopener noreferrer"><span>interview with NJArts.net</span></a><span style="color:rgb(0,0,0);">. They say they are excited to play at Prototype, “something Paterson has been looking for and aspiring to for a long time.”</span><br> </p><p dir="ltr"><span style="color:rgb(0,0,0);">In addition to Royal AI, Prototype has also recently attracted stellar veteran indie acts like Elk City, Gramercy Arms, and Quiz Show. We are ecstatic to more prominently feature seasoned performers from the local scene as we recognize more and more how inspired by and at-home they feel in our space.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Also part of the special fabric of America’s indie music scene, Young Wu assembled in 1987 as an offshoot of The Trypes. The lineup includes The Feelies members Brenda Sauter on bass/vocals and Dave Weckerman leading “with his signature repertoire and entertaining <i>bon mots</i>,” along with original Trypes member Glen Mercer on guitar and vocals, John Baumgartner on keyboards, Ed Seifert on guitar, and Stan Demeski (father of STP’s John D.) on drums. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Please join us for this very special night this Saturday, July 8 at 8p.</span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);">Tickets are available both</span><span style="color:rgb(49,49,49);"> </span><a class="no-pjax" href="https://prototype237.ticketleap.com/stp/" target="_blank" rel="nofollow noopener noreferrer"><span>online</span></a><span style="color:rgb(49,49,49);"> and </span><span style="color:rgb(0,0,0);">at the door — door-code #0708# gets you into the building!</span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72257042023-07-05T05:10:00-04:002023-07-05T05:20:02-04:00MEET WASHINGTON DC POWER POP BAND CAL RIFKIN<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/82543267169e3d2d33c153d366ac993e8997e540/original/bymicahewood-1-small.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:black;">Cal Rifkin is a power pop group from the Nation’s Capital consisting of Erik Grimm (Guitar/Vocals), Keith Butler Jr. (Drums), and Robin Rhodes (Bass). The band formed in the Fall of 2018 and was solidified by the members’ shared love for greasy Ledo’s pizza, early 90’s baseball aesthetics, and rock ‘n’ roll music.</span><o:p></o:p></p><p> <span style="color:black;">Chock full of jangly guitars, big riffs, and gorgeous Beach Boys-esque harmonies layered over sugary hooks, Cal Rifkin's latest EP, Better Luck Next Year effortlessly captures the essence of ‘70s power pop. The lyrics strike a delicate balance between self-aware and heartachingly sincere, and the delivery is intimate and earnest without taking itself too seriously. Grimm’s uncomplicated melodies and driving lead guitar complement the groove of the rhythm section in a way that sticks in your head for days.</span><o:p></o:p></p><p> </p><p><span style="color:black;"><strong>How did the band form and what does the band name mean?</strong></span><o:p></o:p></p><p> <span style="color:black;">The project started when I was living in Boston after College. I’d been playing guitar for a couple other bands but had been writing songs on the side so I got some friends together to head into a studio for a late night 10pm-6am recording session to record our first EP. </span><o:p></o:p></p><p> <span style="color:black;">I moved back to DC where I’m originally from in 2018 and hit up Robin Rhodes, our bass player, who I’d known since pre-school and had played with in a shitty rock band during high school. Robin happened to play a Jazz gig soon after with Keith Butler Jr., our drummer. During a break he showed him some of our recordings and asked him if he wanted to jam with us. Robin, Keith and I met up to jam and eat Ledo’s pizza and immediately clicked.</span></p><p><span style="color:black;">The band name is a pun off the legendary Orioles baseball player, Cal Ripken, who I worshiped as a kid and who still holds the record for the most consecutive major league baseball games played (2632). </span><o:p></o:p></p><p> <span style="color:black;"><strong>Previous musical projects? How'd you first get into music?</strong></span><o:p></o:p></p><p> <span style="color:black;">I started taking guitar lessons in middle school and learning mostly Metallica riffs for the first year. Then I joined a local band that Robin, our bass player, was in. I went to Berklee College of Music up in Boston and played in a few different groups while I was there. Then After college my friend and I started a band called Boketto The Wolf. I did a few tours with that band and we played SXSW in 2019. </span><o:p></o:p></p><p> <span style="color:black;"><strong>First concert that you ever went to? </strong></span><o:p></o:p></p><p> <span style="color:black;">First real show I ever saw was The Darkness at the famous 9:30 club in Washington, DC. I remember having an incredible time and that show really inspiring me to want to be in a band and pursue music. </span><o:p></o:p></p><p> <span style="color:black;"><strong>What's your writing process like?</strong></span><o:p></o:p></p><p> <span style="color:black;">Anytime an idea pops into my head, whether it's a guitar riff or vocal melody, I’ll record a voice memo on my phone. I go back and listen to some and if there are any I really like, I’ll sit down and try to flesh it out. Songs will often start with either a guitar riff or a chorus melody. Once I have a solid idea I’ll record a rough demo and then bring it to the band to flesh it out and for them to come up with drum and bass parts. </span><o:p></o:p></p><p> <br><span style="color:black;"><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6WxLWymIgiMn67trNQ48LL?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span style="color:black;">Recently I’ve been really into 70’s power pop stuff like Big Star, Television, the Feelies as well as some later power pop like Sloan and Teenage Fanclub. Definitely very inspired by the Beach Boys and their harmony arrangements as well. </span><o:p></o:p></p><p> <br><span style="color:black;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><o:p></o:p></p><p> <span style="color:black;">We like to keep things a little looser for the live show. Just want it to be high energy and fun. We usually add a second guitarist for our live show and I think it's fun to let people do their own thing and not play what's on the record note for note (Shout out to Alex Salser and Knox Engler). </span><o:p></o:p></p><p> <span style="color:black;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></span><o:p></o:p></p><p> <span style="color:black;">We have not toured yet but we’re hoping to do something this Fall! We’ve had a lot of great shows but we did have one really bad show where we somehow got booked for a jazz festival up in Baltimore and were the only rock band on the bill. As soon as we started we could tell the crowd was not into it but we powered through. </span><o:p></o:p></p><p> <span style="color:black;"><strong>What's up next for the band?</strong></span><o:p></o:p></p><p> <span style="color:black;">We are already working on some new tunes and planning an east coast tour for the Fall. Thanks for having us!</span></p><p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WvbVFmN3PVI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WvbVFmN3PVI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span style="color:black;">IG - </span><a class="no-pjax" href="https://www.instagram.com/cal_rifkin/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.instagram.com/cal_rifkin/</span></a><br><span style="color:black;">YouTube - </span><a class="no-pjax" href="https://www.youtube.com/@calrifkin1922" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.youtube.com/@calrifkin1922</span></a><br><span style="color:black;">Tiktok - </span><a class="no-pjax" href="https://www.tiktok.com/@calrifkin" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.tiktok.com/@calrifki</span></a><a title="This external link will open in a new window"><span style="color:#EF692A;">n</span></a><br><span style="color:black;">Tour Dates - </span><a class="no-pjax" href="https://www.songkick.com/artists/10098964-cal-rifkin" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://www.songkick.com/artists/10098964-cal-rifki</span></a><a title="This external link will open in a new window"><span style="color:#EF692A;">n</span></a><br><span style="color:black;">Bandcamp - </span><a class="no-pjax" href="https://calrifkin.bandcamp.com/" target="_blank" title="This external link will open in a new window"><span style="color:#EF692A;">https://calrifkin.bandcamp.com/</span></a><o:p></o:p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72232162023-07-03T05:00:00-04:002023-07-03T05:00:02-04:00MEET MANCHESTER UK PSYCH NOISE TRIO DEAD SEA APES<div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:16px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/ffdb26e74d5227df6c00633473dc9613211eb01d/original/dead-sea-apes-001-band.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:16px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><span>Dead Sea Apes are a Manchester based three-piece psych noise band. Taking influences from across the full spectrum of psychedelic rock, noise rock, Krautrock, Japrock, Dub and elsewhere, Dead Sea Apes create a sound that is wholly their own. Formed in 2009, Dead Sea Apes have been mainstays of the UK underground rock scene and have released over 10 albums on the much loved and wide-ranging UK psychedelic label, Cardinal Fuzz, teaming up with the legendary Feeding Tube in the US</span></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:16px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style="margin:0px;padding:0px;" dir="ltr"><div style="margin:0px;padding:0px;">
<p><strong>How did the band form and what does the band name mean?</strong></p>
<p>We originally met online through a musician’s noticeboard way back in 2009. We didn’t know each other from Adam when we first met, but it’s blossomed out from there. Jack is a more recent recruit (replacing original bassist Nick Harris), joining us in the winter of 2018.</p>
<p>Our name took its sweet time in coming to us, we actually did our first gig without a name. The Dead Sea Apes came from a story in the Muslim tradition of a group of dwellers who lived by the Dead Sea, who were turned into apes for breaking the sabbath. It sounded pretty cool, so we went with it. <br><br><strong>Previous musical projects? How'd you first get into music?</strong></p>
<p>We’ve all been in noisy and weird bands up and down the country previous to joining Dead Sea Apes. <br><br><strong>First concert that you ever went to? (Locally and National acts)</strong></p>
<p>The first musical act that I saw as a young lad was Adam & The Ants on his Prince Charming tour. I went dressed up as a Dandy Highwayman. Clearly had a deep and lasting effect on me. I still find it hard to resist the urge to hold up a stagecoach whenever I see one. <br><br><strong>What's your writing process like?</strong></p>
<p>Our writing process is really instinctual and intuitive. It’s pretty rare that we come in to practice with any kind of premeditated idea beyond the odd riff here or there, but most of it is generated in the moment. If we do something that presses our buttons, then we go with that and take it wherever it goes. We’re very lucky in the fact that our drummer Chris is a sound engineer by trade and records everything that we do, which is great as no idea is really lost to us. We can pick up from the recording afterwards which things really work. Over time they kind of solidify into the songs that we record and play live.</p>
<p>There is always plenty of space in our songs, so that allows me some leeway as a guitarist to add more textural and free flowing noise in there. It can be pretty liberating to allow some of the chaos and things that you can’t totally account for to come into play.<span> </span>I also think that playing as a band in the same space to us is very important. The interplay of us all playing at once dictates the direction of the music. Its visceral in a way that a ‘recording project’ recorded remotely never really is. That’s not to throw any shade on that way of making music – some great stuff has been made that way - but I think the results are noticeably different.</p>
<p>Lastly, with being an instrumental band, I’ve always felt that titles are quite an important part of the music. They add an extra layer of meaning and intent to the music and can even give a little bit of a narrative arc to the album as a whole. There nothing worse than perfunctory titles added almost as an afterthought; It feels like a missed opportunity. <br><br><strong>What other artists or songs inspire your music? </strong></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/5KnhoM9X8TqDzuBhChvqqR?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p>There’s so many really. I think as a band we pull in lots of different influences and inspirations from different places. Joe Strummer said something to the effect of ‘no input/no output’ and I truly believe that to be the case. I think it’s really important to build up lots of musical connections in your brain – as that will invariably affect the music that you make. I always found it inspiring, for example, where bands like PiL would introduce dub elements to their sound. I’ve always considered dub to be ‘psychedelicised’ reggae – but strange and mysterious in its own way. Sonically adventurous. Likewise, a band like Can, who can fuse funk, minimalism and wailing acid rock together into something totally unique. We also really dig Sonic Youth for their ability to mix monstrous noise with really gentle melody, classic rock tropes with arty disruptions and a fearless instinct to follow where the music takes them. The beauty of being in a band is bringing in disparate influences and then folding them into your own sound without turning them into some kind of pastiche.</p>
<p>I really think that we are living through a great time to be a music fan. Some people will tell you otherwise and that all the best music has already been made – but they’re the type of people who clearly don’t get out too much. I’d definitely recommend The Band Whose Name Is a Symbol, Blood Quartet, Wasted Cathedral, Abronia, Part Chimp and Bhajan Bhoy just to name a few from the top of my head.</p>
<p><br><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></p>
<div class="ydp57b202baMsoListParagraphCxSpMiddle" style="margin:0px;padding:0px;">I think playing live is often a distillation of where the song is at that time. Often times, even after recording a song, you can end up adding to it in some way shape or form. I think this is a pretty healthy way of approaching music – as a living, breathing entity that can grow with time.</div>
<div class="ydp57b202baMsoListParagraphCxSpMiddle" style="margin:0px;padding:0px;"> </div>
<div class="ydp57b202baMsoListParagraphCxSpMiddle" style="margin:0px;padding:0px;">Also, in terms of my guitar work, I play around with noises and echoes etc that are never really the same thing twice – so each time you’re going to be hearing something that is different each time (for better or for worse). I like to have at least something that isa little bit chaotic in the mix - but that can definitely trip you up when you’re least expecting it.</div>
<p><br><strong>Has the band toured? What has the touring experience been, best shows? </strong></p>
<p>I can’t say that we’ve had ever really had any bad shows beyond equipment letting us down or playing to handful of people (which is never really that bad anyway). Sometimes you might feel that you’ve played badly – but a lot of the time someone will come up to you and tell you how much that they enjoyed it, so I tend to go with their interpretation! Playing with bands that you really like is really good too. We’ve played with The Heads, The Pop Group, Acid Mothers, Part Chimp and loads of other bands that we dig too. We’ve also made some really good friendships along the way too, be that with audience members or bands that we’ve played with.</p>
<p>As for touring: we haven’t as such, really. As far as playing other countries are concerned, we have only played Scotland and Wales outside of England – but both of those are easily reachable from the North of England! However, we are playing Canada later in the year at Ottawa Psychfest, put together by the mighty John Westhaver (of The Band Whose Name Is A Symbol). <br><br><strong>What's up next for the band?</strong></p>
<p>We’ve recently just released our latest album: Rewilding. So, we are playing a few shows in support of that. It took quite a while to finish that album (our longest spent making it by a mile) – so its great that its out there finally – but we’re already looking to what’s next. We’ve knocked up a few new tunes and give them a run out live, so we are about to start recording them whilst the momentum is there. Besides that, we are preparing ourselves to fly over to Ottawa.</p>
</div></div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5B7sAyUHKk0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5B7sAyUHKk0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:16px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>
<br> <a class="no-pjax" href="https://deadseaapes.bandcamp.com/">https://deadseaapes.bandcamp.com/</a>
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<br> </div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72264052023-06-30T05:00:00-04:002023-06-30T05:00:02-04:00MEET BROOKLYN INDIE ROCK BAND LE BIG ZERO<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/36cb754fe65edc277dac71cb86d1b0fbcab656dd/original/grandmaroom-katieandmichael-web.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p style="text-align:center;"><span class="text-small" style="color:#000000;"><i>Le Big Zero. Brooklyn based. Garage rock. Angular songs. Punk spirit. Pop harmonies. Banana peel. Puree. (Photo credit: Jeanette M. Moses)</i></span><br> </p><p>Blending garage rock with complex, yet poppy song structures, Brooklyn’s Le Big Zero continues to develop their unique and approachable sound. Through cross-country moves, DIY tours, and a rotating cast of crucial but temporary bandmates, Michael Pasuit and Ben Ross have held it down as the core of the group.</p><p>Their latest, the <i>At Arm’s Length</i> EP, is rounded out by Katie Cooney and Lukas Hirsch, who have taken the band even further since 2022’s excellent and critically-praised, <i>A Proper Mess</i>. And this is a far more collaborative effort for Le Big Zero, with much of the album coming together organically in the rehearsal space, over the course of extended jams.</p><p><i>At Arm’s Length</i> asks you to come check this out, look a little harder. Because the songs, especially the EPs lead single, “Toy,” are right to the point. Inspired by indie acts like Parquet Courts, Les Savy Fav, and Speedy Ortiz, it’s all unconventional hooks and weird charm. Lock-step male-female harmonies for days. Beautiful and intense. But hang out with them for a bit longer, take another run-through. There are intricacies, unexpected time changes, syncopation. They switch without warning between big, deep, churning chords and jagged driving garage rock. Then it’s on to art rock, angular tunes. There are moments of tension throughout, and not one is anything like the other. Because we’ve all felt and internalized a steady tension over the last few years, in some way or another. This album got it all down on one EP.</p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong> Michael:</strong> Le Big Zero started as a side project of mine while I was in Seattle. It’s tough for me to really focus my creative energy on more than one thing at a time, so it lay dormant for nearly a decade and survived a cross country trip before I finally decided to push it to the forefront. I cut down to part-time hours so I could concentrate on it more fully, realize the vision, and become a more adept guitar player I thought the sound required. It’s always been highly molded by the personnel involved, and here with our third album, <i>At Arm’s Length</i>, we now have four musicians who are experienced songwriters of their own.</span></p><p dir="ltr"> <span style="color:#000000;">The band name isn’t anything to think too long on. To me, it indicates a sense of whimsy. Big and small at the same time. While we put a tremendous amount of effort into the music we create, we don’t take ourselves too seriously.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael:</strong> I jumped around. A slowcore band Joss out of Hoboken. An aggressive math rock band X-Ray Press in Seattle. Then a short stint here in Brooklyn with Afro-inspired synth-pop Pollens before Le Big Zero started in earnest. I’ve always played though. Grew up on classical piano and then slowly took up bass guitar and six string once my teenage years started. Then there was no looking back.</span></p><p dir="ltr"><span style="color:#000000;"> <strong>Katie:</strong> I’ve been in bands starting since I was in 7th grade. I was kind of a tomboy growing up and always had guy friends who played instruments and I jumped on in. I dabbled and played in bands–I can’t even remember some of the names at this point, lol. I played in some Brooklyn based bands from years ago, Skeemers, and Heirloom, and in Austin I played in Light Me Up.</span></p><p dir="ltr"><span style="color:#000000;"><strong>First concert that you ever went to? (Locally and National acts):</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie: </strong>I want to say it was White Zombie, w/ L7 and Lunachicks. That was at Nassau Coliseum when I was maybe in 7th grade. I was all about the riot girl vibe for that show. On a smaller scale, it was Luscious Jackson at the now shuttered Academy in NYC. I loved the album In Search of Manny and still do. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael: </strong>Woof. I believe my first concert was when my friend’s parents took us to see Kenny Loggins. Highway to the Danger Zone! </span></p><p dir="ltr"><span style="color:#000000;"><strong> What's your writing process like?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong> Michael:</strong> No matter what we have going on, we typically start each rehearsal with an impromptu jam to get situated and get in sync with each other. With Katie bringing a second guitar to the band for this album, it really reshaped the process. We’d workshop these jams over a few weeks, pluck out elements that we thought would make intriguing riffs, verses, etc.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie:</strong> Pretty much what Michael said. I like to kind of be the last person jumping in there to either help create the soundscape, if you will, or some sort of hooky melody. </span></p><p dir="ltr"><span style="color:#000000;"><strong> </strong></span><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4KcvaXb4J9Nfpyjdb1gSQH?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p dir="ltr"> <span style="color:#000000;"><strong>Michael:</strong></span></p><p dir="ltr"><span style="color:#000000;">Buzzcocks “Why Can’t I Touch It?” - late 70s new wave, groove, nuance</span><br><span style="color:#000000;">lluminati hotties “Will I Get Canceled?” - angular pop punk, modern sensibility</span><br><span style="color:#000000;">The Big Easy “Alone” - local, guitar driven, dissonant and poppy</span></p><p dir="ltr"><strong> </strong><span style="color:#000000;"><strong>Katie:</strong></span></p><p dir="ltr"><span style="color:#000000;">Mandy, Indiana “Pinking Shears”</span><br><span style="color:#000000;">Water From Your Eyes “Barley”</span><br><span style="color:#000000;">Just Mustard “I Am You”</span><br><span style="color:#000000;">All newer artists that inspire me because they’re utilizing sounds in extremely inventive ways. All have a very driving and impactful momentum.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Lukas:</strong></span><br><br><span style="color:#000000;">Crumb “Nina” - Driving groove oriented, modern indie sound</span><br><span style="color:#000000;">;;;: “The Galaxist” - Hectic and pretty</span><br><span style="color:#000000;">Palm “Crank” - Aggressive and brave polyrhythmic</span></p><p dir="ltr"><span style="color:#000000;"><strong>Ben:</strong></span></p><p dir="ltr"><span style="color:#000000;">Sunny Day Real Estate “Theo B” for bassist Nate Mendel, pre-Foo Fighters, just absolutely killing it with a pickAlvvays “Pressed” twinkly, but with plenty of attitude. And the bass sneakily makes the tension rise and fall. </span></p><p dir="ltr"><span style="color:#000000;"><strong> </strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie: </strong>Oh my goodness. I could be here all day. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael:</strong> I tend to go through phases. All in the last year I’ve had my Wye Oak phase, my Talk Talk phase, my Yes phase. I wear shit out and I kinda never know where it’s going next or how I even find myself on to the next thing. It’s a Rorschach. Most times I just ask Katie what she’s listening to. That’s the smart thing to do.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie:</strong> I’ve gone through every phase of every kind of genre and I know I’m never done discovering. It’s always been like that for me. Just always searching for more. Whatever captivates me tbh. I love all kinds of music if it’s really good. I’m not biased. I’m not limiting. It’s all eclectic and well rounded. I also grew up in a household of great music being played and both my parents and 2 older siblings listened to different things so I think that’s how that happened. </span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie: </strong>No. Not at all. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael: </strong>Not necessarily, but I hate albums that sound overproduced. </span></p><p dir="ltr"> <span style="color:#000000;"><strong>Katie:</strong> I like seeing shows that are full of surprises and impromptu moments. I think the energy allows for the people in the audience to experience something versus going through the literal song. It can come off as robotic if it’s exact. I’m all for bands going off on tangents and jamming. I’m pretty open to how music happens in general. That’s the magic of it. When it’s being played through a feeling. </span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael:</strong> At heart this is a garage rock band, so it’s probably going to sound a bit more raw on stage regardless. They’re two different listening experiences. They don’t need to match.</span></p><p dir="ltr"><span style="color:#000000;"><strong> Has the band toured? What has the touring experience been? Best shows? Worst shows?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong>Michael: </strong>The band started playing live just before the pandemic started, so it really didn’t leave us a runway to get our bearings initially. After the release of <i>A Proper Mess </i>last spring<i>,</i> we took some weekenders along the Northeast corridor–nothing too fancy. I also don’t think showgoing had re-normalized yet when we last hit the road, so I wouldn’t take a dud show too personally. </span></p><p dir="ltr"><strong> </strong><span style="color:#000000;"><strong>Katie: </strong>I’d have to agree with Michael on this. Definitely the oddest period of our lifetime except maybe that orange loom of wild fire smoke that blanketed NYC yesterday but point is it’s been a very poignant time to be playing. Covid definitely wreaked some havoc on the music scene, but it was super inspiring to be out and playing and seeing other bands do the same for the sheer love of music and keeping it alive regardless of how we were all collectively traumatized. People needed to playing and seeing shows. </span></p><p dir="ltr"> <span style="color:#000000;"><strong>Michael:</strong> We’re still most comfortable playing at some great spots in Brooklyn, like Our Wicked Lady or Alphaville. The scene here right now is incredible and very supportive.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Katie:</strong> The amount of camaraderie and support for each other out there playing has been such an amazing thing to be a part of. </span></p><p dir="ltr"><span style="color:#000000;"><strong> What's up next for the band?</strong></span></p><p dir="ltr"><span style="color:#000000;"><strong> Michael: </strong>Since we put much of the last year behind it, we definitely want to play and promote <i>At Arm’s Length</i> live as much as possible. Hopefully it brings us some interesting places this summer.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iWLIsnYU45M" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iWLIsnYU45M?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><a class="no-pjax" href="https://www.instagram.com/lebigzero"><span style="color:#000000;">https://www.instagram.com/lebigzero</span></a></p><p dir="ltr"> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72179122023-06-29T05:55:00-04:002023-06-29T06:00:03-04:00Notes From the Desk of a Jazz Guitarist By Greg Chako<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/be4ce5900d69ef053e8367530cb51b97ba89e26f/original/greg-chako-live-in-kentucky.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">In a pro-career spanning 40 years and 5 countries, Cincinnati-born jazz guitarist Greg Chako has released ten albums and played countless shows around the world. His bi-weekly column, "Notes From The Desk Of A Jazz Guitarist” shares his expert tips on becoming a better player and person.</span><br><br><span style="color:rgb(0,0,0);"><strong>WRITE YER OWN SONG!</strong></span><br><br>The great Lester “The Prez” Young is rumored to have said, “Wanna join the throng? Write yer own song!” Now I interpret that in its broadest sense to mean: be original, have your own style or sound, don’t be an imitator. But its literal meaning, to write your own lines, harmonies, and songs, is great advice for all music students. Why?</p><p>One reason is that composing and arranging is an excellent way to stimulate your creative juices, and to break out of the rut of feeling that you’re just practicing and practicing without really getting anywhere. All serious students may sometimes feel that they’ve reached a sort of ceiling that they can’t seem to break through; or that they’re simply tired of practicing and don’t want to do it anymore (for the time being); or . . . as in my case in 2020, it was something to do when I had lost all my gigs and opportunities for socialization due to the Covid lock-down.</p><p>You might think that Covid was a perfect time for practicing, and on the surface it was, but at that time I felt depressed and somewhat hopeless. I didn’t feel like doing <i>anything</i>! However, what I <i>did</i> do was to write some original music and solo guitar chord-melody arrangements. My practicing was focused entirely on creative output, and it sort of saved my life . . . I was less depressed because I was newly creating with guitar in-hand!</p><p>For my private guitar students, there is a lot of learning the lessons I have prepared for them, however learning to play the lessons I provide them with is never the ultimate goal. That initial step is merely to lay the foundational basis of knowledge required of all beginning to intermediate students, and to provide them with examples of what they can and should learn to do for themselves. It’s my hope that through the examples I provide and what they discover for themselves by working with their instrument, they’ll be encouraged or inspired to write songs, short etude exercises, or their own single lines over a ii-V-I progression.</p><p>I believe that it’s important for all of us to make the transition from only practicing things that others have prepared to creating music that is highly personal as quickly as possible. We can get a high sense of satisfaction and accomplishment from writing music that we don’t get from merely a good practice session. Writing your own lines, exercises and songs can be empowering and inspiring. And my role as a teacher is not to always show students <i>what</i> to play but rather, to teach them <i>how</i> to play! Creating your own music is a major step towards developing your own style.</p><p>Years ago, I was exploring the use of fourths by harmonizing a C-scale with fourths instead of the usual thirds. So, instead of using triads (C, Dmin, Emin, F, G, Amin, Bdim), I used 4th intervals like this:</p><p><i>(note that the chord diagrams are labeled by the top note and not a chord symbol)</i></p><p>I spent quite a bit of time exploring and expanding the idea of using the above voicings and the two inversions of those 3-notes, but until I used this self-studied theory in a song, it remained a purely intellectual exercise and not actually <i>music</i>. In 2001, I recorded <i>Integration II</i>, and at least two of my song melodies on that album were directly influenced by my practice of harmonizing a scale with fourths.</p><p>Utilizing my private practice materials in my publicly recorded works was not an isolated occurrence. I am largely self-taught, and the methods and materials I developed over the years were born from solitary work on the guitar, as opposed to my being shown something by someone else. While I didn’t think about it as I was doing it, I now believe that it was those early years of practice and exploration that informed my writing.</p><p>I see virtually no point in practicing something which has zero to little chance of ending up in a song or in your playing. Writing songs gives your practice wings! Composing and/or arranging transforms your theoretical exercises into original musical statements.</p><p>There are very few things, I believe, more gratifying than writing (and recording) your own music. But whether or not you have any desire or chance to become a recording artist like me, the fact is that there are numerable benefits to creating and composing your <i>own</i> lines, harmonies, exercises, and ultimately, your own songs or albums.</p><p>If you feel bored or “spent” with what you are playing or practicing: try writing a song! If you don’t feel like writing a song, then make a completely original arrangement of a song you like and learn to play it by memory. When you’re done with that, do it again and again, until the concept lines between being just another player and being a composer begin to blur. Take Lester’s advice and join the throng!</p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72219652023-06-28T05:00:00-04:002023-06-28T05:00:08-04:00MEET SINGER SONGWRITER BAILEY MOSES OF DESERT MAMBAS<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/31c970b6db7a53ce5b42a0efa86ec37df0c0ee12/original/3-photobycandace.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">Desert Mambas is the nom-de-plume of Foxx Bodies guitarist Bailey Moses.The name Desert Mambas was bestowed upon the artist by a forgotten stranger in the booth of a Waffle House. From that cosmic point of origin, Desert Mambas has emerged as a refreshing voice ushering in the promise and courage of trans joy, singing haunting, beautiful and unforgettable songs steeped in the classic of country, roots and generations of singer-songwriters.</span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
