Described as "spacious, atmospheric, and cinematic" by Brooklyn Vegan, the album undoubtedly captures a sense of grandeur that resonates with listeners. Within its expansive soundscape, there's a comforting familiarity that evokes nostalgia, serving as a poignant nod to the band's roots. While SPIN recognizes the album's avoidance of feeling rehashed, it's clear that Armor For Sleep's signature sound remains intact, offering fans a comforting embrace of the past while pushing towards the future.
Frontman Ben Jorgensen's vision for "The Rain Museum" is nothing short of ambitious. Transporting listeners to a post-apocalyptic world devoid of weather, the album's concept seamlessly intertwines with personal turmoil, lending depth and authenticity to each track. While some may argue that the narrative occasionally veers towards the melodramatic, it's this emotional resonance that adds layers to the listening experience, inviting audiences to delve deeper into the band's psyche.
Initially shelved due to external factors, the album's eventual release amidst the tumultuous backdrop of a pandemic and personal upheaval only adds to its allure. Each song serves as a testament to resilience, showcasing Armor For Sleep's evolution while staying true to their essence. While the album may lack the thematic unity of their earlier work, it's evident that the band's growth is palpable, offering glimpses of brilliance that shine through even in moments of introspection.
"The Rain Museum" boasts moments of sheer brilliance that leave an indelible mark on the listener's soul. Tracks like “Whatever, Who Cars” showcase Armor For Sleep's ability to craft emotive melodies that resonate long after the final note fades. While there are instances where the album's concept may feel slightly overwhelming, it ultimately serves as a guiding force, enriching the listening experience with its depth and complexity.
As Armor For Sleep embarks on their tour, it's clear that their legacy in the emo/post-hardcore scene is secure. "The Rain Museum" not only reaffirms their place in music history but also serves as a testament to their ongoing evolution. While the album may not revolutionize the genre, its impact is undeniable, leaving fans eagerly anticipating what the future holds for this enduring band.
APRIL
03 — McKees Rocks, PA — Roxian Theatre *
04 — Sayreville, NJ — Starland Ballroom *
05 — Baltimore, MD – Rams Head Live *
06 — Raleigh, NC — The Ritz *
07 — Nashville, TN — Brooklyn Bowl *
09 — Atlanta, GA — The Masquerade *
10 — Lake Buena Vista, FL — House of Blues *
12 — Houston, TX — House of Blues *
13 — Austin, TX — Stubb’s Waller Creek Amphitheatre*
14 — Dallas, TX — House of Blues *
16 — Phoenix, AZ — The Van Buren *
17 — Los Angeles, CA – The Wiltern *
19 — Anaheim, CA — House of Blues *
20 — San Diego, CA — The Observatory North Park *
21 — Berkeley, CA — The UC Theatre *
23 — Portland, OR — Roseland Theater *
24 — Seattle, WA — Showbox SoDo *
26 — Salt Lake City, UT — The Union *
27 — Denver, CO — Fillmore Auditorium *
29 — Chicago, IL — House of Blues *
30 — Cincinnati, OH — Bogart’s *
MAY
01 — Detroit, MI — The Fillmore *
03 — Philadelphia, PA — Franklin Music Hall ^
04 — New York, NY — Terminal 5 ^
05 — Boston, MA — Roadrunner ^
OCTOBER
19-20 — Las Vegas, NV — When We Were Young Festival
* — w/ Bayside, Finch, Winona Fighter
^ — w/ Bayside, Finch