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<br><span style="color:#000000;"><strong>How did the band form?</strong></span>
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<blockquote><div style="margin:0px;padding:0px;"><span style="color:#000000;">I started recording Desert Mambas tracks in my bedroom back in 2015, but I was always too nervous to sing in front of people or show anyone my songs. I was more comfortable as a guitar player or in a supporting role. As I came to terms with my own gender identity and transness, I finally started to feel emboldened to share my music and use my voice. </span></div></blockquote>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>What are your previous musical projects? How'd you first get into music?</strong></span></div></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">I also play guitar in a punk band called Foxx Bodies (also on Kill Rock Stars) –– which was actually my first band! I've been playing music for as long as I can remember, but I started playing in bands when I got to college. My friend Bella (lead singer of Foxx Bodies) was turning in her abuser and needed to scream about it. We started playing cathartic punk music and accidentally formed a band. The rest is history!</span></div>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span></div></div>
<blockquote><p><span style="color:#000000;">LeAnn Rimes and Billy Gilman at the Arizona State Fair! I think I was in like the 1st or 2nd grade? My sister and I were big fans of the movie Coyote Ugly (featuring Ms. Rimes of course), so this was VERY exciting to us. </span> <br> </p></blockquote>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>Can you explain what your writing process is like?</strong></span></div></div>
<blockquote><p><span style="color:#000000;">It varies quite a bit for me! Sometimes a vocal melody comes first, sometimes guitar. Sometimes I'll write a fragment of a song and work on it for a while. Other times an entire song comes out of me in like 15 minutes! </span></p></blockquote>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>5. What other artists or songs inspire your music? </strong></span></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">One of my favorite bands of all time is Shannon and the Clams! I just love the way they combine oldies with punk and more modern influences. Hearing their records as a teenager really showed me the kind of music I wanted to make.</span></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">Another major influence is Jonathan Richman (of The Modern Lovers). I just love how his lyrics are so clever and funny without totally being parody. I like to incorporate humor into my songwriting, but you have to walk a fine line in order to not accidentally go off the deep end and write a Weird Al song (who I do also love). </span></div>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></div></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">I personally like to make the live show its own thing! I play in different configurations quite frequently with a varying number of folks in my band, so I feel like that inherently makes it feel different each time. I always enjoy artists that keep it fresh and make it feel like you're seeing something new each time –– even if it's the same songs. </span></div>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>What has your touring experience been, best shows? Worst shows?</strong></span></div></div>
<blockquote><div style="margin:0px;padding:0px;"><span style="color:#000000;">I love touring! Hard to say a best and worst show? I recently got to dress up as Elvis and do an entire "Hot Trans Elvis" impersonator set with my partner –– probably one of my favorite shows to date. The goofier the show, the better. </span></div></blockquote>
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<div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>What's up next for the band?</strong></span></div></div>
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<p><span style="color:#000000;">Touring, recording some more tunes, and lots more music coming out!! </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oOTk_Ogv8dc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oOTk_Ogv8dc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/desert.mambas">https://www.instagram.com/desert.mambas</a></p>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72219402023-06-27T05:00:00-04:002023-06-28T19:05:55-04:00WHAT'S IN OUR INBOX! REVEREND GENES, THE CHELSEA CURVE, DONNA MISSAL, CAL RIFKIN, GRRRL GANG<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This is a great week of music from a few different genres, I definitely found some new favorites to add to playlists. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Reverend Genes</p><p><strong>BMN Score: </strong>8.9/10</p><p><strong>What the band says: </strong>Reverend Genes are from Newcastle NSW Australia and record UK and Aussie influenced new-wave/post-punk songs about the human condition.The second single, <span>Someday</span> is a 160BPM track about procrastination viewed through the eyes of friendship, and longing for the perfect BBQ and beers that never arrive.</p><p><strong>What we say they sound like: </strong> The opening piano riff is very “Everybody Wants To Rule The World” by Tears for Fears but quickly the track breaks into pop punk indie rock with kind of a lo-fi spin and slightly fuzzed vocals. This track has great harmonies and the layered acoustic guitar gives it a nice addition. This straddles somewhere between 60's garage rock, The Ramones and modern indie pop. It's an odd combination that this band makes work really well. This may well be what people who loved 90's pop punk can graduate to if they still like the quick tempos but want more chill music. </p><p><strong>Song to add to your playlist: </strong>Someday</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Gphqpm6a7WE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Gphqpm6a7WE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong> The Chelsea Curve</p><p><strong>BMN Score: </strong>8.1/10</p><p><strong>What the band says: </strong>Dubbed "a song of longing and desire," the track arrives just as The Chelsea Curve crashed the finals of the Rock & Roll Rumble here in Boston and play a trio of New England shows this weekend with UK outfit Sharp Class. New music is on the way this summer and fall, but the beat starts here with "How Can I (Resist You)?". Please keep it in mind for any editorial coverage this week and beyond; all assets are below!</p><p><strong>What we say they sound like: </strong> This has a very classic rock feel something like Chrissy Hynde fronting The Black Hearts. A dated sound but something you'd enjoy if you were catching it live at the bar scenes they portray in their video. Really it's a well written song and catchy with a great chorus. Would love to hear a band like this with more modern production. The vocal really makes this band. Wouldn't mind hearing what this ensemble would be like with another guitar and some keys. But perhaps it's the simplicity that gives it the classic sound they are going for. </p><p><strong>Song to add to your playlist: </strong>How Can I (Resist You)?</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="sTq_3B8xkpc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/sTq_3B8xkpc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Donna Missal</p><p><strong>BMN Score: </strong>10/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">With<strong> </strong><i>“Move Me,” </i>she's crafted a song that's both deeply personal and universally relatable. The single, which features Donna's ethereal voice gently cascading over otherworldly production, is a tribute to the transformative power of music and the way it can move us both physically and emotionally.</span></p><p><strong>What we say they sound like: </strong> This takes a lot of what is great about artists like Soccer Mommy and Phoebe Bridgers and sets it to mellow indie pop grooves with more ethereal vocals. The vocals on this are just stellar and create such a nice blanket of melody and harmony over simple indie pop synth blips and droning deep bass tones. To me this is a marriage of Trip Hop and Indie Pop which I can't help but love. This feels like something I can listen to an entire album of very easily. </p><p><strong>Song to add to your playlist: </strong>Move Me</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="kKfJV2EIweA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/kKfJV2EIweA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Cal Rifkin</p><p><strong>BMN Score: </strong>9.7/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Chock full of jangly guitars, big riffs, and gorgeous Beach Boys-esque harmonies layered over sugary hooks, Cal Rifkin's latest EP, <i>Better Luck Next Year</i> effortlessly captures the essence of ‘70s power pop. The lyrics strike a delicate balance between self-aware and heartachingly sincere, and the delivery is intimate and earnest without taking itself too seriously. Grimm’s uncomplicated melodies and driving lead guitar complement the groove of the rhythm section in a way that sticks in your head for days.</span></p><p><strong>What we say they sound like: </strong> This is like a mellowed out Weezer vibe and I really love it. The vocals are the perfect fit for this style of music. It's a little bit Ivy, Fountains Of Wayne but also a little bit of that early 2000's stuff like Deep Blue Something or Tal Bachman. It's a great amalgam of 20-30 years of indie and pop rock that results in a great track. The production is warm and makes it so you can blast this track without any harsh tones, it all hits your ear like a perfect harmony. The lo-fi buzz of their other tracks make them like a pop version of Guided By Voices and I couldn't approve more. </p><p><strong>Song to add to your playlist: </strong>I Know I Can't Stay</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="WvbVFmN3PVI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/WvbVFmN3PVI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Grrrl Gang</p><p><strong>BMN Score:</strong> 9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">The song itself essentially describes Sentana's experience during a manic episode. “I feel like I’m on top of the world, untouchable. I do things without thinking, always chasing after that feeling of instant gratification. I feel extra confident in myself—to a point of grandiose thinking—and that I could do anything,” Sentana explains.</span></p><p><strong>What we say they sound like: </strong> This is an interesting track, it's like if The Linda Linda's actually wrote good music and then combined with this weird vocal line that comes out of nowhere in the back ground like it's all part of some sort of movie soundtrack. The refrain of “I was born in the pit, I gave birth in the pit, I don't shave my pits, I'll swallow your spit” is so much more punk rock than like 90% of these screamy dude bands. It's like the kind of thing that makes Poly Styrene or Kathleen Hanna great is what Angleeta Sentana of Grrrl Gang has. This is one of those songs that after one listen it's going to play in your head for weeks. </p><p><strong>Song to add to your playlist: </strong>Spunky!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="MHNjj753YNM" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/MHNjj753YNM?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72217282023-06-26T05:00:00-04:002023-06-26T07:30:45-04:00MEET PITTSBURGH ROCK BAND GHOST HOUNDS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/032ee65b596b2758aac48f74c7a955770e62f560/original/ghost-hounds-photo.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><i><span>Blood Makes Noise recently had the pleasure of interviewing Pittsburgh, PA based rock-n-soulers Ghost Hounds about their new music video “Make It Shake”!</span></i><o:p></o:p></p><p><span><strong>The “Make It Shake” music video has a strong vintage feel. What was the inspiration behind this?</strong></span><o:p></o:p></p><p><span>“Make It Shake” is a song that was written about people moving to the music, and the video with people dancing represents that. It’s just very fun.</span><o:p></o:p></p><p><span><strong>What’s next for Ghost Hounds in terms of upcoming plans?</strong></span><o:p></o:p></p><p><span>We have an album coming out this summer and there will be some touring plans announced soon. We just got off the Joe Bonamassa “Blues Live at Sea” cruise and that was great for us to connect with people. Looking forward to doing more… meeting more people that we can connect with over music. </span><o:p></o:p></p><p><span><strong>How can your blues-rock sound connect with the modern generation? </strong></span><o:p></o:p></p><p><span>The best way to connect is to be sincere about what you’re saying. People can see through that when you aren’t. We feel this music deep down and I think THAT is what people connect to. It’s always inspiring and exciting seeing the different generations of people at our shows.</span><o:p></o:p></p><p><span><strong>What do you want listeners to feel when they hear “Make It Shake”</strong></span><span lang="ZH-TW"><strong>? </strong></span><o:p></o:p></p><p><span>That this is us. This is our approach, they’re getting it full blast from our souls</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="lOvMGIA61yg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/lOvMGIA61yg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><o:p></o:p></p><p> </p><p><span><strong>How has your experience having three previous Billboard chart topping albums in recent years helped you record your upcoming fourth studio album? </strong></span><o:p></o:p></p><p><span>I think it keeps us on our toes in making sure that we’re giving it everything we have. We always just try to make sure that we’re in sync with the song. The song is always king, and it’s our job to highlight that with what we play.</span></p><p><span><strong>Who are some artists that inspire you and your sound?</strong></span></p><p><span>Well, I believe that everything you play is the sum total of everything you’ve heard so it honestly all ties into where you’re at at the time. It’s constantly evolving, a living thing. Really too many to mention</span></p><p><span><strong>How have the six of you grown together in your time as a band? </strong></span><o:p></o:p></p><p><span>We become more familiar with each other every day. Playing music is a “conversation” between musicians. When somebody plays, or “says” something, that affects what you play, or “say” back to them. The longer we’re together, the bigger that vocabulary becomes, and the more depth it contains.</span><o:p></o:p></p><p><span><strong>Has the Pittsburgh music scene influenced your music? If so, how?</strong> </span><o:p></o:p></p><p><span>Just by being from here and growing up in this area, the work ethic that this area is known for has made it’s way into mine and the bands’ playing over the years. </span><o:p></o:p></p><p><span><strong>Follow Ghost Hounds:</strong></span><br><a class="no-pjax" href="https://www.ghosthounds.com/"><span>https://www.ghosthounds.com/</span></a><br><a class="no-pjax" href="https://www.facebook.com/GhostHounds"><span>https://www.facebook.com/GhostHounds</span></a><br><a class="no-pjax" href="https://twitter.com/ghosthounds"><span>https://twitter.com/ghosthounds</span></a><br><a class="no-pjax" href="https://www.instagram.com/ghosthoundsband/"><span>https://www.instagram.com/ghosthoundsband/</span></a><br><a class="no-pjax" href="https://www.tiktok.com/@ghosthoundsb"><span>https://www.tiktok.com/@ghosthoundsb</span></a><span> </span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72196402023-06-23T05:00:00-04:002023-07-05T16:46:19-04:00MEET SINGER SONGWRITER KURT BAKER<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/83c656968e7494d1ef018a57fde4f76a1e2b9cb0/original/054-kurt-baker-band-1iii23-por-dena-flows.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Kurt Baker is an American singer, songwriter, and musician known for his energetic and catchy power pop sound. He was born on January 31st 1987, in Portland, Maine, and grew up with a strong passion for music. Baker began his musical journey at a young age, playing in various bands throughout his teens and early twenties.</p><p>In the mid-2000s, Baker co-founded the punk rock band The Leftovers, which gained a dedicated following with their high-energy performances and infectious pop-punk hooks. The Leftovers released several albums and toured extensively, building a reputation for their energetic live shows.</p><p>After the disbandment of The Leftovers in 2010, Kurt Baker embarked on a solo career, focusing more on power pop and incorporating influences from classic acts like Elvis Costello, Nick Lowe, and The Jam. He released his debut solo album, "Rockin' for a Living," in 2012, which received critical acclaim for its melodic hooks and catchy songwriting.<o:p></o:p></p><p>Since then, Kurt Baker has continued to release a string of well-received albums, including "Brand New Beat" (2013), "Play It Cool" (2015), and "In Orbit" (2018). His music often captures the spirit of the late '70s and early '80s power pop and new wave era, delivering memorable melodies, upbeat rhythms, and lyrics that touch on themes of love, youth, and the joy of rock and roll.<o:p></o:p></p><p>Baker's live performances are known for their energy and audience engagement. He has toured extensively in the United States, Europe, and Japan, building a loyal fan base around the world. His music has also been featured in various films, television shows, and commercials, further expanding his reach.<o:p></o:p></p><p>Kurt Baker's contributions to the power pop genre and his dedication to crafting memorable, infectious music have earned him a solid reputation among fans of melodic rock. His songs often evoke a sense of nostalgia while maintaining a fresh and contemporary sound, making him a beloved figure in the indie power pop scene.<o:p></o:p></p><p><br><span style="color:rgb(33,33,33);"><strong>How did the band form and what does the band name mean?</strong></span><strong> </strong><br><br><span style="color:rgb(0,0,0);">Fun story, so, the band originated in Maine... but Maine is not really known for Power Pop Music, actually, it's not known for Punk Rock Music... or if we really wanna get down to fine detail, Rock N Roll Music. So obviously, none of us met through our mutual love for music, because frankly there just wasn't any of that music happening in the mid to late 90s in Maine. Most of us were into organized sports. Unfortunately, none of us were good at sports. <span dir="ltr">3/5th</span>'s of the band dropped out of high school (before the band formed), and others had issues with glue... it's a long convoluted story (and yes! We did do time on lobster boats). Finally, the band formed because we honestly had nothing else we could do to kill the boredom of living in Maine. Nobody that we knew of in the local art scene had started a power pop/punk/rock n roll band, so we bought guitars, learned how to write catchy music, and boom, here we are now. What does the name mean? I think our friend Dick Hazelwood suggested the name be something like "Kurt Baker and his fabulous Kurt Baker Band". Sometimes we go by that, other times just Kurt Baker, mostly, and then occasionally the Kurt Baker Band. My name is Kurt Baker, so I guess it makes sense.</span> <br><br><span style="color:rgb(33,33,33);"><strong>Previous musical projects? How'd you first get into music?</strong></span> <br><br><span style="color:rgb(0,0,0);">I've had so many previous musical projects I've lost count! But what is important is the here and now! I've been rockin' with the guys in the KB Band for a while now, and the last few tours and shows we've done have been the best we've ever played, and the new music we've written and recorded is on a higher level than ever before, so that's what I'm excited about. We're really happy about the response to the latest single "Anchors Up" and are gearing up for the full album, which is going to be epic. "Rock N Roll Club"! </span> <br><br><span style="color:rgb(33,33,33);"><strong>First concert that you ever went to?</strong> </span><br><br><span style="color:rgb(33,33,33);">My first concert ever was Weird Al Yankovic, on Halloween. A Star Wars film had just come out, one of those bad ones with Jar Jar Binks, and I recall the bass player dressed up as Jar Jar Binks, how unreal! There was a local opening act for the show, I can't remember her name but it was a solo folk acoustic artist. Definitely had a Lillith Fair kinda vibe. Didn't really mesh well with Weird Al Yankovic, but this was the 90s, before Yelp reviews or social media, so my memory of the whole event makes me think it was a REAL GOOD TIME. </span> <br><br><span style="color:rgb(33,33,33);"><strong>What's your writing process like?</strong></span><strong> </strong><br><br><span style="color:rgb(0,0,0);">Spontaneous, frustrating, at times sporadic, and exciting. </span> <br><br><span style="color:rgb(33,33,33);"><strong>5. What other artists or songs inspire your music? </strong></span><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4tKQo7zbjalFwBM3HsF3H0?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span style="color:rgb(0,0,0);">From Cheap Trick to Daft Punk, or Green Day to Electric Light Orchestra... my inspiration comes from music that is well crafted with melody, a good chorus, HIGH ENERGY, and enthusiastic and upbeat rhythms. Music is my life. I wanna celebrate life! So I like the happy upbeat stuff. Big fan of Two Tone Ska too! </span> <br><br><span style="color:rgb(33,33,33);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span><strong> </strong><br><br><span style="color:rgb(0,0,0);">A lot of people grow attached to the way a record sounds, and when they see their favorite artist playing to a pre-recorded backing track, the volume and the stage show can be so well produced that they don't even notice and have the time of their lives at the concert! To each his own! I think for Pop artists, it's important to stay sharp and calculated in their live shows. I for one, don't have the budget to do something like that, and two, ethically, I think it's better to give the audience a real interaction between song and human. A real connection. It's not perfect and it's not gonna sound exactly like the record, but it's gonna be loud, fun, and a time to remember for all who attend. Sometimes when you are on stage and having a great show you almost understand why people want to be cult leaders. However, anybody who isn't a psychopath knows that playing music and bringing joy to the masses is much better than tricking people into pyramid schemes and drinking Kool-aid. </span> <br><br><span style="color:rgb(33,33,33);"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span><strong> </strong><br><br><span style="color:rgb(0,0,0);">We have toured a lot. We'd like to tour more. If you are a booking agent and reading this, please shoot me a DM! We just did a fantastic tour of Spain. All the shows were well attended and the band was on fire. Most of our shows are pretty great, we just want to have fun and make sure the audience has a good time. Sometimes shows can go bad, though. Once in Albi, France the bar owner wanted to kill us, he also convinced most of the bar that we should be kicked outta town, like one of those bad motorcycle gangs! We honestly weren't looking for trouble, just trying to play a gig. The music scene can be really cut-throat too. A lot of bands will try and sabotage a gig so that their own band, for example, let's call them "FeeFeeFooDude", who is billed as the headliner can play in the best slot, usually in the middle of the night, even though they are the headliner and your own band was booked as the main the support act. So then everybody at the show leaves because they think the gig is over, yet you've got to play after FeeFeeFooDude, to absolutely nobody. This has happened to me more than a few times, but it won't happen again, ha!</span> <br><br><span style="color:rgb(33,33,33);"><strong>What's up next for the band?</strong></span><strong> </strong><br><br><span style="color:rgb(0,0,0);">Gonna be taking over the world with this new album "Rock N Roll Club", due out <span dir="ltr">Sept. 29th</span> on Wicked Cool Records. Tour of Japan in October, gigs across America, Europe, and beyond. Stay tuned and get ready to rock out and have a good time with all the jams we shall present you! </span> <br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Og8Jz7ePb3k" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Og8Jz7ePb3k?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://linktr.ee/kurtmiltonbaker" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://linktr.ee/kurtmiltonbaker</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72306432023-06-23T04:55:00-04:002023-06-23T11:51:48-04:00(BMN PREMIERE) Makes My Blood Dance “Heaven Collides” lyric video<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3f27ed99c08d5ab3b2b0828c2226669dd20dd51f/original/makes-my-blood-dance-heaven-collides-photo-3-horiz-c2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><i><span>BMN is proud to host the exclusive online world premiere of the Makes My Blood Dance “Heaven Collides” lyric video!</span></i><o:p></o:p></p><p><span>Brooklyn's sensational disco-metal group Makes My Blood Dance is an endless experiment in creativity for its founders. Frontman Evan Russell Saffer met his songwriting partner and MMBD's lead guitar/synth player Jon Kristian at a transitional time in life; early in recovery from addiction, the two connected over their mutual passion for metal and bonded over their personal journeys. While Polimeni brings a deep technical knowledge and curiosity for the epic sounds of metal, Saffer lights up both stage and studio with his musical-theater-informed performances. Whether they're fusing genres or nonchalantly hawking MMBD-branded panties at their merch table, this team knows no bounds to expression. Backed by badass bassist Filia Luna and drummers Allan Zaparoli (studio) and Crow Starbird (tour), the foursome blasts speakers, hearts, and expectations everywhere their tour bus rolls. And beneath the glitz and "turned up to 11" distortion, they continue to promote messages of compassion, growth, healing, and wholehearted, balls-to-the-wall living. Stay tuned for more killer releases by MMBD and snatch a ticket to their Heaven Collides Tour (www.makesmyblooddance.com for tickets), bringing electric energy to the people this summer.</span><o:p></o:p></p><p><span>The title track of their upcoming tour, Makes My Blood Dance's latest single "Heaven Collides" delivers all we've come to know, love, and expect from MMBD—and then some. Opening with a dramatic choral crescendo, Kristian thunders in on guitar as Saffer wails his agonizing despair—longing for connection in a dark place. Over crashing drums, the song revs into mounting desperation through the bridge, escalating into a ripping solo. Whether you're a metalhead, a theater kid, or just plain looking to rage, this song is the perfect place for all those respective heavens to collide on the dance floor.</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="b7vghl17Fms" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/b7vghl17Fms?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span>Thrash deeper in the sound and fury of MMDB with the official lyric video for "Heaven Collides." Steeped in tortured imagery ranging from the mystical to the occult, the video hyperdrives the sense of agony already dripping from Saffer's sanguine voice. With night-club neon graphics echoing Kristian and crew's ferocious instrumentals, the visuals beckon viewers into this installment MMBD's ballroom bacchanal. Dig in for a spell, and hear a band that hears your pain and passion loud and clear.</span><o:p></o:p></p><p> </p><p><span><strong>Follow Makes My Blood Dance:</strong></span></p><p><a class="no-pjax" href="https://makesmyblooddance.com/"><span>https://makesmyblooddance.com/</span></a><span> </span><o:p></o:p></p><p><a class="no-pjax" href="https://www.facebook.com/Makesmyblooddance/"><span>https://www.facebook.com/Makesmyblooddance/</span></a><span> </span><o:p></o:p></p><p><a class="no-pjax" href="https://www.instagram.com/makesmyblooddance/"><span>https://www.instagram.com/makesmyblooddance/</span></a><span> </span><o:p></o:p></p><p><a class="no-pjax" href="https://www.tiktok.com/@mmbdofficial" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>https://www.tiktok.com/@mmbdofficial</u></a><span style="color:rgb(29,34,40);"> </span><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72306582023-06-22T14:20:49-04:002023-06-22T14:58:37-04:00Friday (6/23) Lineup Stacked Front-to-Back at Prototype 237 in Paterson <p dir="ltr"> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/f2ac12f4988c71a014adc7e97a9aadd05af02c0c/original/prototype237-06232023-loweres.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span style="color:rgb(0,0,0);">Friday night’s Prototype 237 lineup is kinda like the Human Centipede:</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Assembled for maximum gnarliness, filled with sedatives, and positively sick from front to back—not to mention that the bands are actually all surgically conjoined. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">OK, that’s not entirely true—they happen to be more bath salts folks—but in all seriousness, this show is shaping up to bring together the most stacked and complete all-around lineup to the ProtoStage to-date:</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">NYC-based BLANKET APPROVAL is a 4-piece groovy indie rock band dispensing hard rock blended with tight melodies and springy bass lines and drawing from influences like Iggy Pop, The Red Hot Chili Peppers and Parcels. After being born out of the ashes of the pandemic they’ve built an impressive following, having garnered nearly 200k streams in less than 8 months and a feature in Spotify’s Fresh Finds Indie playlist.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">“Rich and blistering post-punk-inspired gem” NIGHT GALLERY brings post-punk back to the 21st century with its eclectic DIY style craftily blending the energy of a punk-inspired soundtrack with the most electrifying elements of 80s dance music. Neither strictly punk, nor pop, and not rock, the songs of the band formerly known as Dummy are “catchy, their choruses are loud and fist-pumping and enticing,” says music blogger Eduard Banulescu.</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Disemvoweling to LKFFCT to avoid legal action from a midwestern bluegrass band, the NJ band formerly known as Lake Effect serves up a delightful mix of lo-fi/pop/punk/psychedelic/indie rock with notes of R&B. This Essex County-based band has released a slew of full-length records over the years, including 2017’s standout “Dawn Chorus,” described by reporter Mike Mehalick as a “power-pop meets slacker-rock opus” with a “brilliant songwriting approach.”</span></p><p dir="ltr"><span style="color:rgb(0,0,0);">Described by Stereogum as a “mesmeric sound...dark and catchy, synthwave enhanced by menacing harmonies” and “nuke wave” by Brooklyn Vegan, MONOGRAMS is the alias of Brooklyn's Ian Jacobs, who communicates tones with dynamics and velocity. A “thrilling collision of Brooklyn dream-pop with crushing post-apocalyptic post-punk” (Earmilk), Monograms will play the ProtoStage just a day after the LP release of A Fine Commitment. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>June 23, 2023 | 8pm</strong></span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><strong>Tix: $15 at door or online ( </strong></span><a class="no-pjax" href="https://prototype237.ticketleap.com/nightblanketlkffct" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(0,0,0);"><strong>https://prototype237.ticketleap.com/nightblanketlkffct</strong></span></a><span style="color:rgb(0,0,0);"><strong> ) </strong></span><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72196192023-06-22T05:00:00-04:002023-06-22T05:00:01-04:00MEET POP PUNK BAND FIRE SALE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2c7e15a5c198553c4f2cfad9f0d3b77b3959603c/original/img-4974-edit.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><span>Christopher Swinney plays guitar in Fire Sale. He has played in many bands including: The Ataris, Brazil, Underminded, The Widow Jenkins, and more. Chris hosts a popular podcast called, “That One Time On Tour”. He teaches guitar full time and mixes/masters for bands.</span><br><br><span><strong>How did the band form and what does the band name mean?</strong></span></p><p><span>During the pandemic, while on lockdown…I had so much free time. I started writing songs again. I hadn’t written anything for years. The new songs felt good. I really liked them. I sent them to Matt Riddle to see what he thought, and he sent bass tracks back. I think I subconsciously hoped he would play on my new songs. I then hit up my friend Pedro Aida and he was down to write and record some vocals…and Fire Sale was born. Even though it started as a pandemic project it quickly became a real band.</span></p><p><span>The hardest thing in the world is naming a band. One night I was listening to shuffle on Spotify, and my buddies Get Dead had a song pop up called Fire Sale. I just thought it was perfect, and after a quick google check…Fire Sale was born.</span> <br><br><span><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span>My uncle got me “Master Of Puppets” by Metallica when I was like 8 years old. It changed my life. I got a guitar shortly after, and it has been a constant in my life ever since. Music always made sense to me. First it was metal…then later on I got the first Punk-O-Rama comp…and I couldn’t get enough. I think I bought every band’s record from that comp. I still love all those bands.</span></p><p><span>I have played and or toured with tons of bands…most notably The Ataris, Brazil, Underminded, and The Widow Jenkins. </span> <br><br><span><strong>First concert that you ever went to? </strong></span></p><p><span>Metallica Damaged Justice Tour when I was 10 years old. The Cult opened up, so I guess The Cult was technically the first live band I ever saw. It was a life changing experience. I have known that I wanted to be a part of music since I was 10 years old…it’s crazy.</span> <br><br><span><strong>What's your writing process like?</strong></span></p><p><span>We are kind of weird. We all live in different states…so we all record independently then put it all together like a puzzle. As far as writing…I teach guitar full time, and when I have a small break, I just riff on the guitar and record everything. Then I go through the riffs and find one I dig…and write a song around it. Once I get the skeleton of the song musically…I send it to the other guys and they write and record their parts. It takes forever…but the final product is always awesome.</span> <br><br><span><strong> What other artists or songs inspire your music? </strong></span><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/2qdp1fiAbx612HVaD8OcB9?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </p><p><span>I am a 90’s kid…so all the Epitaph and Fat bands really influenced me back in the day…and to a degree still do. I also love Metal like I said before. Dissecting Metallica songs really taught me how to write a riff when I was young, and I still use those skills today. I learned a lot from bands like NOFX, Face To Face, Strung Out, and No Use For A Name also…as far as melody and structure. It still amazes me that I am in a band with Matt Riddle. Two of his old bands are two of my favorite bands of all time. I think there are definitely echos of our previous bands in Fire Sale. It’s in our DNA.</span> <br><br><span><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p><span>I layer guitars in the studio…harmonies…counter melodies…the works. It’s very hard to replicate that live…so we don’t really try to. We just make sure all the signature parts of the songs are represented and we go from there. People worry too much about sounding just like the record…and that’s cool, but also stressful. Playing live is supposed to be fun…a release. For me it’s all about the energy, not every note being perfect.</span> <br><br><span><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p><p><span>We just got back from a king weekend in Texas. We played our record release show, filmed a video, and did a photo shoot. We had a blast and it was a real family vibe. Fire Sale is a stress free democracy. We feel lucky to be 40+ and releasing music again. This band is about fun…not stress. Everyone has to be on board if we choose to do something. We have offers for some touring on the coasts and that is going to happen soon. We also have interest over seas…just trying to make the right decisions for the band.</span> <br><br><span><strong>What's up next for the band?</strong></span></p><p><span>We have a new 7” out now. Pick up a copy here: </span><a class="no-pjax" href="https://hyperfollow.com/FSafoolserrand" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>https://hyperfollow.com/FSafoolserrand</span></a><a rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span>. </span></a><span>We are working on our next two singles that will be released later this year. And shows are being booked!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="TnrmFms53Jg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/TnrmFms53Jg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span>All socials: @firesaleisaband</span></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72196182023-06-21T05:00:00-04:002023-06-21T05:00:02-04:00MEET ALTERNATIVE DREAM POP PUNK BAND BED<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/db173cb9a67c8cd4a83b62ea2342beab78fdb7f8/original/img-8099.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:black;">Starting in 2015, Ebed Moreno began making dreamy bedroom surf rock under the alias/nickname "Bed". Influenced and inspired by the local scene around him, he began playing locally after building a small following through Soundcloud following the release of his album Gems. At his first show, Bed played a DIY art show with his guitar and his laptop as his whole band. Today, Bed plays as a 4 piece Alternative/Dream/Pop/Punk band. </span></p><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><span style="color:rgb(33,33,33);"><strong>How did the band form and what does the band name mean?</strong></span></p>
<p><br>When i first started making music, i didn't have a full band, just me in my bedroom with my laptop. Then once I started receiving more show offers, I wanted to give a better live experience so I formed a band with friends who were in other bands and taught them my songs. As for the name it's just my first name shortened down, which I prefer to go by, Bed that is. </p>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><br><span style="color:rgb(33,33,33);"><strong>Previous musical projects? How'd you first get into music?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>I never had any previous music project before my current one, but for a short while, I did play bass in a local band called Bloom.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>My family would always have music playing around the house whether it was getting ready for a family event, church, or just being in the house, there was always music playing. good music.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>It wasn't until high school however that i discovered more underground bands through my sister and friends, that's pretty much when i found out pretty much anyone can make music and build a following(easier said than done obviously). <br><br><span style="color:rgb(33,33,33);"><strong>First concert that you ever went to?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>The first show I ever went to was in a semi-remote spot in the antelope valley desert. That show is known as the legendary "Generator Show", because that's literally what it was. Someone brought out a generator and some lights and had bands play and it was the first time I'd ever seen a band in real life and at that moment I knew I wanted to pursue a music career, no matter what it took. I was particularly inspired by a no longer active band called Playing Tourist Forever. <br><br><span style="color:rgb(33,33,33);"><strong>What's your writing process like?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>It varies. Sometimes ill be doing something completely unrelated to music, and i'll hear a guitar part or bassline in my head and i IMMEDIATELY have to try and produce it into reality and from there, sometimes im able to map out the rest of the song or idea. Other times, ideas will come during a solo practice or rehearsal. Regardless, it's of utmost importance to me that the original idea gets recorded to at least have a foundation of the idea if I do not finish it then and there.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>As for lyrics, i write whatever feelings come from the music that ive written or i'll refer to lyrics or small poems or even lines ive written when not making music at that time. I have thousands of these.<br><br><span style="color:rgb(33,33,33);"><strong>What other artists or songs inspire your music? </strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>Bands like The Smashing Pumpkins, Title Fight, and Current Joys definitely have had a huge impact on the sound I've been working to achieve. I love the idea of having songs that are heavy with a pushing tempo, but are also melodic and "dreamy". Songs that you could choose to dance or mosh to and be in the same room with someone that chose the opposite of what you did, all while you are both enjoying the live experience. <br><span style="color:rgb(33,33,33);"> </span><br><span style="color:rgb(33,33,33);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>A unique and pure type of ecstacy. There is nothing in this world (at least that i've come across) that compares to the feeling of playing to a packed house of people that are all enjoying the sounds my band makes. Its as if the energy is constantly being shared and gets more intense every second it cycles until the song is over. Even during the slower songs we have, it's as though you literally feel the energy and emotion in the air. </p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>ALWAYS HAVE FUN. Playing to a small crowd obviously isn't always the best experience, but I feel after 8 years of playing live to a vast variety of crowds, ive been able to grow past that. I always keep in mind that my band and i do what we do not for the fame or money, but because we fucking love playing music. Even if there's no energy from the crowd sometimes, there's energy being shared between my band and I, and that'll always be more than enough.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>I'm going to go ahead and say its own thing. No disrespect to the artists that perform their music exactly the same, but in my opinion, live shows are about the performance and the experience of being at a concert rather than just the music. During a live performance, we as the artists get to go all out and get wild on stage because we love giving the crowd an experience they can't get through any speaker they listen to our music through. At a live show, the music you expect to hear is just a foundation for the performance and experience we get to give. We get to change up songs and its almost like a challenge to ourselves of how creative we can be and how much better we can perform the song. For instance, when we play our song Trouble live, we add a hardcore style ending that we didn't do in the studio(i think we hadn't came up with the ending then) and it ALWAYS surprises the crowd and ramps up the energy tenfold because while it's still the same song, its something new you can only hear and experience live. For us, the ultimate goal is to leave the crowd feeling like they experienced something unique and wanting more. <br><br><span style="color:rgb(33,33,33);"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>I've had the opportunity to do two support tours for a band called Beach Goons. Both in the fall of 21 and 22, and both were experiences we'll never forget. On the first tour, we got to play a sold out show at the Fonda Theatre in Los Angeles to over 1500 people.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>That was definitely the best show i've ever played. I feel its safe to say the crowd absolutely loved us that night(maybe because some thought we were the headliners- i found this out through a friend later on) and before we left the venue that night, our instagram page had grew more than 500 followers.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>After that, we crossed America to Maryland (where our leg of the tour ended) playing shows almost every night along the way, and we did this in my Rav4 so yeah, space was VERY limited and VERY tight. But we were so happy to be living our dream we didn't care if we did it in a freakin civic. I don't remember there being a bad show on that tour.</p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p>As for the second tour, we definitely stepped up our game. I bought new equipment and with some much appreciated help from my supportive family, I bought a van. Best purchase I've ever made. There was no show like the Fonda one, but we were still happy to be living our dream once more. This time for a month and I'd say the experience was better than the last. I will never forget the feelings I got when I saw people in the crowd wearing our merch and singing along to our songs at almost every show in different states so far away from where it all began. I never thought I'd never experience anything like that. <br><br><span style="color:rgb(33,33,33);"><strong>What's up next for the band?</strong></span></p></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<p><span style="color:rgb(33,33,33);">We hope to release an album or EP later this year and hopefully tour it as a headliner, all while finding ways to connect with our audience and grow more as a band. </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Tefuwm60fU4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Tefuwm60fU4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><p><a class="no-pjax" href="https://instagram.com/bed.band" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:black;"><u>INSTAGRAM</u></span></a><br><a class="no-pjax" href="https://twitter.com/bed_band" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:black;"><u>TWITTER</u></span></a><br><a class="no-pjax" href="http://tiktok/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:#000000;"><u>TIKTOK</u></span></a></p></div>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72195882023-06-20T05:00:00-04:002023-06-26T09:55:59-04:00MEET INDIE INSTRUMENTAL BAND FREE WHENEVER<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c0cb3d6cff6050aa4fcf3ebaabe97eef72d51c2b/original/free-whenever-new-live-shot.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><blockquote type="cite"><div style="outline:none !important;" dir="ltr"><div style="outline:none !important;"><div class="yiv7642112807gmail_quote" style="outline:none !important;"><blockquote><div style="outline:none !important;"><div style="outline:none !important;" id="yiv7642112807m_7569534886168477723m_-5283037258416212954m_-5878011410142098823ydp9f42e0bdyahoo_quoted_4303361338"><div style="color:rgb(38, 40, 42);font-family:Helvetica, Arial, sans-serif;font-size:13px;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;" id="yiv7642112807m_7569534886168477723m_-5283037258416212954m_-5878011410142098823ydp9f42e0bdyiv1340614440"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;" dir="ltr"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;">
<p dir="ltr"><span style="color:rgb(0,0,0);">So it makes a lot of sense that </span><a class="no-pjax" href="https://www.freewheneverband.com/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><span style="color:rgb(0,0,0);">Free Whenever</span></a><span style="color:rgb(0,0,0);"> founding members Neil Guleria and Trevor LaVecchia landed on that moniker to represent their art. That level of conscious surrender, letting the stars take the wheel. They believe it was fate that their paths crossed during a chance encounter where they were both independently performing at a wedding a few years back. Since then the Brooklyn NY based duo's bond has been unbreakable and their mind-bending blend of stoner/psychedelic music has been leaving listeners breathless. Destiny indeed may be playing a role in their journey.</span></p>
<p dir="ltr"><font><span>Leaning into an array of influences including vintage psychedelia, dub reggae, eastern modality, African rhythmic tradition, it’s clear that if it speaks to them, Free Whenever will weave it into their multi-layered musical identity. Kings County (aka Brooklyn), is a cultural crossroads where every block, every corner is like its own planet, bursting with its own sound and swing, flavor and flow — and it's all there in the band’s music.</span></font><br><br><span class="text-small"><font><i><span>(Photo Credit: Taylor Weinberg)</span></i></font></span></p>
</div></div></div></div></div></div></div></div></div></blockquote></div></div></div></blockquote><p dir="ltr"><span style="color:#000000;"><span><strong>How did the band form and what does the band name mean?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: Trevor and I first met back in 2018 over a wedding gig in Vermont. It was one of those situations where afriend had an opportunity to play Dead and Beatles covers to an older crowd for some cash, so he put a few friends together and that’s basically how we met. But Trevor and I honestly barely spoke that day..</span></span></p><p dir="ltr"><br> </p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: And then randomly two years later I heard some of the music Neil was working on through the grapevine, and I was impressed. I got in touch and came to his apartment studio setup in Brooklyn. We clicked instantly and I just started going over to his place all the time to jam and make music.</span></span></p><p dir="ltr"> </p><p dir="ltr"><span style="color:#000000;"><span>NEIL: The name was the natural result of that — it was something we both found ourselves texting each other throughout that summer and the words started to mean something more to us than what they probably do to most people.. </span></span></p><p dir="ltr"><span style="color:#000000;"><span><strong>Previous musical projects? How'd you first get into music?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: We both played music as kids, had bands in high school, and experimented with self-recording here and there. Music has been a constant for me. An obsession really. </span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: I picked up guitar and drums together as a kid. Spent a lot of time jamming with my brother and friends, but also recording almost daily with my $30 mixer and GarageBand. I never really liked my singing voice, so I have pretty much been self-recording instrumental rock tracks since I was 12. Not a far cry from what we do today</span></span></p><p dir="ltr"><br><span style="color:#000000;"><span><strong>First concert that you ever went to? (Locally and National acts)</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: Technically my first was an ABBA cover band and then 38 Special shortly after. But I was fortunate enough to also have seen bands like Pearl Jam, Soundgarden, Chili Peppers, and Stone Temple Pilots at an early age too.</span></span></p><p><br><span style="color:#000000;"><span>TREVOR: The first shows I remember seeing were Lynyrd Skynyrd/Kid Rock in Hartford, CT and AC/DC at Giants Stadium. The AC/DC show in particular is what inspired me to start practicing my instruments. Seeing Angus roll around on a revolving stage while soloing is a memorable moment.</span></span></p><p><br><span style="color:#000000;"><span><strong>What's your writing process like?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>Trevor: We’re constantly in a cyclic process of honing on a process and then abandoning it for a new one. Having been at it for a few years, we now have a variety of paths we can choose to take when developing an idea depending on what’s needed. </span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: We tend to start with the rhythm section — either a drum loop from some previous recording session or a percussion loop I’ll come up with on the fly. Then as I pack up the percussion gear and play the loop on in the background, Trevor is usually sitting with the bass crafting a melody. Once he has a basic starting idea, we hit record and the two of us jam to a loop for 30, 45, even 60 minutes until we pretty much lose ourselves multiple times over. </span></span></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: Sometimes we’ll play without speaking for hours and go back into the recording and just listen. Listening is a big part of our process. We're like miners searching for the gold we created. We’ll listen through long jam recordings in our free time, going on walks, heading to work, etc. and eventually starting chipping away until we find the gold. It’s a unique part of our process and a lot of people really don’t get it. When you’re an hour deep in jam, you are totally gone. In a different realm. </span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: We really believe in removing </span><i>thought</i><span> from the process of making music. The second you start thinking and contriving, the idea becomes possessed by the ego. Detachment is at the root of our process. </span></span></p><p><br> <span style="color:#000000;"><span><strong>What other artists or songs inspire your music?</strong></span></span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0J0JFbWwaRBYJ6kt1JhjQu?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: Some of our contemporary influences include Surprise Chef, Khruangbin, Skinshape, and early Tame Impala, but we have deep classic psych rock roots with bands like Hendrix, Pink Floyd, and The Doors.</span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: Honestly the both of us — Trevor more so than I — have fairly eclectic taste. As instrumental artists, we’ve continued to gravitate towards folkloric music and traditional instrumental music coming from all over the world. But then another day we might be listening to disco or roots reggae. Ultimately our project is at its best when it combines distant influences to create something truly universal. </span></span></p><p><br> <span style="color:#000000;"><span><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: We started playing live before we had any songs. Literally we would organize these roof top shows and just get up there as a trio or 4-piece and improv, eventually realizing that we needed songs for the audience or ourselves even to really grab onto it. But we have always been comfortable doing improv sets from our inception. </span></span><br> </p><p dir="ltr"><span style="color:#000000;"><span>NEIL: As time has gone on, we’ve gotten more specific and certain about the songwriting and tried our best to replicate those nuances in our live sets. But the element of surprise and improvisation has always and will always be a staple of our live sets, and we’re never afraid to deviate from the recordings. </span></span></p><p> </p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: Because Neil and I do all the recording, a really interesting thing happens when we bring an idea to the live band. It’s like the song gets a new life. To me that is the role of the artist. To channel and express everyday. </span></span></p><p><br> </p><p dir="ltr"><span style="color:#000000;"><span><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: Not yet! We’ve been approached by a lot of fans from around the country and abroad petitioning us to come visit. We have some possible dates to take a trip down the east coast and in the South, but we’ve definitely been focused on growing our presence here in NYC. </span></span></p><p><br> <span style="color:#000000;"><span>NEIL: That said we’ve played all around the city from the streets of Manhattan to bigger venues to Brooklyn roof and loft parties. Our flexibility and ability to set up and play wherever has really helped us feel more comfortable as individual musicians and as a group.</span></span><br> </p><p dir="ltr"><span style="color:#000000;"><span><strong>What's up next for the band?</strong></span></span></p><p dir="ltr"><span style="color:#000000;"><span>TREVOR: Expect a lot more recorded music, live shows, and videos to drop this year. connecting with fans. We just released The Movement, and are currently putting the finishing touches on the next album, which should start coming out at the end of the summer. </span></span></p><p dir="ltr"><span style="color:#000000;"><span>NEIL: We also have some really cool collaborations in the works with a variety of musical creators — hip hop vocalists, classically-trained world musicians, and much more. We’re all very proud and excited about the music we’ve been making and we know our fans will be too!</span></span> <br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="HSNTmtNbRkk" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/HSNTmtNbRkk?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><blockquote type="cite"><div style="outline:none !important;" dir="ltr"><div style="outline:none !important;"><div class="yiv7642112807gmail_quote" style="outline:none !important;"><blockquote><div style="outline:none !important;"><div style="outline:none !important;" id="yiv7642112807m_7569534886168477723m_-5283037258416212954m_-5878011410142098823ydp9f42e0bdyahoo_quoted_4303361338"><div style="color:rgb(38, 40, 42);font-family:Helvetica, Arial, sans-serif;font-size:13px;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;" id="yiv7642112807m_7569534886168477723m_-5283037258416212954m_-5878011410142098823ydp9f42e0bdyiv1340614440"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;" dir="ltr"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;"><div style="font-family:Helvetica, Arial, sans-serif;outline:none !important;">
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</div></div></div></div></div></div></div></div></div></blockquote></div></div></div></blockquote>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72179132023-06-19T05:00:00-04:002023-06-19T05:00:03-04:00YELLOW PILLS UNLEASHES PSYCHO NEON BALLROOM (New Interview and Song Premiere) <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/750403f1d893354ed3b4937d6bcd7b99124fadc4/original/b-w10.webp/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Yellow Pills<span style="color:rgb(54,40,26);"> is the solo project of bandleader </span>Ryan Miera<span style="color:rgb(54,40,26);"> who is the person behind Chicago’s surf soul indie project </span>The Limbos<span style="color:rgb(54,40,26);">. However in recent years </span>Yellow Pills<span style="color:rgb(54,40,26);"> his side project has taken on a life of it’s own. Doing well across the country on indie radio starting in 2021 with 2 LP’s: </span><i>Space Age Inferno</i><span style="color:rgb(54,40,26);"> and </span><i>Machines That Go Beep</i><span style="color:rgb(54,40,26);">. As if that wasn’t enough </span>Miera<span style="color:rgb(54,40,26);"> followed it up with 2022’s </span><i>Too Many Metrics, 2023's Death By Elvis </i>and his newest in the summer<i> of 2023 Psycho Neon Ballroom. </i>We caught up with one of Chicago's most prolific songwriters to chat about his newest release. </p><p><strong>What are the essential qualities that make a good musician? </strong></p><p>I definitely think just ultimately having it in your blood. It’s more simple than not. You just kinda have it or you don’t. It’s almost like a good actor or a comedian. You either have the timing and the understanding or you don’t.</p><p> <strong>What is the basis for writing music that stands out in the year 2023? </strong><br><br>Hmmm.I think and probably just hope…. But I think people are more quick to notice stuff that doesn’t sound like it was made today. Not even with genres but just production. Things sound pretty repetitive after a while which is fine but it makes it difficult to tell it all apart. Especially when ANY dipshit can record anything and put it online in moments. </p><p><strong>What is like working with an indie record label as opposed to working on your own? </strong><br><br>It’s honestly been really really helpful. They simply have relationships with outfits that I don’t already have. Especially in Chicago where it can really start to seem built on nepotism more often than not. <br><br><strong>What would you say are specific songs and songwriters that changed the way you write music?</strong><br><br>Definitely Isaac Brock, Miles Davis, Kim Deal, Charles Thompson (Black Francis), Daniel Johnston, Mike Patton. </p><p><strong>Do you find it hard to be inspired by artists that are younger than you or do you find instances of their energy being helpful motivation?</strong> <strong>Can you name any new artists you find inspiring?</strong> </p><p>Oh, it’s not hard at all. If somebody is doing something that I find great, then it’s great. An instance that definitely sticks out to me was my old band were on a short tour and doing a show in Minneapolis. There was a solo act before us called Idiots on Fire. It was just this fellow who had an acoustic guitar, wrapped christmas lights around himself and performed these outstanding songs. His sound reminded me of the stuff Simon Joyner recorded in the early 90’s. It was really impressive and inspiring. </p><p><strong>For your current release what was some of the lyrical content, title of the album and overall vibe inspired by?</strong> </p><p>It was admittedly just a lot of stuff I had sitting around and wanted to get if off my computer. I had ignored so much of it for a few years. Then I listened to it and realized that it wasn’t as bad as I assumed. So I sent it to Mint 400 and they thankfully put it out. <br><br><strong>Do you find you pine over writing songs and hold on to them a long time before including them on a record or do you prefer to write them, get them out and then be done with them? Do you ever re-visit old material to do a re-write or once it's done it's done?</strong> </p><p>That’s sort of what I did with this current release. But to answer your question, ultimately no. I usually prefer to do them, get them out. Then move on. Having them sit around is pretty out of the ordinary for me. That’s why with this current release, I just got them ALL out to have a clean slate. </p><p><strong>For your future endeavors do you plan to take anything, like lessons learned whether it be in the songwriting or recording process from this current record into the next project? </strong><br><br>No. I’m pretty satisfied with how I operate. It’s at the speed I’d like to go.</p><p><strong>FROM ‘PSYCHO NEON BALLROOM’ BY YELLOW PILLS “R IS FOR RAD” </strong></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="v9T3-Atczvc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/v9T3-Atczvc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.instagram.com/yellowpillsmusic" target="new">https://www.instagram.com/yellowpillsmusic</a><br><a class="no-pjax" href="https://www.facebook.com/Yellow-Pills-533792859995314" target="new">https://www.facebook.com/Yellow-Pills-533792859995314</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72284422023-06-18T06:58:51-04:002023-06-18T10:04:17-04:00JoobieSeaz returns with a dark and gloomy new single "Close" via Pyrrhic Victory Recordings<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/3e057557b5e8064e09198716e83a51baff0d59c5/original/lola-61823.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p style="text-align:center;"> <iframe style="border-width:0;height:442px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/track=503373150/size=large/bgcol=333333/linkcol=9a64ff/tracklist=false/transparent=true/" seamless=""><a href="https://joobieseazpvr.bandcamp.com/track/close">Close by JoobieSeaz</a></iframe></p><p><strong>Lola Geller</strong> and <strong>Alex Generous</strong> of <strong>JoobieSeaz</strong> have just released a new dark and gloomy single “Close” via <strong>Pyrrhic Victory Recordings</strong>. Following their last single “Something New” (released earlier this year), a somewhat cheerful and uplifting track, “Close” is a much darker song, with moody elements and nihilistic lyrical undertones. Their signature sound is still there - somehow chaotic yet always consistent: Alex's intriguing foundational basslines covered with Lola's sultry and taunting lyrics and vocals, with added textures of tasteful guitar. </p><p>Here, Lola taunts us repeatedly with “you destroy everyone, we destroy everyone”, the verses almost like a mantra, over a haunting bassline. It gets darker as the song twists and turns in unexpected places, and ends somewhat abruptly. You never seem to know what you're going to get from JoobieSeaz - songs like “GGPG” (video below) have 90s hip hop elements, mixed with classic indie rock. Tracks like “Pitch Black” are much darker and brooding. I could go on. They seem to have an innate ability to roam through genres easily and find that sweet spot where their talents can manifest through a medium chosen at will, depending simply on their mood and what they feel like expressing at a given moment. Highly recommended. </p><div class="video-container size_l justify_left" style=""><iframe data-video-type="youtube" data-video-id="T8x56NKoj7E" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/T8x56NKoj7E?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><iframe style="border-width:0;height:42px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/album=1347468639/size=small/bgcol=ffffff/linkcol=0687f5/transparent=true/" seamless=""><a href="https://joobieseazpvr.bandcamp.com/album/pitch-black-the-singles">Pitch Black [The Singles] by JoobieSeaz</a></iframe> <iframe style="border-width:0;height:42px;width:100%;" src="https://bandcamp.com/EmbeddedPlayer/track=3522124736/size=small/bgcol=ffffff/linkcol=0687f5/transparent=true/" seamless=""><a href="https://joobieseazpvr.bandcamp.com/track/something-new">Something New by JoobieSeaz</a></iframe></p><p><a class="no-pjax" href="https://www.instagram.com/joobieseaz/" target="_blank" data-link-type="url">JoobieSeaz Instagram</a></p><p><a class="no-pjax" href="https://pyrrhicvictoryrecordings.com/joobieseaz" target="_blank" data-link-type="url">Pyrrhic Victory Recordings</a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72177252023-06-16T05:00:00-04:002023-06-16T05:00:03-04:00WHAT'S IN OUR INBOX! DEAD SEA APES, THE DIONYSUS EFFECT, THE HOLY GHOST, BED, TEENAGE FANCLUB<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/135705f5ca6a8b952f76ceb08e58482c96ddb197/original/bmn-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week we have some sludgey instrumental metal, some shoegaze and some indie legends in Teenage Fanclub. Some pretty great music this week! If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Dead Sea Apes</p><p><strong>BMN Score:</strong> 9.3/10</p><p><strong>What the band says: </strong><span lang="EN-GB">DEAD SEA APES are back with a passion to deliver their most essential and cohesive album to date. Formed in 2009, DEAD SEA APES have become a fixture of the modern-day psych scene, sharing stages with the likes of Part Chimp, The Heads, Acid Mothers Temple and Mugstar while producing a distinctive body of work, ranging from psychedelic punk to experimental dub, from freeform jams to constructions of loops and drones. </span></p><p><strong>What we say they sound like:</strong> Sludgey instrumental doom metal. I approve because the amount of metal singers who growl like a feral animal and ruin songs is too high. This is exactly what I want to hear when I have a beer or two in me and am in the mood for loud metal grooves. You can't listen to track one "Denialist" without moving your head, I dare you to try. Tracks like “Rewilding” give us some experimental delay noise before the song kicks into a thrashy slow sludge groove. I can only really explain this EP as at times tribal and primal sounding. This is a record that sounds like the band had as much fun making as we are having listening. </p><p><strong>Song to add to your playlist:</strong> Denialist, Paradise Rex, Truther</p><p><iframe style="border-width:0;height:470px;width:350px;" src="https://bandcamp.com/EmbeddedPlayer/album=1074125127/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://deadseaapes.bandcamp.com/album/rewilding">Rewilding by Dead Sea Apes</a></iframe></p><p><strong>Band Name: </strong>The Dionysus Effect</p><p><strong>BMN Score:</strong> 8.4/10</p><p><strong>What the band says:</strong><span style="color:#000000;"><strong> </strong>New York-based trio, The Dionysus Effect, was formed in a dark basement with a passion for writing songs that conjure up raw energy but are still catchy af with boundary-pushing hooks.</span><span style="color:rgb(153,153,153);"> </span><span style="color:#000000;">With songs ranging from stories about a cuckold named Darryl, going to rehab because of heroin addiction, and a love that feels like joining a cult.</span></p><p><strong>What we say they sound like: </strong>This band has a dark garage rock feel like equal parts punk rock anthem and stompy drinking song. The vocal cadence makes it an earworm that will get the chorus playing over and over in your head. I can appreciate a trio doing their thing and these guys definitely have it down to a science as far doing a less is more writing style. The song is simplistic in structure but the guitar fills so much space that it's hard to even fathom it's a trio. Fans of Motorhead and Sabbath will appreciate the vibe here. </p><p><strong>Song to add to your playlist: </strong>Never Never</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="HTvOq4Z0AxE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/HTvOq4Z0AxE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong> The Holy Ghost</p><p><strong>BMN Score:</strong> 8.9/10</p><p><strong>What the band says: </strong>An anti-racist fight song, more specifically about how tired and angry I get from Sverigedemokraterna <span style="color:rgb(32,32,32);">(a right wing, nationalist political party active in the Swedish parlament) </span>getting so much power. It is about the normalization that has taken place, and how they constantly try to shuffle the cards and appear to be clean when in fact they are a bunch of tie-breakers. Let's call them what they are: if he speaks, makes decisions and tweets like a racist, he is simply a racist. The music, despite the angry lyrics, is quite uplifting and peppy, and this is on purpose.</p><p><strong>What we say they sound like: </strong>There is something about this track that feels to me like the 90's band Failure but mixed with more upbeat melodic punky things like Guided By Voices. It's almost melodic and poppy sounding, but feels like it never resolves, which is kind of a neat trick, it only really releases the tension of the rest of the song at the mellow bridge. This has a really interesting feeling of uneasiness throughout with harmonies that feel like the opposite of whatever feeling you get from Beach Boys harmonies. This will definitely appeal to fans who love 90's alt / indie stuff like My Bloody Valentine, Swervedriver, Failure, etc.</p><p><strong>Song to add to your playlist: </strong>Brownshirt Trojan</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="2gJZlEBeGN4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/2gJZlEBeGN4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong> Bed</p><p><strong>BMN Score:</strong> 8.8/10</p><p><strong>What the band says: </strong>BED<span style="color:rgb(0,0,0);">, the alternative dream pop/punk project fronted by Ebed Moreno, has released a brand new single titled “Waves”, and it’s out now via </span>Wiretap Records.</p><p><strong>What we say they sound like: </strong>This definitely uses the My Bloody Valentine formula for writing great shoegaze. The main riff feels like it was partially lifted from ‘Loveless’. The track has reverb soaked vocals and just the right simplistic chord structure to make you instantly declare “This is great shoegaze”. It's hard for me as a critic to criticize when a band takes all things I very much like and does them kind of in a similar way to create music that is enjoyable. Sure they aren't reinventing the wheel but most bands aren't and this is just plain great. </p><p><strong>Song to add to your playlist: </strong>Waves</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="nnp0Dwdwojg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/nnp0Dwdwojg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Teenage Fanclub</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">“Foreign Land” is the opening track on Teenage Fanclub’s eleventh full studio album </span><i>Nothing Lasts Forever</i><span style="color:rgb(51,51,51);">. That track - and the rest of this beautifully rich and melodic album - is the sound of a season’s end, of the last warm days of the year while nights begin to draw in and thoughts become reflective and more than a little melancholy.</span></p><p><strong>What we say they sound like:</strong> I first saw Teenage Fanclub in the 90's opening for Radiohead and I loved every second of it. As people sang along I wondered why I hadn't heard of this band. Over the years the band has just been consistently doing their own brand of brit rock that to me sounds like somewhere in between 60's acts like The Kinks and late 80's bands like The Stone Roses. It's kind of great that it doesn't reach beyond that and they haven't tried to incorporate newer production sounds or techniques into their overall brand because this is just a perfect gem. Good songwriting is never going to go out of style and Teenage Fanclub continues to write amazing music. </p><p><strong>Song to add to your playlist: </strong>Foreign Land</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ikCMuSHsqOU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ikCMuSHsqOU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72177242023-06-15T05:00:00-04:002023-06-15T05:00:02-04:00(BMN VIDEO PREMIERE) NO GREAT PRETENDER "BARTENDING" <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d371d7ffac22e2c43d3b4ca0aeb809b3fb90fe16/original/nogreatpretenderpressphoto.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Have you ever woken up still drunk from the night before in an unrecognizable place? Ready to trace back your steps to try to figure out the next move? Waiting for everyone else to wake up and get moving again? </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>"Bartending" , the seventh track from the album LAZY LOVER attempts to capture those feelings in the official video which was filmed by Michael Esserman (who is also featured on guitar in the song) at the Wallkill River National Wildlife Refuge in Sussex, New Jersey. With the natural, secluded beauty of the landscape and the intense surreal weather within a 24 hour time period, the scene on filming day was able to serve up a dark dream-like vibe to perfectly coincide with the dark melancholic vibe of the song. </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'> </div><div style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-align:left;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'>Produced, directed, and edited by No Great Pretender (Eric Sosler of A Carousel Moon & The Racer), this is the second official video for the album LAZY LOVER with Mint400 Records, available now! <br> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="9RcglI7JstI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/9RcglI7JstI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/1cRYKp2azR3h7UjZkutKat?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72179102023-06-14T05:00:00-04:002023-06-14T05:00:02-04:00Notes From the Desk of a Jazz Guitarist By Greg Chako<p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/be4ce5900d69ef053e8367530cb51b97ba89e26f/original/greg-chako-live-in-kentucky.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span style="color:rgb(0,0,0);">In a pro-career spanning 40 years and 5 countries, Cincinnati-born jazz guitarist Greg Chako has released ten albums and played countless shows around the world. His bi-weekly column, "Notes From The Desk Of A Jazz Guitarist” shares his expert tips on becoming a better player and person.</span></p><h4>
<br><strong>THE ONLY COMPETITION WORTH HAVING: </strong>
</h4><p>With regard to being a jazz musician, the only competition worth having is the one with yourself. The competition with yourself is: </p><p><i><strong>Are you being the best that you can be? Are we challenging ourselves to be not only a better player, but a better person?</strong></i></p><p>Jazz the art form is not a competition like sports, even though some musicians may seem at times like they're in competition with each other. I make a deliberate distinction when I say the <i>art form</i>, because of course, the <i>business</i> of music can certainly be competitive as we are all operating in limited competitive markets of supply and demand, and the demand for performing jazz artists is rarely as great as the supply of capable performers. However, in the art form and also (albeit to a lesser extent) the business side, I believe that it is originality, and not mere technique or skill, that leads to success. </p><p>In some jam sessions that might be called “cutting sessions,” one could<i> </i>say that the participants are trying to outplay each other, each trying to show that they have superior technique. But it's not necessarily technical skill that wins those competitions, it's the players` <i>originality</i> and their ability to evoke emotion from the audience that tends to win in those circumstances. Once I was playing with a very skilled pianist. In his solo, he played just about everything you could imagine . . . there was no way I could play all that even if I tried. I didn’t compete with him when it came time for <i>my</i> solo. I endeavored to be myself and not be too intimidated by his mastery. We went on break after that song and while we were sitting together, the bassist turned to that pianist and said, “You played a lot of great stuff on that solo bro, but Greg `cut` you with just one note!” The pianist nodded in agreement. If I had tried competing with him, I'd have lost, but guess what? There's always someone who can out play you in terms of notes and technique. But if you are being the best that you can be, playing honestly as who you actually are, then there is no reason for competitiveness or jealousy to negatively impact you. You are the ‘winner’ in music if you have achieved your own style <i>and</i> are ‘comfortable in your own skin’ so to speak. </p><p>I can think of two examples off the top of my head of distinctly different players in terms of technique and the number of notes played, but yet they made great music together despite those differences: John McLaughlin and Carlos Santana; and McCoy Tyner and Grant Green. Although I have zero inside knowledge of what these guys were thinking when they performed together, I`m making an educated guess that none of them were overly intimidated or jealous of each other, or trying to play like the other guy; rather, I bet that they were all simply playing honestly and that was all that could be reasonably expected or desired.</p><p>It's totally expected to copy others when we're just starting out, because that's one good way to learn the jazz language. But that is merely a stepping stone towards eventually “finding yourself” stylistically and <i>creating your own style: the ultimate goal of any true artist.</i> I believe that the more experience we acquire, and the more comfortable we are within ourselves, the less prone we are to competitiveness with other players or jealousy of other players. </p><p>Something else that is relevant to this discourse is the difference between an artist and a craftsman. Tomkins, <i>The New Yorker</i> critic, said that the distinction between the two has to do with form as well as with function: <i><strong>the artist creates new forms, the craftsman reproduces familiar and, for the most part, functional forms</strong>.</i> I tend to agree with that. Craftsman and artists possess many of the same habits and practices, but I believe that the artist is focused more on creating something entirely original, in that it is an expression of that individuals inner self, as opposed to perfecting something that already exists. </p><p>It seems to me that craftsman can easily compete with other craftsman for the best version of whatever it is they are making, however it makes no sense for a true artist to compete with another person. Because it is our individuality that is on display with our art, the competition is with ourselves alone, to evolve into the best version of ourselves that we can be, and to express ourselves honestly through our playing.</p><p>The first thing we can do in order to ‘find ourselves’ as a player, is to stop trying to play like someone else. Rather, seek to find your own niche, and develop a style that best expresses who <i>you</i> are. I think of Miles Davis, who came up among other trumpeters like “Fats” Navarro and “Dizzy” Gillespie, both of whom played higher and faster than Miles did . . . Miles found his instrumental ‘voice’ primarily in the middle register of the trumpet, and became one of the most famous jazz artists ever. He focused his energies on being someone <i>different</i> than “Fats” and “Diz.” Craftsmen copy, but true artists like Miles create a unique style.</p><p>This isn’t to say that we shouldn’t learn from those who came before us. We should be very familiar with the history and tradition of that which we are studying, but with the ultimate intention of “standing on the shoulders of giants,” adding to their legacy with our own singular stamp of style whilst we continue to pursue the pinnacle of our self-development.</p><p>Thus the only competition worth having, for those of us who wish to be true artists, is the race (with death) we have with ourselves to be the fullest and best representation of who we are as individuals, and to honestly represent that through our music.</p><p>Greg Chako</p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72177122023-06-13T05:00:00-04:002023-06-13T05:00:01-04:00MEET NJ SONGWRITER DAMIEN MUSTO<div style="outline:none !important;">
<div style="outline:none !important;">
<p style='-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(29, 34, 40);font-family:"Helvetica Neue", Helvetica, Arial, sans-serif;font-size:13px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;orphans:2;outline:none !important;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;'><span> <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/4f9e8743f0433acb5169da439726048624074634/original/ab676161000051744d55c90f634e7dcdeb600cc9.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></span></p>
<p><span>NJ based singer-songwriter Damien Musto has been on the road opening for </span><a class="no-pjax" href="http://www.ours.net/" target="_blank" rel="nofollow noopener noreferrer" shape="rect"><u>OURS</u></a><span>, performing for some of the biggest crowds of his career. He also just released a new single called "Cry For Help," which was recorded with his friend, OURS frontman, Jimmy Gnecco. We caught up with Musto to chat about it.</span></p>
<p><br><span style="color:black;"><strong>Having been in a handful of notable NJ bands throughout your career (Hey Tiger, small a.m.), at what point did you shift focus and start to seriously hone in on your solo work</strong>? Honestly it wasn’t an intentional move, being a musician, I naturally gravitated towards expressing myself through music. I’m generally pretty introverted so music has always been a way to get it out. </span></p>
<p> </p>
<p><span style="color:black;"> </span></p>
<p><span style="color:black;"><strong>Do you remember when you first picked up a guitar and realized it was something you wanted to learn how to use to write music? </strong>I was 13 when I got my first guitar, I was just so excited to play and I naturally started writing fragments of songs, humming ideas trying to figure out how to play them. To this day I still hum different things and try to learn them. It’s all part of the process. </span></p>
<p><span style="color:black;"> </span></p>
<p><span style="color:black;"><strong>What's the very first concert that you ever went to? </strong>I realize this answer may be unexpected but Barry Manilow. I’ve been a fan since a child and still am to this day, in fact I saw him just a few months ago at The Prudential Center in NJ. </span></p>
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<p><span style="color:black;"><strong>Can you let us in on what your writing process is like these days? Are you a lyrics or melody guy? </strong>Typically, for me melody comes first, lyrics tend to take me a little bit. I’ve always been the guitar player in a band and I’ve been lucky enough to have worked with some great lyricists but the problem with that is I worked with great lyricists so I didn’t have to write lyrics. Some of the best lyrics I write tend to come when I’m in the shower or not thinking about it. </span></p>
<p><span style="color:black;"> </span></p>
<p><span style="color:black;"><strong>What other bands/artists (or specific songs) inspire you musically? </strong>I like a lot of different music, anything from Van Halen, Barry Manilow, U2, Depeche Mode have been my staples growing up, you can even throw Chicago in there. In recent years I really got into the OURS catalog, such a diverse deep collection of songs. Being on tour with them I get a front row look night after night and their live performance really takes it to an entirely new level. The human connection between the audience and OURS is really what makes it extra special, plus the band is slamming. <strong> </strong></span></p>
<p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6qiBzcAfnmM4DQPTNlFUYE?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>
<p><span style="color:black;"><strong>What's the live performance experience like for you and do you have a philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing? </strong>Each live performance is like a puzzle, trying to figure out what works for that moment, trying to make each performance feel like an experience for both the listener and myself, really trying to connect with the audience and take them somewhere special. I don’t think the live performance needs to be identical to the recording, I always change the arrangement on the spot depending on what I’m feeling. </span></p>
<p><span style="color:black;"><strong> </strong></span></p>
<p><span style="color:black;"><strong>Tell us about the tour you've been on with OURS? How did that come to be? Do you have some good stories to share? Best and worst shows, that kind of thing? </strong> A few years ago I asked my buddy Steve Brown from Trixter if Jimmy Gnecco from OURS (who I didn’t know at the time) would be able to help me with my voice. I figured it was a big ask but Steve helped set it up which I’m forever grateful for. Jimmy, who's incredibly kind with a heart of gold, took me on and it wasn’t long before helping me with my voice turned into a real friendship, working on songs, recording and eventually touring. Touring with OURS is great, I feel completely at home and comfortable with all of them. It’s become a real family, we all hang out, watch out for one another and work really well together. Being able to open for the night after night is an extra bonus. </span></p>
<p><span style="color:black;"><strong> </strong></span></p>
<p><span style="color:black;"><strong>What's next? We hear there's a record in the making. What can you tell us about it? </strong>Yes, I’ve been recording with Jimmy but had to take a break while on tour but when we get back I’ll be back in the studio. I think the plan is to release one song at a time and then eventually put out the record. It’s an exciting process, everything is completely honest and organic, and tells a story. Jimmy really does a great job at pushing me and seeing where a song can go. I’m really proud of the work we’ve been doing. I hope people will be able to connect with it, I’m really excited about the direction and work we’ve been doing. </span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="294oKtWg8fg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/294oKtWg8fg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div></div>
<p style="outline:none !important;"><a class="no-pjax" href="https://damienmusto.com/">https://damienmusto.com/</a></p>
<p style="outline:none !important;"><span><strong>Tour dates:</strong></span><br>Jun. 4, 2023@ 7:00 PM<br>Albuquerque, NM<br>Launchpad<br><br>Jun. 9, 2023@ 7:30 PM<br>Phoenix, AZ<br>Valley Bar<br><br>Jun. 11, 2023@ 6:30 PM<br>San Diego, CA<br>Soda Bar<br><br>Jun. 15, 2023@ 7:00 PM<br>West Hollywood, CA<br>Viper Room<br><br>Jun. 21, 2023@ 7:30 PM<br>San Francisco, CA<br>The Chapel<br><br>Jun. 25, 2023@ 7:30 PM<br>Seattle, WA<br>Madame Lou's<br><br>Jul. 1, 2023@ 7:00 PM<br>Salt Lake City, UT<br>Kilby Court<br><br>Jul. 3, 2023@ 7:30 PM<br>Buena Vista, CO<br>The Lariat<br><br>Jul. 5, 2023@ 8:00 PM<br>Denver, CO<br>Lost Lake Lounge<br><br>Jul. 7, 2023@ 7:00 PM<br>Saint Paul, MN<br>OURS<br><br>Jul. 17, 2023@ 8:00 PM<br>Toronto, ON<br>Horseshoe Tavern<br><br>Jul. 21, 2023@ 7:00 PM<br>Hamtramck, MI<br>The Sanctuary<br><br>Jul. 29, 2023@ 6:00 PM<br>New York, NY<br>Le Poisson Rouge<br><br>Jul. 30, 2023@ 7:00 PM<br>Allston, MA<br>Brighton Music Hall</p>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72152412023-06-12T05:30:00-04:002023-06-12T05:40:03-04:00MEET BOSTON INDIE POP ARTIST ONLY CHILD<div style="margin:0px;padding:0px;"> </div><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d8c87f61ff1d38798678683ce3eb5323c08134c0/original/only-child-credit-oliver-guiney.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>How do we detach shame from our desires? How can we live in the discomfort of hiding our longing? Only Child, the musical project of songwriter Christopher James Martin, asks and seeks to answer those questions on debut EP <i>Srs One</i>, set for May 2023 release through producer Casey Desmond’s Jungle Up Records. The EP is led by the bouncing electro-pop single “Don’t Call Me BB”, a campy kiss off anthem with a chorus that’s impossible to forget, and sassy synth-pop follow-up “Defeater.” Try to resist the temptation to send either to your ex. They’re just not worth your time. <br><br>Inspired by queer-fronted pop acts Tegan and Sara, Erasure, Shamir, and Christine and the Queens, Only Child combines ambient instrumentation with vocal hooks to craft sweet and sour pop songs. “‘Don’t Call Me BB’ started with a straightforward beat I learned at summer camp, an otherwise miserable experience for me,” says Martin. “It was one of the first times I thought about music in an obsessive way, which was the beginning of my relationship with songwriting.” <br><br>After singing about the nuances of modern relationships in Boston band All Eyes on Me, Only Child is forging a new path ahead, glazed in beats and treats with personal compositions written from the heart. From collaborating with Boston’s synth-pop queen Casey Desmond to assembling his own “butch band” for the “Don’t Call Me BB” music video, Only Child is both personal and collaborative. But it’s purely Only Child. “I want there to be a space for my songs that was more lighthearted, more upbeat, even if they might be lyrically similar to the songs I wrote for All Eyes on Me,” Martin adds. <br><br>With <i>Srs One</i>, Only Child is making that space on his own terms.</p><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<strong>How did the band form and what does the band name mean?</strong> <br><br> </div><div style="margin:0px;padding:0px;">Christopher James Martin: Only Child started as a way for me to release songs on my own and play shows without having to necessarily consult with a band about every decision, which can take a lot of time and require a lot of compromise on everyone’s behalf. That being said, I truly love all my bandmates and consult them often about creative and style decisions even when they are from my solo releases. I started writing under a different name but the name Only Child soon found me and seemed like It was a better fit. I am an only child and it seems to be something that people always have a reaction to or an opinion about. The name seemed simple, honest, and straightforward while also being evocative.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<strong>Previous musical projects? How’d you first get into music?</strong> <br><br> </div><div style="margin:0px;padding:0px;">I was a late bloomer, and realized somewhat later in life I wanted to learn how to play music. I had many friends in bands and was always jealous of them and curious about the creative process. I got a guitar for my 19th birthday and quickly went about teaching myself how to play. From the get go I started writing my own songs and really took to it. During my college years I would cobble together lyrics and notebooks and slowly piece together what would become my first songs. In 2007 I got a MacBook and started to record myself. I released a lot of those early songs in a band I formed with my best friend Susannah called All Eyes On Me. We got together with our other bandmate Mary Lee Desmond in the early 2010s and released some music and played lots of shows in and around Boston and New England for the better part of the 2010s.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<strong>First concert that you ever went to?</strong><br> </div><div style="margin:0px;padding:0px;">The FIRST concert I ever went to was The White Stripes at the Orpheum in 2003. Other than that, I grew up going to see my good friend and collaborator Casey Desmond play shows at her venue The Magic Room and all around the city.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;"><strong>What’s your writing process like?</strong></div><div style="margin:0px;padding:0px;">
<br>Every song is slightly different; sometimes I start with a riff or some chords on the guitar that sticks with me. I usually need to play that over and over for a long time, like a few months, before I can come up with some type of melody to sing on top of it. Other times, I start right away in my DAW putting together drums, synths, and vocal loops until a song forms. Every so often that process can be accelerated and I will write the majority of the song in one sitting. Weirdly enough, those tend to be my favorite tunes! Lyrics tend to be the last thing I finish after a lot of editing to make sure what I want to say is coming out clearly. </div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<strong>5. What other artists or songs inspire your music? </strong><br><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/40TuN5N9pcB255oJvNihob?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </div><div style="margin:0px;padding:0px;">Usually the songs that inspire me are ones that have a mysterious combination of organic and electronic instrumentation, lots of hooks, and clever lyrics or wordplay. I think the best pop songs are about longing, or unrequited love, and those are also a major part of the queer experience. Tegan and Sara are my first inspirations and kickstarted my love for songwriting. I chose the song ‘Boyfriend’ from their 2018 album Love You To Death. “Boyfriend” to me is a perfect example of queering the narrative and adding a flair for melodrama to your narrative. Learning about them also gave me an urge to research other queer artists. My song “Srs One” is very sonically inspired by the song “A Little Respect” by Erasure. The way the catchiest part of the song occurs as a pre-chorus and gives way to a sense of relief in the chorus felt like a revelation to me the first time I heard it. I named the genre of music I make as “Camp Pop” and I feel like all these songs are all giving that vibe.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;"><strong>What’s the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it’s own thing?</strong></div><div style="margin:0px;padding:0px;">
<br>I do think a live version should be a different experience from the recorded version. I think if you worry too much about what a song will sound like live when you are writing or recording it can hinder the creative process and limit what you can accomplish. What I love about playing with Only Child is subverting expectations. I play solo but use tracks to fill out my sound, which I think makes me a unique performer. When I load in by myself, I think a lot of people expect to hear something quiet and confessional, then are surprised by a fuller pop performance. The tracks make it harder to differentiate too much from the original structure of the song, but I try to find moments of improvisation within them.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;"><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong></div><div style="margin:0px;padding:0px;">
<br>Only Child is a newer project that has started mostly in the pandemic, so I’m focusing more on releasing music and getting my name out there. Please book me on your Summer Tour though! My other band toured around New England. The best thing I like about playing shows in new places for unfamiliar faces is the chance to win over someone or find like-minded people and new listeners. I can’t think of any ‘worst’ shows off the top of my head but I feel like any show with subpar sound or technical difficulties really stresses me out, especially when I’m relying on the tracks to fill out my sound.</div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;"><strong>What’s up next for the band?</strong></div><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<p>My EP comes out May 26. I’m playing the Acton Pride Festival on June 17, which I’m looking forward to. Then a show at the Jungle on July 8. I’m going to be working on my first LP over the summer. Also I’m playing the Hope Fest in Salem in September, which I’m super excited for! Thanks for the questions! </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="_lhqBzzPwrI" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/_lhqBzzPwrI?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="margin:0px;padding:0px;"> </div>
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</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72146672023-06-09T05:35:00-04:002023-08-21T11:21:43-04:00MEET NJ PUNK ROCK TRIO THE CAROUSERS<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/a5c4a8f50ac98ec1c08bee133f635a45abda3052/original/promopic-option-2-pic-by-abby-clare.jpeg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>The Carousers are a punk trio hailing from Long Branch, NJ made up of Joey Affatato (vocals/guitar), Cassidy Crosby (bass/backing vocals), and Andy Jackle (drums). The band emerged in the spring of 2016 when college friends Joey and Andy recorded their first demo, “She’s The Devil'', assisted by Mikey Groch (of Trenton punk band The Cryptkeeper Five) on bass guitar. In need of a bassist for their first show, Cassidy filled in and shortly after became a permanent member afterwards. The Carousers have been a central NJ staple in the punk rock community for years and we caught up with them to talk about what inspires the band and what they are up to: <o:p></o:p></p><p><o:p></o:p></p><p><strong> How did the band form and what does the band name mean?</strong><o:p></o:p></p><p> Andy: I pitched it to a former band mate long ago and he didn’t like it, so when that band broke up and I started a new one, I had a nice opportunity to recycle it.<o:p></o:p></p><p> Joey: We’re honored Andy recycled it for us - ha! The word “carouser” means to party and drink and to get rowdy. When we started the band back in college, we definitely fit this mold so it was kinda the perfect fit.<o:p></o:p></p><p><strong> Previous musical projects? How'd you first get into music?</strong><o:p></o:p></p><p> Cass: I started taking classical piano lessons at 5 years old, started playing guitar at 9, and picked up the bass in high school. I played guitar in my high school band, and in college I joined The Carousers, my first band playing bass!<o:p></o:p></p><p> Joey: For me, it was my uncle who inspired me and really pushed me to play the guitar and write songs. We’d get together every weekend for years and he would teach me all he knew - it was really cool and I’m grateful to this day. Once I got decent, I started writing my own songs and eventually had my uncle’s band The Cryptkeeper Five back me in the studio for my first solo project The Ramparts Rebel. I’m really proud of it and it holds a special place in my heart. Besides that though, I’ve played solo for years before The Carousers and have also been an “occasional” sub in for TCK5 and another group called Argyle Goolsby & The Roving Midnight.<o:p></o:p></p><p> Andy: Jeez… honestly there’s way too many to count. I played in a band with my hometown buds back in high school called Yankee Blue Jeans. In college, I was in several bands besides The Carousers, including The Emily Youth Project, The Trusties, and Thanks Genie. Now, I also play in Smooch and with Rachel Ana Dobken. There are several more though from over the years.<o:p></o:p></p><p><strong> First concert that you ever went to? </strong><o:p></o:p></p><p> Joey: First local show was The Cryptkeeper Five. My first national act show was Green Day. Both really did it for me and opened my eyes up to music in general. I’m glad to have been introduced when I was! <o:p></o:p></p><p> Cass: My first concert was technically Hillary Duff, but shortly after was the Gin Blossoms, so I typically like to go with Gin Blossoms! <o:p></o:p></p><p> Joey: Yeah, Gin Blossoms are great. Cass and I got to see them years ago at the Wellmont Theater and met the singer! Super cool experience and the band put on an awesome show.<o:p></o:p></p><p> <strong>What's your writing process like?</strong></p><p> Joey: I usually start out by writing songs on my acoustic guitar and then bring them to the band. Sometimes I demo them out very roughly in Garageband too in order to explain what I’m thinking for parts since I’m horrible with music terms haha… Occasionally though, like for “The Future”, we have very productive writing sessions and these come together at practice. It’s a lot of fun getting to experiment and see what happens!<o:p></o:p></p><p> </p><p><strong>What other artists or songs inspire your music? </strong><o:p></o:p></p><p> Joey: I’ve been really into Weezer lately and I think that’s translated well into the band’s writing. Big guitars, catchy melodies, lots of harmonies. Their lyrics are a lot of fun too - a huge inspiration for “The Future” and the newer stuff we’ve been working on. The Menzingers are another one; our new music video drew influence from their video for “I Don’t Wanna Be An Asshole Anymore”. We’re pretty proud of how it came out and hope others dig it too.<o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/13KKUbLiQmso8TBZ6bxNZi?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong><o:p></o:p></p><p> Cass: I think something that’s pretty cool about our band is when we record our songs, we try and emulate the live experience by channeling the energy of a live show. I feel like putting that energy into recorded music really gives listeners a good idea of who we are as a band.<o:p></o:p></p><p> Andy: Yeah, Cass said it best. Obviously being a three piece, there are elements on our recordings that can’t always be replicated live, but the energy is always there and honestly I find that to be the most memorable anyway!</p><p><br> <strong>Has the band toured? </strong><o:p></o:p></p><p> Joey: As a band, this will be our first “real” venture out of the state, so we’re all really stoked! I feel it’s safe to say our best shows have been house shows. There’s definitely a different vibe when we play them and we’re usually amongst friends, so it’s always a good time.</p><p><strong>What's up next for the band?</strong><o:p></o:p><br><br>Joey: We’ve been writing a lot, so it’s our hope to get into the studio by the fall/winter to record some new tunes. It’s also a goal for us to continue playing out of state with other cool bands, so we’re trying to make that happen too. All really exciting stuff - we can’t wait!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iKwuRx2xMXE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iKwuRx2xMXE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.facebook.com/thecarousersnj">Facebook</a><o:p></o:p></p><p><a class="no-pjax" href="https://www.instagram.com/thecarousersnj/">Instagram</a><o:p></o:p></p><p><a class="no-pjax" href="https://twitter.com/thecarousersnj">Twitter</a><o:p></o:p></p><p><a class="no-pjax" href="https://www.tiktok.com/@thecarousersnj">TikTok</a><o:p></o:p></p><p><a class="no-pjax" href="https://www.youtube.com/channel/UCJCQk7LWM856CY8j8csKUJA">YouTube</a></p><p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72152392023-06-08T05:15:00-04:002023-06-12T14:18:26-04:00MEET PITTSBURGH AMERICANA SONGWRITER ALAN GETTO<p dir="ltr"> <img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/bea111a3b7927f54fa4b44b0f4c624ebcbeb359a/original/345668818-922975538937175-4919363187701433302-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:#000000;">Americana artist Alan Getto is a musician and songwriter based in Pittsburgh, Pennsylvania. Getto's music pairs rustic soundscapes with classic Americana storytelling to profoundly explore the complexities of the human condition. To date, Getto has released three albums, toured the East Coast, showcased at Folk Alliance and with Sofar Sounds, and shared stages with the likes of Twisted Pine and Damn Tall Buildings. His forthcoming EP, Songs from a Farmhouse, is a collection of discerning folk songs inspired by life in the rural Rust Belt. </span> <br> </p><p dir="ltr"><span style="color:#000000;"><strong>How did you find your way to music?</strong></span></p><p><span style="color:#000000;">I started playing bass and harmonica in high school so that I could play along with some buddies. I wanted to write songs and sing, though, so I picked up guitar. Within a month or two I started writing songs. So-horrible-they’re-cute songs.</span></p><p><br><span style="color:#000000;"><strong>Previous musical projects? </strong></span></p><p><span style="color:#000000;">None! Always been just me.</span></p><p><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span></p><p><br><span style="color:#000000;">Bruce Springsteen at Gillette Stadium when I was 10. I like smaller concerts now, but that was still pretty rad.</span></p><p><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span></p><p><br><span style="color:#000000;">It’s hard to talk about this without sounding pretentious, but I wait until something feels unique. I write when I need to. That might not be very often, and it makes my writing a little rough around the edges, but the song just comes out. The editing process is the hard part.</span></p><p><span style="color:#000000;">Even though the lyrics are more my thing, the music often comes first. Nice to have a guiding force for the words. Whichever comes first (and both have at different times), making them match is one of my favorite things in this world. </span><br> </p><p dir="ltr"><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/3B8MqOCxnAtg0s94mYGEz5?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> </p><p dir="ltr"><span style="color:#000000;">The songs and artists I included in my playlist inspire me to be my authentic self—in music and in general. The depth of feeling, empathy, and humor in those songs is incredible. Makes life feel real. </span></p><p><span style="color:#000000;">You’ll see some masters of poignant humor, like John Prine and Loudon Wainwright, but also some artists who are unafraid to lay bare their hearts, like Big Thief, Twain, and Hank Williams. The combination of these elements is everything I can aspire to be.</span></p><p><br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span></p><p dir="ltr"><span style="color:#000000;">It depends on the song, the night, and the ensemble. I play solo a lot. When I do, I play my songs a little differently, based more on how I’m feeling. You find new aspects that way, and it feels more honest. </span></p><p dir="ltr"><span style="color:#000000;">When playing with a band, you have to follow a form, but you can still find how the song fits the ensemble. And if you’ve got more energy that night, play it faster or louder. I’m of the Bob Dylan school of thought—find out how different a song can be and still be the same song.</span></p><p dir="ltr"><span style="color:#000000;"><strong>Have you toured? What has the touring experience been? Best shows? Worst shows?</strong></span></p><p><span style="color:#000000;">I’ve gone on two little solo tours around the East Coast. It’s very weird, and it’s great. Not knowing anyone in a place you’ve never been, not knowing where to go or what to do when you’re not playing is uncanny. But it’s also maybe the best way to see the world and get to know people.</span></p><p><span style="color:#000000;">Best shows, whether big or small, are when people are listening. Small shows are great for that reason, but I opened recently for a band named Company Townes in Warren, PA. There were about two hundred people each night. Everyone was there, engaged, and listening. Best shows in recent memory. </span></p><p><span style="color:#000000;">Worst shows are, obviously, the opposite of that. </span><br><br><span style="color:#000000;"><strong>What's up next for you and your music?</strong></span></p><p><span style="color:#000000;">Releasing my EP <i>Songs from a Farmhouse</i> on June 23, the release show on June 24, and then getting back out there on little tours to play my new songs for people! Can’t wait.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="rLCoOCW_1rE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/rLCoOCW_1rE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span style="color:#000000;">Socials:</span></p><p dir="ltr"><span style="color:#000000;">Instagram: @alangettomusic</span></p><p dir="ltr"><span style="color:#000000;">Spotify: </span><a class="no-pjax" href="https://open.spotify.com/artist/2bktn0YyXEMljCEH2OD0du?si=Ti8LYFHUQjKmUF8I3Bg6xA" target="_blank" rel="nofollow noopener noreferrer"><span style="color:#000000;"><u>https://open.spotify.com/artist/2bktn0YyXEMljCEH2OD0du?si=Ti8LYFHUQjKmUF8I3Bg6xA</u></span></a></p><p dir="ltr"><span style="color:#000000;">Facebook: </span><a class="no-pjax" href="https://www.facebook.com/alangettomusic" target="_blank" rel="nofollow noopener noreferrer"><span style="color:#000000;"><span>https://www.facebook.com/alangettomusic</span></span></a></p><p dir="ltr"><span style="color:#000000;">Website: </span><a class="no-pjax" href="http://www.alangetto.com/" target="_blank" rel="nofollow noopener noreferrer"><span style="color:#000000;"><u>www.alangetto.com</u></span></a></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72152402023-06-07T05:25:00-04:002023-06-08T15:21:46-04:00ASBURY PARK'S THE EXTENSIONS BRING 'HIGH CHARISMA' TO THE TABLE<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/482875b2e26d1cbf3aa9bc29a1b8ce99246758bc/original/321896317-719821396530861-6385222718488241200-n.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><strong>I Knew Brian Erickson in College. Here’s What I Think of His Band’s New Album</strong><br>By: Matt Pischl<o:p></o:p></p><p>Wanna make a quick $2.00? Find the EP Brian Erickson produced for me back in 2007, and he swears he’ll mail you a $2.00 bill. You don’t know me. But you almost certainly know my old protégé; my mentee.<o:p></o:p></p><p>Life takes its detours and around the turn of the last decade, the two of us began to diverge a bit. I started a family and Brian started a band. And while that band, The Paper Jets, got put on ice quite a few years ago, I remember feeling extremely proud that this kid I met who couldn’t play guitar and could <i>barely</i> slap a bongo drum had become a solid frontman in a really good band.<o:p></o:p></p><p>As it does, family became my priority, so I hadn’t much kept up with The Extensions. But when Brian sent me a copy of <i>High Charisma</i>, the band’s first full-length, I had to stop what I was doing and give it a listen. And when I was done, I went ahead, listened back again, and made some notes. <o:p></o:p></p><p>So here they are. Thoughts from someone who was there 20 years ago; who heard this guy write his very first song. Who taught him more than his fair share of guitar chords. And who couldn’t be prouder of what this band continues to accomplish.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="X9OYAFcXVdE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/X9OYAFcXVdE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><ol>
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<strong>With a K</strong> – From that Prince-inspired opening strum, I thought I was headed for a Party Pop record. Even more so when glancing at the other track titles. But right away, the vibe changed and gave me more Talking Heads/Tom Tom Club energy…a little funkier, a little more Euro. The chorus stuck with me for half-an-hour afterward and the hook and harmonies are fantastic. The bass-playing makes me wanna boogie! I was hoping for a fadeout and got a hard stop at the end instead. But that’s just, like, my opinion, man.<o:p></o:p>
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<strong>Charm Offensive</strong> – Traded in the Euro party vibe for some Modest Mouse until those sweet choruses ring back in! This song makes me think of Neon Trees or Orson (you know…the “Ain’t No Party” guys?). The bridge is rad, and I love the build to the dropout. Verdict: Still boogeying.<o:p></o:p>
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<strong>Follow You, Unfollow Me</strong> – The groove of these verses is really working for me, and I love the spacey little flourishes! Chorus, to me, is the closest we’ve come to “vintage Brian”<span> </span>so far. I hear some Killers in the “Make it hard for me to lie” section and I like it! I bet the last minute of this song really soars live.<o:p></o:p>
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<strong>Big Tree</strong> – I like the percussive chug of the guitar in the verses. The vocal on “Tell me darling, are we happy yet?” hits me, and Lisa’s harmony is a nice touch! Brian tends to sing a little higher than his speaking voice, so hearing him in this range is refreshing when he puts some emotion behind it. This song is also where the record starts to abandon Party Pop in favor of something I might actually like better. I hear Jeff Buckley in the choruses and when the full band hits before the second verse…just take me away, folks! Solid, solid track!<o:p></o:p>
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<strong>Isn’t It a Party</strong> – I wasn’t expecting a ballad here, but I’ll take it! The song is long, but just as I thought it might start to wear out…Beach Boy swell out of the bridge and into a guitar solo! That section shines so much that I had to rewind and listen again before moving on. Lisa’s vocal, the guitar tones, and the xylophone flourishes take this song back to a different era. Production on this is legit!<o:p></o:p>
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<strong>Casual Day</strong> – Party Pop is now fully gone in favor of grungy guitar and <i>Zooropa</i>-style U2 guitar on the choruses. Again, the production really wins out, especially from the chorus into the bridge/ending of the song.<o:p></o:p>
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<strong>Scene Famous </strong>– I love when Brian spikes some falsetto! This song would sound at home with Deep Purple or Edgar Winter; or just name a famous 90s rock album. But despite the heft, I’m still tapping my foot and bobbing my head. Just with more angst.<o:p></o:p>
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<strong>My Turn </strong>– When did Fleetwood Mac show up? The groove and vocal interplay between Becca and Lisa sounds so good, and the post-chorus build is absolute ear-magic! This might be my favorite tune on the record so far. This is a great, unexpected turn that works extremely well!<o:p></o:p>
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<strong>Seeing Ghosts </strong>– The guitar parts and production had me thinking the intro was pulled right from a classic 90s record. But the vocals give me shades of <i>Love is Hell</i> which isn’t surprising since that’s probably the album I remember Brian listening to the most when we were in school together. The vocals lay perfectly on top of the melody, and the two together are stellar! Production, yet again, absolutely rules the back half of this album. Another well-built track!<o:p></o:p>
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<strong>Typical Amerikan </strong>– When everything kicks in…The Decemberists! The drums snake in and out of the song so well. Lisa with the organ is the quiet MVP of the track. This is a perfect album closer and it must sound incredible when they play it live!<o:p></o:p>
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</ol><p>I’m not always the best at interpreting how an album fits together as a concept. Instead, I ask myself “Can I listen to this from start to finish and not lose interest?” and the answer here is ‘absolutely!’ Overall, this record set me up for an experience I didn’t end up getting. But what I <i>did</i> get, was something even better. And I hear the band already has a ‘part two’ type LP in the works. If it’s even half as good as <i>High Charisma</i>, we’re still in for something truly special!<o:p></o:p></p><p><i>High Charisma</i> comes out on Friday June 9<sup>th</sup> on Mint 400 Records. They will be hosting an <a class="no-pjax" href="https://www.asburylanes.com/event/fake-pockets-the-foes-of-fern-the-extensions-06162023/"><strong>album release show</strong></a> alongside Fake Pockets and The Foes of Fern. <a class="no-pjax" href="https://www.axs.com/events/484188/fake-pockets-the-foes-of-fern-the-extensions-tickets?skin=asburylanes"><strong>Get your tickets here</strong></a>.<o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72145792023-06-06T05:00:00-04:002023-06-06T05:00:02-04:00WHAT'S IN OUR INBOX! TENNIS COURTS, TREVER KEITH, HOT BREATH, FREE WHENEVER, DESERT MAMBAS<p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/fdcdc8875e9816bcfd007d04006b9e31a39b4260/original/bmn1.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" />Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week we have a lot of folk for you to check out and it's mostly from the gentlemen, we did throw in the kick ass rock of Hot Breath as well and the instrumental brilliance of Free Whenever so check them all out. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Tennis Courts</p><p><strong>BMN Score:</strong> 9.2/10</p><p><strong>What the band says: </strong><i>"This song is probably the most personal song we’ve ever put out. It’s about a lot of things, but I think it's mostly just about how I have felt over the last year. I’ve spent a lot of time coming to terms with myself, how I fit in the world, and how I fit into other people’s lives. I spend a lot of time examining my relationship with myself, family, friends, and partners. And at the end of the day, maybe I am just thinking too much."</i></p><p><strong>What we say they sound like: </strong>The vibe is Elliott Smith hushed sounding vocals, a little bit of Nick Drake and introspective lyrics. There's something about personal songs on an acoustic guitar that I think A.I. is never going to be able to replicate. This builds really nicely with reverb soaked guitar lines filling the background space as delicate guitar and a simple vocal melody fill the song until at the 3 minute mark where drums kick in and build the song into more of a shoegaze tinged folk song. It's nice all around, I would definitely want to listen to more of this artist. </p><p><strong>Song to add to your playlist: </strong>Am I Not Talking Enough</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="InNtMSdrmC0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/InNtMSdrmC0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><strong>Band Name: </strong>Trever Keith</p><p><strong>BMN Score:</strong> 8.1/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">After three decades, </span>Trever Keith<span style="color:rgb(51,51,51);"> still has plenty to say. It’s still as powerful as ever, it’s just quieter. In 2021, Keith moved back to Nashville, TN and did something he rarely does: he stayed home, he wrote songs alone on an acoustic guitar, and he found new ideas and new inspirations. </span><i>“When I first heard Zach Bryan, I was immediately drawn to his storytelling; the honesty and rebellion in those songs draw from the same creative well that punk rock does," </i><span style="color:rgb(51,51,51);">Keith said.</span><i> Covering ‘Heading South’ </i><span style="color:rgb(51,51,51);">(which Keith released late 2021 under his own name)</span><i> felt as natural to me as covering a Descendents song</i><span style="color:rgb(51,51,51);">."</span></p><p><strong>What we say they sound like: </strong>I'm a little bit biased here. The first 7 inch record I ever bought with my own money at a record store was Face To Face “Disconnected”. If this was anyone else I'd say this is an ok song but I don't know how much I can champion all of these old punk guys doing this sound, seems like they all choose country tinged folk. However the alternative of having them doing the same thing over and over again for 40 years is also just as grim. This is pretty average for me, if I was a huge Face To Face fan still I'd probably love this as a continuation of the band. Nothing bad about this at all, I guess when you see the name of an artist you've known for 30 years you have preconceived notions of what their music should sound like. I'm gonna listen to some more of his music before I form a concrete opinion. </p><p><strong>Song to add to your playlist: </strong>What Keeps Me Up Now</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ufYei0CZ9Y0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ufYei0CZ9Y0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Hot Breath</p><p><strong>BMN Score:</strong> 8.5/10</p><p><strong>What the band says: </strong><i>”Keep On Calling is a song about trying to break free from forbidden duets – even though your body is as tense as a bow-string”.</i></p><p><strong>What we say they sound like: </strong>Hot Breath isn't reinventing the wheel but boy are they a fun band. It's like seeing Heart mixed with The Runaways. It has a classic 70's/80's rock sound but with modern production and just enough originality to keep it interesting. I'd love to see this live, as it sounds like a vibrant, energetic band that writes catchy songs. It's got enough punk attitude to keep me intrigued but with skills from their players on par with Zepplin and not a direct carbon copy like Greta Van Fleet. </p><p><strong>Song to add to your playlist: </strong>Keep On Calling</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="5sgDTFNzRsg" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/5sgDTFNzRsg?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Free Whenever</p><p><strong>BMN Score:</strong> 9.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">Since then the Brooklyn NY based duo's bond has been unbreakable and their mind-bending blend of stoner/psychedelic music has been leaving listeners breathless. Destiny indeed may be playing a role in their journey.</span></p><p><strong>What we say they sound like: </strong>To me this is on par with a more chill version of The Budos Band. It's jazzy and light but with a good groove to it. For anyone who likes mellow jazz spacey jazz guitar this has nice warmness to the overall tone. The percussion gives it a very bossa nova feel at times but sprinkled with funk. This really has a lot of nice elements to it and at moments reminds me of Noori & His Dorpa Band because of the world music feel of it. Great stuff!</p><p><strong>Song to add to your playlist: </strong>Camino</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="muI7BoBsVv4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/muI7BoBsVv4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Desert Mambas</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span>“Buzz Cut Blues” is a tender ode to dealing with the absurdity of transphobia in public, a triumphant response to the jeers and comments of the clueless and the ignorant, the ones who cannot see their incidental affirmations when they cannot properly put gender into a little box. An affirming ballad sung with grace and tender care, careful movements over strings gently strummed. “Buzz Cut Blues” is a nod in name and spirit to the classic Leslie Feniberg book “Stone Butch Blues," a history felt deep in the bones of the song.</span><br><br><strong>What we say they sound like: </strong>This has a very cool Elliott Smith meets Kimya Dawson feel to the vocals but more self deprecating. As a self deprecator I can get behind this. Lyrically is how this sets itself apart from other folk artists, the meek heartfelt lyrics immediately suck you in. In a way it reminds me a little in aesthetic as comparable to Nico's “These Days”. This is one of those artists that just gets it and writes a great song with no bells and whistles but understood the assignment. It's classic, timeless and something I could listen to a hundred times. </p><p><strong>Song to add to your playlist: </strong>Buzz Cut Blues</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="oOTk_Ogv8dc" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/oOTk_Ogv8dc?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72113012023-06-05T05:00:00-04:002023-06-05T05:00:03-04:00MEET SWISS GARAGE ROCK BAND THE JACKETS<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/593eda477f5f5c2678f2e91727fdae5138e06639/original/bio-pic2022.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>The Jackets are based in Bern, Switzerland and consist of front woman Jack Torera, Chris Rosales (an American expat originally from Los Angeles) and Samuel "Schmidi" Schmidiger. Charismatic singer and guitarist Jackie Brutsche (aka Jack Torera) is an energetic elemental force, androgynous and wild. With her distinctive voice, her fuzz guitar, stage acrobatics and stage make-up, she captivates. Together with the uncompromisingly rhythm and groove section of Chris Rosales on drums and Samuel Schmidiger on bass the Jackets create the perfect three-piece; raw, direct and together with Brutsche turn every Jackets concert into an unforgettable event.</p><p>The Jackets strip Rock and Roll down to its essential components then build something unique to their personalities and their need for self-expression. The music feels new because it is authentic and free of cliché but still captures the simplicity that Rock and Roll must have to stay honest and bold! Songs like “Wasting My Time”, “Keep Yourself Alive” and “Freak Out” have become new anthems for new times but keep the spirit and roots of garage punk in the heart of the song. They mix Punk and Psychedelic ‘60s that make your body move and lyrics that feed your mind. The Jackets are not afraid to play ballads or the most primitive punker. It always sounds groovy when it’s The Jackets!</p><p><o:p></o:p><o:p></o:p></p><p><span><strong>Under what circumstances did The Jackets form, and were you all writing and recording together before the band’s formation in a different project? How did you all meet each other, and can you tell us about the other bands you’ve been a part of and the experiences you took from that time and incorporated into The Jackets? </strong></span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> I met Jackie [Torera] in the late nineties, and we were a romantic couple for many years. One of our goals was to start a great rock & roll band together because we had been in many bands before, but all the other members wanted to do the band thing at less than 100%. In 2005, Jackie and I began writing songs and rehearsing with just guitar and drums. Eventually, we wanted a bigger sound, so I asked one of my favorite bass players here in Bern, Switzerland, to play with us—Severin Erni from a band called Tight Finks. We had our first show in January of 2008. Severin wanted to start a family and wasn't going to be free to play full-time in a band, so he agreed to finish all the bookings we had so far and to record bass on our first recordings, but he couldn't go on with us after that. We met Sam [Schmidiger], our current bass player because he was the local promoter at a club where we performed. After the gig, we stayed up all night drinking and talking to Sam. To make a long story short, Sam became our bass player one month after that meeting. I was in a few bands before The Jackets. While living in the United States, I played in a band with Candy Del Mar from The Cramps called The New Creatures (no recordings). When I relocated to Switzerland, I played with Beat-Man of Voodoo Rhythm Records when he was doing his Lightning Beat-Man wrestling band in the early mid-nineties, and then later as the first backing band when he started his metamorphosis into The Reverend Beat-Man. You can certainly hear a lot of Beat-Man's influence in our music. I then formed a soul band called The Super Supers and joined The Get Lost in the early 2000s, which consisted of two members from the legendary 80s neo-garage revival gods, The Miracle Workers. Jackie was in a few bands before The Jackets, like The Mad Cowgirl Disease and The Fox, who wore similar stage clothes to The Jackets, so we took some influence from them. Sam played guitar in his party punk and roll band, The Budget Boozers, which still plays gigs occasionally. All these bands of ours were stepping-stones to how we play and perform in The Jackets.</span><o:p></o:p></p><p><span><strong>Who were the first national touring and local act concerts you three saw growing up, and what impact did those shows leave on you then? </strong></span><o:p></o:p></p><p><span><strong>Jack Torera:</strong> AC/DC was a big influence when I was growing up. </span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> The Cramps and The Ramones came to play in Los Angeles every year when I was growing up there in the eighties, so both bands greatly influenced me. Plus, the Sixties-garage revival thing was happening in the city at the time and basically shaped the rest of my life.</span><o:p></o:p></p><p><span><strong>Your new single, </strong></span><i><span><strong>Life’s Not Like The Movies</strong></span></i><span><strong>, is your second partnership with Chaputa! Records after he split release between you and The Courettes last year. This release is also your second single this year, with </strong></span><i><span><strong>Pie In The Sky</strong></span></i><span><strong> released in April. How did this partnership between you and the label start, and what put the wheels in motion to release this new single? </strong></span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> </span><span style="color:#0E101A;"><span>Chaputa! Records had been asking us to do one of their split singles for a long time -even before we recorded our last record, </span><i><span>Queen of the Pill,</span></i><span> and a while after that LP was released when we decided to give them two of the hottest songs on that album. They were straightforward to work with and really cared about the bands and the quality of the products they wanted to make. We were impressed. So when we were shopping around for other labels to release our stuff, they were our first choice. Both new singles came from a Spring 2022 recording session in Bern. We had just formed our new label, Wild Noise, and wanted to have a single as our debut label release, and then we decided to do another single release with Chaputa!</span></span><o:p></o:p></p><p><span><strong>What other artists or songs inspire your music? </strong></span><o:p></o:p></p><p><span>The Cramps - "The Way I Walk"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="s70y40ba7k8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/s70y40ba7k8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>The epitome of cool, what every band wishes to attain.</span></i><o:p></o:p></p><p><span>The Monks - "Complication"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="Y7Ql9QwaLmU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/Y7Ql9QwaLmU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>A living art piece. These GIs went AWOL and started the first punk band in Germany in the sixties. </span></i><o:p></o:p></p><p><span>The Sonics - "Psycho"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="BqpMhpEp13o" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/BqpMhpEp13o?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>Arguably the greatest screamer in Rock and Roll and maybe the first US Punk band?</span></i><o:p></o:p></p><p><span>The Seeds - "Evil Hoodoo"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="RRX96qtM03A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/RRX96qtM03A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>They invented a completely new sound. Fuzz, simplicity, and the craziest lyrics of all time. </span></i><o:p></o:p></p><p><span>The Music Machine - "Talk Talk"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="lOXNh-nufm8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/lOXNh-nufm8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>All black clothes, one black glove, and the Vox Guitar poster band. These guys started the look, and the songs were amazing. </span></i><o:p></o:p></p><p><span>The Gun Club - "Sex Beat"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="GP5QEGCs1lE" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/GP5QEGCs1lE?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span>T</span><i><span>he swamp things of Los Angeles. Wailing, ghostly vocals, and a band that could rival The Cramps</span></i><o:p></o:p></p><p><span>The Remains - "Why Do I Cry"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ZPfb2Wh-W-M" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ZPfb2Wh-W-M?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>These guys were on tour with The Beatles, and no one ever heard of them!? The greatest American garage rock from Boston. </span></i><o:p></o:p></p><p><span>The MC5 -" Looking At You"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="r1NMt4h4sbU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/r1NMt4h4sbU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>Could they be the greatest band of the sixties? For sure, the best American rock band of all time. </span></i><o:p></o:p></p><p><span>The Damned - "Neat Neat Neat"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="gXKDtkCzSCw" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/gXKDtkCzSCw?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><i><span>Vampires make the best lead singers. They both the sound and the look, the greatest UK punk band of the seventies. </span></i><o:p></o:p></p><p><span>Shocking Blue - "Send Me A Postcard"</span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="y-eWMYe-ss8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/y-eWMYe-ss8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span>Dutch pop-psyche legends. Jackie gets compared to Mariska all the time!</span><o:p></o:p></p><p><span><strong>Do you abide by a philosophy for your live shows, and when performing live, do you prefer to stick to your set sounding as close to the record as possible or have the live version of a song become its own thing? </strong></span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> </span><span style="color:#0E101A;"><span>Our live shows are the main event. They are the best place for us to play our songs and for our audience to hear them. For most of the band's career, our records only somewhat lived up to our live shows. With each new record project, our goal was always to capture that intensity, and I think we finally captured that with </span><i><span>Queen of the Pill</span></i><span>. But The Jackets are a band meant to see live rather than listen to our records. </span></span><o:p></o:p></p><p><span><strong>The Jackets have toured throughout North America, the UK, Mexico, and Europe. How do the audiences differ in each part of the world with this style of music, and what are the differences you encounter in each new country? What is the best show you remember playing, and which was a disaster? </strong></span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> We find cool people everywhere we go. Every village and town everywhere seems to have a handful of cool rock and rollers. Of course, some countries really stand out. Spain is probably the Mecca for garage punk rock in Europe. The amount of people who come to these kinds of gigs in Spain is phenomenal. Plus there are so many incredible festivals in Spain. France is probably second at the moment, but as I said, we have great parties everywhere in Europe. The United States is a bit of a smaller and older audience for our type of music, but people are very cool and dedicated. Mexico was pretty insane; that country reminds us of Spain but with a smaller and younger audience. We have had many amazing moments as The Jackets on stage, so it's hard to say what our best show was but playing at our first Funtastic Dracula Carnival in 2013 was a highlight. We were finally getting a lot of recognition in the scene then. I suppose we were the new big thing for that month and year. You probably won't believe me, but I really can't think of any disastrous shows of ours. Sorry!</span><o:p></o:p></p><p><span><strong>What’s in store for The Jackets for the rest of 2023? You have touring already planned throughout the year across Europe, but what about returning to the United States? </strong></span><o:p></o:p></p><p><span><strong>Chris Rosales:</strong> </span><span style="color:#0E101A;"><span>We plan to go to all our usual places this year - we have a small Spain tour built around the Espina Festival near Leon in June. We will be touring Benelux in September and playing Berlin Beat Explosion early that month. The Spring and Summer will be peppered with festival appearances in France and Switzerland. There will be some surprises at the end of the year, especially in October (in Spain), and we are finally returning to the UK for two quick shows in November in London and Brighton. We plan to return to the United States next year, probably only on the West Coast, but stay tuned for more info. We also plan to return to a studio sometime this year, so hopefully, new recordings will be soon. You can keep up with our gig schedule over at </span></span><a class="no-pjax" href="http://thejackets.ch/gigs.html"><span style="color:#4A6EE0;">http://thejackets.ch/gigs.html. </span></a></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="L9TuGtX5Nz4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/L9TuGtX5Nz4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://www.chaputa.com/store/the-jackets-lifes-not-like-the-movies-7/?v=7516fd43adaa"><span style="color:#4A6EE0;"><strong>PRE ORDER THE 7"</strong></span></a><br><a class="no-pjax" href="https://www.chaputa.com/store/the-jackets-lifes-not-like-the-movies-7/?v=7516fd43adaa"><span style="color:#4A6EE0;">https://www.chaputa.com/store/the-jackets-lifes-not-like-the-movies-7/?v=7516fd43adaa</span></a><br><br><span style="color:rgb(153,153,153);">Website (</span><a class="no-pjax" href="https://www.thejackets.ch/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.thejackets.ch/</a><span style="color:rgb(153,153,153);">)</span><br><span style="color:rgb(153,153,153);">Facebook (</span><a class="no-pjax" href="https://www.facebook.com/thejackets" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.facebook.com/thejackets</a><span style="color:rgb(153,153,153);">)</span><br><span style="color:rgb(153,153,153);">Instagram (</span><a class="no-pjax" href="https://www.instagram.com/thejacketsband/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.instagram.com/thejacketsband/</a><span style="color:rgb(153,153,153);">)</span><br><span style="color:rgb(153,153,153);">YouTube (</span><a class="no-pjax" href="https://www.youtube.com/TheJackets" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">https://www.youtube.com/TheJackets</a><span style="color:rgb(153,153,153);">)</span></p><p> </p><p><o:p></o:p></p><p> </p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72188662023-06-02T05:00:00-04:002023-06-02T05:00:02-04:00MEET INDIE POWER POP BAND SCOVILLE UNIT<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/05e97c7166ed2bed9a708b610311d3e154f44fa1/original/scoville-unit-credit-ejrc-trash-casual.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>Ernest Jenning Record Co., Trash Casual and NY metro area indie-rock quartet Scoville Unit are excited to present the brand new album, See What Can Be. In March of 2020, Scoville Unit was riding an unusual high. The ‘90s-inspired guitar-pop quartet led by longtime friends and ex-college roommates Drew Isleib and Gandhar Savur had just released their third, self-titled album and received some unexpected accolades. Of course, the album cycle was cut short for obvious reasons, resulting in the cancellation of the remaining shows supporting the release. Unable to rehearse or perform, Isleib, a doctor, braved the storm, donning a white coat and an N95. Savur, on the other hand, fulfilled a lifelong dream and moved to Costa Rica, where for the next year-and-a-half he admittedly spent the bulk of his existence “surfing and eating rice and beans.” As you can tell the album finally happened and here we are. <i>See What Can Be </i><span style="color:rgb(51,51,51);">brims with a newfound confidence and mastery of the band's craft that features tight, crunchy, '60s-influenced pop-rock with big, baited hooks alongside jangling and fuzz-drenched guitars — imagine Brian Wilson growing up in Asbury Park instead of Malibu. </span>So we sat down with Drew Isleib to hear more about the album making process, inspiration and more: <o:p></o:p></p><p> </p><p><strong>How did the band form and what does the band name mean?</strong></p><p>I was living in New Haven, CT with our good friend Tony Senes who had built a studio in his basement. Gandhar [Savur] came to visit us to record some demos of songs he had written. He meant to stay for the weekend but while we were in the basement, a blizzard came through and snowed us all in for about a week. We had a few days where we lost track of time and did a few 20-30 hour marathon sessions and wound up getting our days and nights reversed — a hazard of basement studios with no windows. When we finally emerged to ground level, we had a new band and the basic tracks for our first record, Everybody Knows.</p><p>The lineup has changed over the years but Gandhar and I kept the thing going as the two frontmen; we<span lang="AR-SA" dir="RTL">’</span>ve now settled on permanent members — Kevin Shelbourne on lead guitar and Rob Hunsicker on drums — and the central mantra of "let's see what happens" has been consistent.</p><p>Tony first suggested Scoville Unit as a band name during that first recording session, and we all liked the sound of it. I had never heard the term before, and I don’t think Gandhar had either. The term scoville unit, being the measurement unit of the hotness of food, actually doesn't mean all that much to us, but I do like a good hot sauce.<span> </span>Mostly, we like the way it sounds — just feels like a band name.<o:p></o:p></p><p> </p><p><strong>Previous musical projects? How'd you first get into music?</strong><o:p></o:p></p><p>My first serious band was called Velour44 which was harmony-filled Central Jersey power pop. At the time I was a 15-year-old singing drummer playing gigs around the Jersey shore. Drums were the only instrument that I had any training, but since band practices were at my house, everyone left their gear there. After a bit of messing around on my bandmates' guitars, I started to make noises that started to sound like music. I became a constant songwriter and always have a few half-written songs working their way out of my head at any given time. I've put out five solo records over the years under the name Drew Isleib and have had the good fortune to do some touring in venues and living rooms across the country. <o:p></o:p></p><p> Gandhar and Kevin both played in El Secondhand, which remains one of the greatest live punk bands that I've ever seen. They did a good deal of touring throughout the country but they were playing mostly punk and hardcore shows, which was completely different to what I was doing. Our drummer Rob Hunsicker also grew up in Central Jersey and played in a bunch of bands as well. Although we didn't know each other in high school, we had very similar upbringing. <o:p></o:p></p><p><strong>First concert that you ever went to? </strong><o:p></o:p></p><p> The first real concert that I went to was Anthrax and White Zombie at the Tower Theater in Philly. I loved every second of it, but I left bleeding.<o:p></o:p></p><p> </p><p><strong>What's your writing process like?</strong><o:p></o:p></p><p>My writing process has evolved over the years. When I was younger, everything came pretty fast and easy where I would hear a phrase or a lyric would pop into my head and the melody would come along with it and then I could build everything around that pretty quickly, with most songs taking an hour or so to get out. These days I often start something and say I<span lang="AR-SA" dir="RTL">’</span>ll finish it later, which makes that process much tougher to actually get it done. Right now I am actually in the process of finishing off a bunch of tunes that have been kicking around for a while, as we are getting ready to do pre-production for a new album. <o:p></o:p></p><p> With Scoville Unit, Gandhar was historically the main songwriter; on our last record (the self-titled record) he brought a full album<span lang="AR-SA" dir="RTL">’</span>s worth of fully-formed songs to the table.<span> </span>However, on our new record, See What Can Be, the songs Gandhar brought to the table were more bare bones and we filled them out together. It was much more collaborative, and parts and lyrics were kicked back and forth for a while before they were laid down in the studio. That’s how Everybody Knows was made too — a lot of experimentation in the studio to fill out the skeleton song structures and bring them to life.<span> </span><o:p></o:p></p><p> We are already writing for the next album and it's looking like a mix of Gandhar's songs, my songs, and songs that we are writing together from the start. Although we have been playing together for many years now and have each written so many songs during that time, this is the first time that we have been truly co-writing in the traditional sense; its just something we don’t have much experience with, and we<span lang="AR-SA" dir="RTL">’</span>re really enjoying it and excited to see where it takes our sound as a band. In fact, Gandhar recently came by my basement studio for three days and we wrote and recorded demos for the next full-length (we had a really good time trying, at least).</p><p><br><strong>What other artists or songs inspire your music? </strong></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/1BBfMfHcwyPsO3NDDhL9Yr?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p>I'm always drawn to strong melodies and am a sucker for harmonies whether it's Simon and Garfunkel or Hot Water Music. I recently replaced my turntable and have been listening to albums all the way through again. As a band, we've always tried to think about records as a whole even though people rarely listen to them that way anymore.<span> </span>But after listening to The Cars’ self-titled album, it’s hard to not feel motivated to make something so perfect from start to finish.<span> </span></p><p>Lately I've been listening to<span> </span>The Beatles, The New Pornographers, The Kinks, Elvis Costello and Fito Paez. I know while writing See What Can Be, Gandhar was listening to a ton of Big Star and Fleetwood Mac and stuff like that, but also he loves The Go-Go<span lang="AR-SA" dir="RTL">’</span>s, The Ramones, The Cars and really poppy, melodic stuff like that as well. He<span lang="AR-SA" dir="RTL">’</span>s also obsessed with the Beatles and ‘80s music.<o:p></o:p></p><p><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing? </strong><o:p></o:p></p><p> We play live as a four-piece, and Gandhar and I try to present as a dual frontman kind of band. We practice to the point of muscle memory, so ideally during the shows we are just having a good time and not having to think too hard. I've found the more we are enjoying ourselves, the better the songs come across. There is really nothing else I'd rather be doing than playing live, and I have no issue with the audience can sensing that.<span> </span><o:p></o:p></p><p>Our songs live are often presented differently than the album tracks. Although some of our records have had keys on them, when we play live, we favor a traditional guitar/bass/drums setup. On record, we bounce around between having different sounds. But when we play live, we like to go hard, heavy and fast on most songs.<span> </span><o:p></o:p></p><p><strong>Has the band toured? What has the touring experience been, best shows? worst shows?</strong><o:p></o:p></p><p>Most of our shows have been on the east coast, but we did have a chance to tour the UK and that entire experience was amazing. It was a great way to see England and Scotland and meet a lot of amazing people and bands. We were treated very well and we are hoping to get back soon.<span> </span><o:p></o:p></p><p>Thankfully, we haven<span lang="AR-SA" dir="RTL">’</span>t had that many bad shows. I think it<span lang="AR-SA" dir="RTL">’</span>s because our expectations are very humble — we just enjoy the opportunity to play live for people. We just played recently at Berlin in the East Village in New York for the single release for <span lang="AR-SA" dir="RTL">“</span>Reasons.” It was our first show since COVID and it felt so good to be playing, and I think the whole room felt it. The room was filled to capacity and the energy was just great; it was an amazing night where music brought people together for a good time. That’s why we do this, really. I<span lang="AR-SA" dir="RTL">’</span>m really looking forward to the rest of the shows on this album cycle.<o:p></o:p></p><p><strong> What's up next for the band?</strong><o:p></o:p></p><p> We've got a handful of shows coming up to support See What Can Be, and we are waiting to hear about getting attached to a tour. From there, we will continue to see what fate throws at us. But the plan for now is to keep making records. Hopefully more and more people will listen to them, but we are going to keep making them either way.<span> </span>We've also realized that making videos can be fun, so we'll keep those coming as well.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8GZsPVwsTP0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8GZsPVwsTP0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><font face="Georgia"><span><strong>Scoville Unit online:</strong></span></font><br><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/jjhsxo"><span style="color:rgb(44,92,255);"><span><strong><u>Official</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/zbisxo"><span style="color:rgb(44,92,255);"><span><strong><u>Facebook</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/f4isxo"><span style="color:rgb(44,92,255);"><span><strong><u>Twitter</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/vwjsxo"><span style="color:rgb(44,92,255);"><span><strong><u>Instagram</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/bpksxo"><span style="color:rgb(44,92,255);"><span><strong><u>Spotify</u></strong></span></span></a><span style="color:rgb(0,0,0);"><span> | </span></span><a class="no-pjax" href="https://t.e2ma.net/click/jv2sxi/jz9krl/rhlsxo"><span style="color:rgb(44,92,255);"><span><strong><u>Apple Music</u></strong></span></span></a></p><p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72112972023-06-02T05:00:00-04:002023-06-02T05:00:02-04:00MEET UK HARDCORE POST PUNK BAND RISKEE & THE RIDICULE<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/837b9e719ea544b44dc9d898035c1494c5795c38/original/riskee-the-ridicule-promo-6.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"><span class="text-big" style="color:rgb(0,0,0);">Incendiary grime-punk band Riskee & The Ridicule announce the release of their new album with the brand new single "My Name". An anthem dug from the muck of the underground and dedicated to the music industry and every snake in it. The song is a tribute to DIY bands, independent artists and labels while giving the false prophets and haters the middle finger. The band, which has toured extensively throughout the UK, Europe</span><br><span class="text-big" style="color:rgb(0,0,0);">and America, is known for its relentless energy, which is evident on the new single. </span><span class="text-big">We caught up with frontman Scott Picking and here's what he had to say: </span><br> </p><p><span style="color:rgb(0,0,0);"><strong>How did the band form and what does the band name mean?</strong></span></p><p><span style="color:rgb(0,0,0);"> The band name included my MC name and the ridicule part came from not fitting in to any particular genre and expecting to get kick back from that</span></p><p><br><span style="color:rgb(0,0,0);"><strong>Previous musical projects? How'd you first get into music?</strong></span></p><p><span style="color:rgb(0,0,0);"> I spent a lot of time doing pirate radio and at raves as an MC before the band. The other guys have all been in previous bands too and we just met around our hometown, collaborated ever since.</span><br><br><span style="color:rgb(0,0,0);"><strong>First concert that you ever went to?</strong></span></p><p><span style="color:rgb(0,0,0);">Korn at Wembley Arena in London.</span><br><br><span style="color:rgb(0,0,0);"><strong>What's your writing process like?</strong></span></p><p><span style="color:rgb(0,0,0);">Everyone has influence in the writing even more so than ever now. That said, speaking to other songwriters and bands, our style is particularly unique in the way that I come to the band with choruses with vocal melodies then the chords will be added after. The songs are built from the vocal melodies up, basically.</span><br><br><strong>What other artists or songs inspire your music?</strong></p><p><span style="color:rgb(0,0,0);">There's a whole range from acts we've played shows with like Faintest Idea to newer acts like East London's Deijvuhs or Simon Neil's new project Empire State Bastard. That's the beauty of us as a band, we all listen to so much different stuff that it becomes one big mixing pot of influences which we channel into our own sound.</span><br><br><span style="color:rgb(0,0,0);"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span></p><p><span style="color:rgb(0,0,0);"> Our live experience is better than the records without question. We feel the music way more on stage and feed it straight back to the people watching. It’s a call and response of emotions between us on stage and the crowd, and there’s nothing else like it on the planet. </span><br><br><span style="color:rgb(0,0,0);"><strong>Has the band toured? What has the touring experience been?</strong></span></p><p><span style="color:rgb(0,0,0);"> Were a touring band and we like to experience as many countries as possible. We stay mainly in Europe for financial reasons but we’ve done America and will be back. Hopefully Australia in the future too.</span><br> </p><p><strong>What's up next for the band?</strong></p><p>Our new album <i>Platinum Statue</i> is released August 25th. You can listen to the latest single "My Name" now. We'll be touring it every where we can.</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="vm2z1OpYD3M" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/vm2z1OpYD3M?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><br> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72099582023-06-01T05:00:00-04:002023-06-02T13:43:46-04:00MEET NJ ROCK N ROLL DUO INTRUDER 424<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/8430480f275b3ff6474401c50be7b5a775642753/original/intruder-424-diyc-photo-2.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><i><span>BMN recently had the pleasure of interview Pete Biggiani, one half of New Jersey-based rock n roll duo Intruder 424, about the group’s new video, “Devil In Your Crown.” Read the interview below.</span></i><o:p></o:p></p><p><span><strong>Can you describe your formation as Intruder 424? At what moment did you both realize you wanted to pursue music professionally? </strong></span><o:p></o:p></p><p><span><strong>Pete Biggiani: </strong>The formation of Intruder 424 started with Chris and I just writing songs together that didn’t really fit our past project. So that made us think about starting a rock duo that featured just Chris and I. We’ve both wanted to pursue music professionally from a young age and we’ve continued to work at it ever since and won’t stop till we get to our goal. </span><o:p></o:p></p><p><span><strong>Why was this the right time to release “Devil In Your Crown”?</strong></span><o:p></o:p></p><p><span><strong>PB: </strong>We had great success with our first single, “Make It Out Alive”, and we wanted to give the listeners another song they could enjoy even more. So, we made sure we picked the right song to release next, which ended up being “Devil In Your Crown.” We also have been doing well on TikTok with over 40,000 followers and a couple million views in just under a year so we knew that we needed this release to be strong!</span><o:p></o:p></p><p><span><strong>How was the experience filming the music video for “Devil In Your Crown”? Why was it necessary to portray the song through live performance? </strong></span><o:p></o:p></p><p><span><strong>PB: </strong>The experience of filming the music video was great. This was our second time working with Alex and he always kills it. The studio we went to was great too. It was the combination of the right team to pull off exactly what our idea for the video was. We wanted to show our listeners what it would look like live if they came and saw us at a show.</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="k2_OYK2OEV4" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/k2_OYK2OEV4?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><o:p></o:p></p><p> </p><p><span><strong>What is the most important lesson you’ve both learned thus far in your music careers?</strong></span></p><p><span><strong>PB: </strong>We’ve both learned it takes a lot of hard work to do this and not many people are cut out to do this. You need to also be very hands on with not just the music but the small things like social media and interacting with followers on a regular basis. Also making sure you are ready to go at any time. </span></p><p><span><strong>What are Intruder 424’s aspirations for the future of the music industry? </strong></span></p><p><span><strong>PB: </strong>Our aspirations for the future are to release more music, reach more potential fans around the world, and tour with some of our favorite bands. </span><o:p></o:p></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/567f71831de99ff7c3e0d93b94f0073c8b457954/original/intruder-424-diyc-art.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span><strong>Follow Intruder 424:</strong></span><o:p></o:p></p><p><a class="no-pjax" href="https://www.facebook.com/intruder424"><span>https://www.facebook.com/intruder424</span></a></p><p><o:p></o:p></p><p><a class="no-pjax" href="https://twitter.com/intruder424"><span>https://twitter.com/intruder424</span></a></p><p><a class="no-pjax" href="https://www.instagram.com/intruder424/"><span>https://www.instagram.com/intruder424/</span></a></p><p><o:p></o:p></p><p><a class="no-pjax" href="https://www.tiktok.com/@intruder424"><span>https://www.tiktok.com/@intruder424</span></a></p><p><a class="no-pjax" href="https://linktr.ee/intruder424"><span>https://linktr.ee/intruder424</span></a></p><p> </p><p><o:p></o:p></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72091102023-05-31T05:00:00-04:002023-05-31T05:00:05-04:00MEET ATLANTA INDIE PUNK BAND THE CAROLYN<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e86c954580ac6ef164dc2bbdbb52792b96bc960a/original/the-carolyn-press.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><div style="margin:0px;padding:0px;"> </div><div style="margin:0px;padding:0px;">
<span style="color:rgb(51,51,51);"><span id="gmail-isPasted">ATL indie punk outfit The Carolyn has spent the last few years crafting songs perfect for highway driving in the rain. The upcoming release, </span><i><span id="gmail-isPasted">Harmful History</span></i><span id="gmail-isPasted">, is in some ways more of what one could expect from the band, but it also foreshadows where they’re headed. Those who cut their teeth on the melodic punk bands from the late 90s and early 2000s will certainly feel at home, but might also be pleasantly surprised by the band’s choice to embrace poppy hooks and unorthodox song structures while wasting no time in the process. Look no further than the bands previous two full lengths, </span><i><span id="gmail-isPasted">Rhythm of My Own Decay</span></i><span id="gmail-isPasted"> (</span></span><a class="no-pjax" href="https://www.59xrecords.com/products/rhythmofmyowndecay" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">59 X Records</span></span></a><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">/</span></span><a class="no-pjax" href="https://gunnerrecords.com/produkt/the-carolyn-rhythm-of-my-own-decay-lpmp3/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">Gunner Records</span></span></a><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">) and </span><i><span id="gmail-isPasted">This Will Begin To Make Things Right</span></i><span id="gmail-isPasted"> (</span></span><a class="no-pjax" href="https://www.59xrecords.com/products/the-carolyn-this-will-begin-to-make-things-right" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);"><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">59 X Records</span></span></a><span style="color:rgb(51,51,51);"><span id="gmail-isPasted">) to find songs filled with catchy choruses and lyrics about sleep deprivation, obscure pop culture references, and existential crisis.</span></span>
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<p><br><span style="color:#000000;"><strong>How did the band form and what does the band name mean?</strong></span></p>
<div style="margin:0px;padding:0px;"><span style="color:#000000;"> The band started as a solo project in 2016, and it's named after an early 20th century apartment home that I spent a lot of time in while the band's first EP was being written. </span></div>
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<br><span style="color:#000000;"><strong> Previous musical projects? How'd you first get into music?</strong></span>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;">I played in various "starter" bands in Dave's basement when we were kids. Been in love with play guitar since I was about 8. </span></div>
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<span style="color:#000000;"><strong>First concert that you ever went to?</strong> </span><br><br><span style="color:#000000;">My first memorable show was Alkaline Trio in 2008 on the Agony and Irony tour. </span><br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span>
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<span style="color:#000000;">It varies. Usually starts with an acoustic guitar and vocals and manifests itself during rehearsal. We're pretty conventional in that sense. </span><br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music? </strong></span>
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<div style="margin:0px;padding:0px;">We'll always be fans of the whole emo-tinged melodic punk thing. We definitely cut our teeth on late 90s/early 2000s bands. Our biggest influences right now are on the playlist, and vary from the obvious punk heroes to Phoebe Bridgers. Melody is king for us.</div>
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<br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/0pz0yRXetOn22RLGSrRY6V?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span style="color:#000000;"><strong>What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be it's own thing?</strong></span>
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<span style="color:#000000;">I think it should be whatever works for a band. We are way more concerned with having a good time. As long as we are playing <i>in </i>time, I don't really care. Things are usually pretty loose, I think in most cases Oli and myself are just trying to party. </span><br><br><span style="color:#000000;"><strong>Has the band toured? What has the touring experience been, best shows?worst shows?</strong></span>
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<span style="color:#000000;">Not extensively, but we are about to return to Europe for another short tour. I'd say playing in Germany blows everywhere else out of the water. They really know how to take care of small bands like ourselves. Even the small shows over there feel really worthwhile. </span><br><br><span style="color:#000000;"><strong>What's up next for the band? </strong></span><br> </div>
<div style="margin:0px;padding:0px;"> We're excited to go play some festivals and see our friends again this summer in Europe. Afterward, I think we are just going to focus on writing a new record. In the meantime, our new EP "Harmful History" drops June 9th. </div>
</div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;"> </div><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="C3o4ecWWNIs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/C3o4ecWWNIs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><div style="-webkit-text-stroke-width:0px;background-color:rgb(255, 255, 255);color:rgb(0, 0, 0);font-family:Tahoma, Geneva, sans-serif;font-size:12.09px;font-style:normal;font-variant-caps:normal;font-variant-ligatures:normal;font-weight:400;letter-spacing:normal;margin:0px;orphans:2;padding:0px;text-align:start;text-decoration-color:initial;text-decoration-style:initial;text-decoration-thickness:initial;text-indent:0px;text-transform:none;white-space:normal;widows:2;word-spacing:0px;">
<br><br><span style="color:rgb(51,51,51);"><strong>Tour Dates:</strong></span> <br><span style="color:rgb(51,51,51);">6/16 @ Obenuse Fest - Zurich, CH</span> <br><span style="color:rgb(51,51,51);">6/17 @ Beard Attack Fest - Leipzig, DE</span> <br><span style="color:rgb(51,51,51);">6/22 @ AJZ - Wermelskirchen, DE w/ Jughead's Revenge </span> <br><span style="color:rgb(51,51,51);">6/23 @ Booze Cruise Fest - Hamburg, DE</span> <br><br><span style="color:rgb(51,51,51);">The Carolyn: </span><a class="no-pjax" href="https://thecarolyn.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Bandcamp</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://www.facebook.com/thecarolynmusic" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Facebook</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://www.instagram.com/the_carolyn/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Instagram</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://twitter.com/thecarolynmusic" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Twitter</a> <br><span style="color:rgb(51,51,51);">59 X Records: </span><a class="no-pjax" href="https://59xrecords.bandcamp.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Bandcamp</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://www.facebook.com/59xrecords" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Facebook</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://www.instagram.com/59xrecords/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Instagram</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://twitter.com/59xrecords" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Twitter</a><span style="color:rgb(51,51,51);"> | </span><a class="no-pjax" href="https://www.59xrecords.com/" target="_blank" rel="noopener noreferrer" title="This external link will open in a new window" onclick="return Webmail.Widgets.Email.Message.evLinkClick(this);">Website</a> <br><br><span style="color:rgb(51,51,51);"><strong>Press Photo:</strong></span> <br><span style="color:rgb(51,51,51);">Hunter Newell</span>
</div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72076812023-05-30T05:00:00-04:002023-05-30T05:00:02-04:00Five Songs That Shaped Me by Indie Pop Artist El Valerie<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/61c51c9464d431daf50ad71002316eb92415bced/original/screenshot-2023-05-12-at-12-31-54-pm.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><o:p></o:p></p><p><span lang="EN">Hello, lovely Blood Makes Noise readers! My name is Val - you may or may not know me as El Valerie from Mint 400 Records. My music could be described as lo-fi, multilingual indie pop. In my spare time, I make visual art and release zines from time to time. </span><o:p></o:p></p><p><span lang="EN">My songs tend to center on relationships and the human experience. I began making music in my teens, and was enamored with indie and experimental acts like St. Vincent, Le Tigre, and Be Your Own Pet. Art and music were and are boundless to me, a place to be free as a young woman and understand myself. I was open-minded and would continue to branch out, with my parents’ distinct tastes and backgrounds serving as a unique springboard. My Chilean mom loved pop and Latin music and would blast Juanes and Aventura at home, while my rock-obsessed American dad would go on and on about Led Zeppelin. </span><o:p></o:p></p><p><span lang="EN">On April 21st of this year, I put out an album called </span><i><span lang="EN">Pan-American Pop</span></i><span lang="EN"> that saw me dig into this trinity of Latin styles, American mainstream pop and rock, and alternative music that I grew up on. I am fascinated with the cultural origins of different genres, and wanted to write a bit about my own experiences and how my work has been shaped by them. Here are five songs that hopefully scratch the surface of my life in music thus far:</span><o:p></o:p></p><p> </p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/da02b1ab72f311817251a030bf45de302027ce90/original/ab6761610000e5eb1a911ea8badaa0034c943f7a.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p start="1" type="1"><span lang="EN"><strong>“Dile al Amor” - Aventura</strong></span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="0XCot42qTvA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/0XCot42qTvA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><o:p></o:p></p><p><span lang="EN">Growing up in Queens, my mom’s love of New York City’s local Spanish-language stations permanently burned Aventura’s bachata-pop sound into my brain. Hailing from the Bronx, the band is a cherished part of the city’s storied arts history, which is rich with contributions by Latin artists from all over the Americas and the Caribbean. Romeo Santos’s voice is instantly recognizable, infusing romance and emotion into everything you could sing about. </span><o:p></o:p></p><p><span lang="EN">Caribbean music has long been underappreciated; genres like bachata were historically misunderstood and disregarded due to their diverse, working-class roots. But from my perspective as a musician, bachata’s stripped-back folk sound is brilliant - soft yet sonically distinct, always bringing you back to exactly where you first heard it. For me, that place is my mom’s kitchen.</span><o:p></o:p></p><p> </p><p start="2" type="1"><span lang="EN"><strong>“Four Sticks” - Led Zeppelin</strong></span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="iJp27QMR2KU" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/iJp27QMR2KU?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><span lang="EN">I heard this for the first time when I was about 16 and my dad played it in the car. I had begun learning guitar at around 13, and was getting into the technics of music around this time. I vividly remember not being able to pin down what time signature this song was in - it was one of those really striking moments for me as a listener. I think most of us go through that phase where everything our parents say, do, and like embarrasses us to no end. I have a new appreciation for this as an adult.</span><o:p></o:p></p><p start="3" type="1"> </p><p start="3" type="1"><span lang="EN"><strong>“Mediocre” - Ximena Sariñana</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="eIOJcHyRPuY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/eIOJcHyRPuY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span lang="EN">In my early teens I read a feature on Ximena Sariñana in a girls’ fashion magazine - she became the first Spanish-language artist I listened to of my own accord. The title track and opener of her first record, </span><i><span lang="EN">Mediocre</span></i><span lang="EN">, just blew me away. It’s one of those songs you want to holler at the top of your lungs to while drunk. </span><i><span lang="EN">Mediocre</span></i><span lang="EN"> is an underrated and diverse album, comprising everything from modern Latin pop to alt-rock to jazz, but was still accessible enough to just be a fun listen - I forgot it was even in Spanish.</span><o:p></o:p></p><p> </p><p start="4" type="1"><span lang="EN"><strong>“The Next Time Around” - Little Joy</strong></span><o:p></o:p></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="dGHbOZBSv18" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/dGHbOZBSv18?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span lang="EN">This was a U.S.-based act formed by Binki Shapiro, Fabrizio Moretti, and Rodrigo Amarante, all of whom had other bands before and after Little Joy, or who were fantastic solo artists in their own right. Their lone self-titled record had songs in both English and Portuguese. Discovering them in high school was this sweet moment of inclusion for me - I was like, “You can be Latin American and make this kind of indie rock music? Whoa!” It opened my mind. I’m still a huge Rodrigo Amarante fan. Soon after Little Joy, I’d get into his solo albums and then his previous bands like Los Hermanos (iconic) and Orquestra Imperial.</span><o:p></o:p></p><p> </p><p start="5" type="1"><span lang="EN"><strong>"Get Ready” - The Temptations</strong></span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="mhsYOzdJjI0" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/mhsYOzdJjI0?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><span lang="EN">My mom once told me that growing up, she and her three siblings would fight over whose turn it was to choose a record to play on their shared record player. She would vie for The Temptations, a group so widely beloved that everyone can agree on them. As accessible and well-known as this song is, it’s a wonderfully well-crafted piece of music. The chorus of “Get Ready” has one of those rare and iconic hooks that grants you these big, expansive feelings about what art can be. Motown has defined pop songwriting to this day, and will always have a special place in my heart. </span></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/album/26F0Ss13VyaOcdRuJDvHCm?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p><p><span lang="EN">Music, like most forms of creative expression, is both a tool for sharing our individual experiences and a common thread that runs through all of our cultures and communities. It’s been fun to give you guys a little tour of my musical world! If you like, check out my record </span><i><span lang="EN">Pan-American Pop</span></i><span lang="EN"> on Mint 400 Records. Thanks! :)</span></p><p><a class="no-pjax" href="https://www.instagram.com/elvaleriemusic"><span lang="EN">https://www.instagram.com/elvaleriemusic</span></a></p><p><o:p></o:p></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72075572023-05-26T05:00:00-04:002023-05-26T05:00:06-04:00MEET SWEDISH PUNK BAND ROTTEN MIND<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2bcae276b6ede8e1d52a91da855c15ede3047473/original/pkqyesna.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p><span>Sweden’s Rotten Mind combines elements of 77’ punk, post-punk, dark wave, and garage rock into their own brand of melodic and alternative punk. Effortlessly moving between gloomy, epic, bittersweet, punchy, and energetic soundscapes, the band brings vintage-sounding punk to the modern age with a timeless attitude and palpable </span><span style="color:rgb(24,25,27);">verve. </span>Rotten Mind’s sound exists somewhere in the dark wastelands where 80<span>’</span>s UK acts like The Vibrators meets US bands such as Christian Death and T.S.O.L. Their fresh and modern contribution to the genre makes Rotten Mind comparable with contemporary acts such as Crusades, Iceage, Radioactivity, Metz and High Tension Wires. </p><div style="margin:0px;padding:0px;"><div style="margin:0px;padding:0px;" dir="ltr">
<div style="margin:0px;padding:0px;"><i>Questions Answered by Jakob Arvidsson</i></div>
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<div style="margin:0px;padding:0px;"><span style="color:#000000;"><strong>How did Rotten Mind form and what does the band name mean?</strong></span></div>
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<br>We come from playing in different punk bands before Rotten Mind and we wanted to try something new. We wanted to do something that was outside of our comfort zone. The name is just that we wanted to write twisted lyrics at the time so we thought it suited the band. <br><br><span style="color:#000000;"><strong>Previous musical projects? How'd you first get into music?</strong></span>
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<br>We all played in different bands. But me, Victor and Johan played in Agent Attitude, a hardcore punk band. I started playing because my brother played in a punk band and I used to steal his records and play on his drums. <br><br><span style="color:#000000;"><strong>First concert that you ever went to? </strong></span>
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<br>Oh, I don’t really know. I think it was some kind of jazz band. <br><br><span style="color:#000000;"><strong>What's your writing process like?</strong></span>
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<br>Someone writes a riff or two, then we put the song together in the rehearsing room. That’s usually like it is. <br><br><span style="color:#000000;"><strong>What other artists or songs inspire your music?</strong></span><br><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/4CSxa0Li5x3rlU6Ul0qcmh?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe> <br><span style="color:rgb(80,0,80);"> </span>
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<div style="margin:0px;padding:0px;">Many artists inspire us but the last few years we’ve been more inspired by the early 80’s post punk and dark wave. Bands like New Order, Lords of the new church etc. <br><br><span style="color:#000000;"><strong> What's the live experience like and your philosophy on playing live? Do you think the music live should be identical to the recorded version or should it be its own thing?</strong></span><br> </div>
<div style="margin:0px;padding:0px;">We love to play live. For me, the record and the live show is two completely different things even though they sound pretty alike. It’s the two sides of being in a band. I guess our philosophy is hard work. We’re pretty well oiled if I may say so myself. <br><br><span style="color:#000000;"><strong>Where have you toured? What has the touring experience been, best shows?worst shows?</strong></span><br> </div>
<div style="margin:0px;padding:0px;">We’ve been all around Europe, Australia and the US. Our best shows are always in Germany or France. The worst shows? I don’t know, maybe some show in the UK haha <br><br><span style="color:#000000;"><strong>What's up next for you?</strong></span><br><br>We’re doing some summer festivals this summer and a European tour in November. After that we’ll see! </div>
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<p> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="RnE0AcTF8Ac" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/RnE0AcTF8Ac?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p><a class="no-pjax" href="https://rottenmind-official.bandcamp.com/album/rotten-mind">https://rottenmind-official.bandcamp.com/album/rotten-mind</a></p>
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</div></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72075592023-05-25T05:00:00-04:002023-05-25T07:59:22-04:00(BMN LABEL SPOTLIGHT) BROOKLYN RECORD LABEL TRASH CASUAL <p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/48be3004ebe31278a50a5e0ae86ed10d078902ad/original/flyer-copy-5-25.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p>In honor of Brooklyn Label Trash Casual visiting New Jersey tonight with one of their flagship bands Dead Tooth coming to Pet Shop in Jersey City, NJ we took the time to shine the spotlight on what this exciting label is up to this month aside from the amazing show planned for tonight. <br><br><a class="no-pjax" href="https://www.trashcasual.com/">https://www.trashcasual.com/</a></p><p> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/d2389eb9e80dfd58b18df1bfcbf55c1ef8fae6ad/original/kepgtf-w.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p> </p><p><span style="color:rgb(29,34,40);"><strong>Elijah Wolf “Fading”, “Care Anymore”, “We Talked About It” (singles)</strong></span> <br><a class="no-pjax" href="https://www.instagram.com/elijahwolf"><span style="color:#3b69a8;">https://www.instagram.com/elijahwolf</span></a> <br><br><span style="color:black;">We Talked About It deals with feeling numb and disconnected in life. It’s about going through the motions, letting your mind wander, and missing everything real around you. I wrote it in a low moment when I was feeling detached and directionless. It became a conversation with myself about what I was becoming when I failed to be present. My collaborators Sam Cohen, Joshua Jaeger, and I attempted four very different versions of the song. We tried an energetic indie-rock version, then a ‘70s rock version, then a big, dramatic ‘80s groove with maybe a dozen tracks of drums. It wasn’t until we stripped everything away that we knew we had something special. We asked Photay to join the recording and play the Buchla Music Easel, which became essential to the song.</span><o:p></o:p></p><p><span style="color:black;">Shooting the music video for We Talked About It was an incredible experience. My friend since childhood Dylan Kaplowitz directed the video and brought to life a new vision for the song. Same goes for choreographer Hannah Garner, who runs 2nd Best Dance Company and has been a friend since college. She thought the piece would be perfect for dancer Channce Williams, and together they reinterpreted the song yet again, enriching it with new layers of meaning. Channce’s movement feels emotional to me, telling such a beautiful story of the song.</span> <br><br><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/72dc17205c85df52cfea0302d30eff78b63c04b9/original/vosk9eyw.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p><span style="color:rgb(29,34,40);"><strong>May 24 - Alanna Royale “Run Around” (single)</strong></span> <br><a class="no-pjax" href="https://www.alannaroyale.com/"><span style="color:#2e5a96;">https://www.alannaroyale.com/</span></a></p><p><span style="color:black;">“Run Around,” produced by Kelly Finnigan of Monophonics, came on the heels of the singer scrapping an entire album and saying goodbye to some long-time bandmates. Already at an inflection point, the pandemic spurred Royale to make even greater leaps. Jumping at the opportunity to work with Finnigan, as a long-time fan, Royale drove cross-country to meet him in San Francisco. She had her dog as company and an entirely fresh perspective guiding her. Royale was ready to take chances and learn how to capture her emotions in a clearer, more articulate way when they began recording in early 2020. Whereas her previous EPs <i>Achilles </i>and <i>So Bad You Can Taste It </i>had been written for a big band style, songwriting now took precedence. “Kelly taught me how to write a song that could be played in any iteration because of its strength,” she says. </span></p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/e2271a5870327180251f5470a41b5107f0caeb3b/original/l-cqj8ug.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br><span style="color:rgb(29,34,40);"><strong>May 25 - Second Spirit “Fuck Your Heritage” (single)</strong></span> <br><a class="no-pjax" href="https://secondspirithxc.bandcamp.com/album/the-weight-of-just-living"><span style="color:#3b69a8;">https://secondspirithxc.bandcamp.com/album/the-weight-of-just-living</span></a></p><p><span style="color:black;"><span lang="EN">"This record is about expressing my deepest feelings out loud and trying to leave the past behind me, where it belongs. You know, as you get older - the more you know about the people closest to you, your surroundings, politics, religion, even the hardcore scene - the more disappointment and sadness grows within you. Having to live with that is tough." explains Jared Colby. "The title of the record is meant to have a double meaning. Not only does everyone on this planet feel a weight of just trying to live through their day without getting sucked into the bullshit, but there is also a massive weight in living JUSTLY. Being the bigger man, doing the right thing. It's very hard to carry yourself in that way all the time."</span></span> <br> </p><p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/c27591686069c0f6f348cc51cb6bd729f9657bb5/original/hhb43ayq.png/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /> <br><span style="color:rgb(29,34,40);"><strong>May 26 - Faire Osciller “Hey Ho, Oh No” (single)</strong></span> <br><a class="no-pjax" href="https://faireosciller.bandcamp.com/album/tornado"><span style="color:#3b69a8;">https://faireosciller.bandcamp.com/album/tornado</span></a> <br><br><span style="color:#000000;"><span>“Still I struggle with the timeline, life is short, please don’t take mine” sings Tim Williams (Soft Swells) on FAIRE OSCILLER’s new Ramones-inspired power pop single. Tim’s big, fuzzy guitars and the thunder of AJ Tobey's (Ultra Major) bass will knock you off your feet from the get-go, and blaze through the full minute-and-a-half duration of the song. The lyrics serve as a reminder of how everything in life needs balance, but even when we achieve that, most things are still out of our control. This is something you can only learn over time, and AJ and Tim have a combined resume that speaks to decades of experience. They met around 15 years ago in a bar in Portsmouth, NH while Tim was touring one of his 3 solo records. From that point on they set off to start a band and it is only now that they found the right circumstances to write their first chapter. They were joined in the recording studio (remotely) by the mighty Jack Lawless who is the backbone of DNCE and Jonas Brothers for FAIRE OSCILLER’s Tom Beaujour-produced debut out in 2023 via Brooklyn based label Trash Casual. </span></span><o:p></o:p> <br><o:p></o:p><o:p></o:p><o:p></o:p></p><p><iframe style="border-radius:12px;" src="https://open.spotify.com/embed/playlist/6KsogSzKHD0g5On0oJMGdf?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe></p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72091092023-05-25T04:55:00-04:002023-05-25T05:00:03-04:00'A PLACE FOR BASS, CHAMBER JAZZ DUETS' EXPLORES GROUND BREAKING MUSIC<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/cb6a0ef201a7b997227306f0c9cc89d0fbc0c07d/original/chako-24.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>On May 26th prolific jazz guitarist Greg Chako is releasing an exciting jazz album unlike most of his previous catalog, a stripped down duet with bassist Mason Daugherty. The two create an exciting release that has already caught the ear of some of the best bass players in jazz who've had nothing but praise. Here's what the duo had to say about the new album which is available on all streaming services tomorrow. </p><p><span>Question To Greg: </span><i><span><strong>What was the inspiration behind doing a duet album with only guitar and bass?</strong></span></i></p><p> </p><p><span>Greg’s Answer:</span> There were a few factors at play here . . . such as: #1) the locale I live in, #2) issues of cost, #3) the fact that Gt/Bs duos are the most common format for gigs and therefore deserving of my compositional focus, and #4) I’d never done it before!</p><p> </p><p>Since I moved back to my hometown of Cincinnati in 2017 to be closer to an ailing relative, I have not enjoyed the same sort of musicians <i>community</i> that I relished while living in Asia. My Asian-based recordings, such as <i>Integration</i>, <i>Where We Find Ourselves</i>, and <i>Sudden Impact</i>, included instruments like Tabla and Didjeridu, often Afro-Cuban percussion, and sometimes a unique ‘front line’ of guitar, trombone and soprano sax. These various small ensemble formats perfectly matched the inspiration I derived from living in (what was to me) an exotic tropical island environment with extremely diverse cultural elements. Relocating to Cincinnati after being abroad for so long, I am missing some of the inspirational factors that life abroad afforded me. Here and now, I have neither the data-base of players at my disposal <i>OR</i> the budget necessary to record larger ensembles.</p><p> </p><p>In the time period just before and during the 2020 COVID lock-downs, it occurred to me that I’d never written anything specifically for the bass-guitar duo, even though that particular duo format is the most common one for getting gigs. In Japan, I made an album called, <i>Two’s Company, Three’s a Crowd</i>, with duets of guitar/vocals and guitar/piano; and I did a solo guitar album called <i>My World on Six Strings</i>, but never one of just guitar and bass. So in a way, this album is <i>long</i> overdue!</p><p> </p><p>Since live performance venues were closed in 2020, there was an opportunity to focus my time on composing music at home. I do fancy myself more of a composer than strictly a player, and one of the challenges of writing engaging music in which bass often plays the melody, is the fact that the bass is in a lower ‘register’ than the guitar. How does one arrange the music so that the melodies played by the bass stand out despite its lower register? That posed a challenge that at-once intrigued and inspired the composer in me.</p><p> </p><p>Though there are well-known recordings of Gt/Bs duos, such as those of Jim Hall and Ron Carter, and Joe Pass and Niels-Henning Orsted Pederson, I believe that the music I have written sets this album apart from all those due to the complexity of the arrangements and my choice to put the guitar and bass on ‘equal footing’ as opposed to the far more common situation in which the bass merely plays an accompaniment role to the guitar.</p><p> </p><p><span>Question To Mason: </span><i><span><strong>How did you meet Greg and what drew you to do this project?</strong></span></i></p><p> </p><p><span>Mason’s Answer:</span> My former teacher recommended me to Greg for some gigs, and Greg asked if I wanted to come over to jam. We played a few standards and then he started breaking out his originals. I absolutely loved them. They had interesting chords and phrasing that lent itself to fantastic solos. Then he showed me his Gt/Bs duo tunes. They were meticulously arranged with bass at the forefront. It satisfied my love for bebop and my need for a playing challenge.</p><p> </p><p><span>Question To Greg: </span><i><span><strong>You mentioned earlier the challenge of highlighting bass melodies given its lower register when compared to the guitar; What were some of the other challenges you faced in making this record, and how did you confront them?</strong></span></i></p><p> </p><p><span>Greg’s Answer:</span> Well, the music is not easy for either of us to play, and it’s especially difficult for the bassist. The truth is that, before finding Mason, I approached one particularly skilled player who told me that the music was too complicated for him! Having the chops to play this music is one thing, but having the time and the patience to learn and practice it with me is something else entirely! The complexity of the music demands a high level of commitment by both players involved and it’s worth mentioning that I did not pay for rehearsals. It was a huge challenge to: #1) find a bassist willing to commit to the project, and then #2) to spend enough time playing together to achieve the type of cohesion we both want and expect of any recording we’re involved with.</p><p> </p><p>If you’ve heard how well Mason plays on this record, it should come as no great surprise to you that his playing skills are increasingly ‘in-demand’ in the local job market. Finding the time to work this music out together was a challenge in itself. He and I got together as and when our respective schedules allowed. We practiced just 2 songs at a time. Once we felt we were ready, we’d go into the studio to record them. After those were ‘in-the-can’ so to speak, we forgot about them and turned our focus to the next 2 songs. As a result of that somewhat cumbersome, yet necessary process on our part, it took almost a year to get all 11 songs recorded. I think it is funny to share with you that after the recording was finished, we no longer had all 11 songs under our fingers. I knew that we might get a gig in which we’d have to perform this music in front of a live audience, so after the record was finished, we continued to practice together regularly. I’m happy to tell you that now . . . almost 5 months after finishing the recording, we <i>CAN</i> play all 11 songs even better than we did on the record! Isn’t that funny? There’s a lot of dedicated work involved to pull off a project like this as we have done.</p><p> </p><p><span>Question To Mason: </span><i><span><strong>Have you ever played in a gt/bs duo before and if so, what if anything, makes this particular one different?</strong></span></i></p><p> </p><p><span>Mason’s Answer:</span> I have played in a Gt/Bs duo setting before. Many of my closest friends are guitarists. What sets this duo apart is again the meticulous arrangements with the idea of absolutely adhering to our typical roles as well as the atypical one Greg set for the bass. I have to play a lot of the melodies, which is already something very different. And Greg is hardly just comping for me at those times. He might be doubling my melody, doubling my melody while comping, playing a contrapuntal melody of his own, or we're trading off those melodies, each of us playing it at different times.</p><p> </p><p>Another thing that makes it different is that we've practiced this music together. This was never a ‘hired gun’ scenario where he sends me the music and I just show up at the studio and play it. We were able to get these arrangements ‘tight’ at his home rehearsal space. And then when we were comfortable we'd play some of it at our weekly gig. That and the metronome was how we were able to achieve the level of cohesion we have today.</p><p> </p><p><span>Question To Greg: </span><i><span><strong>What can you share with us in terms of the selection of songs presented on “A Place for Bass?</strong></span></i><span><strong>”</strong></span></p><p> </p><p><span>Greg’s Answer:</span> I was concerned and aware of the possibility that a large group of people might not be as interested in a Gt/Bs album as they might be in an album featuring a larger ensemble. Without a drummer, it’s far more difficult to play certain beats or tempos. All my releases offer various styles and time feels, and this album was going to be no different in that respect, but <i>unlike</i> some of my previous albums like <i>Friends, Old and New</i> for instance, which featured trio, quartet, quintet and even an octet(!), we did <i>not</i> have the luxury of any variation of format like that. It’s just guitar and bass, no frills, bells and whistles - ha ha!</p><p> </p><p>Before I even wrote all the songs, I knew there was going to be at least one major blues, one minor ‘bluesy’, one 3/4 time, one Bossa-Nova feel, one ballad, plus some medium to uptempo contemporary sounding selections. In the end, reviewers said that the record has “an impressive amount of variety,” and I had friends of mine who said that though they didn’t usually like duo records, they nonetheless liked this one, and that’s exactly what I was hoping for.</p><p> </p><p>Here are some interesting points about some of the songs: <i>Bach to Bass</i> is a contra-fact of Clifford Brown’s <i>Joy Spring</i>, but it is arranged in the style of a Bach Two-Part Invention, in which both the guitar and the bass play separate ‘stand-alone’ melodies that work in harmony with each other. In <i>Bass-in’ Street Blues</i>, the initial melody is played in unison, but there’s a sort of ‘shout-chorus’ after the solos which, like <i>Bach to Bass</i>, also utilizes classical-style counterpoint with the bass and guitar playing separate melodies in harmony. On <i>First Bass</i>, starting with the bass solo, the key modulates up a Whole Step after each and every chorus, returning to the original key only after 6 total solo choruses. A couple of the songs, such as <i>Base Time</i>, have an uncommon number of bars or phrases: instead of a typical 12-bar phrase, it's 13-bars! I never set out to write something unusual like that - my composing is completely organic - it just turns out that way . . . but soloing over odd-bar forms like that is a mind-bender!</p><p> </p><p><span>Question To Mason: </span><i><span><strong>Were there any uniques challenges or surprises in learning these songs, and if so, what were they?</strong></span></i></p><p> </p><p><span>Mason’s Answer:</span> A unique challenge was the physical demand of the music. Greg wrote my parts in a range where the upright ‘speaks’, a higher range. You have a couple left hand methods on the upright bass. On the lower end you use your index, middle, and pinky fingers with the ring finger supporting the pinky. But in the upper register, you use all five fingers with the thumb anchoring itself to different spots on the bass. In between those areas, there isn't as solid a system for fingering; "No Man's Land" I've heard it called. Greg's music is in all three ranges, but mostly in "No Man's Land!” That area requires a great deal of focus on my part in order for the notes to be in tune. That, coupled with some quick ‘high-interval’ leaps, and not having the rhythmic support playing with a drummer can provide, makes for a tremendous challenge.</p><p> </p><p> </p><p><span>Question To Greg and Mason: </span><i><span><strong>What hopes or aspirations do you have for this duo moving forward, and for your own career too?</strong></span></i></p><p> </p><p><span>Mason’s Answer:</span> I hope that our music ‘grows legs’, traveling the world while Greg and I follow its path. I'd love to use the project to experience new cultures and see new sights. As for my own career, I'd like to continue playing as much as possible and continue to play music that ‘pushes’ me . . . all that while nurturing the friendships that I have made and sharing my own music too.</p><p> </p><p><span>Greg’s Answer:</span> I agree with what Mason says in regards to gaining the sort of professional recognition and exposure that could lead to touring both in the States and abroad. While I have had significant experience playing outside the USA, I still long for more of it. I think that anywhere one lives, even if in a jazz capital of the world like New York City, musicians are prone to being innocent victims of what I shall call the “Local-Musician Syndrome,” a malady that no local can really escape, which is why even more famous players than us will leave their home-base of NYC to travel all over the world to play. For some reason, players can tend to be less appreciated in the local area they live in, and even though it makes no sense at all, musicians visiting from out-of-town just <i>must</i> be better to go and see than a ‘local’ - ha ha!</p><p> </p><p>The expert reviews we’ve gotten on this album, from Master players like Rufus Reid, Dave Stryker, Ron McClure, Peter Bernstein, John Clayton, Rodney Jones, Jimmy Bruno and Ben Monder, have been truly heart-warming and totally outstanding. So with ‘kudos’ and support like that, I think we’re both anxious to reap the rewards of our efforts in the form of more opportunities to share our music with folks all over the world!</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="95xHcPQQh6o" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/95xHcPQQh6o?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p>Greg Chako Mason Daugherty | Interview May 12th 2023 | <a class="no-pjax" href="https://gregchako.com/">https://gregchako.com/</a></p><p> </p>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72069012023-05-24T05:00:00-04:002023-10-07T06:36:27-04:00WHAT'S IN OUR INBOX! GRAVE SADDLES, SUPERBLOOM, JSHELL, YAM HAUS, GRINGO STAR<img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/2d4f99e717bb9392554eaab364f9e533ca93341d/original/bmn3.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /><p>Our inbox is over flowing again so we are letting you good people know exactly what is new and available out there in the music world. This week not a bad song in the batch, really great stuff. Our writers seemed to enjoy it all and hopefully you will too. If you want to see your band on one of these lists, send us streaming music and as short bio. <br><br><strong>Band Name: </strong>Grave Saddles</p><p><strong>BMN Score:</strong> 8.9/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">California-based countrygaze band Grave Saddles has released a new single titled "Willie Nelson Golfing Dream #3" and announced their signing with Really Rad Records. The track takes listeners on a ride through the heart of Grave Saddles' unique sound, balanced between twangy country ballads and unrestrained shoegaze distortion. Fans of the band's previous work will find much to love in this latest release, which cements Grave Saddles' position as one of the most promising acts in the DIY scene today.</span></p><p><strong>What we say they sound like: </strong>This is definitely of the shoegaze genre but the band has called it countrygaze as it does at moments break into an Americana feeling chorus. I think if you like Wilco but also equally like Cocteau Twins you might really like this. It has a very fun lofi indie quality to it and is exactly the kind of band you'd want to see live. It's catchy and it feels like a group that vibes well with each other and something I like is there is no show off in the band. Meaning that there isn't unnecessary guitar shredding or out of place drum fills, it all just kind of happens organically and I mean that in the best way possible. </p><p><strong>Song to add to your playlist: </strong>Willie Nelson Golfing Dream #3</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="G1tb8wmiRzA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/G1tb8wmiRzA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Superbloom</p><p><strong>BMN Score:</strong> 9.3/10</p><p><strong>What the band says: </strong><span style="color:rgb(85,85,85);">'Life's A Blur' is a conscious progression from 2021's breakthrough debut full-length 'Pollen.' The songs have a harder edge and an undeniable, ever-present weight. Superbloom reach greater depths of sound through dynamic, varied songs and interludes that range from ethereal to manic, all while retaining those signature hooks, dreamy tones, and infectious bouncy rhythms that made their debut so irresistible.</span></p><p><strong>What we say they sound like: </strong>This has a really great 90's vibe to it and reminds me of something like My Bloody Valentine meets Eels, Smashing Pumpkins, Granddaddy, among others. I kind of here this 90's hit by Feeder called “High” when I listen to this song, it has a similar melody and vibe to it. I like this better actually. It's like the pop aspect of Fountains of Wayne but mixed with a shoegaze noise vibe. I'm on board. </p><p><strong>Song to add to your playlist: </strong>Tiny Bodyguard<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="ETk8sF65FxY" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/ETk8sF65FxY?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>JShell</p><p><strong>BMN Score:</strong> 8.8/10</p><p><strong>What the band says: </strong><span style="color:rgb(0,0,0);">JSHELL, who counts such artists as Genesis, The Beatles, The Who, Rush, Queen, Journey, Billy Joel, Iron Maiden, Styx and Phish as key influences, produced, wrote and arranged all fifteen tracks on ‘In My Head’, while providing all drums, bass guitar and keyboards, as well as lead and background vocals, rhythm and lead guitar, and percussion.</span></p><p><strong>What we say they sound like: </strong>First, one of the coolest videos I've seen in a while. This reminds me of a lot of indie pop that's come across our desk recently like Oh Bummer, Dignan Porch, Kotta and few others. It's kind of a mix of many different lo-fi indie sounds and genre's kind of lumped together to make an amalgamtion that comes off as original and very creative. I put this in that category and applaud any band that can do something different in the age of it's all been done before. It's hard to pigeon hole them at all and they understood the assignment in making an enjoyable song. </p><p><strong>Song to add to your playlist: </strong>You Do You</p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="149pa9gJd-A" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/149pa9gJd-A?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Yam Haus</p><p><strong>BMN Score:</strong> 7.5/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">Minneapolis-based indie pop-rock trio Yam Haus have released a live, stripped-down version of their acclaimed new single, “Rafters.” A wistful indie-rock rumination that is for those who feel they might need to let go of something, this brand new acoustic version of “Rafters” truly showcases the band’s propensity for creating the most soaring of anthems. </span></p><p><strong>What we say they sound like: </strong>This is very rock pop kind of like if you took Cold Play or The Killers and mixed with All American Rejects or Motion City Soundtrack and then took out all of the rough edges. It has moments that the melodies reflect bands like The Fray or Keane. I love Minneapolis for Prince, The Replacements, Husker Du and many others. This is kind of missing an essential element of that stuff and trades it in for anthemic main stream arena rock. Not usually my thing but it's well done. </p><p><strong>Song to add to your playlist:</strong> Rafters<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="8w0t3kYcfJ8" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/8w0t3kYcfJ8?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p> </p><p><strong>Band Name: </strong>Gringo Star</p><p><strong>BMN Score:</strong> 10/10</p><p><strong>What the band says: </strong><span style="color:rgb(51,51,51);">Nick Furgiuele adds, "I wrote 'Hanging Around' during the pandemic because we weren’t touring or playing much and it was about wanting to see all our friends we’ve made over the years on the road. And really it’s just a song about lifelong friendships." </span></p><p><strong>What we say they sound like: </strong>I couldn't ask for a better combination in one band of styles that I like. It's like old time country, The Shins, Sea Wolf, and an Ennio Morricone Spaghetti Western soundtrack with elements of 60's reverb soaked strings and piano. I feel like in the one piano part I hear a tone and melody that is almost Dion's “Dream Lover” or “I Wonder Why” but bits and pieces of Cher's “Bang Bang” but with a voice like Alex Church of Sea Wolf. The overall vibe and presentation are aces in my book. This has made me a Gringo Star fan. </p><p><strong>Song to add to your playlist: </strong>Hanging Around<br> </p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="k0zGz7grEcA" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/k0zGz7grEcA?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div>Blood Makes Noisetag:bloodmakesnoise.net,2005:Post/72061722023-05-23T05:00:00-04:002023-05-31T08:08:36-04:00 “Raise ‘Em High!” with Jon Caspi and the First Gun (featuring Dez Cadena and Jesse Malin) By Dennis King<p><img src="//d10j3mvrs1suex.cloudfront.net/s:bzglfiles/u/497285/858e75505908f3f34f7fc4d38eec9e165fd79018/original/jesse-malin-jon-caspi.jpg/!!/meta:eyJzcmNCdWNrZXQiOiJiemdsZmlsZXMifQ==" class="size_l justify_center border_" /></p><p dir="ltr"><span style="color:rgb(0,0,0);">In the mid 70s, the crack of the bat signaled to all kids and teens across America that spring has sprung! Slipping into our best pair of Toughskins, grabbing a crusty mitt, we’d all meet up at the local field. At times, we were a motley bunch, athletes, dirtbags, friends, and the occasional odd ball from the other side of town. What better way to remind us of this glorious pastime, while celebrating the present, then Jon Caspi and The First Gun’s, “<strong>Raise ‘Em High!</strong>”. The song should and will be played in stadiums far and wide. To add to this rousing call of brotherhood, the song features Dez Cadena (Black Flag) and Jesse Malin’s (Heart Attack, D Generation) distinct vocal delivery, adding to the camaraderie with raised fists. It's a call to arms, so raise 'em high and join in the celebration. </span></p><p dir="ltr"><span style="color:rgb(0,0,0);">BMN had the opportunity to catch up with Jon and talk about the new recording and fantastic video, which nods its cap to the classic 1976 film, <i><strong>The Bad News Bears.</strong></i><strong> </strong> </span></p><p dir="ltr"><span style="color:rgb(0,0,0);"><i><strong>T</strong></i><strong>he original song is featured on the 2013 album, Raise ‘Em High! What inspired this new version and how did Dez Caden and Jesse Malin get involved?</strong></span></p><p dir="ltr"><span>It's a crazy story. When COVID hit and the world shut down, legendary WFMU DJ Glen "Jonesey" Jones started playing it every 2pm on his Sunday show as part of a "2pm Toast" in which he would 'cheers' members of his audience which includes Jesse Malin. The 2pm Toast became so big that it inspired a Facebook group which now has over 1300 members. The new buzz behind the track inspired a local brewery, Alternate Ending Beer Co., to put out a beer called Raise 'Em High!, which the mayor of Aberdeen, NJ officially declared as the "Official Beer of Aberdeen Day." The new buzz also led to us signing with Fake Chapter Records and the idea of putting a new version out was raised. The idea for a new version was being considered for a while because the original version was recorded when we are a trio. When we signed with Fake Chapter we were 6 members including Dez Cadena (Black Flag, The Misfits). We wanted a version that included everyone. The idea to include Jesse came about from the 2pm Toast. We knew he had heard the song and so I reached out to see if he'd be interested and he immediately said that he was in. I was blown away and so happy he did. His vocals are perfect for the track and raise it to a higher level (pun intended!). Fake Chapter Records is releasing a 7" vinyl of the new track on May 13th at a release party event at Randy Now's Man Cave (a record store/venue in Hightstown, NJ). Oh yes, Dez... well, back in 2016 Dez was playing in a band with a bassist that was in a band i was in a long time ago and was one of my closest friends. He died suddenly and we did a memorial show for him at the Stone Pony. I asked Dez if he wanted to perform with us and he agreed. We really hit it off and soon after he started doing lots of shows with us and then became a member through 2022 when he had to move back to California. He's back in NJ at the moment and joining us for the vinyl release show this Saturday.</span></p><p dir="ltr"><br><span style="color:rgb(0,0,0);"><strong>Tell us about the video concept and all the special cameos throughout?</strong></span></p><p dir="ltr"><span>People have been suggesting we do a video for the song for a long time. With all the momentum we decided to move forward. As we threw around ideas I asked folks for their favorite video of all time. </span><i>Sabotage</i><span> by the Beastie Boys was mentioned a few times and I thought we should do something like that... more like a movie trailer and not a typical video in which we lip sync to the track. Since the song was inspired by an underdog baseball team beating the forever-winning rivals the classic movie </span><i>The Bad News Bears</i><span> came to mind. That inspired the storyline of the video, which we made some small changes to. Dez and Glen "Jonesey" Jones both agreed to be in it and were so happy they did. They are naturals for the big screen!</span></p><div class="video-container size_xl justify_center" style=""><iframe data-video-type="youtube" data-video-id="-DBeRcuOEIs" data-video-thumb-url="" type="text/html" src="https://www.youtube.com/embed/-DBeRcuOEIs?rel=0&wmode=transparent&enablejsapi=1" frameborder="0" allowfullscreen="true"></iframe></div><p dir="ltr"><span> </span></p>Blood Makes Noise